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Castello Di San Giorgio (Mantua)
The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi (Wedding Room), they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline ...
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20110720 Mantova Palazzo Del Capitano 3552
Eleven or 11 may refer to: *11 (number), the natural number following 10 and preceding 12 * one of the years 11 BC, AD 11, 1911, 2011, or any year ending in 11 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music *Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label * Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Ream ...
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Camera Degli Sposi
The Camera degli Sposi ("bridal chamber"), sometimes known as the Camera picta ("painted chamber"), is a room frescoed with illusionistic paintings by Andrea Mantegna in the Ducal Palace, Mantua, Italy.. During the fifteenth century when the Camera degli Sposi was painted, Mantua was ruled by the Gonzaga, who maintained Mantua's political autonomy from its much stronger neighbors Milan and Venice by bidding their support out as a mercenary state. By commissioning Mantegna to paint the chamber, Ludovico III Gonzaga, the Marquis of Mantua, sought to give the Gonzaga rule more cultural credibility at a time when other Northern Italian courts such as the Ferrara were commissioning their own “painted chambers”. The Camera is located on the first floor of a northeastern tower in the private section of the Ducal Palace, with windows on the northern and eastern walls, overlooking Lago di Mezzo. This room would have been used for several different private and semi-private functions s ...
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Realm Of Komos
A realm is a community or territory over which a sovereign rules. The term is commonly used to describe a monarchical or dynastic state. A realm may also be a subdivision within an empire, if it has its own monarch, e.g. the German Empire. Etymology The Old French word ''reaume'', modern French ''royaume'', was the word first adopted in English; the fixed modern spelling does not appear until the beginning of the 17th century. The word supposedly derives from medieval Latin ''regalimen'', from ''regalis'', of or belonging to a ''rex'' (king). The word ''rex'' itself is derived from the Latin verb ''regere'', which means "to rule". Thus the literal meaning of the word ''realm'' is "the territory of a ruler", traditionally a monarch (emperor, king, grand duke, prince, etc.). Usage "Realm" is particularly used for those states whose name includes the word ''kingdom'' (for example, the United Kingdom), as elegant variation, to avoid clumsy repetition of the word in a sentence (fo ...
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Isabella D'Este In The Realm Of Harmony
Isabella may refer to: People and fictional characters * Isabella (given name), including a list of people and fictional characters * Isabella (surname), including a list of people Places United States * Isabella, Alabama, an unincorporated community * Isabella, California, a former settlement * Lake Isabella, California, a man-made reservoir * Isabella, Georgia, an unincorporated community * Isabella County, Michigan * Isabella, an unincorporated community in Isabella Township, Michigan * Isabella, Minnesota, an unincorporated community * Isabella, Missouri, an unincorporated community * Isabella River (Minnesota) * Isabella, Oklahoma, a census-designated place and unincorporated community * Isabella, Pennsylvania (other) * Isabella Furnace, a cold-blast charcoal iron furnace, Pennsylvania Elsewhere * Isabella River (New South Wales), Australia * Isabella Island, Tasmania, Australia * Isabela Island (Galápagos) * Isabella, Manitoba, Canada, a settlement * ...
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Lorenzo Costa The Elder
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ...
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Triumph Of The Virtues (Mantegna)
The ''Triumph of the Virtues'' (also known as ''Minerva Expelling the Vices from the Garden of Virtue'') is a painting by the Italian Renaissance painter Andrea Mantegna, completed in 1502. It is housed in the Musée du Louvre of Paris. The ''triumph'' was the second picture painted by Mantegna for Isabella d'Este's '' studiolo'' (cabinet), after the ''Parnassus'' of 1497. It portrays a marsh enclosed by a tall fence, ruled over by the Vices, portrayed as hideous figures and identified by scrolls in a typically medieval way. Idleness is chased by Minerva, who is also rescuing Diana, goddess of chastity, from being raped by a Centaur, symbol of concupiscence. Next to Minerva is a tree with human features. High in the sky are the three primary moral virtues required to perfect the appetitive powers: Justice, Temperance and Fortitude. See also *''Allegory of Isabella d'Este's Coronation The ''Allegory of Isabella d'Este's Coronation'' is a painting by the Italian Renaissance pa ...
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Parnassus (Mantegna)
The ''Parnassus'' is a painting by the Italian Renaissance painter Andrea Mantegna, executed in 1497. It is housed in the Musée du Louvre of Paris. History The ''Parnassus'' was the first picture painted by Mantegna for Isabella d'Este's '' studiolo'' (cabinet) in the Ducal Palace of Mantua. The shipping of the paint used by Mantegna for the work is documented in 1497; there is also a letter to Isabella (who was at Ferrara) informing her that once back she would find the work completed. The theme was suggested by the court poet Paride da Ceresara. After Mantegna's death in 1506, the work was partially repainted to update it to the oil technique which had become predominant. The intervention was due perhaps to Lorenzo Leonbruno, and regarded the heads of the Muses, of Apollo, Venus and the landscape. Together with the other paintings in the ''studiolo'', it was given to Cardinal Richelieu by Duke Charles I of Mantua in 1627, entering the royal collections with Louis XIV of Fr ...
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Studiolo Of Isabella D'Este
The Studiolo of Isabella d'Este was a special private study, first in castello di San Giorgio, later the Studiolo was moved to the Corte Vecchi apartments in the Ducal Palace in Mantua, designed by, and with a collection of art specially commissioned by Isabella d'Este. History Beginnings Born in Ferrara and educated by some of the most notable humanists of the era, the sixteen-year-old Isabella arrived in Mantua on 12 February 1490 to marry Francesco II Gonzaga. She was given apartments on the main floor of the castello di San Giorgio, close to the Camera degli Sposi. Shortly after her arrival she selected two rooms in these apartments for private use. Badly-lit and with no fireplaces, these two rooms were in the San Niccolò tower - the upper one became her "studiolo" and beneath it her barrel-vaulted "grotta", accessed via a staircase and doorway decorated in marble. She was probably inspired by the Studiolo of the Palazzo Belfiore, designed for her uncle Leonello d'Este, and t ...
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Isabella D'Este (1474-1539)
Isabella d'Este (19 May 1474 – 13 February 1539) was Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion, whose innovative style of dressing was copied by numerous women. The poet Ariosto labeled her as the "liberal and magnanimous Isabella", while author Matteo Bandello described her as having been "supreme among women". Diplomat Niccolò da Correggio went even further by hailing her as "The First Lady of the world". She served as the regent of Mantua during the absence of her husband Francesco II Gonzaga and during the minority of her son Federico. She was a prolific letter-writer and maintained a lifelong correspondence with her sister-in-law Elisabetta Gonzaga. Isabella grew up in a cultured family in the city-state of Ferrara. She received a fine classical education and as a girl met many famous humanist scholars and artists. Due to the vast ...
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Gianfrancesco Gonzaga
Gianfrancesco I Gonzaga (1395 – 23 September 1444) was Marquess of Mantua from 1407 to 1444. He was also a condottiero. Biography Gianfrancesco was the son of Francesco I Gonzaga and Margherita Malatesta. He inherited the rule of Mantua in 1407, when he was 12. In his first years, he was under the patronage of his uncle Carlo Malatesta and, indirectly, of the Republic of Venice. In 1409 he married Paola Malatesta, daughter of Malatesta IV Malatesta of Pesaro, by whom he had two sons, Ludovico, who succeeded him as Marquess of Mantua, and Carlo. He was the first Gonzaga to bear the title of marquess, which he obtained from Emperor Sigismund on 22 September 1433.Brinton, Selwyn. ''The Gonzaga - Lords of Mantua.'' London: Methuen & Co. LTD., 1927. pg. 65 He fought for the Papal States and the Malatestas in 1412 and 1417, respectively, and was ''capitano generale'' (commander-in-chief) of the Venetian Armies from 1434.Brinton, pg. 65 Later he left the alliance with Venice a ...
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Pisanello
Pisanello (c. 1380/1395c. 1450/1455), born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time, who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. Pisanello is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings such as those in the Codex Vallardi (Louvre). He is the most important commemorative portrait medallist in the first half of the 15th century, and he can claim to have originated this important genre. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem in the Gonzaga and Este families. Pisanello had many of his ...
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Domenico Morone
Domenico Morone ( 1442 – 1518) was an Italian painter from Verona, painting in an early Renaissance style. Much of his work has not survived, notably his fresco cycles. He was considered by Vasari to be second only to Liberale da Verona among artists in his town. His son Francesco Morone was also a prominent Veronese painter. His pupils included Michele da Verona and Girolamo dai Libri. Domenico Morone is known from a few panels, mainly depicting public festivals or tournaments with crowds of small figures. One of his masterpieces is the canvas celebrating the ''Cacciata dei Bonacolsi'' (1494) (or ''Expulsion of the Bonacolsi in 1328, scene of Piazza Sordello, Mantua'') in the Ducal Palace of Mantua. Two small cassone panels depicting the ''Rape of Sabine women'' dated to c.1490 and attributed to Morone were bought by the National Gallery, London in 1886 and remain in its collections. He was particularly prolific at the church of San Bernardino, Verona, painting a ''Madonn ...
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