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Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hand Of God (art)
The Hand of God, or in Latin, also known as (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm, or ending about the wrist, is used to indicate the intervention in or approval of affairs on Earth by God, and sometimes as a subject in itself. It is an artistic metaphor that is generally not intended to indicate that a hand was physically present or seen at any subject depicted. The Hand is seen appearing from above in a fairly restricted number of narrative contexts, often in a blessing gesture (in Christian examples), but sometimes performing an action. In later Christian works it tends to be replaced by a fully realized figure of God the Father, whose depiction had become acceptable in Western Christianity, although not in Eastern Orthodox or Jewish art. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Emperor
This is a list of the Byzantine emperors from the foundation of Constantinople in 330 AD, which marks the conventional start of the Eastern Roman Empire, to its fall to the Ottoman Empire in 1453 AD. Only the emperors who were recognized as legitimate rulers and exercised sovereign authority are included, to the exclusion of junior co-emperors (''symbasileis'') who never attained the status of sole or senior ruler, as well as of the various usurpers or rebels who claimed the imperial title. The following list starts with Constantine the Great, the first Christian emperor, who rebuilt the city of Byzantium as an imperial capital, Constantinople, and who was regarded by the later emperors as the model ruler. It was under Constantine that the major characteristics of what is considered the Byzantine state emerged: a Roman polity centered at Constantinople and culturally dominated by the Greek East, with Christianity as the state religion. The Byzantine Empire was the direct le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pteruges
Pteruges (also spelled pteryges; ) refers to strip-like defences for the upper parts of limbs attached to armor in the Greco-Roman world. Appearance and variation Pteruges formed a defensive skirt of leather or multi-layered fabric (linen) strips or lappets worn dependant from the waists of Roman and Greek cuirasses of warriors and soldiers, defending the hips and thighs. Similar defenses, epaulette-like strips, were worn on the shoulders, protecting the upper arms. Both sets of strips are usually interpreted as belonging to a single garment worn under a cuirass, though in a linen cuirass (''linothorax'') they may have been integral. The cuirass itself could be variously constructed: of plate-bronze (muscle cuirass), ''linothorax'', scale, lamellar or mail. ''Pteruges'' could be arranged as a single row of longer strips or in two or more layers of shorter, overlapping lappets of graduated length. Possible later use During the Middle Ages, especially in the Byzantine Empire and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Antique
Late antiquity is the time of transition from classical antiquity to the Middle Ages, generally spanning the 3rd–7th century in Europe and adjacent areas bordering the Mediterranean Basin. The popularization of this periodization in English has generally been credited to historian Peter Brown, after the publication of his seminal work '' The World of Late Antiquity'' (1971). Precise boundaries for the period are a continuing matter of debate, but Brown proposes a period between the 3rd and 8th centuries AD. Generally, it can be thought of as from the end of the Roman Empire's Crisis of the Third Century (235–284) to the early Muslim conquests (622–750), or as roughly contemporary with the Sasanian Empire (224–651). In the West its end was earlier, with the start of the Early Middle Ages typically placed in the 6th century, or earlier on the edges of the Western Roman Empire. The Roman Empire underwent considerable social, cultural and organizational changes starting with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-dome
In architecture, a semi-dome (or half-dome) is a half dome that covers a semi-circular area in a building. Architecture Semi-domes are a common feature of apses in Ancient Roman and traditional church architecture, and in mosques and iwans in Islamic architecture. A semi-dome, or the whole apse, may also be called a conch after the scallop shell often carved as decoration of the semi-dome (all shells were conches in Ancient Greek), though this is usually used for subsidiary semi-domes, rather than the one over the main apse. Small semi-domes have been often decorated in a shell shape from ancient times, as in Piero della Francesca's ''Throned Madonna with saints and Federigo da Montefeltro'', and the example in the gallery below. Islamic examples may use muqarnas decorative corbelling, while in Late Antique, Byzantine and medieval church architecture the semi-dome is the classic location for a focal mosaic, or later fresco. Found in many Ancient Greek exedras, the semi-dome bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a Rotunda (architecture), rotunda wall, a Tholobate, drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an Oculus (architecture), oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian architecture, Persian, Ancient Greek architecture, Hellenistic, Ancient Roman architecture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendentive
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraphim
A seraph (, "burning one"; plural seraphim ) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah () used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in the non-canonical Book of Enoch and the canonical Book of Revelation. Origins and development In Hebrew, the word ''saraph'' means "burning", and is used seven times throughout the text of the Hebrew Bible as a noun, usually to denote "serpent", twice in the Book of Nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di Santa Maria Maggiore
The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the largest Catholic Marian church in Rome, Italy. The basilica enshrines the venerated image of ''Salus Populi Romani'', depicting the Blessed Virgin Mary as the health and protectress of the Roman people, which was granted a Canonical coronation by Pope Gregory XVI on 15 August 1838 accompanied by his Papal bull ''Cælestis Regina''. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State.Lateran Treaty of 1929, Article 15 However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chrysostom
John Chrysostom (; gr, Ἰωάννης ὁ Χρυσόστομος; 14 September 407) was an important Early Church Father who served as archbishop of Constantinople. He is known for his homilies, preaching and public speaking, his denunciation of abuse of authority by both ecclesiastical and political leaders, his ''Divine Liturgy of Saint John Chrysostom'', and his ascetic sensibilities. The epithet (''Chrysostomos'', anglicized as Chrysostom) means "golden-mouthed" in Greek and denotes his celebrated eloquence. Chrysostom was among the most prolific authors in the early Christian Church, although both Origen, Origen of Alexandria and Augustine of Hippo exceeded Chrysostom. He is honoured as a saint in the Oriental Orthodox Church, Oriental Orthodox, Eastern Orthodox Church, Eastern Orthodox, Catholic Church, Catholic, Anglican, and Lutheran churches, as well as in some others. The Eastern Orthodox, together with the Byzantine Rite, Byzantine Eastern Catholic Churches, Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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