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Celtic Voices And Hale Bopp
''Celtic Voices'' and ''Hale Bopp'', op. 36, are two independent compositions by Graham Waterhouse for string orchestra, which were published together in 1998 by Hofmeister, Leipzig. ''Celtic Voices'' was written in 1995, ''Hale Bopp'' was written in 1997 inspired by Comet Hale-Bopp, and scored for an additional boy soprano. ''Celtic Voices'' ''Celtic Voices'', op. 36/1, for string orchestra, a piece in one movement of about 5 minutes, was written in 1995. The composer comments: "While Celtic art refers to a definite style of decoration, the sources of Celtic music, being less clear, incorporate folk traditions from the Western fringes of the British Isles. This piece explores a predominantly lyrical vein." Ivan March wrote in his review for ''Gramophone'' magazine: "Celtic Voices similarly balances virtuosity with lyricism and dips into the Phrygian mode to establish its underlying harmonic flavour." ''Hale Bopp'' ''Hale Bopp'', op. 36/2, for string orchestra with an obbli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Waterhouse
Graham Waterhouse (born 2 November 1962) is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, ''Three Pieces for Solo Cello'' and ''Variations for Cello Solo'' for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet '' Rhapsodie Macabre''. He has set poetry for speaking voice and cello, such as ''Der Handschuh'', and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon. Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and several have been recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in European countries. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Fraknoi
Andrew Fraknoi (born 1948) is a retired professor of astronomy recognized for his lifetime of work using everyday language to make astronomy more accessible and popular for both students and the general public. In 2017 Fraknoi retired from his position as Chair of the Department of Astronomy at Foothill College. In retirement he continues to teach through the Fromm Institute for Lifelong Learning and the Osher Lifelong Learning Institute at San Francisco State University, to give public lectures, and to add to his body of written work. He is the recipient of numerous awards and honors in his field. Fraknoi continues to serve on the board of trustees of the Search for Extraterrestrial Intelligence (SETI) Institute, a scientific and educational organization. He is also an elected Fellow of the California Academy of Sciences, an Honorary Member of the Royal Astronomical Society of Canada, and a Fellow of the Committee for Skeptical Inquiry. He has a special interest in debunking ast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Chamber Orchestra
The English Chamber Orchestra (ECO) is a British chamber orchestra based in London. The full orchestra regularly plays concerts at Cadogan Hall, and their ensemble performs at Wigmore Hall. The orchestra regularly tours in the UK and internationally, and holds the distinction of not only having the most extensive discography of any chamber orchestra, but also of being the most well-traveled orchestra in the world; no other orchestra has played concerts (as of 2013, according to its own publicity) in as many countries as the English Chamber Orchestra. The English Chamber Orchestra has its roots in the Goldsbrough Orchestra, founded in 1948 by Lawrence Leonard and Arnold Goldsbrough. The group took its current name in 1960, when it expanded its repertoire beyond the Baroque period for the first time. Its repertoire remained limited by the group's size, which has stayed fairly consistently at around the size of an orchestra of Mozart's time. Shortly afterwards, it became closely assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Krieger
Hans Krieger (13 March 1933 – 9 January 2023) was a German writer, essayist, journalist of influential weekly papers such as Die Zeit, broadcaster and poet. Life Born in Frankfurt, Krieger studied German and Romance studies in Frankfurt, Munich and Dijon. From 1963 to 1998, he was cultural editor and director of the arts section of the weekly ''Bayerische Staatszeitung'' (Bavarian State newspaper). Krieger wrote poetry, essays, cultural criticism, theater and art reviews, translated books from French and taught theatre criticism at the University of Munich. He has authored numerous papers and radio journalism for the Bavarian radio, Bayerischer Rundfunk, and literary and nonfiction reviews in the newspapers '' Die Zeit'' and the '' Süddeutsche Zeitung'', among others. He was an influential reviewer of books and authors, such as Wilhelm Reich, Alice Miller, Arthur Janov, Arno Gruen and Otto Mainzer. Krieger was married to the artist Christine Rieck-Sonntag. They lived in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Cantata
A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas. The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration. The Christmas story, telling of music of the angels and suggesting music of the shepherds and cradle song, invited musical treatment. The term is called in German, and in French. Christmas cantatas have been written on texts in several other languages, such as Czech, Italian, Romanian, and Spanish. Christmas cantata can also mean the performance of the music. Many choirs have a tradition of an annual Christmas cantata. Theme Different from Christmas oratorios, which present the Christmas story, Christmas cantatas deal with aspects of it. Bach's ''Christmas Oratorio'', written for performance in Leipzig in 1734/1735 touches many of these themes. It consists of six parts, each part is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nun Komm, Der Heiden Heiland, BWV 61
Johann Sebastian Bach composed the church cantata (Now come, Savior of the heathens), 61, in Weimar for the first Sunday in Advent, the Sunday which begins the liturgical year, and first performed it on 1714. The cantata text was provided by Erdmann Neumeister, who quoted the Book of Revelation and framed his work by two hymn stanzas, the beginning of Martin Luther's "", the main hymn for Advent with a melody based on Medieval chant, and the end from Philipp Nicolai's "". The librettist quoted developed his thoughts like a sermon. Bach structured the cantata in six movements, beginning with a chorale fantasia, followed by a series of alternating recitatives and arias, and concluded by a four-part chorale. He scored it for three vocal soloists (soprano, tenor and bass), strings and continuo. Bach led the first performance on 2 December 1714. As , director of music of the main churches of Leipzig, he performed the cantata again on 28 November 1723. History and words On 2 M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Essen-Borbeck-Mitte
Borbeck-Mitte is the central borough of ''Borbeck'', the fourth suburban district of Essen, Germany. Together with the other boroughs of the district, it was incorporated on April 1, 1915. Borbeck-Mitte has a population of roughly 13,500 people and a total area of . The name Borbeck derives from ''Bor(a)thbeki'', which means either ''river in a fertile lowland'' or ''river of the Bructeri''. History Early history synopsis The first document mentioning Borbeck dates back to 869, when ''Borthbeki'', a small rural commune, was mentioned as one of nine communes around Essen Abbey which were liable to tax. In 1288, princess-abbess ''Berta von Arnsberg'' bought probably mortgaged parts of the region and built the predecessor of ''Schloss Borbeck''. By the 14th century, Schloss Borbeck had become the favorite residence of the princess-abbesses, which came along with a rise of prestige for the region. In 1339, princess-abbess ''Katharina von der Mark'' had Borbeck's old Romanesque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent
Advent is a Christian season of preparation for the Nativity of Christ at Christmas. It is the beginning of the liturgical year in Western Christianity. The name was adopted from Latin "coming; arrival", translating Greek ''parousia''. In the New Testament, this is the term used for the Second Coming of Christ. Thus, the season of Advent in the Christian calendar anticipates the "coming of Christ" from three different perspectives: the physical nativity in Bethlehem, the reception of Christ in the heart of the believer, and the eschatological Second Coming. Practices associated with Advent include Advent calendars, lighting an Advent wreath, praying an Advent daily devotional, erecting a Christmas tree or a Chrismon tree, lighting a Christingle, as well as other ways of preparing for Christmas, such as setting up Christmas decorations, a custom that is sometimes done liturgically through a hanging of the greens ceremony. The equivalent of Advent in Eastern Christianity is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
