Graham Waterhouse
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Graham Waterhouse
Graham Waterhouse (born 2 November 1962) is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, ''Three Pieces for Solo Cello'' and ''Variations for Cello Solo'' for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet '' Rhapsodie Macabre''. He has set poetry for speaking voice and cello, such as ''Der Handschuh'', and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon. Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and several have been recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in European countries. H ...
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Composer (music)
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ...
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Rhapsodie Macabre
''Rhapsodie Macabre'' is a composition for piano and string quartet in one movement by Graham Waterhouse, written in 2011 as a homage to Franz Liszt. It was first performed at a Liszt festival of the Gasteig, Munich, with the composer playing the cello part. History, structure and music Waterhouse composed the work as the closing work of the 2011 Liszt Festival at the Gasteig, Munich, played in a concert of works by Liszt and Waterhouse. He combined elements of Liszt's music such as "virtuosic piano writing", "characteristic harmonic colour through the piling up of similar intervals", "timbre as a structural device, delineating form by extremes of high and low texture, as well as by the return of percussive elements" and "recurrence and transformation of idees fixes" themes, notably the Dies irae theme. The work developed to a "scaled down piano concerto", combining concertante elements for the piano with chamber music writing for the strings. The work is in one movement, str ...
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International Double Reed Society
The International Double Reed Society (IDRS), is an organization that promotes the interests of double reed players, instrument manufacturers and enthusiasts. Services provided by the IDRS include an international oboe and bassoon competition, an annual conference, member directory, a library, information about grants, and publications, such as the society's own journal, ''The Double Reed''. The IDRS Fernand Gillet-Hugo Fox International Competition for oboists and bassoonists takes place every year during the society's annual conference. History The IDRS grew out of a 1969 newsletter for bassoonists compiled by Gerald Corey. Professor Lewis Hugh Cooper at the University of Michigan and Alan Fox, president of bassoon manufacturer Fox Products, founded a “double reed club” to promote opportunities for double reed players. Together with Corey, they organized a meeting during the December 1971 meeting of the Mid-Western Band Masters convention, and the first annual conference of ...
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Maria Kliegel
Maria Kliegel (born 14 November 1952) is a German cellist. Professional career Kliegel was born in Dillenburg, Hesse. She studied under Janos Starker starting at the age of 19. She won first prize at the American College Competition, First German Music Competition and Concours Aldo Parisot, and was also the Grand Prize winner at the second Mstislav Rostropovich International Cello Competition in 1981. Russian composer Alfred Schnittke recognized her interpretation as the standard recording of his work when she recorded his First Concerto for Cello and Orchestra in 1990. On top of this, she has done many recordings for Naxos, including concertos and other cello works by Beethoven, Bloch, Brahms, Bruch, Dohnányi, Dvořák, Elgar, Lalo, Saint-Saëns, Shostakovich, Schumann, Tavener and Tchaikovsky. She has also recorded a large volume of chamber music by Brahms, Chopin, Demus, Gubaidulina, Kodály, Mendelssohn and Schubert. She will soon be recording Beethoven's complete works fo ...
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Young-Chang Cho
Young-Chang Cho (born 1958 in Seoul) is a Korean classical cellist teaching at the Folkwang University of the Arts in Germany's Ruhr Area. Career Young-Chang Cho was born in Seoul in 1958. He began cello lessons at the age of eight. From 1971, he studied in the United States with David Soyer at the Curtis Institute of Music of Philadelphia, and later with Laurence Lesser at the New England Conservatory of Music in Boston. In 1980, he continued his studies in Europe with Siegfried Palm and Mstislav Rostropovich. In 1981 he won a prize at the Concours de violoncelle Rostropovitch in Paris and was repeatedly invited to serve in its jury. He also received prizes at the International Cello Competition Pablo Casals in Budapest and at the ARD International Music Competition in Munich. As a chamber musician he formed the Cho Piano Trio with his sisters Young-Mi Cho (violin) and Young-Bang Cho (piano), receiving prizes at the Geneva International Music Competition in 1977 and at ...
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Robin Holloway
Robin Greville Holloway (born 19 October 1943) is an English composer, academic and writer. Early life Holloway was born in Leamington Spa. From 1953 to 1957, he was a chorister at St Paul's Cathedral and was educated at King's College School, where his father Robert was Head of the Art Department.Northcott, Bayan, "Robin Holloway" (August 1974). ''The Musical Times'', 115 (1578): pp. 644–646 He attended King's College, Cambridge and studied composition with Bayan Northcott. Career In 1974, Holloway became an Assistant Lecturer in Music at the University of Cambridge, and in 1980 attained a full Lecturer position. In 1999, he became a reader in Musical Composition at Cambridge. He retired in 2011 as professor of Musical Composition. He is also a Fellow of Gonville and Caius College, Cambridge. Among his many pupils are Thomas Adès, Huw Watkins, Peter Seabourne, George Benjamin, Judith Weir, and Jonathan Dove. Holloway's doctoral thesis ''Debussy and Wagner'' (later pub ...
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Hugh Wood
Hugh Wood (27 June 1932 – 14 August 2021) was a British composer. Biography Wood was born in Parbold, Lancashire and grew up in a musical family; while still a teenager, he was encouraged by the composer Alan Bush. He says that his "earliest enthusiasm was Bach... and that's been at the center of everything ever since." After military service in Egypt, he studied History at New College, Oxford, where he dedicated much of his time to music and writing compositions for the theatre. In 1954, he moved to London to study composition privately with William Lloyd Webber, Anthony Milner, Iain Hamilton, and Mátyás Seiber. He also started a parallel career as a music teacher by finding work in schools, including Morley College, and as a lecturer at the Royal Academy of Music. In 1958, Wood composed his first published work: a set of variations for viola and piano showing the influence of Schoenberg and thematic references to Beethoven, which was premiered by Cecil Aronowitz. His ...
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University Of Cambridge
, mottoeng = Literal: From here, light and sacred draughts. Non literal: From this place, we gain enlightenment and precious knowledge. , established = , other_name = The Chancellor, Masters and Scholars of the University of Cambridge , type = Public research university , endowment = £7.121 billion (including colleges) , budget = £2.308 billion (excluding colleges) , chancellor = The Lord Sainsbury of Turville , vice_chancellor = Anthony Freeling , students = 24,450 (2020) , undergrad = 12,850 (2020) , postgrad = 11,600 (2020) , city = Cambridge , country = England , campus_type = , sporting_affiliations = The Sporting Blue , colours = Cambridge Blue , website = , logo = University of Cambridge logo ...
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Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing ...
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Munich Philharmonic
The Munich Philharmonic (german: Münchner Philharmoniker, links=no) is a German symphony orchestra located in the city of Munich. It is one of Munich's four principal orchestras, along with the Bavarian Radio Symphony Orchestra, the Munich Radio Orchestra and the Bavarian State Orchestra. Since 1985, the orchestra has been housed in the Gasteig culture centre. History Foundation The orchestra was founded in Munich in 1893 by Franz Kaim, son of a piano manufacturer, as the Kaim Orchestra. In 1895, it took up residence in the city's ''Tonhalle'' (concert hall). It soon attracted distinguished conductors: Gustav Mahler first directed the group in 1897 and premiered his '' Symphony No. 4'' and '' Symphony No. 8'' with the orchestra, while Bruno Walter directed the orchestra for the posthumous premiere of Mahler's ''Das Lied von der Erde''. Felix Weingartner was music director from 1898 to 1905, and the young Wilhelm Furtwängler made his auspicious conducting debut there in 1906 ...
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Gasteig
Gasteig is a cultural center in Munich, opened in 1985, which hosts the Munich Philharmonic Orchestra. The Richard Strauss Conservatory, the Volkshochschule, and the municipal library are all located in the Gasteig. Most of the events of the Filmfest München, and many of the events of the Munich Biennale take place here. The Gasteig is planned to be restored until 2027. A provisional house for many of its functions is Gasteig HP8. Halls and seats * Philharmonie, 2,387 seats, with a Klais Organ * Carl-Orff-Saal, 528–598 seats * Black Box, 120–225 seats * Kleiner Konzertsaal (small concert hall), 191 seats The Philharmonic Hall, opening like a great wood-panelled seashell, has an intimate atmosphere but poor acoustic qualities. The smaller hall "Kleiner Konzertsaal" offers slightly better acoustics for chamber music. The Gasteig comprises the Carl Orff Hall with a stage for drama, the Richard Strauss Conservatory, the Black Box studio theatre, the Münchner Volkshochschu ...
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Contrabassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is considerably larger than the bassoon's, at in total length (and in width) compared with for most bassoon reeds. The large blades allow ample vibration that produces the low register of the instrument. The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances. In the lower register, its fingerings are nearly identical to bassoon. However, the octave mechanism used to play in the middle register works differently than on bassoon, and the upper register fingerings are of ...
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