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Cecrops I
Cecrops (; grc, Κέκροψ, ''Kékrops''; ''gen''.: Κέκροπος) was a mythical king of Attica which derived from him its name Cecropia, having previously borne the name of Acte or Actice (from Actaeus). He was the founder and the first king of Athens itself though preceded in the region by the earth-born king Actaeus of Attica. Cecrops was a culture hero, teaching the Athenians marriage, reading and writing, and ceremonial burial. Etymology and form The name of Cecrops is not of Greek origin according to Strabo. It was said that he was born from the earth itself (an autochthon) and was accordingly called a γηγενής (''gēgenḗs'' "native"), and described as having his top half shaped like a man and the bottom half in serpent or fish-tail form. Hence he was called διφυής (''diphuḗs'', "of two natures"). Diodorus rationalized that his double form was because of his double citizenship, Greek and barbarian. Some ancients referred the epithet διφυής to ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Ceremonial Burial
Burial, also known as interment or inhumation, is a method of final disposition whereby a dead body is placed into the ground, sometimes with objects. This is usually accomplished by excavating a pit or trench, placing the deceased and objects in it, and covering it over. A funeral is a ceremony that accompanies the final disposition. Humans have been burying their dead since shortly after the origin of the species. Burial is often seen as indicating respect for the dead. It has been used to prevent the odor of decay, to give family members closure and prevent them from witnessing the decomposition of their loved ones, and in many cultures it has been seen as a necessary step for the deceased to enter the afterlife or to give back to the cycle of life. Methods of burial may be heavily ritualized and can include natural burial (sometimes called "green burial"); embalming or mummification; and the use of containers for the dead, such as shrouds, coffins, grave liners, and bur ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ...
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Erichthonius Of Athens
In Greek mythology, King Erichthonius (; grc, , Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena. Early Greek texts do not distinguish between him and Erechtheus, his grandson, but by the fourth century BC, during Classical times, they are distinct figures. Etymology Erichthonius of uncertain etymology is possibly related to a pre-Greek form *''Erekteu-''. The connection of with ἐρέχθω, "shake" is a late folk-etymology; other folk-etymologies include , ''erion'', "wool" or ''eris'', "strife"+ ''chthôn or chthonos'', "earth". Mythology Birth According to the '' Bibliotheca'', Athena visited the smith-god Hephaestus to request some weapons, but Hephaestus was so overcome by desire that he tried to seduce her in his workshop. Determined to maintain her virginity, Athena fled, pursued by Hephaestus. He caught Athena and tried to rape h ...
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Diodorus Siculus
Diodorus Siculus, or Diodorus of Sicily ( grc-gre, Διόδωρος ;  1st century BC), was an ancient Greek historian. He is known for writing the monumental universal history ''Bibliotheca historica'', in forty books, fifteen of which survive intact, between 60 and 30 BC. The history is arranged in three parts. The first covers mythic history up to the destruction of Troy, arranged geographically, describing regions around the world from Egypt, India and Arabia to Europe. The second covers the time from the Trojan War to the death of Alexander the Great. The third covers the period to about 60 BC. ''Bibliotheca'', meaning 'library', acknowledges that he was drawing on the work of many other authors. Life According to his own work, he was born in Agyrium in Sicily (now called Agira). With one exception, antiquity affords no further information about his life and doings beyond his written works. Only Jerome, in his ''Chronicon'' under the "year of Abraham 1968" (49 BC), w ...
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Antoninus Liberalis
Antoninus Liberalis ( el, Ἀντωνῖνος Λιβεράλις) was an Ancient Greek grammarian who probably flourished between AD 100 and 300. His only surviving work is the ''Metamorphoses'' (Μεταμορφώσεων Συναγωγή, ''Metamorphoseon Synagoge'', literally "Collection of Transformations"), a collection of forty-one very briefly summarised tales about mythical metamorphoses effected by offended deities, unique in that they are couched in prose, not verse. The literary genre of myths of transformations of men and women, heroes and nymphs, into stars (see '' Catasterismi''), plants and animals, or springs, rocks and mountains, were widespread and popular in the classical world. This work has more polished parallels in the better-known ''Metamorphoses'' of Ovid and in the ''Metamorphoses'' of Lucius Apuleius. Like them, its sources, where they can be traced, are Hellenistic works, such as Nicander's ''Heteroeumena'' and ''Ornithogonia'' ascribed to Boios. The ...
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Hyginus
Gaius Julius Hyginus (; 64 BC – AD 17) was a Latin author, a pupil of the scholar Alexander Polyhistor, and a freedman of Caesar Augustus. He was elected superintendent of the Palatine library by Augustus according to Suetonius' ''De Grammaticis'', 20. It is not clear whether Hyginus was a native of the Iberian Peninsula or of Alexandria. Suetonius remarks that Hyginus fell into great poverty in his old age and was supported by the historian Clodius Licinus. Hyginus was a voluminous author: his works included topographical and biographical treatises, commentaries on Helvius Cinna and the poems of Virgil, and disquisitions on agriculture and bee-keeping. All these are lost. Under the name of Hyginus there are extant what are probably two sets of school notes abbreviating his treatises on mythology; one is a collection of ''Fabulae'' ("stories"), the other a "Poetical Astronomy". ''Fabulae'' The ''Fabulae'' consists of some three hundred very brief and plainly, even crudely, to ...
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Metamorphoses
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ...
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Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ...
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The Wasps
''The Wasps'' ( grc-x-classical, Σφῆκες, translit=Sphēkes) is the fourth in chronological order of the eleven surviving plays by Aristophanes. It was produced at the Lenaia festival in 422 BC, during Athens' short-lived respite from the Peloponnesian War. As in his other early plays, Aristophanes satirizes the Athenian general and demagogue Cleon. He also ridicules the law courts, one of the institutions that provided Cleon his power. The play has been thought to exemplify Old Comedy. Plot The play begins with a strange scene—a large net has been spread over a house, the entry is barricaded and two slaves, Xanthias and Sosias, are sleeping in the street outside. A third man is positioned at the top of an exterior wall with a view into the inner courtyard but he too is asleep. The two slaves wake and we learn from their banter that they are keeping guard over a "monster." The man asleep above them is their master and the monster is his father—he has an unusual disease ...
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Aristophanes
Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states. Demes as simple subdivisions of land in the countryside seem to have existed in the 6th century BC and ear ... Kydathenaion ( la, Cydathenaeum), was a comedy, comic playwright or comedy-writer of Classical Athens, ancient Athens and a poet of Ancient Greek comedy, Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Ancient Greek comedy, Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His pow ...
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Ion (play)
''Ion'' (; grc, Ἴων, ''Iōn'') is an ancient Greek play by Euripides, thought to be written between 414 and 412 BC. It follows the orphan Ion in the discovery of his origins. As it unfolds the play is also the powerful story of his mother, Creusa, as she strives to guide her own life after having experienced terrible abuse at the hands of a god who is beyond her power (or that of any mortal). Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies of human beings. In the end, however, Euripides takes a step back from this precipitous development in human thought. Background Creusa, daughter of Erechtheus, was a noble native of Athens and daughter of the king. The god Apollo raped her in a ca ...
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