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Basilica Di Sant'Antonio Di Padova
The Pontifical Basilica of Saint Anthony of Padua ( it, Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as "il Santo". It is one of the national shrines recognized by the Holy See. History Construction of the Basilica probably began around 1232, just one year after the death of St. Anthony. It was completed in 1310 although several structural modifications (including the falling of the ambulatory and the construction of a new choir screen) took place between the end of the 14th and the mid-15th century. The Saint, according to his will, had been buried in the small church of ''Santa Maria Mater Domini'', probably dating from the late 12th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erasmo Of Narni
Erasmo Stefano of Narni (1370 – 16 January 1443), better known by his nickname of Gattamelata (meaning "Honeyed Cat"), was an Italian ''condottiero'' of the Renaissance. He was born in Narni, and served a number of Italian city-states: he began with Braccio da Montone, served the Papal States and Florence, as well as the Republic of Venice in 1434 in the battles with the Visconti of Milan. He was the subject of Donatello's equestrian bronze sculpture in the main square of Padua, the same city over which he became podestà in 1437. In Narni, the farmhouse in which Gattamelata was born bears a plaque reading "Narnia me genuit Gattamelata fui" ("I was born in Narni, I was Gattamelata"). Biography Erasmo of Narni was born in Narni, in Umbria, into a poor family. His station in life led him to the military, initially under the Assisi lord Cecchino Broglia. Later, together with his friend Brandolino Brandolini, he served under Braccio da Montone, one of the leading Italian condo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equestrian Statue
An equestrian statue is a statue of a rider mounted on a horse, from the Latin ''eques'', meaning 'knight', deriving from ''equus'', meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. History Ancient Greece Equestrian statuary in the West dates back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a ''kouros'' mounted on horseback. Ancient Middle and Far East A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Architecture
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations. Early Islamic architecture was influenced by Roman, Byzantine, Iranian, and Mesopotamian architecture and all other lands which the Early Muslim conquests conquered in the seventh and eighth centuries.: "As the Arabs did not have an architectural tradition suited to the needs of a great empire, they adopted the building methods of the defeated Sassan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Parodi
Filippo Parodi (1630 – 22 July 1702) was an Italian sculptor of the Baroque period, "Genoa's first and greatest native Baroque sculptor". Biography Born in Genoa into a family of sculptors, Parodi developed his facility with wood, then transferred his mastery to marble in the 1670s. His two extended sojourns in Rome refined his style; he joined the studio of Bernini as an assistant (1655–1661), although he appears to have been influenced by Algardi and his pupil Ercole Ferrata. Later on returning to Genoa, he met the French Baroque sculptor Pierre Puget, who stayed in Genoa from 1661–1666. Parodi developed a large studio to handle a large number of commissions. In Genoa during the 1661-1670s, he completed an ''Ecstasy of Saint Martha'' for Santa Marta, a ''Saint John'' for Santa Maria di Carignano, and a ''Virgin and Child'' for Santi Vittore e Carlo. In 1691 he was called to Padua, where he and his studio were responsible for the six white marble sculptures of sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Architecture
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire. The Byzantine era is usually dated from 330 AD, when Constantine the Great moved the Roman capital to Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. However, there was initially no hard line between the Byzantine and Roman empires, and early Byzantine architecture is stylistically and structurally indistinguishable from earlier Roman architecture. This terminology was introduced by modern historians to designate the medieval Roman Empire as it evolved as a distinct artistic and cultural entity centered on the new capital of Constantinople (modern-day Istanbul) rather than the city of Rome and its environs. Its architecture dramatically influenced the later medieval architecture throughout Europe and the Near East, and became the primary progenitor of the Renaissance and Ottoman architectural traditions that followed its collapse. Characteristic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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