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Baptistery (Florence)
The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of "proto-renaissance", but at the same time an extreme survival of the late antique architectural tradition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baptistery, Florence
The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo, Florence, Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque architecture, Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of "proto-renaissance", but at the same time an extreme su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Clitumnus
The so-called Temple of Clitumnus ( it, Tempietto del Clitunno) is a small early medieval church that sits along the banks of the Clitunno river in the town of Pissignano near Campello sul Clitunno between Spoleto and Trevi, Umbria, Italy. In 2011, it became a UNESCO World Heritage Site as part of a group of seven such sites that mark the presence of Longobards in Italy: Places of Power (568–774 A.D.). Although the classical architecture and location suggests it may have been the Temple to Jupiter Clitumnus mentioned by Pliny, archaeologists found that the structure was built later, before the 6th century, as a church and had been constructed mainly of material (spolia) taken from ancient Roman structures in the neighbourhood. The sacred site of Jupiter Clitumnus in antiquity The source of the river Clitunno – it springs up at the foot of mountains in Campello – was famous in antiquity as a site sacred to the river god Clitumnus. A stretch of the Via Flaminia, the great ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Temple
Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture".Summerson (1980), 25 Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room ''(cella)'' housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct. The most common architectural plan had a rectang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totila Fa Dstruggere La Città Di Firenze
Totila, original name Baduila (died 1 July 552), was the penultimate King of the Ostrogoths, reigning from 541 to 552 AD. A skilled military and political leader, Totila reversed the tide of the Gothic War, recovering by 543 almost all the territories in Italy that the Eastern Roman Empire had captured from his Kingdom in 540. A relative of Theudis, sword-bearer of Theodoric the Great and king of the Visigoths, Totila was elected king by Ostrogothic nobles in the autumn of 541 after King Witigis had been carried off prisoner to Constantinople. Totila proved himself both as a military and political leader, winning the support of the lower classes by liberating slaves and distributing land to the peasants. After a successful defence at Verona, Totila pursued and defeated a numerically superior army at the Battle of Faventia in 542 AD. Totila followed these victories by defeating the Romans outside Florence and capturing Naples. By 543, fighting on land and sea, he had recon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donatello
Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Republic of Florence, Florentine sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sculpture and used this to develop a complete Renaissance style in sculpture. He spent time in other cities, and while there he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy his techniques, developed in the course of a long and productive career. Financed by Cosimo de' Medici, Donatello's ''David (Donatello), David'' was the first freestanding Nude (art), nude male sculpture since antiquity. He worked with stone, bronze, wood, clay, stucco, and wax, and had several assistants, with four perhaps being a typical number. Although his best-known works mostly were statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Antipope John XXIII
The Tomb of Antipope John XXIII is the marble-and-bronze tomb Church monument, monument of Antipope Antipope John XXIII, John XXIII (Baldassare Cossa, c. 1360–1419), created by Donatello and Michelozzo for the Florence Baptistry adjacent to Florence Cathedral, the Duomo. It was commissioned by the executors of Cossa's will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of History of Florence#Renaissance, Renaissance Florence. According to Ferdinand Gregorovius, the tomb is "at once the sepulchre of the Western Schism, Great Schism in the church and the last list of extant papal tombs, papal tomb which is outside Rome itself". Cossa had a long history of cooperation with Florence, which had viewed him as the legitimate pontiff for a time during the Western Schism. The tomb monument is often interpreted as an attempt to strengthen the legitimacy of Cossa's pontificate by linking him to the spiritually powerfu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuusankoski
Kuusankoski is a neighbourhood of city of Kouvola, former industrial town and municipality of Finland, located in the region of Kymenlaakso in the province of Southern Finland. The population of Kuusankoski was 20,392 (2003) and the total area was 129.5 km² of which 114 km² was land and 14.56 km² water. It is located some northeast of the Finnish capital Helsinki. Kuusankoski is primarily known for paper manufacturing and three large factory complexes. It is sometimes nicknamed the "Paper capital of Finland". History Kuusankoski (as a municipality, not the settlement), was founded in 1921 from the parts of neighbouring Iitti and Valkeala. It gained the status of ''kauppala'' (literally ''"a place of commerce"'') in 1957 and became a town in 1973. The history of Kuusankoski during the last one and a half centuries has been closely linked to the establishment of the paper factories and their development. The establishment of the factories dates back to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France— Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Ghiberti
Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the ''Gates of Paradise''. Trained as a goldsmith and sculptor, he established an important workshop for sculpture in metal. His book of ''Commentarii'' contains important writing on art, as well as what may be the earliest surviving autobiography by any artist. Ghiberti's career was dominated by his two successive commissions for pairs of bronze doors to the Florence Baptistery (Battistero di San Giovanni). They are recognized as a major masterpiece of the Early Renaissance, and were famous and influential from their unveiling. Early life Ghiberti was born in 1378 in Pelago, a comune 20 km from Florence. It is said that Lorenzo was the son of Cione di Ser Buonaccorso Ghiberti and Fiore Ghi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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