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Australian Modernism
Australian modernism, similar to European and American modernism, was a social, political and cultural movement that was a reaction to rampant industrialisation, associated moral panic of modernity and the death and trauma of the World Wars. In art, the movement included female artists who reacted against the male-dominated art style of realism (arts), naturalism. It is also important to note the presence of Indigenous Australian art during this time. Indigenous modernism refers to the unique experience of modernity of Aboriginal Australians, that is vastly different to the European Australians, white Australians' experience of modernity. Albert Namatjira was the first Indigenous modernist to be recognised. It was not until the 1960s and 1970s that scholars began to call Indigenous art modern, as there was a distinction made between Contemporary Indigenous Australian art, modern and contemporary Indigenous art to traditional Indigenous art. Modernist architecture was also expres ...
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Grace Cossington Smith
Grace Cossington Smith (20 April 189220 December 1984) was an Visual arts of Australia, Australian artist and pioneer of Modernist art, modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia. Biography She was born Grace Smith, in Neutral Bay, New South Wales, Neutral Bay, Sydney, second of five children of London-born solicitor Ernest Smith and his wife Grace, née Fisher, who was the daughter of the rector of Cossington, Leicestershire, Cossington in Leicestershire. The family moved to Thornleigh, New South Wales around 1890. Grace attended Abbotsleigh School for Girls in Wahroonga, New South Wales, Wahroonga 1905–09 where Albert Collins (painter), Albert Collins and Alfred Coffey took art classes. From 1910 to 1911 she studied drawing with Antonio Dattilo Rubbo. From 1912 to 1914 she and her sister lived in England, staying with an aunt at Winchester w ...
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Adelaide Festival Centre
Adelaide Festival Centre, Australia's first multi-purpose arts centre and the home of South Australia's performing arts, was built in the 1970s, designed by Hassell Architects. The Festival Theatre opened in June 1973 with the rest of the centre following soon afterwards. The complex includes Festival Theatre, Dunstan Playhouse (formerly The Playhouse and Optima Playhouse), Space Theatre (formerly The Space) and several gallery and function spaces. Located approximately north of the corner of North Terrace and King William Road, lying near the banks of the River Torrens and adjacent to Elder Park, it is distinguished by its two white geometric dome roofs, and lies on a 45-degree angle to the city's grid. Adelaide Festival Centre hosts Adelaide Festival and presents major festivals across the year including Adelaide Cabaret Festival, OzAsia Festival, DreamBIG Children's Festival, Adelaide Guitar Festival and OUR MOB. It is also home to Adelaide Symphony Orchestra, State Opera ...
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Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ...
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Westminster School Of Art
The Westminster School of Art was an art school in Westminster, London. History The Westminster School of Art was located at 18 Tufton Street, Deans Yard, Westminster, and was part of the old Royal Architectural Museum. H. M. Bateman described it in 1903 as: "... arranged on four floors with galleries running round a big square courtyard, the whole being covered over with a big glass roof. Off the galleries were the various rooms which made up the school, the galleries themselves being filled with specimens of architecture which gave the whole place the air of a museum, which of course it was." In 1904 the art school moved and merged with the Westminster Technical Institute, in a two-story building on Westminster's Vincent Square, established by the philanthropy of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts in 1893. People associated with the School Academics and teachers * Adrian Allinson, art teacher (c. 1947) * Walter Bayes * Professor Frederick Brown, headmaster ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Norah Simpson
Norah Simpson (5 July 1895 – 19 February 1974) was an Australian modernist painter. She grew up in Sydney and is described as "giving impetus to modernism" in Australia: when returning from France in 1913, she brought back a series of reproductions of then-current works which were influential to her fellow art students. Sydney-based modernists inspired by those works and Simpson's descriptions of techniques include Grace Cossington Smith, Roy de Maistre and Roland Wakelin. Biography Norah Simpson was born on 5 July 1895 and grew up in Sydney. In 1911 Simpson was a student of Antonio Dattilo Rubbo, an Italian-born artist who taught in Australia from 1897, fellow students were Tempe Manning and Grace Cossington Smith. Late in 1911 Simpson travelled to London, and lived in Chelsea. Next year she enrolled in the Westminster School of Art and was taught by Walter Sickert, then she travelled to France to see the work of Cézanne, van Gogh, Matisse and Picasso. In 1913 she bro ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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Print Making
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by h ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Social Realism
Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always utilizes a form of descriptive or critical realism.James G. Todd Jr, ''Social realism'' in: Grove Art Online The term is sometimes more narrowly used for an art movement that flourished between the two World Wars as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make their art more accessible to a wider audience, artists turned to realist portrayals of anonymous workers as well as celebrities as heroic symbols of strength in the face of adversity. The goal of the artists in doing so was political as they wished to expose the deteriorating conditions of the poor and working clas ...
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