Westminster School Of Art
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Westminster School Of Art
The Westminster School of Art was an art school in Westminster, London. History The Westminster School of Art was located at 18 Tufton Street, Deans Yard, Westminster, and was part of the old Royal Architectural Museum. H. M. Bateman described it in 1903 as: "... arranged on four floors with galleries running round a big square courtyard, the whole being covered over with a big glass roof. Off the galleries were the various rooms which made up the school, the galleries themselves being filled with specimens of architecture which gave the whole place the air of a museum, which of course it was." In 1904 the art school moved and merged with the Westminster Technical Institute, in a two-story building on Westminster's Vincent Square, established by the philanthropy of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts in 1893. People associated with the School Academics and teachers * Adrian Allinson, art teacher (c. 1947) * Walter Bayes * Professor Frederick Brown, headmaster ...
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Art School
An art school is an educational institution with a primary focus on the visual arts, including fine art – especially illustration, painting, photography, sculpture, and graphic design. Art schools can offer elementary, secondary, post-secondary, or undergraduate programs, and can also offer a broad-based range of programs (such as the liberal arts and sciences). There have been six major periods of art school curricula,Houghton, Nicholas. “Six into One: The Contradictory Art School Curriculum and How It Came About.” ''International Journal of Art & Design Education'', vol. 35, no. 1, Feb. 2016, pp. 107–120. and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills to many students. History There have been six definitive curricula throughout the history of art schools. These are "apprentice, academic, formalist, expressive, conceptual, and professional". Ea ...
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Mervyn Peake
Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was an English writer, artist, poet, and illustrator. He is best known for what are usually referred to as the '' Gormenghast'' books. The four works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death. They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but Peake's surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children ('' Letters from a Lost Uncle'', 1948), stage and radio plays, and ''Mr Pye'' (1953), a relatively tightly-structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero. Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived ...
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Wendela Boreel
Wendela Boreel (1895–1985) was a British artist noted for her gouache painting method and intaglio works. She was a student of Walter Sickert. Training and early career The daughter of a Dutch diplomat, Jonkheer Boreel, and an American mother, Edith Margaret (née Ives), Boreel grew up in England and attended the Slade School of Fine Art. Boreel's first interest at Slade was in drawing. She began attending evening classes at the Westminster Technical Institute where she was discovered by Sickert. He gave her access to a studio in Mornington Crescent where she began painting. Boreel's first solo exhibit was in 1919 at Walker's Gallery. She also held shows at the New English Art Club and as part of Frank Rutter’s Allied Artists’ Association and the London Group. However, her earliest successes were in etching and she was elected to the Royal Society of Etchers in 1923. Tite street Boreel and her parents lived on Tite Street and she became friends with Frank Schust ...
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David Bomberg
David Garshen Bomberg (5 December 1890 – 19 August 1957) was a British painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson, and Dora Carrington. Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.Jean Moorcroft Wilson — ''Isaac Rosenberg'' (2008) Whether because his faith in the mac ...
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Robert Polhill Bevan
Robert Polhill Bevan (5 August 1865 – 8 July 1925) was a British painter, drawing, draughtsman and lithographer. He was a founding member of the Camden Town Group, the London Group, and the Cumberland Market Group. Early life He was born in Brunswick Square, Hove, near Brighton, the fourth of six children of Richard Alexander Bevan (1834–1918), a banker, and Laura Maria Polhill. The Bevans had been a Quaker family with long associations with Barclays Bank. They were descended from Silvanus Bevan the Plough Court apothecary and Robert Barclay the Quaker Apologist. The family, who could trace direct descent from Iestyn ap Gwrgant, had left Wales in the 17th century and settled in London. His first teacher of drawing was Arthur Ernest Pearce, who later became head designer to Royal Doulton potteries. In 1888 he studied art under Fred Brown at the Westminster School of Art before moving to the Académie Julian in Paris. Amongst his fellow students were Paul Sérusier, Pierre ...
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Jean Bellette
Jean Bellette (occasionally Jean Haefliger; 25 March 1908 – 16 March 1991) was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler (artist), Mark Gertler. A modernism, modernist painter, Bellette was influential in mid-twentieth century Sydney art circles. She frequently painted scenes influenced by the Greek tragedy, Greek tragedies of Euripides and Sophocles and the epics of Homer. The only woman to have won the Sulman Prize more than once, Bellette claimed the accolade in 1942 with ''For Whom the Bell Tolls'', and in 1944 with ''Iphigenia in Tauris''. She helped found the Blake Prize for Religious Art, and was its inaugural judge. Bellette married artist and critic Paul Haefliger in 1935. The couple moved to Majorca in 1957; although she visited and exhibited in Australia thereafter, she did not r ...
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