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Ashadh Ka Ek Din
''Ashadh Ka Ek Din'' (Hindi: आषाढ़ का एक दिन, One Day in Ashadh) is a Hindi play by Mohan Rakesh that debuted in 1958 and is considered the first Modern Hindi play. The play received a Sangeet Natak Akademi Award for best play in 1959 and has been staged by several prominent directors to critical acclaim. A feature film based on the play was directed by Mani Kaul and released in 1971, and went on to win Filmfare Critics Award for Best Movie for the year. Before it Hindi plays to date were either idealistic or didactic, devoid of connection with contemporary reality; above all their language remained the language of literature, which wasn't suitable for the stage, but this play changed it all. Mohan Rakesh went on to write two more plays, and left one unfinished at the time of his death in 1972, but he had shifted the landscape of Hindi theatre. Title of the play The title of the play derives from the second verse of the Sanskrit dramatist Kalidas's play '' ...
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Hindi
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the '' lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several ot ...
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Ujjain
Ujjain (, Hindustani language, Hindustani pronunciation: Help:IPA/Hindi and Urdu, [ʊd͡ːʒɛːn]) is a city in Ujjain district of the States and territories of India, Indian state of Madhya Pradesh. It is the fifth-largest city in Madhya Pradesh by population and is the public administration, administrative centre of Ujjain district and Ujjain division. It is one of the Hindu pilgrimage centres of Sapta Puri famous for the ''Kumbh Mela'' held there every 12 years. The famous temple of Mahakaleshwar Jyotirlinga is located in the center of the city. An ancient city situated on the eastern bank of the Shipra River, Ujjain was the most prominent city on the Malwa plateau of central India for much of its history. It emerged as the political centre of central India around 600 BCE. It was the capital of the ancient Avanti (India), Avanti kingdom, one of the sixteen Mahajanapadas. During the 18th century, the city briefly became the capital of Scindia state of the Maratha Empire, when ...
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Indian Plays
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the Uni ...
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Carthage College
Carthage College is a private college affiliated with the Evangelical Lutheran Church in America and located in Kenosha, Wisconsin. It enrolls 2,600 full-time and 200 part-time students. Carthage awards bachelor's degrees with majors in more than 40 subject areas and master's degrees in three areas. Carthage has 150 faculty. It is an affiliate of the Wisconsin Space Grant Consortium. History Carthage College was founded in Hillsboro, Illinois, by Lutheran pioneers in education, and chartered by the Illinois General Assembly on January 22, 1847. Originally known as The Literary and Theological Institute of the Lutheran Church in the Far West, its name was soon shortened to Lutheran College and known locally as Hillsboro College. With a two-person faculty and 79 students, Hillsboro promised "a course of study designed to be thorough and practical, and to embrace all the branches of learning, usually pursued in the best academies and colleges". In 1852, the college moved to Sp ...
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National School Of Drama
National School of Drama (NSD) is a theatre training institute situated at New Delhi, India. It is an autonomous organization under Ministry of Culture, Government of India. It was set up in 1959 by the Sangeet Natak Akademi and became an independent school in 1975. In 2005, it was granted deemed university status, but in 2011 it was revoked. Paresh Rawal is the current Chairperson of National School of Drama (NSD). History The origins of the school can be traced back to a seminar in 1954, where the idea of a Central institution for theatre was mooted, subsequently, a draft scheme was prepared in 1955, and the Sangeet Natak Akademi, which had Jawaharlal Nehru as its president, started drawing plans for the institution. Meanwhile, elsewhere in Delhi, Bharatiya Natya Sangh (BNS) with assistance from UNESCO, independently established the 'Asian Theatre Institute' (ATI) on 20 January 1958, and in July 1958, ATI was taken over by the Sangeet Natak Akademi (SNA), India's National ...
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Ebrahim Alkazi
Ebrahim Alkazi (18 October 1925 – 4 August 2020) was an Indian theatre director and drama teacher. A rigid disciplinarian, he instilled in his acting students an awe and reverence that they still carry with them, with several of them having had the privilege of continuing the practice and training in the NSD Repertory Company, an introduction made to the National School of Drama by Alkazi. His standards later became very influential. Leiter, p.32 - 33 He also remained the Director of National School of Drama, New Delhi (1962–1977) Meyer, p. 9 He was also a noted art connoisseur, collector and gallery owner, and founded the Art Heritage Gallery in Delhi with his wife, Roshen Alkazi. Staging more than fifty plays in his lifetime, Alkazi used both proscenium stages and the open-air venues. His designs for the open-air venues were acclaimed for their visual nature and for the original spins he put on each stage production, including those he had previously directed before. Tr ...
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Shyamanand Jalan
Shyamanand Jalan (13 January 1934 – 24 May 2010) was a Kolkata-based Indian theatre director, and actor. He is credited for the renaissance period of modern Indian theatre and especially the Hindi theatre in Kolkata from the 1960s to 1980s. He was the first to perform modernist Mohan Rakesh, starting with ''Ashadh Ka Ek Din'' (One Day in Ashad) in 1960 and in the coming years bridged the gap between Hindi theatre and Bengali theatre, by mounting Hindi productions of works by Bengali playwrights, like Badal Sircar's ''Evam Indrajit'' (1968) and ''Pagla Ghora'' (1971), which in turn introduced Sircar to rest of the country. In 2005, he directed his first and only film ''Eashwar Mime Co.'', which was an adaptation of Dibyendu Palit's story, ''Mukhabhinoy'', by Vijay Tendulkar. As an actor in stage plays, he appeared as the don in Roland Joffe's 1992 film ''City of Joy''. He also worked with parallel cinema directors. He acted in Mrinal Sen's television series, ''Tasveer Apni Apn ...
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Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ...
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Shakuntala
Shakuntala (Sanskrit: ''Śakuntalā'') is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the '' Adi Parva'' of the ancient Indian epic ''Mahabharata'' and dramatized by many writers, the most famous adaption being Kalidasa's play ''Abhijñānaśākuntala'' (''The Sign of Shakuntala''). Legends Birth Once, Vishvamitra started to meditate to earn the status of a Brahmarshi. The intensity of his penance frightened Indra. He feared that Vishvamitra might want his throne. To end his penance, Indra sent Menaka, an apsara, to lure him and bring him out of his penance. Menaka reached Vishwamitra's meditating spot and started to seduce him. Vishvamitra could not control his lust and desire and his penance was broken. Vishvamitra and Menaka lived together for a few years and a daughter was born to them. Later, Vishvamitra realized that all those things were Indra's tricks. He realized that he needed to control his emotions. Vishvamitra left Menaka and Me ...
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Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ...
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Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ...
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