HOME
*



picture info

Asaveri
Asaveri (asāvēri) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a '' janya'' rāgam (derived scale) from the 8th ''melakarta'' scale '' Hanumatodi''. It is a ''janya'' scale, as it does not have all the seven '' swaras'' (musical notes) in the ascending scale, and has a ''vakra'' (zigzag) descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Asaveri'' is an ancient rāgam, which is mentioned in the ''Sangita Ratnakara''. ''Asaveri'' resembles ''Komal Asavari'' and ''Asa Todi'' of Hindustani classical music. The ''Asavari'' of Hindustani music resembles ''Natabhairavi'' of Carnatic music. Structure and Lakshana ''Asaveri'' is an asymmetric, bhashaga rāgam (has foreign notes) that does not contain ''gandharam'' and ''nishadam'' in the ascending scale. It is an ''audava-vakra-sampurna'' rāgam (or ''owdava'' rāgam, mea ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Asavari
Raga Asavari () is a Hindustani classical raga. It belongs to the Asavari thaat and is performed in the morning hours. In pre- Bhatkhande days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat process, he changed that Asavari's Komal Rishab to Shuddha Rishab but the name remained the same. From that time the old or real 'Asavari' has been called the Komal Rishabh Asavari, and the new Shuddha Rishabh Asavari is simply called 'Asavari'. Raga Asavari and Komal Rishabh Asavari also appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Sikh Gurus Sri Guru Ramdas Ji and Sri Guru Arjun Dev Ji used these ragas. The Raga Komal Rishabh Asavari appears as 'Raga Asavari Sudhang' in Sri Guru Granth Sahib Ji. Structure Thaat: Asavari Jati: Audava-Sampoorna Arohana: Avarohana: Vadi: Samavadi: Pakad: Time: Second period of the day (9am-12pm) Mood: Renunciati ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the '' Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic mu ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Hanumatodi Scale
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in '' prayoga'' (phrases of notes and intonation). It is called Janatodi in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from ''Todi (thaat)'' of Hindustani music (North Indian classical music). The equivalent of the Hindustani raga ''Todi'' in Carnatic music is '' Shubhapantuvarali'' (which is the 45th ''melakarta'').''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The eq ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Hanumatodi
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in '' prayoga'' (phrases of notes and intonation). It is called Janatodi in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from '' Todi (thaat)'' of Hindustani music (North Indian classical music). The equivalent of the Hindustani raga ''Todi'' in Carnatic music is ''Shubhapantuvarali'' (which is the 45th ''melakarta'').''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The equiv ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bhadrachala Ramadasu
Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a saint-poet and a composer of Carnatic music. He is a famous ''Vaggeyakara'' (classical composer) from the Telugu classical era. He was born in the village of Nelakondapalli in Khammam district, and orphaned as a teenager. He spent his later years in Bhadrachalam and 12 years in solitary confinement at the Golconda prison during the Qutb Shahi-rule. Different mythical stories about his life circulate in the Telugu tradition. He is renowned for constructing the famous Sita Ramachandraswamy Temple and pilgrimage center on the banks of river Godavari at Bhadrachalam. His devotional ''kirtana'' lyrics to Rama illustrate the classical Pallavi, Anupallavi and Caranam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Periyasaamy Thooran
M. P. Periyasaamy Thooran (Tamil: பெரியசாமி தூரன்) (26 September 1908 – 20 January 1987) was a patriot, Tamil poet, teacher, and composer of Carnatic music. Early life Periyasamy was born to K. A. Palanivelappa Gounder and Paavaathal on 26 September 1908 at Manjakattuvalasu, near Modakurichi, in the Erode district of India. He was greatly influenced and inspired by the firebrand poet and revolutionary Subramania Bharathiyar, and Mahatma Gandhi. As a university student, he published an underground monthly magazine called ''Pithan'' containing incendiary articles that spoke out against the erstwhile British administration, in support of the Indian Independence Movement. This magazine was printed by K. M. Ramaswamy Gounder MLA in Gobichettipalayam initially. He also wrote poems and short stories during this period, adopting the pen name ''Thooran''. He declined to sit for the final Bachelor of Arts examination, in protest of the execution of Bh ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tamil Language
Tamil (; ' , ) is a Dravidian language natively spoken by the Tamil people of South Asia. Tamil is an official language of the Indian state of Tamil Nadu, the sovereign nations of Sri Lanka and Singapore, and the Indian territory of Puducherry. Tamil is also spoken by significant minorities in the four other South Indian states of Kerala, Karnataka, Andhra Pradesh and Telangana, and the Union Territory of the Andaman and Nicobar Islands. It is also spoken by the Tamil diaspora found in many countries, including Malaysia, Myanmar, South Africa, United Kingdom, United States, Canada, Australia and Mauritius. Tamil is also natively spoken by Sri Lankan Moors. One of 22 scheduled languages in the Constitution of India, Tamil was the first to be classified as a classical language of India. Tamil is one of the longest-surviving classical languages of India.. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). A. K. Ramanujan described it ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Pudhaiyal
''Pudhaiyal'' () is a 1957 Indian Tamil-language film starring Sivaji Ganesan and Padmini. The film was released on 10 May 1957. Plot Parimalam and Durai meet and talk about how her father Kumaravadivu in Sri Lanka was implicated in her mother's murder and imprisoned. Padmini and her sister Thangam come to India, where the sister dies. It is believed that she was drowned and her body lies under the sand. Vellaiambalam overhears the word "Thangam" (Tamil for gold) and believes a fortune is buried there. Cast *Sivaji Ganesan as Durai * Padmini as Parimalam *T. S. Balaiah as Vellaiambalam * M. N. Rajam as Menaka * J. P. Chandrababu as Thukkaram * M. K. Radha as Kumaravadivu * S. A. Ashokan as the Police Inspector Production ''Pudhaiyal'' was primarily shot at Newtone and Revathi Studios, and processed at AVM Studio Film Laboratories. The song "Vinnodum Mugilodum" was shot at Elliot's Beach. Soundtrack The music composed by Viswanathan–Ramamoorthy. Lyrics by Mahakavi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Sumaithaangi
''Sumaithaangi'' () is a 1962 Indian Tamil-language drama film, written and directed by C. V. Sridhar. The film stars Gemini Ganesan, Devika and R. Muthuraman. Based on Ra. Ki. Rangarajan's novel of the same name that was serialised in '' Kumudam'', it revolves around a man who could not lead his life the way he wanted, and gets forced to undergo many sacrifices. The film, produced by Kovai Chezhiyan, was released on 7 December 1962. Ganesan won the Film Fans Association Award for Best Actor Plot The movie starts with a typical middle-class family supported by Muthuraman, as he goes to each member comprising retired father Sarangapani, younger brother Gemini Ganesan (GG) and younger sister L. Vijayalakshmi, giving their monthly quota. GG is a collegian, who is challenged by his friends, Nagesh and others to try his youthful exuberance against Devika, their former school teacher, V. S. Raghavan's only daughter. He accepts the challenge and enters their household as a student ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Carnatic Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustan ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Vaazhkai Padagu
''Vaazhkai Padagu'' () is a 1965 Indian Tamil-language drama film, directed by C. Srinivasan and produced by S. S. Vasan under Gemini Studios. The film stars Gemini Ganesan, Devika and R. Muthuraman, with S. V. Ranga Rao, K. Balaji R. S. Manohar and M. V. Rajamma in supporting roles. A remake of the studio's own Hindi film '' Zindagi'' (1964), it was released on 26 March 1965. Plot A young, unemployed woman Seetha takes up stage acting as a career. A wealthy man Kannabiran is after her, and uses his henchman to kidnap her. During the attempt, Rajan and his dog rescue her and the two fall in love. Rajan is the son of a zamindar, who has a poor opinion of Seetha. However, after many hurdles, the two marry. The director of Seetha's stage troupe Gopal too is in love with her. But, she never responds. When Kannabiran is murdered. Gopal is arrested. He has an alibi – on the night of the murder, a young woman stayed with him in his house, but then he does not disclose her i ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]