Asaveri (asāvēri) is a

rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...

m in

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

(musical scale of South Indian classical music). It is a ''

janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...

'' rāgam (derived scale) from the 8th ''

melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...

'' scale ''

Hanumatodi Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concer ...

''. It is a ''janya'' scale, as it does not have all the seven ''

swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...

s'' (musical notes) in the ascending scale, and has a ''vakra'' (zigzag) descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Asaveri'' is an ancient rāgam, which is mentioned in the ''

Sangita Ratnakara The ''Sangita-Ratnakara'', सङ्गीतरत्नाकर, (IAST: Saṅgīta ratnākara), literally "Ocean of Music and Dance", is one of the most important musicological texts from India. Composed by Śārṅgadeva (शार्ङ� ...

''. ''Asaveri'' resembles ''Komal

Asavari Raga Asavari () is a Hindustani classical raga. It belongs to the Asavari thaat and is performed in the morning hours. In pre- Bhatkhande days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat proc ...

'' and ''Asa Todi'' of

Hindustani classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

. The ''Asavari'' of Hindustani music resembles ''

Natabhairavi Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhaira ...

'' of Carnatic music.

Structure and Lakshana

''Asaveri'' is an asymmetric, bhashaga rāgam (has foreign notes) that does not contain ''gandharam'' and ''nishadam'' in the ascending scale. It is an ''audava-vakra-sampurna'' rāgam (or ''owdava'' rāgam, meaning pentatonic ascending scale). Its ''ārohaṇa-avarohaṇa'' structure (ascending and descending scale) is as follows: * ārohaṇa : * avarohaṇa : The notes used in this scale are ''shadjam, shuddha rishabham, shuddha madhyamam, panchamam'' and ''shuddha dhaivatam'' in ascending scale, with ''kaisiki nishadham'', ''sadharana gandharam'' and "chatushruti rishabham" included in descending scale. For the details of the notations and terms, see ''swaras'' in Carnatic music. The Anya swarams are Chaturshruti Rishabham * / Shuddha gandharam * and Chaturshruti dhaivatam * / Shuddha nishadam *.In veena, the Anya swarams are played from shuddha gandharam and shuddha nishadam

Popular compositions

There are many compositions set to ''Asaveri'' rāgam. Here are some popular ''

kritis ''Kriti'' (Sanskrit: कृति, ''kṛti'') is a format of musical composition typical to Carnatic music. ''Kritis'' form the mental backbone of any typical Carnatic music concert and is the longer format of Carnatic song. "Kriti" also means C ...

'' composed in this rāgam. *''Mapala velasi'', ''Dasharatha nandana'' and ''Rara mayintidaka'' composed by

Tyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...

*''Chandram bhajamanasa'' and ''Kumaraswaminam'' by

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

*''Ramachandrulu napai'' by

Bhadrachala Ramadasu Kancharla Gopanna ( te, కంచర్ల గోపన్న) ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu ( te, భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a sain ...

*''Kadaikkannal'' by

Arunachala Kavi Arunachala Kavi ( ta, அருணாசல கவி) (1711–1779) was a Tamil poet and a composer of Carnatic music. He was born in Tillaiyadi in Thanjavur District in Tamil Nadu. The three Tamil composers Arunachala Kavi, Muthu Thandavar a ...

*''Saranam saranam'' by

Periyasaamy Thooran M. P. Periyasaamy Thooran (Tamil: பெரியசாமி தூரன்) (26 September 1908 – 20 January 1987) was a patriot, Tamil poet, teacher, and composer of Carnatic music. Early life Periyasamy was born to K. A. Palanivelapp ...

Film Songs

Language:
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...

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References