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Amilie, Or The Love Test
''Amilie, or the Love Test'' is an opera in three acts by the Irish composer, William Michael Rooke, to a libretto by John Thomas Haines. Background Although written around 1818 in Dublin, the opera was not performed until almost twenty years later, at Covent Garden Theatre, London, on 2 December 1837.Oxford Music Online, ''Rooke, William Michael'' The music critic George Hogarth considered that the work displayed "genius, learning, taste, and a rich vein of melody, flowing, graceful and expressive", whilst the orchestral writing was "skillful and beautiful". The role of Amilie was played by the soprano Jane Shirreff (1811–1883). The ''Musical Review'' was not so complimentary, quoting the London correspondent of the ''New York Mirror'': although conceding that "the music ..is of a superior description", he added that "the plot is almost unintelligible" and that "vocal talent is at a miserably low ebb." The production's success however led to further performances elsewhe ...
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William Michael Rooke
William Michael Rooke (29 September 1794 – 14 October 1847) was an Irish violinist and composer. Biography Born William Michael O'Rourke in South Great George's Street, Dublin, he was the son of a local tradesman. He studied counterpoint with Philip Cogan and was probably self-taught on the violin. In 1813, he took up music as a profession and anglicised his surname to Rooke. The young Michael William Balfe was among his pupils on the violin (between 1815 and 1817). While chorus master and deputy leader of the orchestra at Crow Street Theatre between 1817 and 1823, Rooke composed his first opera '' Amilie, or the Love Test'', which, however, was not performed until 1837 (at Covent Garden Theatre, London). Balfe himself sang in the opera at an 1838 performance in Dublin.William Tyldesley: ''Michael William Balfe. His Life and His English Operas'' (Aldershot: Ashgate, 2003), p. 11–2. In 1821, he moved to England and had his musical play ''The Pirate'' performed at the Drury La ...
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Olympic Theatre, New York
Olympic Theatre was the name of five former 19th and early 20th-century theatres on Broadway in Manhattan and in Brooklyn, New York. First Olympic Theatre (1800–1821) Although perhaps best known as the Anthony Street Theatre, the first theatre in New York to bear the name Olympic (for only one year, in 1812–1813) was on 79–85 Anthony Street (later renamed Worth Street) in Manhattan. Converted in 1800 from a former circus building, it was named the Olympic Theatre in July 1812 under the management of actor-manager William Twaits along with Alexander Placide and Jean Baptiste Casmiere Breschard. Twaits and Placide had come to New York after the disastrous Richmond Theatre fire in Richmond, Virginia, where they had been co-managers of the theatre there. The Olympic was due to open with a production led by Charlotte Melmoth and Twaits, but while travelling to fulfil this engagement Melmoth was involved in a carriage accident, resulting in a severe fracture to her arm that f ...
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1837 Operas
Events January–March * January 1 – The destructive Galilee earthquake causes 6,000–7,000 casualties in Ottoman Syria. * January 26 – Michigan becomes the 26th state admitted to the United States. * February – Charles Dickens's '' Oliver Twist'' begins publication in serial form in London. * February 4 – Seminoles attack Fort Foster in Florida. * February 25 – In Philadelphia, the Institute for Colored Youth (ICY) is founded, as the first institution for the higher education of black people in the United States. * March 1 – The Congregation of Holy Cross is formed in Le Mans, France, by the signing of the Fundamental Act of Union, which legally joins the Auxiliary Priests of Blessed Basil Moreau, CSC, and the Brothers of St. Joseph (founded by Jacques-François Dujarié) into one religious association. * March 4 ** Martin Van Buren is sworn in as the eighth President of the United States. ** The city of Chicago is incorporated. April–June * Apr ...
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1818 Operas
Events January–March * January 1 ** Battle of Koregaon: Troops of the British East India Company score a decisive victory over the Maratha Empire. ** Mary Shelley's ''Frankenstein'' is published anonymously in London. * January 2 – The British Institution of Civil Engineers is founded. * January 3 (21:52 UTC) – Venus occults Jupiter. It is the last occultation of one planet by another before November 22, 2065. * January 6 – The Treaty of Mandeswar brings an end to the Third Anglo-Maratha War, ending the dominance of Marathas, and enhancing the power of the British East India Company, which controls territory occupied by 180 million Indians. * January 11 – Percy Bysshe Shelley's ''Ozymandias'' is published pseudonymously in London. * January 12 – The Dandy horse (''Laufmaschine'' bicycle) is invented by Karl Drais in Mannheim. * February 3 – Jeremiah Chubb is granted a British patent for the Chubb detector lock. * February 5 – Upon his death, K ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Oxford Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Fictional Representations Of Romani People
Many fictional depictions of the Romani in literature and art present Romanticized narratives of their supposed mystical powers of fortune telling, and their supposed irascible or passionate temper paired with an indomitable love of freedom and a habit of criminality. Critics of how Romani people have been portrayed in popular culture point out similarities to portrayals of Jewish people, with both groups stereotyped negatively as wandering, spreading disease, abducting children, and violating and murdering others. Romani people were portrayed in Victorian and modern British literature as having "sinister occult and criminal tendencies" and as associated with "thievery and cunning", and in English Renaissance and baroque theatre as incorporating "elements of outlandish charm and elements which depict hemas the lowest of social outcasts," connected with "magic and charms," and "juggling and cozening." In opera, literature and music, throughout Europe, Romani women have been por ...
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William Macready
William Charles Macready (3 March 179327 April 1873) was an English actor. Life He was born in London the son of William Macready the elder, and actress Christina Ann Birch. Educated at Rugby School where he became headboy, and where now the theatre is named after him, it was his initial intention to go to University of Oxford, but in 1809 financial problems experienced by his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810, he made a successful first appearance as Romeo at Birmingham. Other Shakespearian parts followed, but a serious rupture between father and son resulted in the young man's departure for Bath in 1814. Here he remained for two years, with occasional professional visits to other provincial towns. On 16 September 1816, Macready made his first London appearance at Covent Garden as Orestes in ''The Distressed Mother'', a translation of Racine's ''Andromaque'' by Ambrose Philips. ...
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National Library Of Australia
The National Library of Australia (NLA), formerly the Commonwealth National Library and Commonwealth Parliament Library, is the largest reference library in Australia, responsible under the terms of the ''National Library Act 1960'' for "maintaining and developing a national collection of library material, including a comprehensive collection of library material relating to Australia and the Australians, Australian people", thus functioning as a national library. It is located in Parkes, Australian Capital Territory, Parkes, Canberra, Australian Capital Territory, ACT. Created in 1960 by the ''National Library Act'', by the end of June 2019 its collection contained 7,717,579 items, with its manuscript material occupying of shelf space. The NLA also hosts and manages the renowned Trove cultural heritage discovery service, which includes access to the Australian Web Archive and National edeposit (NED), a large collection of digitisation, digitised newspapers, official documents, ...
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Melbourne
Melbourne ( ; Boonwurrung/Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a metropolitan area known as Greater Melbourne, comprising an urban agglomeration of 31 local municipalities, although the name is also used specifically for the local municipality of City of Melbourne based around its central business area. The metropolis occupies much of the northern and eastern coastlines of Port Phillip Bay and spreads into the Mornington Peninsula, part of West Gippsland, as well as the hinterlands towards the Yarra Valley, the Dandenong and Macedon Ranges. It has a population over 5 million (19% of the population of Australia, as per 2021 census), mostly residing to the east side of the city centre, and its inhabitants are commonly referred to as "Melburnians". The area of Melbourne has been home to Aboriginal ...
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Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque"
''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011
The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris

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John Thomas Haines
John Thomas Haines (c.1799–1843) was a British actor and dramatist. Life Born about 1799, from 1823 for two decades he supplied the smaller London theatres with melodramas of the "blood-and-thunder" type, with general success. His sea-plays were vehicles for T. P. Cooke, and ''My Poll and my Partner Joe'', a nautical drama in three acts, produced at the Surrey Theatre on 7 September 1835, was notably profitable. Haines occasionally acted in his own pieces. He died at Stockwell on 18 May 1843, aged 44, at the time stage-manager of the English Opera House. Works Among Haines's plays were: * ''The Idiot Witness; or a Tale of Blood'', melodrama in two acts ( Coburg Theatre, 1823). * ''Jacob Faithful; or the Life of a Thames Waterman'', domestic local drama in three acts (Surrey Theatre, 14 December 1834). * ''Richard Plantagenet'', historical drama in three acts ( Victoria Theatre, 1836). * ''The Ocean of Life; or Every Inch a Sailor'', nautical drama in three acts (Surrey T ...
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