Amilie, Or The Love Test

''Amilie, or the Love Test'' is an opera in three acts by the Irish composer, William Michael Rooke, to a libretto by John Thomas Haines.

Background

Although written around 1818 in Dublin, the opera was not performed until almost twenty years later, at Covent Garden Theatre, London, on 2 December 1837.Oxford Music Online, ''Rooke, William Michael'' The music critic George Hogarth considered that the work displayed "genius, learning, taste, and a rich vein of melody, flowing, graceful and expressive", whilst the orchestral writing was "skillful and beautiful". The role of Amilie was played by the soprano Jane Shirreff (1811–1883). The ''Musical Review'' was not so complimentary, quoting the London correspondent of the ''New York Mirror'': although conceding that "the music ..is of a superior description", he added that "the plot is almost unintelligible" and that "vocal talent is at a miserably low ebb."

The production's success however led to further performances elsewhere. Michael William Balfe (who had studied with Rooke as a boy) sang the baritone role in a performance at the Theatre Royal, Dublin in 1838, and the opera was performed in New York at the National Theatre on 15 October in the same year, with Jane Shirreff repeating the title role in her American debut and with the Scottish tenor John Wilson as Jose. Her success there led to a 20-month tour of the US (with Wilson as her manager). The second act was given as part of a musical entertainment at the same theatre in 1839. The music historian Karen Alquist couples the American debut of ''Amilie'' with the contemporary performance there of Bellini's ''La Sonnambula'', and suggests that "they taught New Yorkers a new musical style, enabling them to enjoy a broad new repertoire in which elaborate musical structures were no longer reduced to simple ballad forms but could be understood in their own terms".

The work's success gave rise to further performances in America, including a burlesque version by the actor-manager William Mitchell at the Olympic Theatre, New York, in 1839, entitled ''Amy Lee, or Who Loves Best?''

The existence of manuscript orchestral parts, copied in New York, with the stamp of a Melbourne agent, in the National Library of AustraliaMusic Australia website
/ref> suggests there must also have been antipodean performances. Indeed, ''The Melbourne Argus'' of Tuesday 20 January 1863 refers to the Australian Premiere at the Theatre Royal "last night."

Rooke's subsequent operas did not meet the success of ''Amilie'': ''Henrique, or the Love Pilgrim'' was pulled after a few performances in London in 1839, (perhaps due to disagreements with the manager of Covent Garden, William Macready), and his subsequent works ''Cagliostro'' and ''The Valkyrie'' were never staged.

Roles

References and sources

Notes
{{Reflist, 30em

Sources
* Oxford Music Online, ''Rooke, William Michael,'' ''Shirreff (Shireff), Jane'', and ''Wilson, John''.
*Flood, William H.Grattan, ''A History of Irish Music''
Chapter 28

*Horowitz, Joseph, ''Sermons in Tones: Sacralization as a Theme in American Classical Music'' in 'American Music' vol.16 no,3 (1998)
*Rogers, Delmer D., ''Public Music Performances in New York City from 1800 to 1850'', in 'Anuario Interamericano de Investigacion Musical', Vol. 6, (1970)
*Salaman, Charles K., ''English Opera'' in 'The Musical Times', vol 18 no. 412, 1 June 1877.
*Tyldesley, William,
Michael William Balfe
'

Operas
1818 operas
1837 operas
English-language operas
Operas by William Michael Rooke