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Jane Shirreff
Jane Shirreff (1808-1883) was a British soprano opera singer and stage actress. She was described as America's "most admired prima donna between the days of Mrs. Wood and those of Louisa Pyne". Early life and education As a young woman, Shirreff taught singing and sang in church choirs. On Shirreff's debut in 1832, the newspapers reported that she was from London and that her father was a tailor. She had relatives in the Royal Navy. She was a pupil of Tom Welsh. Career London Shirreff was initially known as a ballad singer. Her first appearance in opera was as Mandane in '' Artaxerxes'' at Drury Lane Theatre in 1831. Looking back at the season the following year, The Weekly Dispatch reported that "All the phrases to be found in the puffing vocabulary were exhausted in announcing the appearance of Miss Shirreff. The display of red letters in the bills was truly alarming". She then took a contract with Covent Garden Theatre; the newspapers reported that she had been offe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Queen Victoria
Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until Death and state funeral of Queen Victoria, her death in 1901. Her reign of 63 years and 216 days was longer than that of List of monarchs in Britain by length of reign, any previous British monarch and is known as the Victorian era. It was a period of industrial, political, scientific, and military change within the United Kingdom, and was marked by a great expansion of the British Empire. In 1876, the British Parliament voted to grant her the additional title of Empress of India. Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was Kensington System, raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry John Wallack
Henry John Wallack (1790 – 30 August 1870) was a British actor, stage manager, and brother of actor James William Wallack. Wallack was born in London. Wallack's parents were comedians, who performed at the London minor playhouses and in the British provinces. He worked in the United States, making his debut at the Anthony Street Theatre on May 9, 1821. In America he was received as Hamlet, Sir Peter Teazle, Sir Anthony Absolute, and many other parts. He appeared at Drury Lane on 26 October 1829 as Julius Caesar to his brother's Mark Antony. Subsequently he was stage-manager at Covent Garden. He played Pizarro, Lord Lovell in ''A New Way to pay Old Debts'', O'Donnell in ''Henri Quatre'', Buckingham in ''Henry VIII'', and other parts, and was on 28 November 1829 the first Major O'Simper in ''Follies of Fashion'', by the Earl of Glengall. Family He married 1. Frances (aka Fanny) Jones (divorced 1833) and 2. Miss Maria Turpin, an actress at the Haymarket Theatre. He and France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerts Of Antient Music
The Concerts of Antient Music, also known as the ''Ancient Concerts'' or ''The King's Concerts'', were an influential concert series put on annually in London from 1776 to 1848. The concerts consisted solely of music composed at least twenty years previous (although sometimes revised for the tastes or instrumentation of the time). The concerts had aristocratic or royal sponsorship and featured some of the best musicians of the day. At first twelve concerts were given each year; in 1785 a thirteenth concert, a performance of Handel's ''Messiah'' to benefit retired musicians, was added at King George III's command. The founding committee in 1776 included the Earl of Sandwich, the Earl of Exeter, the Viscount Dudley and Ward, and John Egerton, the Bishop of Durham. From the year 1785 the royal family was usually in attendance, and patronized the concerts as well. King George III personally wrote out the programmes, and in the later years Prince Albert was one of the directors. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh
Edinburgh ( ; gd, Dùn Èideann ) is the capital city of Scotland and one of its 32 Council areas of Scotland, council areas. Historically part of the county of Midlothian (interchangeably Edinburghshire before 1921), it is located in Lothian on the southern shore of the Firth of Forth. Edinburgh is Scotland's List of towns and cities in Scotland by population, second-most populous city, after Glasgow, and the List of cities in the United Kingdom, seventh-most populous city in the United Kingdom. Recognised as the capital of Scotland since at least the 15th century, Edinburgh is the seat of the Scottish Government, the Scottish Parliament and the Courts of Scotland, highest courts in Scotland. The city's Holyrood Palace, Palace of Holyroodhouse is the official residence of the Monarchy of the United Kingdom, British monarchy in Scotland. The city has long been a centre of education, particularly in the fields of medicine, Scots law, Scottish law, literature, philosophy, the sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cork (city)
Cork ( , from , meaning 'marsh') is the second largest city in Ireland and third largest city by population on the island of Ireland. It is located in the south-west of Ireland, in the province of Munster. Following an extension to the city's boundary in 2019, its population is over 222,000. The city centre is an island positioned between two channels of the River Lee which meet downstream at the eastern end of the city centre, where the quays and docks along the river lead outwards towards Lough Mahon and Cork Harbour, one of the largest natural harbours in the world. Originally a monastic settlement, Cork was expanded by Viking invaders around 915. Its charter was granted by Prince John in 1185. Cork city was once fully walled, and the remnants of the old medieval town centre can be found around South and North Main streets. The city's cognomen of "the rebel city" originates in its support for the Yorkist cause in the Wars of the Roses. Corkonians sometimes refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bunn
Alfred Bunn (April 8, 1796 in LondonDecember 20, 1860 in Boulogne-sur-Mer) was an English theatrical manager. He was married to Margaret Agnes (née Somerville) Bunn, a minor actress, in 1819. Biography Bunn was appointed stage manager of Drury Lane Theatre, London, in the year 1823. In 1826, he was managing the Theatre Royal in Birmingham, and in 1833 he undertook the joint management of Drury Lane and Covent Garden, London. In this undertaking he met with vigorous opposition. A bill for the abolition of the patent theatres was passed in the House of Commons, but on Bunn's petition was thrown out by the House of Lords. He had difficulties first with his company, then with the lord chamberlain, and had to face the keen rivalry of the other theatres. A longstanding quarrel with William Charles Macready resulted in the tragedian assaulting the manager. In Macready's own words, he walked past Bunn's door and “going up to him as he sat on the other side of the table, I struck hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amilie, Or The Love Test
''Amilie, or the Love Test'' is an opera in three acts by the Irish composer, William Michael Rooke, to a libretto by John Thomas Haines. Background Although written around 1818 in Dublin, the opera was not performed until almost twenty years later, at Covent Garden Theatre, London, on 2 December 1837.Oxford Music Online, ''Rooke, William Michael'' The music critic George Hogarth considered that the work displayed "genius, learning, taste, and a rich vein of melody, flowing, graceful and expressive", whilst the orchestral writing was "skillful and beautiful". The role of Amilie was played by the soprano Jane Shirreff (1811–1883). The ''Musical Review'' was not so complimentary, quoting the London correspondent of the ''New York Mirror'': although conceding that "the music ..is of a superior description", he added that "the plot is almost unintelligible" and that "vocal talent is at a miserably low ebb." The production's success however led to further performances elsewhe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mountain Sylph
''The Mountain Sylph'' is an opera in two acts by John Barnett to a libretto by Thomas James Thackeray, after '' Trilby, ou le lutin d'Argail'' by Charles Nodier. It was first produced in London at the Lyceum Theatre in 1834 with great success. Often (mistakenly) cited as the first through-composed English opera of the 19th century, it was Barnett's only great success on the stage out of some 30 operas and operettas, and was perhaps the most effective work by an English composer in the style of Carl Maria von Weber. Rarely (if ever) performed in the last century, its plot was parodied by W. S. Gilbert in his libretto for the Savoy Opera '' Iolanthe'' (1882). Background The story-line of ''The Mountain Sylph'', based on Nodier's tale, had already been adapted in 1832 by the singer Adolphe Nourrit as the basis of the ballet ''La Sylphide'', and it was probably the success of the ballet in Paris, where the cast included the famous ballerina, Marie Taglioni, which brought the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Cheval De Bronze
''Le Cheval de bronze'' (''The Bronze Horse'') is an '' opéra comique'' by the French composer Daniel Auber, first performed on 23 March 1835 by the Opéra-Comique at the Salle de la Bourse in Paris. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe and the piece was a great success in its day. In 1857, it was transformed into an opera-ballet, but this did not hold the stage. The overture is one of Auber's most popular. The first-act finale expands on the final phrases from the first-act finale of Mozart's '' Così fan tutte''. The composer tried to reflect the Chinese setting of the story in the music. Performance history The opera was first performed in England on 14 December 1835 at the Covent Garden Theatre in London, and in the United States on 15 April 1836 at the Théâtre d'Orléans in New Orleans. In March 2012 a production was staged by the Komische Oper Berlin (German version by Bettina Bartz und Werner Hintze) and later broadcast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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