Concerts Of Antient Music
The Concerts of Antient Music, also known as the ''Ancient Concerts'' or ''The King's Concerts'', were an influential concert series put on annually in London from 1776 to 1848. The concerts consisted solely of music composed at least twenty years previous (although sometimes revised for the tastes or instrumentation of the time). The concerts had aristocratic or royal sponsorship and featured some of the best musicians of the day. At first twelve concerts were given each year; in 1785 a thirteenth concert, a performance of Handel's ''Messiah'' to benefit retired musicians, was added at King George III's command. The founding committee in 1776 included the Earl of Sandwich, the Earl of Exeter, the Viscount Dudley and Ward, and John Egerton, the Bishop of Durham. From the year 1785 the royal family was usually in attendance, and patronized the concerts as well. King George III personally wrote out the programmes, and in the later years Prince Albert was one of the directors. Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Concerts Of Antient Music 1780 Program
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest venues are sometimes called ''arena concerts'' or ''amphitheatre concerts''. Informal names for a concert include ''show'' and ''gig''. Regardless of the venue, musicians usually perform on a stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arranging the musicians, venue, equipment and audi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hanover Square Rooms
The Hanover Square Rooms or the Queen's Concert Rooms were assembly rooms established, principally for musical performances, on the corner of Hanover Square, London, by Sir John Gallini in partnership with Johann Christian Bach and Carl Friedrich Abel in 1774. For exactly one century this was the principal concert venue in London. The premises were demolished in 1900. History of the Rooms The site had previously been occupied by a mill, hence its previous name Mill Field and that of the currently adjoining Mill Street. Originally the property of Earl of Plymouth, leased out to Lord Dillon, in June 1774 it was sold for £5,000 to Viscount Wenman, who on the same day conveyed it to Gallini, Bach and Abel. Gallini owned half the freehold and each of the other two a quarter. On the site formerly occupied by a garden and office, they constructed, as extensions to the house, assembly rooms for concerts and public meetings. The main room on the first floor measured by , with a h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anna Bishop
Anna Bishop (9 January 181018 March 1884) was an English operatic soprano. She sang in many countries on every continent, and was the most widely travelled singer of the 19th century.picture history ''The New York Times'', 20 March 1884 /ref> She was married to the composer Henry Bishop but abandoned him for the French harpist, composer and entrepreneur . She and Bochsa were said to ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elizabeth Billington
Elizabeth Billington (27 December 1765, in London25 August 1818, in Venice) was a British opera singer. Life She was born on 27 December 1765 in Litchfield Street, Soho, London. She was the daughter of Carl Weichsel, a native of Freiberg, in Saxony, principal oboist at the King's Theatre. Her mother, Frederika, née Weirman, an English vocalist of some distinction, was a pupil of Johann Christian Bach, and sang at Vauxhall with success between 1765 and 1775. Elizabeth Weichsel received her earliest musical instruction, in company with her brother Charles (who afterwards was known as a violinist) from her father, under whom she studied the pianoforte with such assiduity that on 10 March 1774 she played at a concert at the Haymarket for her mother's benefit. In addition to her father's instruction she studied under Johann Samuel Schroeter, and before she was twelve years old published two sets of pianoforte sonatas. She now began to turn her attention to the cultivation of her ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Bartleman (singer)
James Bartleman (1769–1821), was an England, English bass singer who performed at the Concerts of Ancient Music and revived the solo songs of Henry Purcell. Life Bartleman was born 19 September 1769. He was educated under Dr. Cooke, of Westminster, and became a chorister in the Westminster Abbey, abbey. He distinguished himself even as a boy singer, and by his gentle, amiable disposition, became a great favourite not only with his master, but also with Sir Sir John Hawkins (author), John Hawkins, whose daughter Laetitia Matilda Hawkins, Laetitia mentions him frequently in her ''Anecdotes'', and always with the highest admiration, both of his talents, but of his character. He made his first appearance as a bass singer in 1788 at the Concerts of Ancient Music, and he kept up his connection with that institution, with only one break, until compelled by ill-health to resign. In 1792, he sang the lead in the premiere of Harriet Wainwright's opera ''Comala''. During the seasons 1792– ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brigida Banti
Brigida Banti (; 1757–1806), best known by her husband's surname and her stage-name, as Brigida Banti, was an Italian soprano. Biography Obscure beginnings Her origins are rather obscure and the data on her birth are very dubious: she is thought to have been born in Crema, Lombardy, but some sources say she may have been born in Monticelli d'Ongina, a village in the province of Piacenza, which is located nearer to Cremona, in 1756 or possibly in 1758. She is the daughter of Carlo Giorgi, a street mandolin player; she too started her career as a street singer, either following her father around, or, according to different accounts, joining in with the double-bassist Domenico Dragonetti, when he was still a boy. The only established fact is that, in 1777–1778, on her travels around southern Europe, she reached Paris where a meeting with an important person in the profession completely was to change her life. However, sources are at variances as to the identity of that ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harriett Abrams
Harriett Abrams ( 1762 – 8 March 1821, in Torquay) was an English soprano and composer. Particularly praised for her performances in the repertoire of George Frideric Handel, Abrams enjoyed a successful concert career in London during the 1780s. Music historian Charles Burney praised the sweetness of her voice and her tasteful musical interpretations.Olive Baldwin, Thelma Wilson: "Harriett Abrams", ''Grove Music Online'' ed. L. Macy (Accessed 18 February 2009)(subscription access) Biography Abrams was born into a large musical family of Jewish descent. Her younger sister Theodosia Abrams Fisher (d Torquay, 4 November 1849) was a professional contralto and her youngest sister Eliza Abrams (d Torquay, 21 August 1831) was also a concert soprano and pianist. Other family relatives included Miss G. Abrams, who sang at the Theatre Royal, Drury Lane with Harriett's for two seasons and sang in concerts in the early 1780s; Jane Abrams, who first sang in a benefit concert organized by Ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wilhelm Cramer
Wilhelm Cramer (2 June 1746, Mannheim – 5 October 1799, London) was a famous London violinist and musical conductor of German origin. He was part of a large family who were connected with music during both the 18th and 19th centuries. He is the father of the famous English composer Johann Baptist Cramer (24 February 1771 – 16 April 1858). Cramer Street in London's Marylebone district is named after him. Sources * Further reading * W. B. Squire, rev. David J. Golby. Cramer, Wilhelm (bap. 1746, d. 1799)'' Oxford Dictionary of National Biography first published Sept. 2004 * Warwick Lister. Music & Letters'' Wilhelm Cramer and the Opera Concert Orchestra: 'Damnatio Memoriae'?, Vol. 82, No. 1 (2001), p. 78, Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to prin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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James Turle
James Turle (5 March 1802 – 28 June 1882) was an English organist and composer, best known today as the writer of several widely sung Anglican chants and the hymn tune "Westminster" sung to the words of Frederick William Faber "My God, how wonderful thou art". Turle was born at Taunton, Somerset, and started as a choirboy at Wells Cathedral. In 1817 he became a pupil of G. E. Williams, organist at Westminster Abbey in London, and after acting as deputy for some years he succeeded to this post himself in 1831 and held it until his death. He and Sir John Goss, the organist at St Paul's Cathedral, had been fellow pupils in London as boys. Turle was a great organist in his day, and composed a good deal of church music which was well known. His son Henry Frederic Turle Henry Frederic Turle (1835–1883) was an English journalist, known as the editor of ''Notes and Queries''. Life He was the fourth son of James Turle, organist of Westminster Abbey, and was born in York Road, Lam ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Lucas (musician)
Charles Lucas (28 July 1808 – 23 March 1869) was an English composer, cellist, conductor, publisher and from 1859 to 1866 third principal of the Royal Academy of Music. Life and career Lucas was born in Salisbury, the son of a music-seller.Hadden, J. C., rev. Anne Pimlott Baker"Lucas, Charles (1808–1869)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 27 November 2017 After receiving a musical education as a chorister at Salisbury Cathedral between 1815 and 1823 he attended the newly formed Royal Academy of Music (RAM) in London, where he studied the cello under Robert Lindley and composition under the principal, William Crotch.Bashford, Christina"Lucas, Charles" ''Grove Music Online'', Oxford University Press. Retrieved 27 November 2017 While a student he won several prizes, became head boy and was made a sub-professor of composition in 1824. Among those he taught was William Sterndale Bennett, who four decades later succeed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Thomas Smart
Sir George Thomas Smart (10 May 1776 – 23 February 1867) was an English musician. Smart was born in London, his father being a music-seller. He was a choir-boy at the Chapel Royal, and was educated in music, becoming an expert violinist, organist, teacher of singing and conductor. He taught for many years at the Royal Academy of Music where his notable pupils included Elizabeth Greenfield, John Orlando Parry, Mary Shaw, and Willoughby Weiss. In 1811 he was knighted by the Lord Lieutenant of Ireland, having conducted a number of successful concerts in Dublin. On 1 April 1822 he was appointed organist at the Chapel Royal. From that time onwards, Sir George Smart was one of the chief musical leaders and organizers in England, directing the music for the opening of the Great Exhibition of 1851, conducting at the Royal Philharmonic Society, Covent Garden, the provincial festivals, etc., and in 1838 being appointed composer to the Chapel Royal. He was a master of the Handelian tr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henry Bishop (composer)
Sir Henry Rowley Bishop (18 November 178730 April 1855) was an English composer from the early Romantic era. He is most famous for the songs "Home! Sweet Home!" and "Lo! Hear the Gentle Lark." He was the composer or arranger of some 120 dramatic works, including 80 operas, light operas, cantatas, and ballets. Bishop was Knighted in 1842. Bishop worked for all the major theatres of London in his era – including the Royal Opera House at Covent Garden, the Theatre Royal, Drury Lane, Vauxhall Gardens and the Haymarket Theatre, and was Professor of Music at the universities of Edinburgh and Oxford. His second wife was the noted soprano Anna Bishop, who scandalised British society by leaving him and conducting an open liaison with the harpist Nicolas-Charles Bochsa until the latter's death in Sydney. Life Bishop was born in London, where his father was a watchmaker and haberdasher. At the age of 13, Bishop left full-time education and worked as a music-publisher with his cousin. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |