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James Bartleman (singer)
James Bartleman (1769–1821), was an England, English bass singer who performed at the Concerts of Ancient Music and revived the solo songs of Henry Purcell. Life Bartleman was born 19 September 1769. He was educated under Dr. Cooke, of Westminster, and became a chorister in the Westminster Abbey, abbey. He distinguished himself even as a boy singer, and by his gentle, amiable disposition, became a great favourite not only with his master, but also with Sir Sir John Hawkins (author), John Hawkins, whose daughter Laetitia Matilda Hawkins, Laetitia mentions him frequently in her ''Anecdotes'', and always with the highest admiration, both of his talents, but of his character. He made his first appearance as a bass singer in 1788 at the Concerts of Ancient Music, and he kept up his connection with that institution, with only one break, until compelled by ill-health to resign. In 1792, he sang the lead in the premiere of Harriet Wainwright's opera ''Comala''. During the seasons 1792– ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Charles Knyvett
Charles Knyvett (11 February 1752 – 19 January 1822) was an English singer and organist. He established in 1791 in London the Vocal Concerts, a series of subscription concerts. Life He was born in Westminster, son of Charles Knyvett and his wife Jane née Jordan; he was descended from the family of Knyvet or Knyvett of Fundenhall, Norfolk. He was educated at Westminster School, and was a chorister at Westminster Abbey, under Benjamin Cooke. He was appointed in 1770 joint organist, with William Smethergell, of All Hallows-by-the-Tower. Possessing a fine alto voice, he was one of the chief singers at the Handel Commemoration of 1784, and he was appointed Gentleman of the Chapel Royal in 1786. In 1789, in partnership with Samuel Harrison, he directed a series of oratorio performances at Covent Garden. In 1791, again in partnership with Harrison, and with the additional assistance of his brother William, he established at Willis's Rooms the Vocal Concerts, which were successfully ...
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18th-century English Singers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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Burials At Westminster Abbey
Burial, also known as interment or inhumation, is a method of final disposition whereby a dead body is placed into the ground, sometimes with objects. This is usually accomplished by excavating a pit or trench, placing the deceased and objects in it, and covering it over. A funeral is a ceremony that accompanies the final disposition. Humans have been burying their dead since shortly after the origin of the species. Burial is often seen as indicating respect for the dead. It has been used to prevent the odor of decay, to give family members closure and prevent them from witnessing the decomposition of their loved ones, and in many cultures it has been seen as a necessary step for the deceased to enter the afterlife or to give back to the cycle of life. Methods of burial may be heavily ritualized and can include natural burial (sometimes called "green burial"); embalming or mummification; and the use of containers for the dead, such as shrouds, coffins, grave liners, and bu ...
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1821 Deaths
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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1769 Births
Events January–March * February 2 – Pope Clement XIII dies, the night before preparing an order to dissolve the Jesuits.Denis De Lucca, ''Jesuits and Fortifications: The Contribution of the Jesuits to Military Architecture in the Baroque Age'' (BRILL, 2012) pp315-316 * February 17 – The British House of Commons votes to not allow MP John Wilkes to take his seat after he wins a by-election. * March 4 – Mozart departs Italy, after the last of his three tours there. * March 16 – Louis Antoine de Bougainville returns to Saint-Malo, following a three-year circumnavigation of the world with the ships '' La Boudeuse'' and '' Étoile'', with the loss of only seven out of 330 men; among the members of the expedition is Jeanne Baré, the first woman known to have circumnavigated the globe. She returns to France some time after Bougainville and his ships. April–June * April 13 – James Cook arrives in Tahiti, on the ship HM Bark ' ...
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William Crotch
William Crotch (5 July 177529 December 1847) was an English composer and organist. According to the American musicologist Nicholas Temperley, Crotchwas "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Life Childhood William Crotch was born in Norwich, Norfolk, to a master carpenter. Like Mozart, he was a child prodigy, playing the organ his father had built. At the age of two he became a local celebrity by performing for visitors, among them the musician Charles Burney, who wrote an account of his visits for the Royal Society. The three--year-old Crotch was taken to London by his ambitious mother, where he not only played on the organ of the Chapel Royal in St James's Palace, but performed for King George III. ''The London Magazine'' of April 1779 recorded: He appears to be fondest of solemn tunes and church musick, particularly the 104th Psalm. As soon as he has finished a regular tune, or part o ...
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John Wall Callcott
John Wall Callcott (20 November 1766 – 15 May 1821) was an eminent English composer. Callcott was born in Kensington, London. He was a pupil of Haydn, and is celebrated mainly for his glee compositions and catches. In the best known of his catches he ridiculed Sir John Hawkins' ''History of Music''. Although ill-health prevented Callcott from completing his Musical Dictionary, His ''Musical Grammar'' (1806) remained in use throughout the 19th century. His glees number at least 100, of which 8 won prizes. Callcott set lyrics by leading poets of his day, including Thomas Gray, Sir Walter Scott, Thomas Chatterton, Robert Southey and Ossian. They include (selective list): *''O snatch me swift'' for 5 voices SATBarB *''It was a friar of orders grey'' for 3 voices SSB *''In the lonely vale of streams'' for 4 voices SATB *''Ella'' for 4 voices SATB *''Cara, vale!'' for 4 voices SSTB *''Father of Heroes'' (1792) for 5 voices ATTBB *''The Erl-King'' - a setting of Goethe's ''Erlkö ...
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Cardenio
''The History of Cardenio'', often referred to as simply ''Cardenio'', is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes's ''Don Quixote'' involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of ''Don Quixote'' was published in 1612 and would thus have been available to the presumed authors of the play. Two existing plays have been put forward as being related to the lost play. A song, "Woods, Rocks and Mountains", set to music by Robert Johnson, has also been linked to it. Attribution Although there are records of the play having been performed, there is no information about its authorship earlier than a 1653 entry in t ...
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King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usually as d ...
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Samuel Harrison (singer)
Samuel Harrison (8 September 1760 – 25 June 1812) was an English singer. A tenor, he sang in notable concerts of the day, including the Concerts of Antient Music and the Three Choirs Festival. Early life Harrison was born in Belper, Derbyshire, on 8 September 1760. Burton, a bass singer, was his earliest instructor. Harrison was trained as a boy soprano to sing solos at the Concerts of Antient Music and at the Society of Sacred Music in 1776. His voice did not break until he was eighteen; he then cultivated his tenor voice with the utmost care. George III, hearing him at one of the Queen's musical parties, had him engaged for the Handel Commemoration of 1784, where he sang "Rend' il sereno al ciglio" from ''Sosarme'', and the opening recitative and air from ''Messiah''; he thus sprang into the notice of musicians and fashionable people. Early career, and marriage He made his first appearance at the Three Choirs Festival as principal tenor in 1781, at Gloucester; from 1786 ...
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Bass Singer
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ov ...
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