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3 (Pole Album)
''3'' is the third studio album by German electronic music producer Pole. It was released by Kiff SM and Matador Records Matador Records is an independent record label, with a roster of mainly indie rock, but also punk rock, experimental rock, alternative rock, and electronic acts. History Matador was created in 1989 by Chris Lombardi in his New York City apar ... in 2000. Track listing References 2000 albums Pole (musician) albums {{2000s-electronic-album-stub ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Pole (musician)
Pole is the artistic name of Stefan Betke (born 18 February 1967), a German electronic music artist commonly associated with the glitch genre as well as dubtronica.Cooper, SeanPole Biography, Allmusic. Retrieved 15 November 2013 History Born in Düsseldorf, Pole took his name from a Waldorf 4-Pole filter, which he accidentally dropped and broke in 1996. Though the filter was perhaps no longer appropriate for DJ work in its damaged state, Betke found the strange hissing and popping noises the filter now made interesting sounds. He then began using the broken filter to create music, launching his musical career. Betke's first four albums, titled ''1'', ''2'', ''3'', and ''R'' (an intentional trilogy of albums, followed by a collection of remixes of Pole's 1998 debut EP Raum), were all based around this filter, with songs usually taking the form of dub basslines and rhythms with percussion provided by the eponymous filter. In 2003 Betke departed from this style for the album ''Pol ...
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Dub Techno
Dub techno is a subgenre of techno that combines the style with elements of dub music, including its sparse, delay-heavy production and prominent bass. Characteristics and history In the early 1990s, producers Moritz Von Oswald and Mark Ernestus formed Basic Channel, a duo credited for defining dub techno. In addition to making the presence of minimalism commonplace in the techno scene, they also incorporated delay effects that were recurrent in dub music.Baines, Josh (October 15, 2015)"A Bullshitter's Guide to Dub Techno" THUMP. Vice Media. Retrieved 21 October 2016. They then formed the label Chain Reaction; while still releasing the same type of dub-infused techno that Basic Channel created, such as the track "Cyan I" by Monolake, the label also distributed techno without dub elements, such as Continuous Mode's "Direct Out / Direct Drive". Regardless, what Thump writer Josh Baines described as a "thawing of ice as a sonic aesthetic" that was present in Basic Channel's works bef ...
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Matador Records
Matador Records is an independent record label, with a roster of mainly indie rock, but also punk rock, experimental rock, alternative rock, and electronic acts. History Matador was created in 1989 by Chris Lombardi in his New York City apartment. Lombardi had brought the Austrian duo H.P. Zinker into Wharton Tiers’ Fun City studio to record Matador's first release, "...and there was light". Lombardi continued to add artists to the label's roster, with bands like the Dustdevils, Railroad Jerk and Superchunk, before being joined by former Homestead Records manager Gerard Cosloy in 1990. Lombardi and Cosloy have continued to run Matador Records together with Patrick Amory coming on as Matador's label manager in 1994, later becoming label president as well as a partner of Lombardi and Cosloy. Matador first drew mainstream media attention and larger sales with the North American release of Teenage Fanclub’s debut record, '' A Catholic Education'' in 1990. Other early release ...
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2 (Pole Album)
''2'' is the second studio album by German electronic music producer Pole. It was released in 1999 by Kiff SM in Europe and Matador Records in the United States. Background ''2'' is the second in a trilogy of albums released annually between 1998 and 2000 by Pole. The trilogy has been noted for its lack of heavy bass commonly found in dub music, and described as "ambient Ambient or Ambiance or Ambience may refer to: Music and sound * Ambience (sound recording), also known as atmospheres or backgrounds * Ambient music, a genre of music that puts an emphasis on tone and atmosphere * ''Ambient'' (album), by Moby * ... electronic minimalism". While some critics have noted that ''2'' is more dub-influenced than '' 1'', Pole maintains that the influence was simply less hidden in ''2'', stating that "it was intended from the first record on, but it became more obvious on the second one and then on the third one." The trilogy was also noted by critics for its conceptual monochromatic ...
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Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Alternative Press (magazine)
''Alternative Press'' is an American entertainment magazine primarily focused on music and culture, now based in Los Angeles, CA. It generally provides readers with band interviews, photos, and relevant news. It was founded in 1985 by Mike Shea in Cleveland, OH. The company is now looked after by MDDN. Beginnings The first issue of ''Alternative Press'' was distributed at concerts in Cleveland, Ohio beginning in June 1985 by ''APs founder, Mike Shea to advocate bands playing underground music. The name for the magazine, ''Alternative Press'', was not a reference to the alternative rock genre, but referred to the fanzine being an alternative to the local press. Shea began working on his first issue in his mother's house in Aurora, Ohio. Shea and a friend, Jimmy Kosicki, targeted the Cleveland neighborhood of Coventry. Financial problems plagued ''AP'' in its early years and by the end of 1986, publication had ceased due to its financial problems, not resuming until the spring ...
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Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alto ...
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Muzik
''Muzik'' was a British dance music magazine published by IPC Media from June 1995 to August 2003. ''Muzik'' was created by two former ''Melody Maker'' journalists, Push and Ben Turner. Push was the editor of ''Muzik'' from its launch until he left the magazine in 1998, at which point Turner took over as editor. The title was subsequently edited by Conor McNicholas, who went on to edit ''NME''. Aimed at serious dance music fans rather than weekend clubbers, ''Muzik''s writers included a number of well-known DJs, including Kris Needs, Rob da Bank, Spoony, Terry Farley, Bob Jones, Jonty Skrufff and Dave Mothersole. The magazine sold over 50,000 copies a month at its peak, but was closed down by IPC Media just one issue short of its 100th edition. References External links *Archives at Internet Archive *Muzik' at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg o ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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