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Śiśupāla-vadha
The Shishupala Vadha ( sa, शिशुपालवध, IAST: ''Śiśupāla-vadha'', ''lit.'' "the slaying of Shishupala") is a work of classical Sanskrit poetry (''kāvya'') composed by Māgha in the 7th or 8th century. It is an epic poem in 20 ''sarga''s (cantos) of about 1800 highly ornate stanzas, and is considered one of the five Sanskrit ''mahakavya''s, or "great epics". It is also known as the ''Māgha-kāvya'' after its author. Like other ''kavya''s, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot. Its 19th canto is noted for verbal gymnastics and wordplay; see the section on linguistic ingenuity below. Contents As with most Sanskrit ''kāvya'', the plot is drawn from one of the epics, in this case the Mahabharata. In the original story, Shishupala, king of the Chedis in central India, after insulting Lord Krishna several times in an assembly, finally enrages him and has his head struck off. The 10th-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kāvya
Kāvya (Devanagari: काव्य, IAST: ''kāvyá'') refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE. This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. Kāvya can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 AD), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term. Early kāvya Although very little literature in the kāvya style written before the time of Kālidāsa (5th century CE) survives, it can be assumed from quotations in Patañjali's grammatical treatise the Mahābhāṣya (2nd century BCE), as well as from poems written on various inscriptions of the 4th to 6th centuries CE, that it dates back to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narada
Narada ( sa, नारद, ), or Narada Muni, is a sage divinity, famous in Hindu traditions as a travelling musician and storyteller, who carries news and enlightening wisdom. He is one of mind-created children of Brahma, the creator god. He appears in a number of Hindu texts, notably the Mahabharata, regaling Yudhishthira with the story of Prahalada and the Ramayana as well as tales in the Puranas. A common theme in Vaishnavism is the accompaniment of a number of lesser deities such as Narada to offer aid to Vishnu upon his descent to earth to combat the forces of evil, or enjoy a close view of epochal events. He is also referred to as ''Rishiraja'', meaning the king of all sages. He was gifted with the boon of knowledge regarding the past, present, and the future. Hinduism In Indian texts, Narada travels to distant worlds and realms (Sanskrit: ''lokas''). He is depicted carrying a khartal (musical instrument) and the veena, and is generally regarded as one of the great ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirātārjunīya
''Kirātārjunīya'' ( sa, किरातार्जुनीय, ''Of Arjuna and the Kirāta'') is an epic poem by Bhāravi, considered to be the most powerful poem in Sanskrit. Believed to have been composed in the 6th century or earlier, it consists of eighteen cantos describing the combat between Arjuna and Lord Shiva (in the guise of a '' kirāta'', or "mountain-dwelling hunter") at Indrakeeladri Hills in present-day Vijayawada. Along with the ''Naiṣadhacarita'' and the ''Shishupala Vadha'', it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression. This includes a canto set aside for demonstrating linguistic feats, similar to constrained writing. Later works of epic poetry followed the model of the ''Kirātārjunīya''. Synopsis Overview The ''Kirātārjunīya'' predominantly features the ''Vīra rasa'', or the mood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sudarshana Chakra
Sudarshana Chakra (Sanskrit: सुदर्शन चक्र, lit. "disc of auspicious vision", IAST: Sudarśana Chakra) is a spinning, celestial discus with 108 serrated edges, attributed to Vishnu and Krishna in the Hindu scriptures. The Sudarshana Chakra is generally portrayed on the right rear hand of the four hands of Vishnu, who also holds the Panchajanya (conch), the Kaumodaki (mace), and the Padma (lotus). While in the Rigveda, the Chakra was Vishnu's symbol as the wheel of time and by the late period, the Sudarshana Chakra emerged as an ayudhapurusha (an anthropomorphic form), as a fierce form of Vishnu, used for the destruction of demons. As an ''ayudhapurusha'', the deity is known as Chakraperumal or Chakratalvar. Etymology The word ''Sudarshana'' is derived from two Sanskrit words – ''Su''(सु) meaning "good/auspicious" and ''Darshana'' (दर्शन) meaning "vision". In the Monier-Williams dictionary the word Chakra is derived from the root क् ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhishma
Bhishma (Sanskrit: भीष्म, , ), also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epic Mahabharata. He was the only character who witnessed the entirety of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom. Bhishma was the step-brother of Vyasa, the grandfather of both the Pandavas and the Kauravas. He was a prominent statesman of the Kuru Kingdom. He was born as the elder son of the illustrious King Shantanu and Ganga. Originally named Devavrata, he was made the heir-apparent of his kingdom. However, he ceded his throne for his father's happiness and took the vow of lifelong celibacy. Owing to this selfless decision, he came to be known as Bhishma and was blessed to live as long as he wanted, by his father, Shantanu. He played a major role in the political affairs of the Kuru kingdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa Lila
The rasalila (), also rendered the raslila or the ras dance, is part of the traditional story of Krishna described in Hindu scriptures such as the Bhagavata Purana and literature such as the Gita Govinda, where he dances with Radha and the gopis of Vraja. Rasalila has also been a popular theme for other India classical dances including Bharatanatyam, Odissi, Manipuri, Kuchipudi, and Kathak. The Indian classical dance of Kathak evolved from the rasalila of Vraja and ''Manipuri Raas Leela Classical Dance'' (Vrindavana) also known as ''Natwari Nritya'', which was revived in 1960s by the Kathak dancer, Uma Sharma. Etymology The term, '' rasa'' meaning "aesthetics" and ''lila'' meaning "act," "play" or "dance" is a concept from Hinduism, which roughly translates to "play (lila) of aesthetics (rasa)," or more broadly as "Dance of Divine Love". Apart from the definition above, the term also comes from the Sanskrit words '' rasa'' and ''lila'', with ''rasa'' meaning "juice", "nectar", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girnar
Girnar is an ancient hill in Junagadh, Gujarat, India. Geology Mount Girnar is a major igneous plutonic complex which intruded into the basalts towards the close of the Deccan Trap period. The rock types identified in this complex are gabbros (tholeiitic and alkalic), diorites, lamprophyres, alkali-syenites and rhyolites. The parent gabbroic magma is shown to have given rise in sequence to diorites, lamprophyres and alkali-syenites. The rhyolite, though earlier considered a product of differentiation, is now believed to be an independent magma without any genetic link with the gabbro and its variants. History Fourteen of Ashoka's Major Rock Edicts, dating to circa 250 BCE, are inscribed on a large boulder that is housed in a small building located outside the town of Junagadh on Saurashtra peninsula in the state of Gujarat, India. It is located on Girnar Taleti road, at about 2 km (1.2 mi) far from Uperkot Fort easterly, some 2 km before Girnar Taleti. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indraprastha
Indraprastha (lit. "Plain of Indra" or "City of Indra") is mentioned in ancient Indian literature as a city of the Kuru Kingdom. It was the capital of the kingdom led by the Pandavas mentioned in ''Mahabharata'' . Under the Pali form of its name, Indapatta, it is also mentioned in Buddhist texts as the capital of the Kuru mahajanapada. Modern historical research pin its location in the region of present-day New Delhi, particularly the Old Fort (Purana Qila). The city is sometimes also known as ''Khandavaprastha'' or ''Khandava Forest'', the name of a forest region on the banks of Yamuna river which (according to the ''Mahabharata'') had been cleared by Krishna and Arjuna to build the city. History Indraprastha is referenced in the ''Mahabharata'', a Sanskrit Indian text compiled over a period approximately between 400 BCE and 400 CE. It was one of the five places demanded for the sake of peace and to avert a disastrous war, Krishna proposed that if Hastinapur agreed to give the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uddhava
Uddhava () is a character from the Puranic texts of Hinduism, described to be the friend and counsellor of Krishna. He plays a significant role in the Bhagavata Purana, being taught the processes of yoga and bhakti directly by Krishna. The principle of these discussions is often referred to as the ''Uddhava Gita'', similarly to the Bhagavad Gita wherein Krishna instructs Arjuna. According to some texts Uddhava was also Krishna's cousin, being the son of Devabhaga, who was the brother of Vasudeva, Krishna's father. His physical appearance was so like that of Krishna's that in some instances, he is mistaken for the latter. The Mahabharata mentions that Uddhava was a minister of the Vrishnis, whom they all regarded and respected. The Bhagavata Purana mentions that Uddhava was a disciple of Brihaspati. Legend Messenger to Vrindavana In the Bhagavata Purana and Brahmavaivarta Purana, after Krishna had defeated Kamsa, Uddhava came to see him, much to Krishna's pleasure. Krishna requ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balarama
Balarama (Sanskrit: बलराम, IAST: ''Balarāma'') is a Hindu god and the elder brother of Krishna. He is particularly significant in the Jagannath tradition, as one of the triad deities. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana. The first two epithets associate him with ''hala'' (''langala'', "plough") from his strong associations with farming and farmers, as the deity who used farm equipment as weapons when needed, and the next two refer to his strength. Balarama is sometimes described as incarnation of Shesha, the serpent associated with the deity Vishnu; Krishna is regarded as an incarnation of Vishnu. Some traditions regard him as one of the 10 principal avatars of Vishnu himself. Balarama's significance in Indian culture has ancient roots. His image in artwork is dated to around the start of the common era, and in coins dated to the second-century BCE. In Jainism, he is known as Baladeva, and has been a historically signif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajasuya
Rajasuya () is a Śrauta ritual of the Vedic religion. It is ceremony that marks a consecration of a king. According to the Puranas, it refers to a great sacrifice performed by a Chakravarti - universal monarch, in which the tributary princes may also take part, at the time of his coronation, as a mark of his undisputed sovereignty. Description The rajasuya is associated with the consecration of a king and is prescribed as a means to establish a king's sovereignty. It is described in the Taittiriya corpus, including Apastamba Srauta Sutra 18.8–25.22. It involves ''soma'' pressing, a chariot drive, the king shooting arrows from his bow, and a brief "cattle raid". The newly anointed king seizes cattle belonging to his relative, and then gives part of his property to that relative. There is a telling of the tale of Shunahshepa, a boy who was nearly sacrificed to Varuna on behalf of the sonless king Harishchandra. Also included is a game of throwing dice with the Adhvaryu priest in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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