
Classical music generally refers to the
art music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJa ...
of the
Western world
The Western world, also known as the West, primarily refers to various nations and state (polity), states in Western Europe, Northern America, and Australasia; with some debate as to whether those in Eastern Europe and Latin America also const ...
, considered to be
distinct from Western
folk music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be ca ...
or
popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fun ...
traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to
non-Western art musics. Classical music is often characterized by formality and complexity in its
musical form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a ...
and
harmonic organization, particularly with the use of
polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chord ...
. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated
notational system, as well as accompanying literature in
analytical,
critical
Critical or Critically may refer to:
*Critical, or critical but stable, medical states
**Critical, or intensive care medicine
* Critical juncture, a discontinuous change studied in the social sciences.
*Critical Software, a company specializing i ...
,
historiographical
Historiography is the study of the methods used by historians in developing history as an academic discipline. By extension, the term ":wikt:historiography, historiography" is any body of historical work on a particular subject. The historiog ...
,
musicological and
philosophical
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational an ...
practices. A foundational component of
Western culture
Western culture, also known as Western civilization, European civilization, Occidental culture, Western society, or simply the West, refers to the Cultural heritage, internally diverse culture of the Western world. The term "Western" encompas ...
, classical music is frequently seen from the perspective of individual or
groups of
composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music.
Etymology and def ...
s, whose compositions, personalities and beliefs have fundamentally shaped its history.
Rooted in the
patronage
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, art patronage refers to the support that princes, popes, and other wealthy and influential people ...
of
churches and
royal court
A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word ''court'' may also be app ...
s in
Western Europe
Western Europe is the western region of Europe. The region's extent varies depending on context.
The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the Western half of the ancient Mediterranean ...
, surviving early
medieval music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western class ...
is chiefly
religious
Religion is a range of social- cultural systems, including designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relate humanity to supernatural ...
,
monophonic
Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sou ...
and vocal, with the
music of ancient Greece
Music was almost universally present in ancient Greece, ancient Greek society, from marriages, funerals, and Religion in ancient Greece, religious ceremonies to Theatre of ancient Greece, theatre, folk music, and the ballad-like reciting of epic ...
and
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...
influencing its thought and theory. The earliest extant music manuscripts date from the
Carolingian Empire
The Carolingian Empire (800–887) was a Franks, Frankish-dominated empire in Western and Central Europe during the Early Middle Ages. It was ruled by the Carolingian dynasty, which had ruled as List of Frankish kings, kings of the Franks since ...
(800–888), around the time which Western
plainchant
Plainsong or plainchant (calque from the French ; ) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive for ...
gradually unified into what is termed
Gregorian chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...
. Musical centers existed at the
Abbey of Saint Gall
The Abbey of Saint Gall () is a dissolved abbey (747–1805) in a Catholic religious complex in the city of St. Gallen in Switzerland. The Carolingian-era monastery existed from 719, founded by Saint Othmar on the spot where Saint Gall had er ...
, the
Abbey of Saint Martial and
Saint Emmeram's Abbey, while the 11th century saw the development of
and increasing output from
medieval music theorists. By the mid-12th century, France became the major European musical center: the religious
Notre-Dame school
The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced.
The only composers whose names ha ...
first fully explored
organized rhythms and
polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chord ...
, while
secular
Secularity, also the secular or secularness (from Latin , or or ), is the state of being unrelated or neutral in regards to religion. The origins of secularity can be traced to the Bible itself. The concept was fleshed out through Christian hi ...
music flourished with the
troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''.
The tr ...
and ''
trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French ('' langue d'oïl'') form of the '' langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word '' troubadour''. ''Trouvère'' refers to po ...
'' traditions led by poet-musician nobles. This culminated in the court-sponsored French ''
ars nova
''Ars nova'' ()Fallows, David. (2001). "Ars nova". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. refers to a musical style which flourished in the Kingdom of ...
'' and Italian
Trecento
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. The Trecento was als ...
, which evolved into , a stylistic movement of extreme rhythmic diversity. Beginning in the early 15th century,
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
composers of the influential
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers to the style of polyphonic vocal music composition originating from Franc ...
built on the harmonic principles in the English ''
contenance angloise
The ''Contenance angloise'', or English manner, a distinctive style of musical polyphony, developed in History of England, fifteenth-century England. It uses full, rich harmonies based on the Interval (music) , third and sixth. It became highly in ...
'', bringing choral music to new standards, particularly the
mass
Mass is an Intrinsic and extrinsic properties, intrinsic property of a physical body, body. It was traditionally believed to be related to the physical quantity, quantity of matter in a body, until the discovery of the atom and particle physi ...
and
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Eng ...
. Northern Italy soon emerged as the central musical region, where the
Roman School
In music history, the Roman School was a group of composers of predominantly church music, in Rome, during the 16th and 17th centuries, therefore spanning the late Renaissance and early Baroque eras. The term also refers to the music they prod ...
engaged in highly sophisticated methods of polyphony in genres such as the
madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
, which inspired the brief
English Madrigal School
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally bega ...
.
The
Baroque period (1580–1750) saw the relative standardization of
common-practice tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''.
In this hierarchy, the single pitch or ...
, as well as the increasing importance of
musical instruments
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who pl ...
, which grew into ensembles of considerable size. Italy remained dominant, being the
birthplace of opera, the soloist centered
concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The ...
genre, the organized
sonata form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of t ...
as well as the large scale vocal-centered genres of
oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble.
Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguisha ...
and
cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...
. The
fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
technique championed by
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
exemplified the Baroque tendency for complexity, and as a reaction the simpler and song-like
galant music
In music, galant refers to the style which was fashionable in the upper-class societies of Western Europe from the 1720s to the 1770s. On the other hand, the term found a narrowing in musicology in the 19th and 20th centuries: the focus is on com ...
and ''
empfindsamkeit'' styles were developed. In the shorter but pivotal
Classical period (1730–1820), composers such as
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
,
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
, and
Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
created widely admired representatives of
absolute music
Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , Vol. 1, p. 5 The idea of ab ...
, including
symphonies,
string quartet
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two Violin, violini ...
s and concertos. The subsequent
Romantic music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the ...
(1800–1910) focused instead on
programmatic music, for which the
art song
An art song is a Western world, Western vocal music Musical composition, composition, usually written for one voice with piano accompaniment, and usually in the classical music, classical art music tradition. By extension, the term "art song" is ...
,
symphonic poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ( ...
and various
piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
genres were important vessels. During this time
virtuosity
''Virtuosity'' is a 1995 American science fiction action film directed by Brett Leonard and starring Denzel Washington and Russell Crowe. Howard W. Koch Jr. served as an executive producer for the film. The film was released in the United St ...
was celebrated, immensity was encouraged, while philosophy and
nationalism
Nationalism is an idea or movement that holds that the nation should be congruent with the state. As a movement, it presupposes the existence and tends to promote the interests of a particular nation, Smith, Anthony. ''Nationalism: Theory, I ...
were embedded—all aspects that converged in the
operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a li ...
of
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
.
By the 20th century, stylistic unification gradually dissipated while the prominence of popular music greatly increased. Many composers actively avoided past techniques and genres in the lens of
modernism
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ...
, with some abandoning tonality in place of
serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also ...
, while others found new inspiration in folk melodies or
impressionist
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage ...
sentiments. After World War II, for the first time audience members valued older music over
contemporary
Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from about 1945 to the present. In the social sciences, contemporary history is also continuous with, and related t ...
works, a preference which has been catered to by the emergence and widespread availability of commercial recordings. Trends of the mid-20th century to the present day include
New Simplicity,
New Complexity,
Minimalism
In visual arts, music, and other media, minimalism is an art movement that began in the post-war era in western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-mi ...
,
Spectral music, and more recently
Postmodern music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to m ...
and
Postminimalism
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p ...
. Increasingly global, practitioners from the Americas, Africa and Asia have obtained crucial roles, while symphony orchestras and
opera house
An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institut ...
s now appear across the world.
Terminology and definition
Ideological origins
Both the English term ''classical'' and the German equivalent ''
Klassik'' developed from the French ''
classique'', itself derived from the Latin word ''
classicus'', which originally referred to the highest
class
Class, Classes, or The Class may refer to:
Common uses not otherwise categorized
* Class (biology), a taxonomic rank
* Class (knowledge representation), a collection of individuals or objects
* Class (philosophy), an analytical concept used d ...
of
Ancient Roman citizens. In Roman usage, the term later became a means to distinguish revered literary figures; the Roman author
Aulus Gellius
Aulus Gellius (c. 125after 180 AD) was a Roman author and grammarian, who was probably born and certainly brought up in Rome. He was educated in Athens, after which he returned to Rome. He is famous for his ''Attic Nights'', a commonplace book, ...
commended writers such as
Demosthenes
Demosthenes (; ; ; 384 – 12 October 322 BC) was a Greek statesman and orator in ancient Athens. His orations constitute a significant expression of contemporary Athenian intellectual prowess and provide insight into the politics and cu ...
and
Virgil
Publius Vergilius Maro (; 15 October 70 BC21 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Rome, ancient Roman poet of the Augustan literature (ancient Rome), Augustan period. He composed three of the most fa ...
as ''classicus''.
By the
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
, the adjective had acquired a more general meaning: an entry in
Randle Cotgrave's 1611 ''A Dictionarie of the French and English Tongues'' is among the earliest extant definitions, translating ''classique'' as "classical, formall , orderlie, in due or fit ranke; also, approved, authenticall, chiefe, principall". The musicologist
Daniel Heartz
Daniel Heartz (1928–2019) was an American musicologist and professor of music at the University of California, Berkeley.
Heartz studied at Harvard University. He lived in Berkeley, California
Berkeley ( ) is a city on the eastern shore of ...
summarizes this into two definitions: 1) a "formal discipline" and 2) a "model of excellence". Like Gellius, later Renaissance scholars who wrote in Latin used ''classicus'' in reference to writers of
classical antiquity
Classical antiquity, also known as the classical era, classical period, classical age, or simply antiquity, is the period of cultural History of Europe, European history between the 8th century BC and the 5th century AD comprising the inter ...
;
however, this meaning only gradually developed, and was for a while subordinate to the broader classical ideals of formality and excellence. Literature and visual arts—for which substantial Ancient Greek and Roman examples existed—did eventually adopt the term "classical" as relating to classical antiquity, but virtually no music of that time was available to Renaissance musicians, limiting the connection between classical music and the
Greco-Roman world
The Greco-Roman world , also Greco-Roman civilization, Greco-Roman culture or Greco-Latin culture (spelled Græco-Roman or Graeco-Roman in British English), as understood by modern scholars and writers, includes the geographical regions and co ...
.
It was in 18th-century England that the term 'classical' "first came to stand for a particular canon of works in performance."
London
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ...
had developed a prominent public concert music scene, unprecedented and unmatched by other European cities. The royal court had gradually lost its monopoly on music, in large part from instability that the
Commonwealth of England
The Commonwealth of England was the political structure during the period from 1649 to 1660 when Kingdom of England, England and Wales, later along with Kingdom of Ireland, Ireland and Kingdom of Scotland, Scotland, were governed as a republi ...
's dissolution and the
Glorious Revolution
The Glorious Revolution, also known as the Revolution of 1688, was the deposition of James II and VII, James II and VII in November 1688. He was replaced by his daughter Mary II, Mary II and her Dutch husband, William III of Orange ...
enacted on court musicians. In 1672, the former court musician
John Banister began giving popular public concerts at a London tavern; his popularity rapidly inaugurated the prominence of public concerts in the London. The conception of "classical"—or more often "ancient music"—emerged, which was still built on the principles of formality and excellence, and according to Heartz "civic ritual, religion and moral activism figured significantly in this novel construction of musical taste". The performance of such music was specialized by the
Academy of Ancient Music and later at the
Concerts of Antient Music series, where the work of select 16th and 17th composers was featured, especially
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
. In France, the reign of
Louis XIV
LouisXIV (Louis-Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 1643 until his death in 1715. His verified reign of 72 years and 110 days is the List of longest-reign ...
() saw a cultural renaissance, by the end of which writers such as
Molière
Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world liter ...
,
Jean de La Fontaine
Jean de La Fontaine (, ; ; 8 July 162113 April 1695) was a French Fable, fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''La Fontaine's Fables, Fables'', which provided a model for subs ...
and
Jean Racine
Jean-Baptiste Racine ( , ; ; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tr ...
were considered to have surpassed the achievements of classical antiquity. They were thus characterized as "classical", as was the music of
Jean-Baptiste Lully
Jean-Baptiste Lully ( – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court o ...
(and later
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; ; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of th ...
), being designated as "l'opéra française classique". In the rest of
continental Europe
Continental Europe or mainland Europe is the contiguous mainland of Europe, excluding its surrounding islands. It can also be referred to ambiguously as the European continent, – which can conversely mean the whole of Europe – and, by som ...
, the abandonment of defining "classical" as analogous to the Greco-Roman World was slower, primarily because the formation of canonical repertoires was either minimal or exclusive to the upper classes.
Many European commentators of the early 19th century found new unification in their definition of classical music: to juxtapose the older composers
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
,
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
, and (excluding some of his
later works)
Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
as "classical" against the emerging style of
Romantic music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the ...
.
These three composers in particular were grouped into the
First Viennese School, sometimes called the "Viennese classics", a coupling that remains problematic by reason of none of the three being born in Vienna and the minimal time Haydn and Mozart spent in the city. While this was an often expressed characterization, it was not a strict one. In 1879 the composer
Charles Kensington Salaman defined the following composers as classical:
Bach
Johann Sebastian Bach (German: �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the or ...
, Handel, Haydn, Mozart, Beethoven,
Weber,
Spohr and
Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonie ...
. More broadly, some writers used the term "classical" to generally praise well-regarded outputs from various composers, particularly those who produced many works in an established genre.
Contemporary understanding
The contemporary understanding of the term "classical music" remains vague and multifaceted. Other terms such as "art music", "canonic music", "cultivated music" and "serious music" are largely synonymous. The term "classical music" is often indicated or implied to concern solely the
Western world
The Western world, also known as the West, primarily refers to various nations and state (polity), states in Western Europe, Northern America, and Australasia; with some debate as to whether those in Eastern Europe and Latin America also const ...
, and conversely, in many academic histories the term "Western music" excludes non-classical Western music. Another complication lies in that "classical music" is sometimes used to describe non-Western art music exhibiting similar long-lasting and complex characteristics; examples include
Indian classical music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ...
,
Gamelan
Gamelan (; ; , ; ) is the traditional musical ensemble, ensemble music of the Javanese people, Javanese, Sundanese people, Sundanese, and Balinese people, Balinese peoples of Indonesia, made up predominantly of percussion instrument, per ...
music, and various styles of the court of Imperial China (see ''
yayue
''Yayue'' () was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of ''yayue'' were established in the Western Zhou. Together with law and rites, it formed the formal represent ...
'' for instance). Thus in the later 20th century terms such as "Western classical music" and "Western art music" came in use to address this. The musicologist
Ralph P. Locke notes that neither term is ideal, as they create an "intriguing complication" when considering "certain practitioners of Western-art music genres who come from non-Western cultures".
Complexity in
musical form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a ...
and
harmonic organization are typical traits of classical music. The ''
Oxford English Dictionary
The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first editio ...
'' (''OED'') offers three definitions for the word "classical" in relation to music:
# "of acknowledged excellence"
# "of, relating to, or characteristic of a formal musical tradition, as distinguished from popular or folk music"
# and more specifically, "of or relating to formal European music of the late 18th and early 19th centuries, characterized by harmony, balance, and adherence to established compositional forms".
The last definition concerns what is now termed the
Classical period, a specific stylistic era of European music from the second half of the 18th century to the beginning of the 19th century.
History
Roots
The Western classical tradition formally begins with music created by and for the early Christian Church. It is probable that the early Church wished to disassociate itself from the predominant
music of ancient Greece
Music was almost universally present in ancient Greece, ancient Greek society, from marriages, funerals, and Religion in ancient Greece, religious ceremonies to Theatre of ancient Greece, theatre, folk music, and the ballad-like reciting of epic ...
and
Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...
, as it was a reminder of the
pagan religion it had
persecuted and
by which it had been persecuted. As such, it remains unclear as to what extent the music of the Christian Church, and thus Western classical music as a whole, was influenced by preceding
ancient music. The general attitude towards music was adopted from the
Ancient Greek
Ancient Greek (, ; ) includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek ...
and
Roman
Roman or Romans most often refers to:
*Rome, the capital city of Italy
*Ancient Rome, Roman civilization from 8th century BC to 5th century AD
*Roman people, the people of Roman civilization
*Epistle to the Romans, shortened to Romans, a letter w ...
music theorists and commentators. Just as in Greco-Roman society, music was considered central to education; along with arithmetic, geometry and astronomy, music was included in the ''
quadrivium
From the time of Plato through the Middle Ages, the ''quadrivium'' (plural: quadrivia) was a grouping of four subjects or arts—arithmetic, geometry, music, and astronomy—that formed a second curricular stage following preparatory work in th ...
,'' the four subjects of the upper division of a standard
liberal arts education
Liberal arts education () is a traditional academic course in Western higher education. ''Liberal arts'' takes the term '' art'' in the sense of a learned skill rather than specifically the fine arts. ''Liberal arts education'' can refer to s ...
in the
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...
. This high regard for music was first promoted by the scholars
Cassiodorus
Magnus Aurelius Cassiodorus Senator (c. 485 – c. 585), commonly known as Cassiodorus (), was a Christian Roman statesman, a renowned scholar and writer who served in the administration of Theodoric the Great, king of the Ostrogoths. ''Senato ...
,
Isidore of Seville
Isidore of Seville (; 4 April 636) was a Spania, Hispano-Roman scholar, theologian and Roman Catholic Archdiocese of Seville, archbishop of Seville. He is widely regarded, in the words of the 19th-century historian Charles Forbes René de Montal ...
, and particularly
Boethius
Anicius Manlius Severinus Boethius, commonly known simply as Boethius (; Latin: ''Boetius''; 480–524 AD), was a Roman Roman Senate, senator, Roman consul, consul, ''magister officiorum'', polymath, historian, and philosopher of the Early Middl ...
, whose transmission and expansion on the perspectives of music from
Pythagoras
Pythagoras of Samos (; BC) was an ancient Ionian Greek philosopher, polymath, and the eponymous founder of Pythagoreanism. His political and religious teachings were well known in Magna Graecia and influenced the philosophies of P ...
,
Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, a ...
and
Plato
Plato ( ; Greek language, Greek: , ; born BC, died 348/347 BC) was an ancient Greek philosopher of the Classical Greece, Classical period who is considered a foundational thinker in Western philosophy and an innovator of the writte ...
were crucial in the development of medieval musical thought. However, scholars,
medieval music theorists and
composers
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music.
Etymology and defi ...
regularly misinterpreted or misunderstood the writings of their Greek and Roman predecessors. This was due to the complete absence of surviving Greco-Roman musical works available to medieval musicians, to the extent that Isidore of Seville () stated "unless sounds are remembered by man, they perish, for they cannot be written down", unaware of the
systematic notational practices of Ancient Greece centuries before. The musicologist
Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940 ...
notes, however, that many Greco-Roman texts can still be credited as influential to Western classical music, since medieval musicians regularly read their works—regardless of whether they were doing so correctly.
However, there are some indisputable musical continuations from the
ancient world
Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient h ...
. Basic aspects such as
monophony
In music, monophony is the simplest of texture (music), musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompaniment, accompanying har ...
,
improvisation
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvis ...
and the dominance of text in musical settings are prominent in both early medieval and music of nearly all ancient civilizations. Greek influences in particular include the
church modes (which were descendants of developments by
Aristoxenus
Aristoxenus of Tarentum (; born 375, fl. 335 BC) was a Ancient Greece, Greek Peripatetic school, Peripatetic philosopher, and a pupil of Aristotle. Most of his writings, which dealt with philosophy, ethics and music, have been lost, but one musi ...
and Pythagoras), basic
acoustical theory from
pythagorean tuning
Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are determined by choosing a sequence of fifthsBruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh editi ...
, as well as the central function of
tetrachords. Ancient Greek instruments such as the
aulos
An ''aulos'' (plural ''auloi''; , plural ) or ''tibia'' (Latin) was a wind instrument in ancient Greece, often depicted in art and also attested by archaeology.
Though the word ''aulos'' is often translated as "flute" or as " double flute", ...
(a
reed instrument) and the
lyre
The lyre () (from Greek λύρα and Latin ''lyra)'' is a string instrument, stringed musical instrument that is classified by Hornbostel–Sachs as a member of the History of lute-family instruments, lute family of instruments. In organology, a ...
(a stringed instrument similar to a small
harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...
) eventually led to several modern-day instruments of a symphonic orchestra. However,
Donald Jay Grout notes that attempting to create a direct evolutionary connection from the ancient music to early medieval is baseless, as it was almost solely influenced by Greco-Roman music theory, not performance or practice.
Early music
Medieval

Medieval music includes Western European music from after the
fall of the Western Roman Empire
The fall of the Western Roman Empire, also called the fall of the Roman Empire or the fall of Rome, was the loss of central political control in the Western Roman Empire, a process in which the Empire failed to enforce its rule, and its vast ...
by 476 to about 1400.
Monophonic
Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sou ...
chant, also called plainsong or
Gregorian chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...
, was the dominant form until about 1100. Christian monks developed the first forms of European musical notation in order to standardize liturgy throughout the Church.
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...
(multi-voiced) music developed from monophonic chant throughout the late
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...
and into the
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...
, including the more complex voicings of
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Eng ...
s. During the
earlier medieval period, the vocal music from the
liturgical
Liturgy is the customary public ritual of worship performed by a religious group. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembra ...
genre, predominantly
Gregorian chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...
, was
monophonic
Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sou ...
, using a single, unaccompanied vocal melody line.
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...
vocal genres, which used multiple independent vocal melodies, began to develop during the
high medieval era, becoming prevalent by the later 13th and early 14th century. Notable medieval composers include
Hildegard of Bingen
Hildegard of Bingen Benedictines, OSB (, ; ; 17 September 1179), also known as the Sibyl of the Rhine, was a German Benedictines, Benedictine abbess and polymath active as a writer, composer, philosopher, Christian mysticism, mystic, visiona ...
,
Léonin,
Pérotin
Pérotin () was a composer associated with the Notre Dame school of polyphony in Paris and the broader musical style of high medieval music. He is credited with developing the polyphonic practices of his predecessor Léonin, with the introd ...
,
Philippe de Vitry
Philippe de Vitry (31 October 12919 June 1361) was a French composer-poet, bishop and Music theory, music theorist in the style of late medieval music. An accomplished, innovative, and influential composer, he was widely acknowledged as a le ...
,
Guillaume de Machaut
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to ...
,
Francesco Landini
Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was a Florentine composer, poet, organist, singer and instrument maker, and a central figure of the music of the Trecento in the Italian peninsula.
Name
Frances ...
, and
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Franco-Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, parti ...
.
Many
medieval musical instruments still exist, but in different forms. Medieval instruments included the
flute
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...
, the
recorder and plucked
string instrument
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners.
Musicians play some ...
s like the
lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
More specifically, the term "lu ...
. As well, early versions of the
organ
Organ and organs may refer to:
Biology
* Organ (biology), a group of tissues organized to serve a common function
* Organ system, a collection of organs that function together to carry out specific functions within the body.
Musical instruments
...
and
fiddle
A fiddle is a Bow (music), bowed String instrument, string musical instrument, most often a violin or a bass. It is a colloquial term for the violin, used by players in all genres, including European classical music, classical music. Althou ...
(or
vielle
The is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a fig ...
) existed. Medieval instruments in Europe had most commonly been used singly, often self accompanied with a
drone note, or occasionally in parts. From at least as early as the 13th century through the 15th century there was a division of instruments into ''haut'' (loud, shrill, outdoor instruments) and ''bas'' (quieter, more intimate instruments). A number of instrument have roots in Eastern predecessors that were
adopted from the medieval Islamic world.
For example, the Arabic
rebab
''Rebab'' (, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading rout ...
is the ancestor of all European
bowed string instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow (music), bow rubbing the string (music), strings. The bow rubbing the string causes vibration which the instrument emits as sound.
Despite the numerous spe ...
s, including the
lira
Lira is the name of several currency units. It is the current Turkish lira, currency of Turkey and also the local name of the Lebanese pound, currencies of Lebanon and of Syrian pound, Syria. It is also the name of several former currencies, ...
,
rebec and
violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
.
Renaissance
The musical Renaissance era lasted from 1400 to 1600. It was characterized by greater use of
instrumentation
Instrumentation is a collective term for measuring instruments, used for indicating, measuring, and recording physical quantities. It is also a field of study about the art and science about making measurement instruments, involving the related ...
, multiple interweaving melodic lines, and the use of earlier forms of
bass instruments. Social dancing became more widespread, so musical forms appropriate to accompanying dance began to standardize. It is in this time that the notation of music on a
staff and other elements of
musical notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The proce ...
began to take shape. This invention made possible the separation of the
composition
Composition or Compositions may refer to:
Arts and literature
*Composition (dance), practice and teaching of choreography
* Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include ...
of a piece of music from its ''transmission''; without written music, transmission was oral, and subject to change every time it was transmitted. With a
musical score, a work of music could be performed without the composer's presence. The invention of the movable-type
printing press
A printing press is a mechanical device for applying pressure to an inked surface resting upon a printing, print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in whi ...
in the 15th century had far-reaching consequences on the preservation and transmission of music.

Many instruments originated during the Renaissance; others were variations of, or improvements upon, instruments that had existed previously. Some have survived to the present day; others have disappeared, only to be re-created in order to perform music on period instruments. As in the modern day, instruments may be classified as brass, strings, percussion, and woodwind. Brass instruments in the Renaissance were traditionally played by professionals who were members of
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular territory. The earliest types of guild formed as organizations of tradespeople belonging to a professional association. They so ...
s and they included the
slide trumpet
The slide trumpet is an early type of trumpet fitted with a movable section of telescopic tubing, similar to the slide of a trombone. Eventually, the slide trumpet evolved into the sackbut, which evolved into the modern-day trombone. The key dif ...
, the wooden
cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cor ...
, the valveless
trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
and the
sackbut
A sackbut is an early form of the trombone used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (m ...
. Stringed instruments included the
viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (m ...
, the
rebec, the harp-like
lyre
The lyre () (from Greek λύρα and Latin ''lyra)'' is a string instrument, stringed musical instrument that is classified by Hornbostel–Sachs as a member of the History of lute-family instruments, lute family of instruments. In organology, a ...
, the
hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-turned crank, rosined wheel rubbing against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar ...
, the
lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
More specifically, the term "lu ...
, the
guitar
The guitar is a stringed musical instrument that is usually fretted (with Fretless guitar, some exceptions) and typically has six or Twelve-string guitar, twelve strings. It is usually held flat against the player's body and played by strumming ...
, the
cittern
The cittern or cithren ( Fr. ''cistre'', It. ''cetra'', Ger. ''Cister,'' Sp. ''cistro, cedra, cítola'') is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is d ...
, the
bandora, and the
orpharion.
Keyboard instruments with strings included the
harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
and the
clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance music, Renaissance, Baroque music, Baroque and Classical period (music), Classical eras.
Historically, it was most ...
. Percussion instruments include the
triangle
A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimension ...
, the
Jew's harp
The Jew's harp, also known as jaw harp, juice harp, or mouth harp, is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or reed attached to a frame. Despite the colloquial name, the Jew's harp most likely originated in ...
, the
tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, thoug ...
, the bells, the rumble-pot, and various kinds of drums. Woodwind instruments included the double-reed
shawm
The shawm () is a Bore (wind instruments)#Conical bore, conical bore, double-reed woodwind instrument made in Europe from the 13th or possibly 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissanc ...
(an early member of the
oboe
The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites.
The most common type of oboe, the soprano oboe pitched in C, ...
family), the
reed pipe
A reed pipe (also referred to as a ''lingual'' pipe) is an organ pipe that is sounded by a vibrating brass strip known as a '' reed''. Air under pressure (referred to as ''wind'') is directed towards the reed, which vibrates at a specific pit ...
, the
bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, No ...
, the
transverse flute
A transverse flute or side-blown flute is a flute which is held horizontally when played.Powell, A. (2001). Transverse flute. Grove Music Online. Retrieved 6 Feb. 2024 The player blows across the embouchure hole, in a direction perpendicular to ...
, the
recorder, the
dulcian
The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include , , , , , , and .
The predecessor of the modern bassoon, it flourished between 1550 and 1700, but was probably invented ...
, and the
crumhorn
The crumhorn is a double reed , double reed instrument of the woodwind family, most commonly used during the Renaissance music, Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early mu ...
. Simple
pipe organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provide ...
s existed, but were largely confined to churches, although there were portable varieties. Printing enabled the standardization of descriptions and specifications of instruments, as well as instruction in their use.
Vocal music in the Renaissance is noted for the flourishing of an increasingly elaborate
polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ...
style. The principal liturgical forms which endured throughout the entire Renaissance period were masses and motets, with some other developments towards the end, especially as composers of sacred music began to adopt secular forms (such as the
madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
) for their own designs. Towards the end of the period, the early dramatic precursors of opera such as monody, the
madrigal comedy, and the
intermedio
The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celeb ...
are seen. Around 1597, Italian composer
Jacopo Peri
Jacopo Peri (20 August 156112 August 1633) was an Italian composer, singer and instrumentalist of the late Renaissance music, Renaissance and early Baroque music, Baroque periods. He wrote what is considered the first opera, the mostly lost ''D ...
wrote ''
Dafne'', the first work to be called an
opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
today. He also composed ''
Euridice'', the first opera to have survived to the present day.
Notable composers of the Renaissance include
Josquin des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the ...
,
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de V ...
,
John Dunstaple
John Dunstaple (or Dunstable; – 24 December 1453) was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was ...
,
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colle ...
,
Orlande de Lassus
Orlando di Lasso ( various other names; probably – 14 June 1594) was a composer of the late Renaissance. The chief representative of the mature polyphonic style in the Franco-Flemish school, Lassus stands with William Byrd, Giovanni Pierlui ...
,
Guillaume Du Fay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397 – 27 November 1474) was a composer and music theorist of early Renaissance music, who is variously described as French or Franco-Flemish. Considered the leading European composer of h ...
,
Gilles Binchois
Gilles de Bins dit Binchois (also Binchoys; – 20 September 1460) was a Franco-Flemish composer and singer of early Renaissance music. A central figure of the Burgundian School, Binchois is renowned a melodist and miniaturist; he generally a ...
,
Thomas Tallis
Thomas Tallis (; also Tallys or Talles; 23 November 1585) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music. Tallis is considered one ...
,
William Byrd
William Byrd (; 4 July 1623) was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continental Europe, Continent. He i ...
,
Giovanni Gabrieli
Giovanni Gabrieli (/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School (music), Venetian School, at the t ...
,
Carlo Gesualdo
Carlo Gesualdo da Venosa (between 8 March 1566 and 30 March 1566 – 8 September 1613) was an Italian nobleman and composer. Though both the Prince of Venosa and Count of Conza, he is better known for writing madrigals and pieces of sacred ...
,
John Dowland
John Dowland ( – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", " Flow my tears", " I saw my Lady weepe", " N ...
,
,
Adrian Willaert
Adrian Willaert ( – 7 December 1562) was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers ...
,
Jacques Arcadelt,
Cipriano de Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only a central representative of the generation of Franco-Flemish composers after ...
, and
Francesco da Milano.
Common-practice period
The
common practice period
In Western classical music, the common practice period (CPP) was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly supersede ...
is typically defined as the era between the formation and the dissolution of common-practice
tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''.
In this hierarchy, the single pitch or ...
. The term usually spans roughly two-and-a-half centuries, encompassing the Baroque, Classical, and Romantic periods.
Baroque

Baroque music is characterized by the use of complex tonal
counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ...
and the use of a
basso continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
, a continuous bass line. Music became more complex in comparison with the simple songs of all previous periods.
The beginnings of the
sonata form
The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of t ...
took shape in the
canzona
The canzona, also known as the canzon or canzone, is an Italian musical form derived from the Franco-Flemish and Parisian '' chansons''.
Background
The canzona is an instrumental musical form that differs from the similar forms of ricercare ...
, as did a more formalized notion of
theme and variations. The tonalities of
major and minor
In Western music, the adjectives major and minor may describe an interval, chord, scale, or key. A composition, movement, section, or phrase may also be referred to by its key, including whether that key is major or minor.
The words derive ...
as means for managing dissonance and
chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses o ...
in music took full shape.
During the Baroque era, keyboard music played on the
harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
and
pipe organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provide ...
became increasingly popular, and the violin family of stringed instruments took the form generally seen today. Opera as a staged musical drama began to differentiate itself from earlier musical and dramatic forms, and vocal forms like the
cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...
and
oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble.
Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguisha ...
became more common. For the first time, vocalists began adding ornamentals to the music.
[
The theories surrounding ]equal temperament
An equal temperament is a musical temperament or Musical tuning#Tuning systems, tuning system that approximates Just intonation, just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequency, frequencie ...
began to be put in wider practice, as it enabled a wider range of chromatic possibilities in hard-to-tune keyboard instruments. Although J.S. Bach did not use equal temperament, changes in the temperaments from the then-common meantone system to various temperaments that made modulation between all keys musically acceptable made possible his '' Well-Tempered Clavier''.
Baroque instruments included some instruments from the earlier periods (e.g., the hurdy-gurdy and recorder) and a number of new instruments (e.g., the oboe, bassoon, cello, contrabass and fortepiano). Some instruments from previous eras fell into disuse, such as the shawm, cittern
The cittern or cithren ( Fr. ''cistre'', It. ''cetra'', Ger. ''Cister,'' Sp. ''cistro, cedra, cítola'') is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is d ...
, rackett, and the wooden cornet. The key Baroque instruments for strings included the violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
, viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (m ...
, viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
, viola d'amore, cello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ...
, contrabass, lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted.
More specifically, the term "lu ...
, theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rose ...
(which often played the basso continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
parts), mandolin
A mandolin (, ; literally "small mandola") is a Chordophone, stringed musical instrument in the lute family and is generally Plucked string instrument, plucked with a plectrum, pick. It most commonly has four Course (music), courses of doubled St ...
, Baroque guitar
The Baroque guitar (–1750) is a string instrument with five Course (music), courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string.
History
The Baroque guitar replaced the lute as ...
, harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...
and hurdy-gurdy. Woodwinds included the Baroque flute, Baroque oboe, recorder and the bassoon
The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
. Brass instruments included the cornett
The cornett (, ) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are most ...
, natural horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the tr ...
, natural trumpet
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series.
History
:''See: Clarion''
The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, e ...
, serpent and the trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...
. Keyboard instruments included the clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance music, Renaissance, Baroque music, Baroque and Classical period (music), Classical eras.
Historically, it was most ...
, the tangent piano
The tangent piano is a very rare keyboard instrument that resembles a harpsichord and early pianos in design. It normally features five octaves of keys and the strings are acted upon by narrow wooden or metal slips when the keys are depressed.
...
, the harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
, the pipe organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provide ...
, and, later in the period, the fortepiano
A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to ref ...
(an early version of the piano). Percussion instruments included the timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...
, snare drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often u ...
, tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, thoug ...
and the castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient ...
.
One major difference between Baroque music and the classical era that followed it is that the types of instruments used in Baroque ensembles were much less standardized. A Baroque ensemble could include one of several different types of keyboard instruments (e.g., pipe organ or harpsichord), additional stringed chordal instruments (e.g., a lute), bowed strings, woodwinds, and brass instruments, and an unspecified number of bass instruments performing the basso continuo,(e.g., a cello, contrabass, viola, bassoon, serpent, etc.).
Vocal oeuvres of the Baroque era included suites such as oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble.
Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguisha ...
s and cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...
s. Secular music was less common, and was typically characterized only by instrumental music. Like Baroque art
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in ...
, themes were generally sacred and for the purpose of a catholic setting.
Notable composers of the Baroque era include Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
, Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
, George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti.
Born in Halle, Germany, H ...
, Johann Pachelbel
Johann Pachelbel (also Bachelbel; baptised – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and ...
, Henry Purcell
Henry Purcell (, rare: ; September 1659 – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas, ''Dido and Aeneas''; and his incidental music to a version o ...
, Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Church music, sacred music, and a pioneer ...
, Barbara Strozzi, Domenico Scarlatti
Giuseppe Domenico Scarlatti (26 October 1685 – 23 July 1757) was an Italian composer. He is classified primarily as a Baroque music, Baroque composer chronologically, although his music was influential in the development of the Classical peri ...
, Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving works. Telemann was considered by his contemporaries to b ...
, Arcangelo Corelli
Arcangelo Corelli (, also , ; ; 17 February 1653 – 8 January 1713) was an List of Italian composers, Italian composer and violinist of the middle Baroque music, Baroque era. His music was key in the development of the modern genres of Sonata a ...
, Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque music, Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan sch ...
, Jean-Philippe Rameau
Jean-Philippe Rameau (; ; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of ...
, Jean-Baptiste Lully
Jean-Baptiste Lully ( – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court o ...
, and Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque music, Baroque composer and organ (music), organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of ...
.
Classical
Though the term "classical music" includes all Western art music from the medieval era to the 21st century, the Classical ''era'' was the period of Western art music from the 1750s to the early 1820s—the era of Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
, Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
, and Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
.
The Classical era established many of the norms of composition, presentation, and style, and when the piano became the predominant keyboard instrument. The ''basic'' forces required for an orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
* String instruments, such as the violin, viola, cello, ...
became somewhat standardized (though they would grow as the potential of a wider array of instruments was developed). Chamber music grew to include ensembles with as many as 8-10 performers for serenades. Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
continued to develop, with regional styles in Italy, France, and German-speaking lands. The ''opera buffa
Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesc ...
'', a form of comic opera, rose in popularity. The symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning c ...
came into its own as a musical form, and the concerto was developed as a vehicle for displays of virtuoso playing skill. Orchestras no longer required a harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
, and were often led by the lead violinist (now called the concertmaster
The concertmaster (from the German language, German ''Konzertmeister''), first chair (U.S.) or leader (UK) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the Conducting, conductor, the concertma ...
).
Classical era musicians continued to use many of the instruments from the Baroque era, such as the cello, contrabass, recorder, trombone, timpani, fortepiano (the precursor to the modern piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
) and organ. While some Baroque instruments fell into disuse e.g. the theorbo and rackett, many Baroque instruments were changed into the versions still in use today, such as the Baroque violin (which became the violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
), Baroque oboe (which became the oboe
The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites.
The most common type of oboe, the soprano oboe pitched in C, ...
) and Baroque trumpet, which transitioned to the regular valved trumpet. During the Classical era, the stringed instruments used in orchestra and chamber music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music ...
such as string quartet
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two Violin, violini ...
s were standardized as the four instruments which form the string section
The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In ...
of the orchestra: the violin, viola, cello, and double bass. Baroque-era stringed instruments such as fretted, bowed viol
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (m ...
s were phased out. Woodwinds included the basset clarinet, basset horn, clarinette d'amour, the Classical clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell.
Clarinets comprise a Family (musical instruments), family of instrume ...
, the chalumeau, the flute, oboe and bassoon. Keyboard instruments included the clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance music, Renaissance, Baroque music, Baroque and Classical period (music), Classical eras.
Historically, it was most ...
and the fortepiano
A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to ref ...
. While the harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
was still used in basso continuo accompaniment in the 1750s and 1760s, it fell out of use at the end of the century. Brass instruments included the buccin, the ophicleide (a replacement for the bass serpent, which was the precursor of the tuba
The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in th ...
) and the natural horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the tr ...
.
Wind instruments became more refined in the Classical era. While double-reed instruments like the oboe and bassoon
The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
became somewhat standardized in the Baroque, the clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell.
Clarinets comprise a Family (musical instruments), family of instrume ...
family of single reeds was not widely used until Mozart expanded its role in orchestral, chamber, and concerto settings.
Notable composers of the Classical era include Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
, Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
, Franz Schubert
Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions ...
, Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical period. He was the fifth ch ...
, Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and '' galante'' style even while he matured somewhat apart from the major classi ...
, Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian composer and teacher of the classical period (music), classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subje ...
, Carl Czerny, and Pierre Rode. Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
is commonly regarded as a transitional composer whose music combines both late Classical and early Romantic elements.
Romantic
The music of the Romantic era
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjec ...
, from roughly the first decade of the 19th century to the early 20th century, was characterized by increased attention to an extended melodic line, as well as expressive and emotional elements, paralleling romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjec ...
in other art forms. Musical forms began to break from the Classical era forms (even as those were being codified), with free-form pieces like nocturnes, fantasias, and preludes being written where accepted ideas about the exposition and development of themes were ignored or minimized. The music became more chromatic, dissonant, and tonally colorful, with tensions (with respect to accepted norms of the older forms) about key signatures increasing. The art song
An art song is a Western world, Western vocal music Musical composition, composition, usually written for one voice with piano accompaniment, and usually in the classical music, classical art music tradition. By extension, the term "art song" is ...
(or ''Lied'') came to maturity in this era, as did the epic scales of grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on o ...
, ultimately transcended by Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
's Ring cycle.
In the 19th century, musical institutions emerged from the control of wealthy patrons, as composers and musicians could construct lives independent of the nobility. Increasing interest in music by the growing middle classes throughout western Europe spurred the creation of organizations for the teaching, performance, and preservation of music. The piano, which achieved its modern construction in this era (in part due to industrial advances in metallurgy
Metallurgy is a domain of materials science and engineering that studies the physical and chemical behavior of metallic elements, their inter-metallic compounds, and their mixtures, which are known as alloys.
Metallurgy encompasses both the ...
) became widely popular with the middle class, whose demands for the instrument spurred many piano builders. Many symphony orchestras date their founding to this era. Some musicians and composers were the stars of the day; some, like Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six ...
and Niccolò Paganini
Niccolò (or Nicolò) Paganini (; ; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices ...
, fulfilled both roles.
European cultural ideas and institutions began to follow colonial expansion into other parts of the world. There was also a rise, especially toward the end of the era, of nationalism in music (echoing, in some cases, political sentiments of the time), as composers such as Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwid ...
, Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov. At the time, his name was spelled , which he romanized as Nicolas Rimsky-Korsakow; the BGN/PCGN transliteration of Russian is used for his name here; ALA-LC system: , ISO 9 system: .. (18 March 1844 – 2 ...
, and Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predec ...
echoed traditional music of their homelands in their compositions.
In the Romantic era, the modern piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
, with a more powerful, sustained tone and a wider range took over from the more delicate-sounding fortepiano. In the orchestra, the existing Classical instruments and sections were retained (string section
The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In ...
, woodwinds, brass, and percussion), but these sections were typically expanded to make a fuller, bigger sound. For example, while a Baroque orchestra may have had two double bass players, a Romantic orchestra could have as many as ten. "As music grew more expressive, the standard orchestral palette just wasn't rich enough for many Romantic composers."
The families of instruments used, especially in orchestras, grew larger; a process that climaxed in the early 20th century with very large orchestras used by late romantic and modernist composers. A wider array of percussion instruments began to appear. Brass instruments took on larger roles, as the introduction of rotary valve
A rotary valve (also called rotary-motion valve) is a type of valve in which the rotation of a passage or passages in a transverse plug regulates the flow of liquid or gas through the attached pipes. The common stopcock is the simplest form of ro ...
s made it possible for them to play a wider range of notes. The size of the orchestra (typically around 40 in the Classical era) grew to be over 100. Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and ...
's 1906 Symphony No. 8, for example, has been performed with over 150 instrumentalists and choirs of over 400. New woodwind instruments were added, such as the contrabassoon
The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences.
Differences from the bassoon
The Reed (mouthpie ...
, bass clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays no ...
and piccolo
The piccolo ( ; ) is a smaller version of the western concert flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the ...
and new percussion instruments were added, including xylophone
The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African ...
s, snare drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often u ...
s, celesta
The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music ...
s (a bell-like keyboard instrument), bell
A bell /ˈbɛl/ () is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be m ...
s, and triangles
A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimensiona ...
, large orchestral harps, and even wind machines for sound effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.
In m ...
s. Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to p ...
s appear in some scores from the late 19th century onwards, usually featured as a solo instrument rather than as in integral part of the orchestra.
The Wagner tuba
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and ...
, a modified member of the horn family, appears in Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
's cycle ''Der Ring des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the . The compo ...
''. It also has a prominent role in Anton Bruckner
Joseph Anton Bruckner (; ; 4 September 182411 October 1896) was an Austrian composer and organist best known for his Symphonies by Anton Bruckner, symphonies and sacred music, which includes List of masses by Anton Bruckner, Masses, Te Deum (Br ...
's Symphony No. 7 in E Major and is also used in several late romantic and modernist works by Richard Strauss, Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hunga ...
, and others Cornets appear regularly in 19th century scores, alongside trumpets which were regarded as less agile, at least until the end of the century.
Notable composers of the Romantic era include Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
, Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popula ...
, Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period who wrote primarily for Piano solo, solo piano. He has maintained worldwide renown ...
, Hector Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'' ...
, Franz Schubert
Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions ...
, Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber ...
, Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions inc ...
, Franz Liszt
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz Liszt, body of work spanning more than six ...
, Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma ...
, Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
, Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, oft ...
, Alexander Scriabin
Alexander Nikolayevich Scriabin, scientific transliteration: ''Aleksandr Nikolaevič Skrjabin''; also transliterated variously as Skriabin, Skryabin, and (in French) Scriabine. The composer himselused the French spelling "Scriabine" which was a ...
, Nikolai Medtner
Nikolai Karlovich Medtner (; – 13 November 1951) was a Russian composer and pianist. After a period of comparative obscurity in the 25 years immediately after his death, he is now becoming recognized as one of the most significant Russian com ...
, Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwid ...
, and Johann Strauss II
Johann Baptist Strauss II (; ; 25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (), was an List of Austrian composers, Austrian composer of light music, particularly dance music and operettas as well ...
. Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and ...
and Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...
are commonly regarded as transitional composers whose music combines both late Romantic and early modernist elements.
20th and 21st centuries
At the turn of the century, music was characteristically late romantic in style with its expressive melodies, complex harmonies, and expansive forms. This era was marked by the works of several composers who pushed forward post-romantic symphonic writing. Composers such as Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and ...
and Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...
continued to develop the western classical tradition with expansive symphonies and operas, while the likes of Jean Sibelius
Jean Sibelius (; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic music, Romantic and 20th-century classical music, early modern periods. He is widely regarded as his countr ...
and Vaughan Williams infused their compositions with nationalistic elements and influences from folk songs. Sergei Prokofiev began in this tradition but soon ventured into modernist territories. At the same time, the impressionist movement, spearheaded by Claude Debussy, was being developed in France, with Maurice Ravel as another notable pioneer.
Modernist
Modernist classical music encompasses many styles of composition that can be characterised as post romantic, impressionist, expressionist, and neoclassical. Modernism marked an era when many composers rejected certain values of the common practice period, such as traditional tonality, melody, instrumentation, and structure. Some music historians regard musical modernism as an era extending from about 1890 to 1930. Others consider that modernism ended with one or the other of the two world wars. Still other authorities claim that modernism is not associated with any historical era, but rather is "an ''attitude'' of the composer; a living construct that can evolve with the times". Despite its decline in the last third of the 20th century, there remained at the end of the century an active core of composers who continued to advance the ideas and forms of modernism, such as Pierre Boulez, Pauline Oliveros, Toru Takemitsu, George Benjamin (composer), George Benjamin, Jacob Druckman, Brian Ferneyhough, George Perle, Wolfgang Rihm, Richard Wernick, Richard Edward Wilson, Richard Wilson, and Ralph Shapey.
Two musical movements that were dominant during this time were the Impressionist music, impressionist beginning around 1890 and the Expressionist music, expressionist that started around 1908. It was a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that lead to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no single music genre ever assumed a dominant position.
The orchestra continued to grow during the early years modernist era, peaking in the first two decades of the 20th century. Saxophones that appeared only rarely during the 19th century became more commonly used as supplementary instruments, but never became core members of the orchestra. While appearing only as featured solo instruments in some works, for example Maurice Ravel's orchestration of Modest Mussorgsky's ''Pictures at an Exhibition'' and Sergei Rachmaninoff's ''Symphonic Dances (Rachmaninoff), Symphonic Dances'', the saxophone is included in other works such as Sergei Prokofiev's Romeo and Juliet (Prokofiev)#Orchestral suites extracted from Romeo and Juliet, Romeo and Juliet Suites 1 and 2 and many other works as a member of the orchestral ensemble. In some compositions such as Ravel's ''Boléro'', two or more saxophones of different sizes are used to create an entire section like the other sections of the orchestra. The euphonium is featured in a few late Romantic music, Romantic and 20th-century classical music, 20th century works, usually playing parts marked "tenor tuba", including Gustav Holst's ''The Planets'', and Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...
's ''Ein Heldenleben''.
Prominent composers of the early 20th century include Igor Stravinsky, Claude Debussy, Sergei Rachmaninoff, Sergei Prokofiev, Arnold Schoenberg, Nikos Skalkottas, Heitor Villa-Lobos, Karol Szymanowski, Anton Webern, Alban Berg, Cécile Chaminade, Paul Hindemith, Aram Khachaturian, George Gershwin, Amy Beach, Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hunga ...
, and Dmitri Shostakovich, along with the aforementioned Mahler and Strauss as transitional figures who carried over from the 19th century.
Post-modern/contemporary
Postmodern music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to m ...
is a period of music that began as early as 1930 according to some authorities. It shares characteristics with postmodern art, postmodernist art – that is, art that comes after and reacts against modernism.
Some other authorities have more or less equated postmodern music with the "contemporary music" composed well after 1930, from the late 20th century through to the early 21st century. Some of the diverse movements of the postmodern/contemporary era include the neoromantic, neomedieval, minimalist, and post minimalist.
Contemporary classical music at the beginning of the 21st century was often considered to include all post-1945 musical forms. A generation later, this term now properly refers to the music of today written by composers who are still alive; music that came into prominence in the mid-1970s. It includes different variations of Modernism (music), modernist, Postmodern music, postmodern, Neoromanticism (music), neoromantic, and Eclecticism in music, pluralist music.
Performance
Performers who have studied classical music extensively are said to be "classically trained". This training may come from private lessons from instrument or voice teachers or from completion of a formal program offered by a Conservatory, college or university, such as a Bachelor of Music or Master of Music degree (which includes individual lessons from professors). In classical music, "...extensive formal music education and training, often to postgraduate [Master's degree] level" is required.
Performance of classical music repertoire requires a proficiency in sight-reading and Musical ensemble, ensemble playing, Harmony, harmonic principles, strong ear training (to correct and adjust pitches by ear), knowledge of performance practice (e.g., Baroque ornamentation), and a familiarity with the style/musical idiom expected for a given composer or musical work (e.g., a Brahms symphony or a Mozart concerto).
The key characteristic of European classical music that distinguishes it from popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fun ...
, folk music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be ca ...
, and some other classical music traditions such as Indian classical music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ...
, is that the repertoire tends to be written down in musical notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The proce ...
, creating a musical part or Sheet music, score. This score typically determines details of rhythm, pitch, and, where two or more musicians (whether singers or instrumentalists) are involved, how the various parts are coordinated. The written quality of the music has enabled a high level of complexity within them: fugue
In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...
s, for instance, achieve a remarkable marriage of boldly distinctive melodic lines weaving in counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ...
yet creating a coherent Diatonic function, harmonic logic. The use of written notation also preserves a record of the works and enables Classical musicians to perform music from many centuries ago.
Although Classical music in the 2000s has lost most of its tradition for musical improvisation, from the Baroque era to the Romantic era, there are examples of performers who could improvise in the style of their era. In the Baroque era, organ performers would improvise prelude (music), preludes, keyboard performers playing harpsichord
A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
would improvise chord (music), chords from the figured bass symbols beneath the bass notes of the basso continuo part and both vocal and instrumental performers would improvise musical ornaments. Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, �joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
was particularly noted for his complex improvisations. During the Classical era, the composer-performer Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...
was noted for his ability to improvise melodies in different styles. During the Classical era, some virtuoso soloists would improvise the cadenza sections of a concerto. During the Romantic era, Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire ...
would improvise at the piano.
Women in classical music
Almost all of the composers who are described in music textbooks on classical music and whose works are widely performed as part of the Western canon, standard concert repertoire are male composers, even though there have been a List of female composers, large number of women composers throughout the history of classical music. Musicologist Marcia Citron has asked "[w]hy is Women in music, music composed by women so marginal to the standard 'classical' repertoire?"[.] Citron "examines the practices and attitudes that have led to the exclusion of women composers from the received 'Western canon, canon' of performed musical works". She argues that in the 1800s, women composers typically wrote art song
An art song is a Western world, Western vocal music Musical composition, composition, usually written for one voice with piano accompaniment, and usually in the classical music, classical art music tradition. By extension, the term "art song" is ...
s for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed not to be notable as composers. In the "...''Concise Oxford History of Music'', Clara Schumann, Clara S[c]humann is one of the only female composers mentioned." Abbey Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts."
Historically, major professional orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
* String instruments, such as the violin, viola, cello, ...
s have been mostly or entirely composed of musicians who are men. Some of the earliest cases of women in music, women being hired in professional orchestras was in the position of harp
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...
ist. The Vienna Philharmonic, for example, did not accept women to permanent membership until 1997, far later than the other orchestras ranked among the world's top five by ''Gramophone (magazine), Gramophone'' in 2008. The last major orchestra to appoint a woman to a permanent position was the Berlin Philharmonic. As late as February 1996, the Vienna Philharmonic's principal flute, Dieter Flury, told ''Westdeutscher Rundfunk'' that accepting women would be "gambling with the emotional unity () that this organism currently has". In April 1996, the orchestra's press secretary wrote that "compensating for the expected leaves of absence" of maternity leave would be a problem.
In 2013, an article in ''Mother Jones (magazine), Mother Jones'' stated that while "[m]any prestigious orchestras have significant female membership—women outnumber men in the New York Philharmonic's violin section—and several renowned ensembles, including the National Symphony Orchestra, the Detroit Symphony, and the Minnesota Orchestra, are led by women violinists", the double bass, brass, and percussion sections of major orchestras "...are still predominantly male". A 2014 BBC article stated that the "...introduction of Blind audition, 'blind' auditions, where a prospective instrumentalist performs behind a screen so that the judging panel can exercise no gender or racial prejudice, has seen the gender balance of traditionally male-dominated symphony orchestras gradually shift."
Notable female composers of classical music include Clara Schumann, Fanny Mendelssohn, Amy Beach, Lili Boulanger, Ethel Smyth, and Louise Farrenc.
Relationship to other music traditions
Popular music
Classical music has often incorporated elements or material from popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fun ...
of the composer's time. Examples include occasional music such as Brahms's use of student drinking songs in his ''Academic Festival Overture'', genres exemplified by Kurt Weill's ''The Threepenny Opera'', and the influence of jazz on early and mid-20th-century composers including Maurice Ravel, exemplified by the movement entitled "Blues" in his sonata for violin and piano. Some Postmodern music, postmodern, Minimalist music, minimalist and Postminimalism, postminimalist classical composers acknowledge a debt to popular music.
George Gershwin's 1924 orchestral composition ''Rhapsody in Blue'' has been described as Orchestral jazz, orchestral jazz or symphonic jazz. The composition combines elements of classical music with jazz-influenced effects.
Numerous examples show influence in the opposite direction, including popular songs based on classical music, the use to which ''Pachelbel's Canon#Pachelbel's canon in popular culture, Pachelbel's Canon'' has been put since the 1970s, and the musical Crossover (music), crossover phenomenon, where classical musicians have achieved success in the popular music arena. In heavy metal music, heavy metal, a number of lead guitarists (playing electric guitar), including Ritchie Blackmore and Randy Rhoads, modeled their playing styles on Baroque or Classical-era instrumental music.
Folk music
Composers of classical music have often made use of folk music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be ca ...
(music created by musicians who are commonly not classically trained, often from a purely oral tradition). Some composers, like Antonín Dvořák, Dvořák and Bedřich Smetana, Smetana, have used folk themes to impart a nationalist flavor to their work, while others like Béla Bartók, Bartók have used specific themes lifted whole from their folk-music origins. Aram Khachaturian, Khachaturian widely incorporated into his work the folk music of his native Armenia, but also other ethnic groups of the Middle East and Eastern Europe.
Commercialization
Certain staples of classical music are often used commercially (either in advertising or in movie soundtracks). In television commercials, several passages have become clichéd, particularly the opening of Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Roman ...
' ''Also sprach Zarathustra'' (made famous in the film ''2001: A Space Odyssey (film), 2001: A Space Odyssey'') and the opening section "O Fortuna" of Carl Orff's ''Carmina Burana (Orff), Carmina Burana''; other examples include the "Dies irae" from the Giuseppe Verdi, Verdi Requiem (Verdi), Requiem, Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwid ...
's "In the Hall of the Mountain King" from ''Peer Gynt (Grieg), Peer Gynt'', the opening bars of Ludwig van Beethoven, Beethoven's Symphony No. 5 (Beethoven), Symphony No. 5, Aram Khachaturian's "Sabre Dance", Richard Wagner, Wagner's "Ride of the Valkyries" from ''Die Walküre'', Nikolai Rimsky-Korsakov, Rimsky-Korsakov's "Flight of the Bumblebee", and excerpts of Aaron Copland's ''Rodeo (ballet), Rodeo''. Several works from the Golden age of American animation, Golden Age of Animation matched the action to classical music. Notable examples are Walt Disney's ''Fantasia (1940 film), Fantasia'', Tom and Jerry's ''Johann Mouse'', and Warner Bros.' ''Rabbit of Seville'' and ''What's Opera, Doc?''
Similarly, movies and television often use standard, clichéd excerpts of classical music to convey refinement or opulence: some of the most-often heard pieces in this category include Johann Sebastian Bach, Bach's Cello Suites (Bach), Cello Suite No. 1, Wolfgang Amadeus Mozart, Mozart's ''Eine kleine Nachtmusik'', Antonio Vivaldi, Vivaldi's ''The Four Seasons (Vivaldi), Four Seasons'', Modest Mussorgsky, Mussorgsky's ''Night on Bald Mountain'' (as orchestrated by Rimsky-Korsakov), and Gioachino Rossini, Rossini's "William Tell Overture, ''William Tell'' Overture". Shawn Vancour argues the commercialization of classical music in the 1920s may have harmed the music industry.
Education
During the 1990s, several research papers and popular books wrote on what came to be called the "Mozart effect": an observed temporary, small elevation of scores on Spatial visualization ability, spatial reasoning tests as a result of listening to Mozart's music. The approach has been popularized in a book by Don Campbell, and is based on an experiment published in ''Nature (journal), Nature'' suggesting that listening to Mozart temporarily boosted students' IQ by 8 to 9 points. This popularized version of the theory was expressed succinctly by the ''The New York Times, New York Times'' music columnist Alex Ross (music critic), Alex Ross: "researchers... have determined that listening to Mozart actually makes you smarter." Promoters marketed CDs claimed to induce the effect. Florida passed a law requiring toddlers in state-run schools to listen to classical music every day, and in 1998 the governor of Georgia budgeted $105,000 per year to provide every child born in Georgia with a tape or CD of classical music. One of the co-authors of the original studies of the Mozart effect commented "I don't think it can hurt. I'm all for exposing children to wonderful cultural experiences. But I do think the money could be better spent on music education programs."[Goode, Erica]
"Mozart for Baby? Some Say, Maybe Not"
, ''The New York Times'', 3 August 1999. Retrieved on 16 May 2008.
References
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External links
Grove Music Online
– online version of ''The New Grove Dictionary of Music and Musicians''.
MGG Online
– online version of ''Die Musik in Geschichte und Gegenwart''
Historical classical recordings
from the British Library Sound Archive
Official ClassicalMusicOnly WebSite
{{Authority control
Classical music,
Music history