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Baroque Violin
A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound. The differences between a Baroque violin and a modern instrument include the size and nature of the neck, fingerboard, bridge, bass bar, and tailpiece. Baroque violins are almost always fitted with gut strings, as opposed to the more common metal and synthetic strings on a modern instrument, and played with a bow made on the baroque model rather than the modern Tourte bow. Baroque violins are not fitted with a chin rest and are played without a shoulder rest. Characteristics The development of the violin started in the 16th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette (musical instrument), pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings (music), strings (sometimes five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow (music), bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mortise And Tenon
A mortise and tenon (occasionally mortice and tenon) is a Woodworking joints, joint that connects two pieces of wood or other material. Woodworking, Woodworkers around the world have used it for thousands of years to join pieces of wood, mainly when the adjoining pieces connect at right angles, though it can be used to connect two work pieces at any angle. Mortise-and tenon-joints are simple, strong, and stable, and can be used in many projects and which give an attractive look. They are either glued or friction-fitted into place. This joint is difficult to make, because of the precise measuring and tight cutting required; as such, modern woodworkers often use machinery specifically designed to cut mortises and matching tenons quickly and easily. Still, many woodworkers cut them by hand in a traditional manner. There are many variations of this type of joint, but its basic structure has two components, the ''mortise'' hole and the ''tenon'' tongue. The tenon, formed on the end o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Fritz Kreisler
Friedrich "Fritz" Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born American violinist and composer. One of the most noted violin masters of his day, he was known for his sweet tone and expressive phrasing, with marked portamento and rubato. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although it derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the '' gemütlich'' (cozy) lifestyle of pre-war Vienna. Biography Kreisler was born in Vienna, the son of Anna (née Reches) and Samuel Kreisler, a doctor. Of Jewish descent, he was however baptised at the age of 12. At age seven, Kreisler entered the Vienna Conservatory where he studied under Anton Bruckner, Jakob Dont and Joseph Hellmesberger Jr., and studied composition and violin at the Paris Conservatory between 1885 and 1887, where his teachers included Léo Delibes, Lambert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterized in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing, it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato can also be reproduced mechanically (Leslie speaker) or electronically as an Audio signal processing, audio effect close to Chorus (audio effect), chorus. Terminology History Descriptions of what would now be characterised as vibrato go back to the 16th century. However, no evidence exists of authors using the term vibrato before the 19th century. Instead, authors used various descrip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide, sweep bend, smear, rip (for a loud, violent glissando to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure, except on instruments that have a slide (such as a trombone). Notation The glissando is indicated by following the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Portamento
In music, portamento (: ''portamenti''; from old , meaning 'carriage' or 'carrying'), also known by its French name glissade, is a pitch sliding from one Musical note, note to another. The term originated from the Italian language, Italian expression ('carriage of the voice'), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with Nonchord tone#Anticipation, anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of Pedal steel guitar, steel guitars and synthesizers. Vocal portamento In the first example, Rodolfo's first aria in ''La sonnambula'' (1831), the portamento is indicated by the Slur (music), slur between the third and fourth notes. The second example, Judit's first line in ''Bluebeard's Castle'' (1912) by composer Béla Bartók, employs an inclining, wavy line b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in Europe a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
François Tourte
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. Development of the modern bow Tourte spent eight years as a watchmaker's apprentice before finally becoming an apprentice to his luthier father, Nicolas Pierre Tourte ''père'' (c.1700 - 1764). After his father's death, Tourte, in collaboration with the violin virtuoso G. B. Viotti, made important changes in the form of the bow in the Classical period between 1785 and 1790. Tourte's bows are made from pernambuco wood, the most usual form of wood used on professional bows today. Tourte's bows tended to be heavier than previous models, with more wood at the tip of the bow counterbalanced by a heavier frog (the device connecting the hair to the stick at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Arcangelo Corelli
Arcangelo Corelli (, also , ; ; 17 February 1653 – 8 January 1713) was an List of Italian composers, Italian composer and violinist of the middle Baroque music, Baroque era. His music was key in the development of the modern genres of Sonata and Concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and function (music), functional harmony.Taruskin, Richard. ''Oxford History of Western Music'', vol. 2, chapter 5 Oxford: Oxford University Press, 2009. He was trained in Bologna and Rome and spent most of his career there with the protection of wealthy patrons.Buscaroli, Piero ''Arcangelo Corelli'', ''Dizionario biografico degli italiani'', Volume 29. Treccani, 1983 Though his entire production is limited to just six published collections – five of which are trio sonatas or Sonata, solo and one of concerto grosso, concerti grossi — he achieved great fame and success throughout Europe, in the process crystallizing widely influent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Viols
The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin, or ; and it is any one of the earlier viol family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including (high treble, developed in 18th century), treble, alto, small tenor, tenor, bass and contrabass (called ). These members of the viol family are distinguished from later bowed string instruments, such as the violin family, by both appearance and orientation when played—as typically the neck is oriented upwards and the rounded bottom downwards to settle on the lap or between the knees. The viola da gamba uses the alto clef. Seven and occasionally eight frets made of "stretche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Caesalpinia Echinata
''Paubrasilia echinata'' is a species of flowering plant in the legume family, Fabaceae, that is endemic to the Atlantic Forest of Brazil. It is a Brazilian timber tree commonly known as Pernambuco wood or brazilwood (, ; Tupi language, Tupi: ) and is the national tree of Brazil. This plant has a dense, orange-red heartwood that takes a high shine, and it is the premier wood used for making bow (music), bows for stringed instruments. The wood also yields a historically important red dye called brazilin, which oxidizes to brazilein. The name ''pau-brasil'' was applied to certain species of the genus ''Caesalpinia'' in the medieval period, and was given its original binomial name, scientific name ''Caesalpinia echinata'' in 1785 by Jean-Baptiste Lamarck. More recent taxonomic studies have suggested that it merits recognition as a separate genus, and it was thus renamed ''Paubrasilia echinata'' in 2016. The Latin binomial nomenclature, specific epithet of ''echinata'' refers to hedg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Snakewood
Snakewood is a common name of several different plants: * ''Acacia'' species (family Fabaceae) in Australia, ''Acacia eremaea'', ''Acacia intorta'', ''Acacia xiphophylla'' * ''Brosimum guianense'' (= ''Piratinera guianensis'') (family Moraceae) (Letterwood, Leopardwood) in South America, an exotic hardwood prized for its highly figured grain * ''Cecropia'' species, from North South America to Middle America, ''Cecropia peltata'', ''Cecropia palmata'' and others * ''Colubrina'' species (family Rhamnaceae) in North America * ''Condalia'' species (family Rhamnaceae) in North and South America * ''Mennegoxylon'' species, an extinct genus of trees * ''Strychnos colubrina'', from Myanmar, Sulawesi, New Guinea * ''Zygia'' species, such as ''Zygia racemosa'' See also *Serpentwood References {{Reflist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
