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The Prospect Before Us
''The Prospect Before Us'' is a British folk rock album, by The Albion Dance Band, which was released in 1977 on the EMI Harvest label. The album was produced by Ashley Hutchings and Simon Nicol and was engineered by Vic Gamm. It was recorded at Sound Techniques Studio and Olympic (including live dances at Olympic), London. There are several instrumental tracks. The album cover was designed by Dave Dragon, based on an idea by Pete Scowther. Track listing Side 1 #"Uncle Berhard's"/"Jenny Lind" (instrumental) – 3:44 #"The Hunt Is Up" – 1:51 #"Varsoviana" (instrumental) – 2:42 #"Masque" (instrumental) – 1:00 #"Huntsman's Chorus" – 4:25 #"Minuet" (instrumental) – 2:05 #"Wassail Song" – 2:11 #"Picking of Sticks"/ "The Old Mole" (instrumental) – 3:39 Side 2 #"Merry Sherwood Rangers" (live version) – 3:18 #"La Sexte Estampie Real" (instrumental) – 1:51 #"I Wish I was Single Again" – 3:42 #"The Whim" (instrumental) – 3:29 #"Hopping Down in Kent" ( Roud 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Albion Band
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, is a British folk rock band, originally brought together and led by musician Ashley Hutchings. An important grouping in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history. The one constant in the band's history has been the band leader Ashley Hutchings, founding member of two other English folk rock groupings Fairport Convention and Steeleye Span, and it has been the home for most of the projects of his long career, though in the 2011 incarnation of the band he has handed over the reins to his son Blair Dunlop. This version continued until 2014. Hutchings continues to perform in a separate Christmas-themed incarnation (occasionally featuring Dunlop) The Albion Christmas Band that was first established in 2005. History Origins Initially Hutchings formed the band in April 1971 to acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Crumhorn
The crumhorn is a double reed , double reed instrument of the woodwind family, most commonly used during the Renaissance music, Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, and cremorne. Terminology The name derives from the German language, German (or or ) meaning ''bent horn''. This relates to the old English language, old English meaning curve, surviving in modern English language, English in 'crumpled' and 'crumpet' (a curved cake). The similar-sounding French term , when used correctly, refers to a woodwind instrument of different design, though the term is often used in error synonymously with that of crumhorn. It is uncertain if the Spanish wind instrument (attested in an inventory of 1559) designates the crumhorn, but it is known that crumhorns were used in Spain in the 16th century, and the identific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Dave Mattacks
David James Mattacks (born 13 March 1948) is an English rock and folk drummer, best known for his work with British folk rock band Fairport Convention. Fairport Convention He replaced Martin Lamble, who had died on 12 May 1969 in a road accident on the M1 motorway, as the drummer for Fairport Convention. Mattacks left Fairport Convention in early 1972 to join The Albion Country Band. Meanwhile, he had also contributed to numerous studio recordings such as the Morris On project, Nick Drake's '' Bryter Layter'', Steve Ashley's " Stroll On" sessions, Steeleye Span's debut album '' Hark! The Village Wait'', John Martyn's '' Solid Air'' and Harvey Andrews' album ''Writer of Songs''. He returned to Fairport Convention in order to help complete the 1973 album '' Rosie'' with a revamped line up of the band. Mattacks also played on ''Nine'' (1974) but left halfway through the making of the follow-up '' Rising for the Moon'', following an altercation with engineer Glyn Johns. Some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Concertina
A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The concertina was developed independently in both England and Germany. The English version was invented in 1829 by Sir Charles Wheatstone, while Carl Friedrich Uhlig introduced the German version five years later, in 1834. Various forms of concertina are used for classical music, for the traditional music of Ireland, England, and South Africa, and for tango and polka music. The concertina has historically been a favorite instrument among people who travel often (due to its small and compact size), leading it to be a common instrument among soldiers, sailors, and cowboys. One was even brought aboard Robert Peary's 1891 expedition of the Greenland Arctic. Despite the pop-culture association of the concertina with the Golden Age of Piracy, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
John Tams
John Tams (born 16 February 1949) is an English actor, singer, songwriter, composer and musician born in Holbrook, Derbyshire, Holbrook, Derbyshire, the son of a Public house, publican. He first worked as a reporter for the ''Ripley, Derbyshire, Ripley & Heanor News'' later working for BBC Radio Derby and BBC Radio Nottingham. Tams had an early part in the BBC serialisation of Lawrence's ''The Rainbow (BBC serial), The Rainbow'' (1988), and may be best known for playing a regular supporting role in the ITV drama series ''Sharpe (TV series), Sharpe'', as rifleman Daniel Hagman. He also co-wrote the music for each film alongside Dominic Muldowney. Tams was a member of Derbyshire folk group Muckram Wakes in the 1970s, then worked with Ashley Hutchings as singer and Diatonic button accordion, melodeon-player on albums including ''Son of Morris On'', and as a member of the British folk rock group Albion Band. Splitting with Hutchings in the 1980s, he formed Home Service. In the follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Caller (dancing)
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare. In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter. Comparing callers and cuers Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance. Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible. Standardized dances such as round dance, modern western square dance, and Salsa Rueda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Shirley Collins
Shirley Elizabeth Collins MBE (born 5 July 1935) is an English folk singer who was a significant contributor to the British Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style. Biography Early life Shirley Collins was born in Hastings, East Sussex, England on 5 July 1935. Her father left the family when she was about twelve or thirteen, and her Uncle Fred, who was an author, largely took his place. She grew up, with her older sister Dolly, in the area, in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Graeme Taylor
Graeme Taylor (born 2 February 1954 in Stockwell, South-West London) is a British guitarist. Taylor played lead guitar with 1970s medieval/rock band Gryphon, then played with The Albion Band from 1976 until 1987, and forming folk-rock group Home Service in 1980. With Gryphon he had four best-selling albums, and toured the US, supporting Yes at Madison Square Garden, and the Mahavishnu Orchestra at the Houston Astrodome. In 1975 he played on Steve Howe's debut solo album ''Beginnings'', with two other members of Gryphon, Malcolm Bennett and Dave Oberlé. Taylor played a major role in the creation and performance of the music for ''The Mysteries'' at the National Theatre in 1977 a production - to a text adapted by the poet Tony Harrison - that was revived in 1999, with Taylor in the role of musical director, arranger and composer of additional music. Having spent many years playing guitars in the pit orchestras of many West End musicals, Taylor became a member of the tourin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Citole
The citole was a String instrument, string musical instrument, closely associated with the medieval fiddles (viol, vielle, Geige, gigue) and commonly used from 1200–1350."CITOLE, also spelled Systole, Cythole, Gytolle, &c. (probably a Fr. diminutive form of cithara, and not from Lat. cista, a box)" It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the Neck (music), neck to get different notes, and picked or strummed with a plectrum (the citole's pick was long, thick, straight and likely made of ivory or wood). Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the ''cetra'' (cittern in English), and it may have influenced the development of the guitar as well. It was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Vielle
The is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''Vièle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
St George's Canzona
St. George's Canzona is a British musical ensemble. The early years: Musica Reservata and the Harlow Ensemble In Britain at least, it may be said that the early-music movement was initiated by Arnold Dolmetsch (b. 1858) and his family who (it seems) are all but forgotten today, even though their influence lingered on until the 1960s. Following the Dolmetschs came a second wave, in which Michael Morrow's group, Musica Reservata (see ) was the foremost influence, and of which John Sothcott was a highly accomplished recorder player and founder member. Initially, Morrow's field of activity was medieval music, and possibly the first occasion upon which they came into prominence was whilst touring in Brian Trowell's production of ''The Raising of Lazarus'', a medieval miracle play (1962). Leading the procession of disciples, they leapt straight out of a Bruegel painting; the three virtuoso minstrels - Michael Morrow, John Beckett and John Sothcott - followed by the impressive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
