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Vielle
The is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''Vièle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-turned crank, rosined wheel rubbing against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a musical keyboard, keyboard that presses ''tangents''—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board (music), sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone (music), drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan folk music, Occitan, Music of Aragon, Aragonese, Cajun music, Cajun French, Music of Galicia, Cantabri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow (music), bow rubbing the string (music), strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of bowing, the Bow (music)#Origin, origin of bowing remains unknown.Friedrich Behn, Musikleben im Altertum und frühen page 159 List of bowed string instruments Violin family * Cello (violoncello) * Pochette (musical instrument), Pochette * Viola (altviol, bratsche) * Violin (violino) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Baroque violin * Cello da spalla * Five string violin * Hardanger fiddle * Kit violin * Kontra * Låtfiol * Lira da braccio * Octobass * Sardino * Stroh violin * Tenor violin Viol family (Viola da Gamba family) * Viol, Alto viol * Viol, Bass viol * Viol, Tenor viol * Viol, Treble viol ;Variants on the standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Fiddle
The Guitar fiddle or Troubadour Fiddle is a modern name bestowed retroactively upon certain precursors of the violin possessing characteristics of both guitar and fiddle. The name guitar fiddle is intended to emphasize the fact that the instrument in the shape of the guitar, which during the Middle Ages represented the most perfect principle of construction for String instrument, stringed instruments with necks, adopted at a certain period the use of the bow from instruments of a less perfect type, the rebab and its hybrids. The use of the Bow (music), bow with the guitar entailed certain constructive changes in the instrument: the large central rose sound hole was replaced by lateral holes of various shapes; the flat Bridge (instrument), bridge, suitable for instruments whose strings were plucked, gave place to the arched bridge required in order to enable the bow to vibrate each string separately; the arched bridge, by raising the strings higher above the Sound board (music), sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lira Da Braccio
The lira da braccio (or ''lira de braccio'' or ''lyra de bracio''Michael Praetorius. Syntagma Musicum Theatrum Instrumentorum seu Sciagraphia Wolfenbüttel 1620) was a European Bow (music), bowed string instrument of the Renaissance music, Renaissance. It was used by Italy, Italian poet-musicians in noble court, court in the 15th and 16th centuries to accompany their improvisation, improvised recitations of lyric poetry, lyric and narrative poetry.Howard Mayer Brown and Sterling Scott Jones. "Lira da braccio", ''Grove Dictionary of Music and Musicians, Grove Music Online'', ed. L. Macy (accessed November 11, 2006)grovemusic.com (subscription access) It is most closely related to the medieval fiddle, or vielle, and like the vielle had a leaf-shaped pegbox with frontal pegs. Fiddles with Drone (sound), drone strings are seen beginning in the 9th century (Byzantine lyra), and the instrument continued to develop through the 16th century. In many depictions of the instrument, it is being ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Citole
The citole was a String instrument, string musical instrument, closely associated with the medieval fiddles (viol, vielle, Geige, gigue) and commonly used from 1200–1350."CITOLE, also spelled Systole, Cythole, Gytolle, &c. (probably a Fr. diminutive form of cithara, and not from Lat. cista, a box)" It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the Neck (music), neck to get different notes, and picked or strummed with a plectrum (the citole's pick was long, thick, straight and likely made of ivory or wood). Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the ''cetra'' (cittern in English), and it may have influenced the development of the guitar as well. It was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadours
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsula, Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia, Spain, Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': Rhetoric, rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab ''rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad Dates of classical music eras, musical era for the beginning of Classical music, Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Music of ancient Rome, Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy (music critic), Michael Kennedy excludes Baroque, defining Early music as "musical composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Memling
Hans Memling (also spelled Memlinc; – 11 August 1494) was a German-Flemish people, Flemish painter who worked in the tradition of Early Netherlandish painting. Born in the Middle Rhine region, he probably spent his childhood in Mainz. During his apprenticeship as a painter he moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. In 1465 he was made a citizen of Bruges, where he became one of the leading artists and the master of a large workshop. A tax document from 1480 lists him among the wealthiest citizens. Memling's religious works often incorporated donor portraits of the clergymen, aristocrats, and burgher (title), burghers (bankers, merchants, and politicians) who were his patrons. These portraits built upon the styles which Memling learned in his youth. He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide popularity. Life and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
''Rebab'' (, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly three main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this variant have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; plucked versions like the '' Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
