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Concertina
A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The concertina was developed independently in both England and Germany. The English version was invented in 1829 by Sir Charles Wheatstone, while Carl Friedrich Uhlig introduced the German version five years later, in 1834. Various forms of concertina are used for classical music, for the traditional music of Ireland, England, and South Africa, and for tango and polka music. The concertina has historically been a favorite instrument among people who travel often (due to its small and compact size), leading it to be a common instrument among soldiers, sailors, and cowboys. One was even brought aboard Robert Peary's 1891 expedition of the Greenland Arctic. Despite the pop-culture association of the concertina with the Golden Age of Piracy, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chemnitzer Concertina
A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called '' squeezeboxes''. The Chemnitzer concertina is most closely related to the bandoneón (German spelling: ''Bandonion''), and more distantly, to the other types of concertinas and accordions. It's essentially a bigger version of the Anglo Concertina that sounds more akin to an Accordion due to having Multiple Ranks of Reeds. Physical description It is roughly square in cross-section, with the keyboards consisting of cylindrical buttons on each end arranged in curving rows. Like other concertinas, the buttons are at the sides of the instrument, whereas the keys and buttons of an accordion are at the front. A strap, usually of leather, is fitted at each end to hold the player's palm against the instrument for playing. Compare to the English concertina where the thumb holds a strap, the little finger is held on a rest, and the remaining three fingers press th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion
Accordions (from 19th-century German language, German ', from '—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a Reed (mouthpiece), reed in a frame). The essential characteristic of the accordion is to combine in one instrument a melody section, also called the descant, diskant, usually on the right-hand keyboard, with an accompaniment or Basso continuo functionality on the left-hand. The musician normally plays the melody on buttons or keys on the right-hand side (referred to as the Musical keyboard, keyboard or sometimes the manual (music), ''manual''), and the accompaniment on Bass (sound), bass or pre-set Chord (music), chord buttons on the left-hand side. A person who plays the accordion is called an accordionist. The accordion belongs to the free-reed aerophone family. Other instruments in this family include the concertina, harmonica, and bandoneon. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandoneon
The bandoneon () or bandonion is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, it is held between the hands, and played by pulling and pushing air through bellows, routing it through sets of tuned metal reeds by pressing the instrument's buttons. Unlike most accordions, bandoneons always employ the same sets of reeds to produce their sound, and do not usually have the register switches common on accordions. Nevertheless, the bandoneon can be played very expressively, using various bellows pressures and other techniques. The left and right hand have different timbres due to the wooden box on the left side which gives the left hand a nasal and muted timbre, in contrast with the right hand which is usually bright and sharp. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music Of Ireland
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the '' crwth'' (a small rubbed strings harp) and '' cláirseach'' (a bigger harp with typically 30 strings), the '' tiompán'' (a small string instrument played with a bow or plectrum), the ''feadán'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''beannbhuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''storgán'' ( clarions or trumpets), and the ''cnámha'' ( bones).''A Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wheatstone
Sir Charles Wheatstone (; 6 February 1802 – 19 October 1875) was an English physicist and inventor best known for his contributions to the development of the Wheatstone bridge, originally invented by Samuel Hunter Christie, which is used to measure an unknown electrical resistance, and as a major figure in the development of telegraphy. His other contributions include the English concertina, the stereoscope (a device for displaying three-dimensional images) and the Playfair cipher (an encryption technique). Life Charles Wheatstone was born in Barnwood, Gloucestershire. His father, W. Wheatstone, was a music-seller in the town, who moved to 128 Pall Mall, London, four years later, becoming a teacher of the flute. Charles, the second son, went to a village school, near Gloucester, and afterwards to several institutions in London. One of them was in Kennington, and kept by a Mrs. Castlemaine, who was astonished at his rapid progress. From another he ran away, but was captured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Uhlig
Carl Friedrich Uhlig (1789–1874) was a German luthier, known for inventing the German family of concertinas, from which are descended variants such as the Anglo concertina, bandoneón, Carlsfelder concertina, and Chemnitzer concertina. Uhlig produced his first concertina in 1834, being dissatisfied with the early accordion keyboard developed by Cyrill Demian. Uhlig took the right-handed keyboard of Demian, and split it between the two hands, resulting in an instrument which had two separate keyboards producing individual notes. While Uhlig's development of the concertina is very parallel to that of Charles Wheatstone Sir Charles Wheatstone (; 6 February 1802 – 19 October 1875) was an English physicist and inventor best known for his contributions to the development of the Wheatstone bridge, originally invented by Samuel Hunter Christie, which is used to m ..., the founder of the English family of concertinas, there is no definite indication they were aware of each o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of South Africa
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace. Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano. The country's most internationally recognised and prominent musicians include Solomon Linda, Miriam Makeba, Hugh Masekela, Stimela, Ladysmith Black Mambazo, Ray Phiri, Abdullah Ibrahim, Wouter Kellerman, Brenda Fassie, Seether, Die Antwoord, Jeremy Loops, Yvonne Chaka Chaka, Lucky Dube, Lebo M, Goldfish, Freshlyground, Black Coffee, Anatii, Zakes Bantwini, Master KG, Nomcebo Zikode, Nasty C, and Tyla. Pre-20th-century history Early records of music in South Africa as well as Southern Africa indicate a fusion of cultural traditions: African, European and Asian. Modern country's early musician Enoch Sont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodeon (accordion)
A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody-side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale (music), scale. The buttons on the bass (music), bass-side keyboard are most commonly arranged in pairs, with one button of a pair sounding the fundamental of a chord (music), chord and the other the corresponding major triad (music), triad (or, sometimes, a minor triad). Diatonic button accordions are popular in many countries, and used mainly for playing popular music and traditional folk music, and modern offshoots of these genres. Nomenclature Various terms for the diatonic button accordion are used in different parts of the English-speaking world. * In Britain and Australia, the term ''melodeon'' ( or ) is commonly used, regardless of whether the instrument has one, two, or three rows of melody butto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Reed Aerophone
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed (instrument), reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed aerophone, reed, and brass instrument, brass). Operation The following illustrations depict the type of reed typical of harmonicas, pitch pipes, accordions, and reed organs as it goes through a cycle of vibration. One side of the reed frame is omitted from the images for clarity; in reality, the frame completely encloses the reed. Airflow over one side of the reed (labeled “AR”) creates a region of low pressure on that side (see the Bernoulli's principle article for details), cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
