Parasunathar Temple, Muzhaiyur
Parasunathar Temple (பரசுநாதர் கோயில்) :ta:முழையூர் பரசுநாதசுவாமி திருக்கோயில் is a Hindu temple located at Muzhaiyur near Kumbakonam in the Thanjavur district of Tamil Nadu, India. The temple is dedicated to Shiva. பு.மா.ஜெயசெந்தில்நாதன், தேவார வைப்புத்தலங்கள், வர்த்தமானன் பதிப்பகம், சென்னை, 2009 Legend According to Hindu mythology, the sage Parasurama worshipped Shiva at Muzhaiyur as a penance for having killed his own mother and incurred Brahmahatti dosha. The temple was visited by the Saivite sage Thirunavukkarasar. Hymns in praise of the temple have been sung by Appar and Sundarar. Vaippu Sthalam It is one of the shrines of the Vaippu Sthalams sung by Tamil Saivite Nayanar Appar. Presiding deitys The presiding deity is known as Parasunathar. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Appar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monaster ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dinamalar
''Dinamalar'' is an Indian Tamil daily newspaper. It was founded in 1951 by T. V. Ramasubba Iyer. ''Dinamalar'' has an average circulation of 942,812 (ABC Jan-June 2016) History Dinamalar was founded by T. V. Ramasubbaiyer on 6 September 1951 at Thiruvananthapuram. The operations were moved to Tirunelveli in 1957. Circulation The newspaper is printed in 10 cities in Tamil Nadu namely Chennai, Coimbatore, Erode, Madurai, Nagercoil, Pondicherry, Salem, Tiruchirappalli, Tirunelveli, Vellore and Bangalore. As of 2016, the newspaper has a circulation of 942,812. Content The investigative journal Cobrapost released an undercover investigation and video which exposed the executives of Dinamalar speaking of promoting Hindutva and promoting the agenda of Rashtriya Swayamsevak Sangh (RSS) and the Bharatiya Janata Party (BJP) in 2018. Cobrapost reported that the Director Lakshmipathy Adimoolam was devoted to the ideology of the RSS. In the operation, Adimoolam went on to say th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Parashurama
Parashurama (), also referred to as Rama Jamadagnya, Rama Bhargava and Veerarama, is the sixth avatar among the Dashavatara of the preserver god Vishnu in Hinduism. He is believed to be one of the '' Chiranjeevis'' (Immortals), who will appear at the end of the ''Kali Yuga'' to be the guru of Vishnu's tenth and last incarnation, Kalki. Born to Jamadagni and Renuka, the Brahmin Parashurama was foretold to appear at a time when overwhelming evil prevailed on the earth. The Kshatriya class, with weapons and power, had begun to abuse their power, take what belonged to others by force and tyrannise people. He corrected the cosmic equilibrium by destroying the Kshatriya warriors twenty-one times. He is married to Dharani, an incarnation of Lakshmi, the wife of Vishnu. He is present in the Ramayana due to the conflict with Rama (the protagonist of the Ramayana) over Shiva's broken bow. He is mentioned in the Mahabharata as the guru of Bhisma, Drona, Rukmi, and Karna. Legend ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vinayaka
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Murugan
Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha and a god whose legends have many versions in Hinduism. Kartikeya has been an important deity in the Indian subcontinent since ancient times, worshipped as Mahasena and Kumara in North India and is predominantly worshipped in the state of Tamil Nadu and other parts of South India, Sri Lanka, Singapore, and Malaysia as Murugan. Murugan is widely regarded as the "God of the Tamil people". It has been postulated that the Tamil deity of Murugan was syncretised with the Vedic deity of Subrahmanya following the Sangam era. Both Muruga and Subrahmanya refer to Kartikeya. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near an Indian peafowl, called Paravani, bearing a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shivalinga
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcend ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nayanars
The Nayanars (or Nayanmars; ta, நாயன்மார், translit=Nāyaṉmār, translit-std=ISO, lit=hounds of Siva, and later 'teachers of Shiva ) were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were devoted to the Hindu god Shiva. Along with the Alvars, their contemporaries who were devoted to Vishnu, they influenced the Bhakti movement in early medieval South India. The names of the Nayanars were first compiled by Sundarar. The list was expanded by Nambiyandar Nambi during his compilation of material by the poets for the ''Tirumurai'' collection, and would include Sundarar himself and Sundarar's parents. The Nalvar () are the four foremost Nayanars Appar, Sundarar, Sambandar and Manikkavaasagar. History The list of the Nayanars was initially compiled by Sundarar (Sundararmurthi). In his poem ''Tiruthonda Thogai'' he sings, in eleven verses, the names of the Nayanar saints up to Karaikkal Ammaiyar, and refers to himself as "the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vaippu Sthalam
The ''Vaippu Sthalam'' :ta:வைப்புத் தலங்கள் also Called Tevara Vaippu Sthalam are places in South India that were mentioned casually in the songs in Tevaram, hymns composed in praise of the god Shiva during 7th-8th century. The ''Paadal Petra Sthalam'' by comparison are 275 temples that are revered in the verses of Saiva Nayanars in the 6th-9th century CE and are amongst the greatest Shiva temples of the continent. Thevaram Thevaram ( ta, தேவாரம்) refers to the collection of verses sung on the primary god of the Shaivite sect of Hindu religion, Lord Shiva by three Tamil poets (known as ''Saiva Kuruvars'') - Thirugnana Sambanthar (aka Campantar), Tirunavukkarasar (aka Appar) and Sundaramoorthy Nayanar (aka Sundarar). The former two lived in the 7th century AD while the latter around 8th century AD. All songs in ''Tevaram'' are believed to be in sets of 10 songs (called ''pathikam'' in Tamil). List of Vaippu Sthalam The list of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sundarar
Sundarar ( Tamil: சுந்தரர்), also referred to as Chuntarar, Chuntaramurtti, Nampi Aruran or Tampiran Tolan, was an eighth-century poet-saint of Tamil Shaiva Siddhanta tradition of Hinduism. He is among the Tevaram trio, and one of the most prominent Nayanars, the Shaiva bhakti (devotional) poets of Tamil Nadu. His hymns form the seventh volume of the '' Tirumurai'', the twelve-volume compendium of Shaiva Siddhanta. His songs are considered the most musical in ''Tirumurai'' in Tamil language. His life and his hymns in the Tevaram are broadly grouped in four stages. First, his cancelled arranged marriage through the intervention of Shiva in the form of a mad petitioner and his conversion into a Shaiva bhakt. Second, his double marriage to temple dancers Paravai and Cankali with their stay together in Tiruvarur. Third, his blindness and then return of his sight. Finally, his reflections on wealth and material goods. Names Sundarar is referred to by many names ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thirunavukkarasar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindu Temple
A Hindu temple, or ''mandir'' or ''koil'' in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion.; Quote: "The Hindu temple is designed to bring about contact between man and the gods" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve the boundaries between man and the divine". The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |