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Sundarar
Sundarar ( Tamil: சுந்தரர்), also referred to as Chuntarar, Chuntaramurtti, Nampi Aruran or Tampiran Tolan, was an eighth-century poet-saint of Tamil Shaiva Siddhanta tradition of Hinduism. He is among the Tevaram trio, and one of the most prominent Nayanars, the Shaiva bhakti (devotional) poets of Tamil Nadu. His hymns form the seventh volume of the '' Tirumurai'', the twelve-volume compendium of Shaiva Siddhanta. His songs are considered the most musical in ''Tirumurai'' in Tamil language. His life and his hymns in the Tevaram are broadly grouped in four stages. First, his cancelled arranged marriage through the intervention of Shiva in the form of a mad petitioner and his conversion into a Shaiva bhakt. Second, his double marriage to temple dancers Paravai and Cankali with their stay together in Tiruvarur. Third, his blindness and then return of his sight. Finally, his reflections on wealth and material goods. Names Sundarar is referred to by many names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundarar With Paravai
Sundarar (Tamil: சுந்தரர்), also referred to as Chuntarar, Chuntaramurtti, Nampi Aruran or Tampiran Tolan, was an eighth-century poet-saint of Tamil Shaiva Siddhanta tradition of Hinduism. He is among the Tevaram trio, and one of the most prominent Nayanars, the Shaiva bhakti (devotional) poets of Tamil Nadu. His hymns form the seventh volume of the ''Tirumurai'', the twelve-volume compendium of Shaiva Siddhanta. His songs are considered the most musical in ''Tirumurai'' in Tamil language. His life and his hymns in the Tevaram are broadly grouped in four stages. First, his cancelled arranged marriage through the intervention of Shiva in the form of a mad petitioner and his conversion into a Shaiva bhakt. Second, his double marriage to temple dancers Paravai and Cankali with their stay together in Tiruvarur. Third, his blindness and then return of his sight. Finally, his reflections on wealth and material goods. Names Sundarar is referred to by many names. Sunda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tevaram
The ''Thevaram'' ( ta, தேவாரம், ), also spelled ''Tevaram'', denotes the first seven volumes of the twelve-volume collection ''Tirumurai'', a Śaiva narrative of epic and puranic heroes, as well as a hagiographic account of early Saiva saints set in devotional poetry. The ''Thevaram'' volumes contain the works of the three most prominent Saiva Tamil poets of the 7th and 8th centuries: Sambandar, Appar, and Sundarar. The three poets were not only involved in portraying their personal devotion to Shiva, but also engaged a community of believers through their songs. Their work is an important source for understanding the Śaiva Bhakti movement in the early medieval South India. In the 10th century, during the reign of Rajaraja I of the Chola dynasty, these poets' hymns were collected and arranged by Nambiyandar Nambi. Starting with the ''Thevaram'' along with the rest of ''Tirumurai'' and ending with the ''Periya Puranam'', Tamil Saivism acquired a canonical set o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nayanars
The Nayanars (or Nayanmars; ta, நாயன்மார், translit=Nāyaṉmār, translit-std=ISO, lit=hounds of Siva, and later 'teachers of Shiva ) were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were devoted to the Hindu god Shiva. Along with the Alvars, their contemporaries who were devoted to Vishnu, they influenced the Bhakti movement in early medieval South India. The names of the Nayanars were first compiled by Sundarar. The list was expanded by Nambiyandar Nambi during his compilation of material by the poets for the ''Tirumurai'' collection, and would include Sundarar himself and Sundarar's parents. The Nalvar () are the four foremost Nayanars Appar, Sundarar, Sambandar and Manikkavaasagar. History The list of the Nayanars was initially compiled by Sundarar (Sundararmurthi). In his poem ''Tiruthonda Thogai'' he sings, in eleven verses, the names of the Nayanar saints up to Karaikkal Ammaiyar, and refers to himself as "the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadaiya Nayanar
Sadaiya Nayanar or Sadaiyar is a 7th century Nayanar saint in the Hindu sect of Shaivism, venerated for being father of the prominent saint Sundarar rather than for individual merit. He and his wife Isaignaniyar are generally counted as sixty-second and sixty-third on the list of the sixty-three Nayanar saints. Sundarar is the only Nayanar with both parents venerated. Life Little is known about Sadaiya Nayanar. The Tamil ''Periya Puranam,'' a twelfth-century hagiography by Sekkizhar and the main source about the sixty-three Nayanars, only dedicates one hymn to him, naming his son Sundarar and wife Isaignaniyar. Besides being mentioned in his own one-verse chapter in Sekkizhar's hagiography, Sadaiya Nayanar also appears in the main chapter of the text, which narrates the legend of his son Sundarar, who is regarded as the hero of the ''Periya Puranam''. Sadaiya Nayanar, his wife as well as his ancestors are described as devout devotees of the god Shiva, the patron god of Shaivism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaignaniyar
Isaignaniyar ( ta, இசைஞானியார், 7th century), also spelt as Isainaniyar, Isaignaniyaar, Isaignaniar and Isaijnaniyar and also known as Isai-jnani Ammaiyar (Isai-Gnani Ammaiyar), is the mother of Sundarar, one of the most prominent Nayanar saints. She is herself regarded as a Nayanar saint, venerated in the Hindu sect of Shaivism, along with her husband Sadaiya Nayanar. She is generally counted as the last in the list of 63 Nayanars. Isaignaniyar is one of the three female saints. Sundarar is the only Nayanar with both his parents enlisted as Nayanars. The inclusion of Isaignaniyar, streams solely on basis on her association with Sundarar, rather than individual merit. Her sainthood status is seen as a proof of the greatness of her son. Life Little is known about her. The Tamil ''Periya Puranam'' by Sekkizhar (12th century), which is the hagiography of the 63 Nayanars and the primary source about their life, dedicates just an hymn to her, naming her son an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tirumurai
''Thirumurai'' ( Tamil: திருமுறை, meaning holy division) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sampandhar and Sundarar as '' Tevaram'' during the 12th century. During the course of time, a strong necessity was felt by scholars to compile Saiva literature to accommodate other works. '' Tiruvasakam'' and ''Tirukovayar'' by Manickavasagar are included as the eighth, nine parts are compiled as the ninth ''Tirumurai'' out of which most are unknown, and the tenth as '' Tirumandiram'' by Tirumular, the famous '' Siddhar''. The eleventh is compiled by Karaikal Ammaiyar, Cheraman Perumal and others. The contemporary Chola king was impressed by the work of Nambi and included Nambi's work in the eleventh ''Tirumurai''. Sekkizhar's '' Periya Puranam'', composed a century later, contains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thillai Nataraja Temple, Chidambaram
Thillai Nataraja Temple, also referred as the Chidambaram Nataraja Temple, is a Hindu temple dedicated to Nataraja, the form of Shiva as the lord of dance. This temple is located in Chidambaram, Tamil Nadu, India. This temple has ancient roots and a Shiva shrine existed at the site when the town was known as Thillai. Pal 1988, p. 19 Chidambaram, the name of the city literally means "stage of consciousness". The temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine.Chidambaram Encyclopædia Britannica The temple wall carvings display all the 108 karanas from the '''' by Bharata Muni, and these postures form a foundation of |
Sambandar
Sambandar ( Tamil: சம்பந்தர்), also referred to as Tirugnana Sambandar (lit. ''Holy Sage Sambandar''), Tirujnanasambanda, Campantar or Jñāṉacampantar, was a Shaiva poet-saint of Tamil Nadu who lived sometime in the 7th century CE. He was a child prodigy who lived just 16 years. According to the Tamil Shaiva tradition, he composed an of 16,000 hymns in complex meters, of which 383 (384) hymns with 4,181 stanzas have survived. These narrate an intense loving devotion ('' bhakti'') to the Hindu god Shiva. The surviving compositions of Sambandar are preserved in the first three volumes of the ''Tirumurai'', and provide a part of the philosophical foundation of Shaiva Siddhanta. He is one of the most prominent of the sixty-three Nayanars, Tamil Shaiva bhakti saints who lived between the sixth and the tenth centuries CE. He was a contemporary of Appar, another Shaiva poet-saint.''Encyclopaedia of Jainism, Volume 1, page 5468'' Life Information about Samba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiyandar Nambi
Thirunaraiyur Nambiyandar Nambi was an eleventh-century Shaiva scholar of Tamil Nadu in South India who compiled the hymns of Sampantar, Appar and Sundarar and was himself one of the authors of the eleventh volume of the canon of the Tamil liturgical poetry of Shiva, the Tirumurai. Birth and life Nambiyandar Nambi was born in the town of Thirunaraiyur into the tradition of the Adi Shaivites, brahmin priests in the temples of Lord Shiva. In ''Nambiyandar Nambi Puranam'' also called as ''Tirumurai Kanda Puranam'', Nambi identifies his patron, the great Arumolivarman alias Rajaraja Chola, as ராசா ராசா மன்னவன் ''அபயகுல சேகரன்'' requested him to collect the hymns of the three great poet-saints Sambandar, Appar and Sundarar. Nambi managed to get palm-leaf manuscripts of the hymns, though some had been eaten away by termites. They were able to recover around ten percent of the entire set of hymns. Nambi also wrote a memoir of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakti
''Bhakti'' ( sa, भक्ति) literally means "attachment, participation, fondness for, homage, faith, love, devotion, worship, purity".See Monier-Williams, ''Sanskrit Dictionary'', 1899. It was originally used in Hinduism, referring to devotion and love for a personal god or a representational god by a devotee.Bhakti ''Encyclopædia Britannica'' (2009) In ancient texts such as the '''', the term simply means participation, devotion and love for any endeavor, while in the '''', it connotes one o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monaster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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