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Kalidas
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidas Idol
Kālidāsa (, "Servant of Kali (god), Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta Empire, Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga (historical region), Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava, Kumārasambhavam'', the display of his love for Ujjain in ''Meghadūta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidas Dih
Kalidas Dih () is a historical and holy place located approximately in Uchchaith Sthan village in the Madhubani district of the Mithila region in state of Bihar in India. It is associated with the Sanskrit scholar, playwright and dramatist Kalidasa. It is at a distance of 5 kilometres by road from the headquarter of the sub divisional town Benipatti. Description In this village, there is a mud mound known as Kalidas Dih. It is located on the eastern bank of the Thumhani river flowing through the village. In the north direction of the dih, there is the ancient temple of Maa Chinnamastika Bhagwati on the western bank of the river. There are statues of Kalidasa and his works in the campus of the dih. It is believed that Kalidasa wrote most of his books here. It is one of the memorial monument of Kalidasa. He got enlightenment here by the blessings of Uchchaith Bhagwati. He spent his earlier life in a Gurukul near the site. The ancient Gurukul is presently converted into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumārasambhava
''Kumārasambhavam'' ''( ) (transl. - "The Birth of Kumāra")'' is an epic poem by Kālidāsa. It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. ''Kumārasaṃbhavam'' basically talks about the birth of Kumāra ( Kārtikeya), the son of Shiva (Śiva) and Pārvatī (Umā). The period of composition is uncertain, although Kalidasa is thought to have lived in the 5th century. A fierce debate has raged over the question as to whether the whole of the seventeen cantos came was penned by Kalidasa. Vitthala Śastrin, who in 1866, published Cantos VIII to XVII in ''The Paņdit'', took them as genuine work of Kalidasa while scholars like Hermann Jacobi took Cantos IX to XVII as a later interpolation. Stylistic inferiority of these cantos, rarity of manuscripts, silence on the part of early commentator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meghadūta
''Meghadūta'' (, literally ''Cloud Messenger'') is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a '' yakṣa'' (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to his wife. The poem became well-known in Sanskrit literature and inspired other poets to write similar poems (known as "messenger-poems", or Sandesha Kavya) on similar themes. Korada Ramachandra Sastri wrote ''Ghanavrttam,'' a sequel to ''Meghaduta''. About the poem A poem of 120 stanzas, it is one of Kālidāsa's most famous works. The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vikramōrvaśīyam
''Vikramōrvaśīyam'' () is a five-act Sanskrit play by ancient Indian poet Kālidāsa, who lived in the 4th or 5th Century CE, on the Vedic love story of King Pururavas and an Apsarā (celestial nymph) named Ūrvaśī, known for her beauty. As per the tradition, while the basic plot has taken elements from the sources such as the Samvāda Sūkta of the Rig Veda, Mahābhārata and others, Kālidāsa has made significant adaptations to make the presentation more appealing while establishing his prowess as a playwright. ''Vikramorvaśīyam'' is the second of the three plays written by Kālidāsa, the first being '' Mālavikāgnimitram'' and the third being the celebrated '' Abhijñānaśākuntalam''. According to one theory, "Vikrama" in the title alludes to Kālidāsa's patron king Vikramāditya. However, there is no conclusive evidence for this, although both are said to have lived around the same time period. It simply means "Valour". Origin of the plot The classical t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uchhaith
Uchchaith is a village in Madhubani District, Bihar, India. There is a temple of the Goddess Durga without head known as Uchchaith Bhagwati in this village. In mythological stories she is known as ''Banadevi''. It is said that many legendary Maharishis have passed through Uchchaith during their journey to the Himalayas or on their way to Janakpur, the capital of Mithila (region), Mithila. These include many sages like Maharishi Kapila, Kaṇāda (philosopher), Kaṇāda, Gautama Maharishi, Gautam, Gemini, Pundarik, Lomasha, Lomas, etc. History According to history, the poet Kālidāsa was blessed with all knowledge by Durga, she was impressed by his devotion and dedication. Kalidasa lived here for several years. According to a legend of this area, there was a Sanskrit college in ancient times, which is still present there. Presently the modern college is known as Kalidas Vidyapati Science College. It is said that kalidasa lived there as a servant of the college. There was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raghuvaṃśa
(Devanagari: , lit. 'lineage of Raghu') is a Sanskrit epic poem ('' mahakavya'') by the celebrated Sanskrit poet Kalidasa. Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. It narrates, in 19 ''sarga''s (cantos), the stories related to the Raghu dynasty, namely the family of Dilipa and his descendants up to Agnivarna, who include Raghu, Dasharatha and Rama. The earliest surviving commentary written on the work is that of the 10th-century Kashmiri scholar Vallabhadeva. The most popular and widely available commentary, however, is the ''Sanjivani'', written by Mallinatha (ca.1350–1450). Contents The ''Raghuvaṃśa'' is a mahākāvya (roughly, epic poem) containing 1564 stanzas. It describes the line of kings of the Raghu dynasty (also known as the ''sūryavaṃśa'' or the solar dynasty) that includes Raghu. It is written in 19 ''sarga''s (cantos), that can be regarded as being divided into three parts:Ryde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gupta Empire
The Gupta Empire was an Indian empire during the classical period of the Indian subcontinent which existed from the mid 3rd century to mid 6th century CE. At its zenith, the dynasty ruled over an empire that spanned much of the northern Indian subcontinent. This period has been considered as the Golden Age of India by some historians, although this characterisation has been disputed by others. The ruling dynasty of the empire was founded by Gupta (king), Gupta. The high points of this period are the great cultural developments which took place primarily during the reigns of Samudragupta, Chandragupta II and Kumaragupta I. Many Hinduism, Hindu Hindu epics, epics and Hindu literature, literary sources, such as the Mahabharata and Ramayana, were canonised during this period. The Gupta period produced scholars such as Kalidasa, Aryabhata, Varahamihira and Vatsyayana, who made significant advancements in many academic fields. History of science and technology in the Indian subcontin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemangada
Hemangada (Odia: ହେମଙ୍ଗଦ) was a powerful 4th century C.E.warrior king of the ancient Indian Kingdom of Kalinga (Odisha) who finds elaborate mention in the sixth chapter of Kalidasa's classical Sanskrit literary work, Raghuvansham. According to Kalidasa, Hemangada was present at the Swayamvara of the princess Indumati of Vidarbha as a participant while Sunanda, the counsel of the princess describes his glorious achievements, strength and his kingdom to her. Only besides the mention of Hemangada there are no details about his lineage or the dynasty he belonged to. He could be placed as a vassal of the Gupta rule in Kalinga those days but didn't either belong to the Vindhyatabi Naga or Nala rulers who were prominent or declining in other parts of ancient Tri-Kalinga region in that era. Since the whole work of Raghuvamsham is based on descriptions for the descendants of a mythical king Raghu, the timeline of Hemangada's existence is also debatable as it is not necessary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mālavikāgnimitram
The ''Mālavikāgnimitram'' (Sanskrit: मालविकाग्निमित्रम् , translation : ''Mālavikā and Agnimitra'') is a Sanskrit play by Kālidāsa. Based on some events of the reign of Pushyamitra Shunga, it is his first play. ''Mālavikāgnimitram'' tells the story of the love of Agnimitra, the Shunga Emperor at Vidisha, for the beautiful handmaiden of his chief queen. He falls in love with the picture of an exiled servant girl named Mālavikā. He must resort to the help of his jester and play a game of subterfuge merely to look at the new girl. When the queen discovers her husband's passion for this girl, she becomes infuriated and has Mālavikā imprisoned, but as fate would have it, in the end she is discovered to be of royal birth and is accepted as one of his queens. The play contains an account of the Rajasuya sacrifice performed by Pushyamitra Shunga and an elaborate exposition of a theory on music and acting. The plot The Mālavikāgnimitra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the Classical India, classical period with the composition of the Natya Shastra, Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature.Brandon (1981, xvii). The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
