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Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in '' Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the Classical India, classical period with the composition of the Natya Shastra, Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature.Brandon (1981, xvii). The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharata (Mahabharata)
Bharata () is a legendary emperor featured in Hindu literature. He is a member of the Chandravamsha dynasty, and becomes the Chakravarti (Chakra possessing emperor). He is regarded to be the ancestor of the Pandavas, the Kauravas, Brihadratha and Jarasandha. The legend of Bharata is featured in the Adi Parva of the Mahabharata, where he is mentioned as the son of Dushyanta and Shakuntala. The story of his parents and his birth is related in Kalidasa's famous play, '' Abhijñānashākuntala''. He is a descendant of rajarshi Vishvamitra. According to popular tradition, Bhārata, one of the traditional names of the Indian subcontinent, is named after Bharata. Many depictions call him as Digvijaya Chakravartin Samrāj Sarvadamana Bharata (; ). Legend Mahabharata The Mahabharata states that King Dushyanta was once hunting in the forests, when he arrived at the ashrama of Sage Kanva. In the sage's absence, his adoptive daughter, Shakuntala welcomed Dushyanta, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma - Mahabharata - Shakuntala
Raja (; from , IAST ') is a noble or royal Sanskrit title historically used by some Indian subcontinent, Indian rulers and monarchs and highest-ranking nobles. The title was historically used in the Indian subcontinent and Southeast Asia. The title has a long history in South Asia and History of Southeast Asia, Southeast Asia, being attested from the ''Rigveda'', where a ' is a Rigvedic tribes, ruler, see for example the Battle of the Ten Kings, ', the "Battle of Ten Kings". The title has equivalent cognates in other Indo-European languages, notably the Latin Rex (title), Rex and the Celtic languages, Celtic Rix. Raja-ruled Indian states While most of the British Raj, Indian salute states (those granted a Salute#Heavy arms: gun salutes, gun salute by the The Crown, British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dushyanta
Dushyanta (, ) is a king of the Chandravamsha (Lunar) dynasty featured in Hindu literature. He is the husband of Shakuntala and the father of Bharata. He appears in the Mahabharata and in Kalidasa's play, Abhijnanashakuntalam (). Legend According to the ''Mahabharata'', Dushyanta is the son of Ilin and Rathantī, also rendered Ilina and Rathantara, respectively. According to primogeniture, Dushyanta succeeds his father as the king of Hastinapura, because he is the eldest among his siblings Sura, Bhima, Pravashu, and Vasu. Mahabharata The Mahabharata narrates that Dushyanta once set out on a hunt and arrived at a forest, where he entered the hermitage of sage Kanva near the Malini River. There, he met Shakuntala, Kanva’s foster daughter, who welcomed him in her father’s absence. Enchanted by her beauty, Dushyanta inquired about her lineage, and she recounted her birth from Vishvamitra and Menaka. He fell in love with her and, following Gandharva marriage, wedded her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hastinapura
Hastinapur is a city in the Meerut district in the Indian States and territories of India, state of Uttar Pradesh. ''Hastinapura'' is described as the capital of the Kuru Kingdom in Hindu texts such as the ''Mahabharata'' and the Puranas; it is also mentioned in ancient Jain literature, Jain texts. Hastinapur is located on the right bank of the Ganga river. Etymology In Sanskrit, ''Hastinapura'' translates to 'the City of Elephants' from ''Hastina'' (elephant) and ''pura'' (city). Its history dates back to the period of ''Mahabharata''. It is said that the city was named after King Hasti. It is also mentioned in the ''Ramayana'', the 13th and 14th verses of which say (translated): History The early archaeological remains of the region belong to Ochre Coloured Pottery culture which was a Bronze Age culture of Ganga Yamuna doab. Around c.1200 BCE the region transformed to an Iron Age culture. The region was occupied by the Painted Grey Ware culture which corresponds to the Ved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrificial Fire
Worship or deification of fire (also pyrodulia, pyrolatry or pyrolatria), or fire rituals, religious rituals centred on a fire, are known from various religions. Fire has been an important part of human culture since the Lower Paleolithic. Religious or animist notions connected to fire are assumed to reach back to such early prehuman times. There may be a fire god, as a personification of fires in general, and he may be believed to reside in some sense in any particular ritual fire, or the fire may represent worship of another deity. Indo-European religions In Indo-European languages, there were two concepts regarding fire: that of an animate type called (cf. Sanskrit ''agni'', , English ''ignite'' from Latin ''ignis'', Polish ''ogień'' and Russian ''ogon''), and an inanimate type *''péh₂wr̥'' (cf. English ''fire'', Greek ''pyr'', Sanskrit ''pu''). A similar distinction existed for water. Fire rituals that are commonly found among Indo-European peoples have been firstly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durvasa
In Hindu scriptures, Durvasa (, ), also known as Durvasas (), is a legendary rishi (sage). He is the son of Anasuya and Atri. According to some Puranas, Durvasa is a partial avatar of Shiva, known for his short temper. Wherever he goes, he is received with great reverence by humans and devas alike. Curses and boons The rishi Durvasa, being short-tempered, is said to have both cursed and gifted boons to several notable deities and people in the Hindu scriptures. Some of them include: Curses # Indra, whom he cursed to lose all his powers, after Indra's elephant Airavata threw down a rather fragrant garland given by Durvasa to Indra. # Saraswati, whom he cursed to be born as a human because she laughed at his incorrect recitation of the Vedas. Ubhay Bharati was the human incarnation of the Goddess Saraswati on the earth during 8th Century CE. # Rukmini, whom he cursed to be separated from her husband, Krishna, because she drank water without seeking Durvasa's permission. # Sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asuras
Asuras () are a class of beings in Indian religions, and later Persian and Turkic mythology. They are described as power-seeking beings related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is translated as "Titan (mythology), titan" or "wiktionary:antigod, antigod". According to Hindu texts, the asuras are in constant fear of the devas. Asuras are described in Indian texts as powerful superhuman Demigod#Hinduism, demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts, Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signet Ring
A seal is a device for making an impression in Sealing wax, wax, clay, paper, or some other medium, including an Paper embossing, embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in Intaglio (sculpture), intag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menaka
Menaka ( ) is a prominent figure in Hindu mythology, celebrated as one of the most beautiful apsaras (celestial nymphs) in the court of Indra, the king of the gods. She is frequently sent by the gods to disturb the penance of sages whose growing powers threatened the celestial order. Menaka is best known for her role in the seduction of the sage Vishvamitra, a story found in various Hindu scriptures and dramatized in Kalidasa's classical Sanskrit play '' Shakuntala''. In this episode, the gods, fearing Vishvamitra's ascetic strength, send Menaka to tempt him. Renowned for her beauty and charm, she succeeds in captivating him and becomes the mother of Shakuntala, a central figure in Indian literary tradition. Mythology and literary accounts ''Mahabharata'' Menaka is prominently attested in the ancient Hindu epic ''Mahabharata'' (c. 400 BC - 400 AD) as an apsara (celestial nymphs) of extraordinary beauty. The ''Adi Parva (1.74.68)'' of the ''Mahabharata'' describes Menaka as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
