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Menaka
Menaka ( ) is a prominent figure in Hindu mythology, celebrated as one of the most beautiful apsaras (celestial nymphs) in the court of Indra, the king of the gods. She is frequently sent by the gods to disturb the penance of sages whose growing powers threatened the celestial order. Menaka is best known for her role in the seduction of the sage Vishvamitra, a story found in various Hindu scriptures and dramatized in Kalidasa's classical Sanskrit play '' Shakuntala''. In this episode, the gods, fearing Vishvamitra's ascetic strength, send Menaka to tempt him. Renowned for her beauty and charm, she succeeds in captivating him and becomes the mother of Shakuntala, a central figure in Indian literary tradition. Mythology and literary accounts ''Mahabharata'' Menaka is prominently attested in the ancient Hindu epic ''Mahabharata'' (c. 400 BC - 400 AD) as an apsara (celestial nymphs) of extraordinary beauty. The ''Adi Parva (1.74.68)'' of the ''Mahabharata'' describes Menaka as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra Tapobhang, A Version With Added Sequins, From The Ravi Varma Studio
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visvamitra Entice By Apsara Menaka
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala
Shakuntala () is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play '' Abhijnanashakuntalam'' (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the ''Mahabharata'' (c. 400 BC - 400 AD), where she appears in the ''Adi Parva'' ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India. In the ''Mahabharata'', Shakuntala and Dushyanta secretly get married through the gandharva tradition (love marriage) and consummate their marriage in her forest hermitage. When she later approaches him with their son Bharata, he hesitates to acknowledge them. Shakuntala rebukes him forcefully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apsara
Apsaras (, , Khmer language, Khmer: អប្សរា are a class of celestial beings in Hinduism, Hindu and Culture of Buddhism, Buddhist culture. They were originally a type of female spirit of the clouds and waters, but, later play the role of a "nymph" or "fairy". They figure prominently in the sculptures, dance, literature and paintings of many South Asian and Southeast Asian cultures. The apsaras are described to be beautiful, youthful and elegant, and are said to be able to change their shape at will; making anyone fall for their beauty. There are two types of apsaras—''laukika'' (worldly) and ''daivika'' (divine). They are great in the art of dancing, and often wives of the gandharvas, the court musicians of Indra. The apsaras reside in the palaces of the gods and entertain them by dancing to the music made by the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the Muses of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala (play)
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urvashi
Urvashi (, ) is the most prominent apsara mentioned in the Hindu scriptures like the ''Vedas'', the epics ''Ramayana'' and ''Mahabharata'', as well as the ''Puranas''. She is regarded as the most beautiful of all the apsaras, and an expert dancer. Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary ''Chandravamsha'', whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam. Etymology The Sanskrit name ''"Urvaśī"'' is derived from roots''uru'' and ''aś''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his '' Kumārasambhavam'', the display of his love for Ujjain in '' Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Scriptures
Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindu texts include the Vedas, the Upanishads, and the Itihasa. Scholars hesitate in defining the term "Hindu scriptures" given the diverse nature of Hinduism,Dominic Goodall (1996), Hindu Scriptures, University of California Press, , p. ix–xliii but many list the Agamas as Hindu scriptures,Klaus Klostermaier (2007), A Survey of Hinduism: Third Edition, State University of New York Press, , pp. 46–52, 76–77 and Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti in the list of Hindu scriptures as well. History There are two historic classifications of Hindu texts: '' Shruti'' (Sanskrit: श्रुति, ) – that which is heard, and '' Smriti'' (Sanskrit: स्मृति, IAST: ''Smṛti'') – that which is remembered. The ''Shruti'' texts refer to the body of most authoritative and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svarga
Svarga (, ), also known as Swarga, Indraloka and Svargaloka, is the celestial abode of the devas in Hinduism. Svarga is one of the seven higher lokas ( esoteric planes) in Hindu cosmology. Svarga is often translated as heaven, though it is regarded to be dissimilar to the concept of the Abrahamic Heaven. Description Svarga is a set of celestial worlds located on and above Mount Meru, where those who had led righteous lives by adhering to the scriptures delight in pleasures, before their next birth on earth. It is described to have been built by the deity Tvashtar, the Vedic architect of the devas. The king of the devas, Indra, is the ruler of Svarga, ruling it with his consort, Indrani. His palace in the abode is called Vaijayanta. This palace holds the famous hall, Sudharma, unrivalled among all the princely courts. The capital of Svarga is Amaravati, and its entrance is guarded by the legendary elephant, Airavata. Svarga is described to be the home of Kamadhenu, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabha Parva
The Sabha Parva ("Book of the Assembly Hall") is the second of the eighteen ''parvas'' (books) of the Indian epic '' Mahabharata''.van Buitenen, J. A. B. (1978) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago: University of Chicago Press Sabha Parva traditionally has 10 parts and 81 chapters. The critical edition of Sabha Parva has 9 parts and 72 chapters. Sabha Parva starts with the description of the palace and assembly hall (''sabha'') built by Maya, at Indraprastha. Chapter 5 of the book outlines over a hundred principles of governance and administration necessary for a kingdom and its citizens to be prosperous, virtuous and happy. The middle parts describe life at the court, Yudhishthira's Rajasuya Yajna that leads to the expansion of the Pandava brothers' empire. The last two parts describe the one vice and addiction of the virtuous king Yudhishthira – gambling. Shakuni, encouraged by Duryodhana, mocks Yudhishthira and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
