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Śārṅgadeva
__NOTOC__ Śārṅgadeva (1175–1247), also spelled Sharngadeva or Sarnga Deva, was a 13th-century Indian musicologist who authored ''Sangita Ratnakara'' – a Sanskrit text on music and drama. It is considered to be the authoritative treatise on Indian classical music by both the Hindustani classical music, Hindustani and Carnatic music traditions. Śārṅgadeva was born in a Brahmin family of Kashmir. In an era of Islamic invasion of the northwest regions of the Indian subcontinent and the start of Delhi Sultanate, his family migrated south and settled in the Hindu kingdom in the Deccan region ruled by the Yadava dynasty near Ellora Caves (Maharashtra). Śārṅgadeva worked as an accountant with freedom to pursue his music interests in the court of King Simhana (r. 1210–1247). Ideas Śārṅgadeva presented his ideas on music and dance in seven chapters of ''Sangita Ratnakara'', but integrated it with philosophical context. He systematically presented his ideas on the nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangita Ratnakara
The ''Sangita-Ratnakara'', संगीतरत्नाकर, (IAST: Saṃgītaratnākara), literally "Ocean of Music ", is one of the most important musicological texts from India. Composed by Sharngadeva, Śārṅgadeva (शार्ङ्गदेव) in Sanskrit during the 13th century, both Carnatic music and Hindustani music traditions of Indian classical music regard it as a definitive text. The author was a part of the court of King Simhana (r. 1210–1247) of the Seuna (Yadava) dynasty, Yādava dynasty whose capital was Devagiri, Maharashtra. The text is divided into seven chapters. The first six chapters, ''Svaragatadhyaya'', ''Ragavivekadhyaya'', ''Prakirnakadhyaya'', ''Prabandhadhyaya'', ''Taladhyaya'' and ''Vadyadhyaya'' deal with the various aspects of music and musical instruments, while the last chapter ''Nartanadhyaya'' deals with dance. The medieval era text is one of the most complete historical Indian treatises on the structure, technique, and reasoning o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yadava Dynasty
The Seuna, Sevuna, or Yadavas of Devagiri (IAST: Seuṇa, –1317) was a medieval Indian dynasty, which at its peak ruled a realm stretching from the Narmada river in the north to the Tungabhadra river in the south, in the western part of the Deccan region. Its territory included present-day Maharashtra, northern Karnataka and parts of Madhya Pradesh, from its capital at Devagiri (present-day Daulatabad in modern Chhatrapati Sambhajinagar district, Maharashtra). The Yadavas initially ruled as feudatories of the Western Chalukyas. Around the middle of the 12th century, as the Chalukya power waned, the Yadava king Bhillama V declared independence. The Yadavas reached their peak under Simhana II, and flourished until the early 14th century, when it was annexed by the Khalji dynasty of the Delhi Sultanate in 1308 CE. Etymology The Seuna dynasty claimed descent from the Yadavas and therefore, its kings are often referred to as the "Yadavas of Devagiri". The correct na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1247 Deaths
Year 1247 ( MCCXLVII) was a common year starting on Tuesday of the Julian calendar. Events By place Europe * War of the Thuringian Succession: The claims on the Ludovingians' inheritance after the death of Henry Raspe, landgrave of Thuringia, leads to a dispute over the succession territories of Thuringia and Hesse, between his niece Sophie of Thuringia and her cousin Henry III ("the Illustrious"), who claim the territories as fiefs of the Electorate of Mainz. * Rome becomes 2,000 years old. * July 2 – King Béla IV grants territories to the Knights Hospitaller in the Banate of Severin and Hungarian Cumania (according to a document called the Diploma of the Joannites), makes an early mention of Litovoi and other Vlach/Romanian local rulers, in Wallachia and Transylvania. * Summer – Siege of Seville: Castilian forces under King Ferdinand III ("the Saint") begin to besiege Seville, the city is isolated and Ramón de Bonifaz sails with 13 galleys up the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1175 Births
Year 1175 ( MCLXXV) was a common year starting on Wednesday of the Julian calendar. Events By place Britain * King Henry II begins living openly with his mistress Rosamund Clifford, raising suspicions about their relationship and alienating Henry's wife, Queen Eleanor of Aquitaine. * Eleanor of Aquitaine is held under house arrest at Old Sarum Castle in Wiltshire. She is kept in comfort there – fine clothes for her are dispatched regularly from London. * Treaty of Windsor: High King Ruaidrí Ua Conchobair relinquishes his title and agrees to submit to Henry II as vassal of Connacht in Ireland. * Winter – The Massacre of Abergavenny ends with several Welsh noblemen dead, at the orders of Lord William de Braose. Europe * Under the admirals of the clan Banu Mardanish, an Almohad fleet suffers a large defeat at the hand of the Portuguese, as they are trying to re-conquer Lisbon. * Vordingborg Castle is completed by King Valdemar I of Denmark as a defen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simhana
Simhana (IAST: Siṃhaṇa, also transliterated as Singhana; r. c. 1210-1246 was the most powerful ruler of the Seuna (Yadava) dynasty of the Deccan region of India. He expanded his kingdom to the south at the expense of the Hoysalas, and fought the Chaulukyas and the Vaghelas for the control of the Lata region in the north. He also defeated the Paramaras of Malwa, the Shilaharas of Kolhapur and the Rattas of Belgaum. His generals subjugated several insubordinate feudatory chiefs, and the Yadava territory reached its greatest extent during his reign. Early life Simhana, whose name is also transliterated as Singhana, was the son of his predecessor Jaitugi. His birth was believed to have been the result of the blessings of the goddess Narasimhi of Parnakheta. Therefore, he was named after this goddess. It is not clear when Simhana ascended the throne. Jaitgui's last known inscription is dated 1196, and Simhana's earliest known inscription is dated 1197. However, other ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Michael Randel
Don Michael Randel (born December 9, 1940) is an American musicologist, specializing in the music of the Middle Ages and Renaissance in Spain and France. He is currently the chair of the board of the American Academy of Arts and Sciences, a trustee of the Carnegie Corporation, and a member of the Encyclopædia Britannica editorial board, and has previously served as the fifth president of the Andrew W. Mellon Foundation, as 12th president of the University of Chicago from 2000 to 2006, Provost of Cornell University, and Dean of Cornell's College of Arts and Sciences. He has served as editor of the third and fourth editions of the '' Harvard Dictionary of Music'', the ''Harvard Biographical Dictionary of Music'', and the ''Harvard Concise Dictionary of Music and Musicians''. He was elected to the American Philosophical Society in 2002. Randel is a triple alumnus of Princeton University, where he earned his bachelor's, master's and doctoral degrees in musicology. After complet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihaddeshi
Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni. It is the first text to speak directly of the raga and to distinguish ''marga'' ("classical") from ''desi'' ("folk") music. It also introduced sargam ''solfège'' (or ''solfa''), the singing of the first syllable of the names of the musical notes, as an aid to learning and performance. (The full names of the notes existed previously, for example as found in Natya Shastra.) The author based his work on Bharata Muni's Natya Shastra. His discussion of musical scales and micro-tonal intervals clarifies Bharata's work, and also clarifies Bharata's terse presentation of many issues related to śruti. The text uses a two-dimensional ''prastāra'' (matrix) to explain how the 7 notes of the octave map into 22 śrutis, with varying distances between notes. It also says that a finer subdivision in microtones has 66 śrutis; and that, in principle, the number o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasa
Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhwacharya, Madhvacharya's Dwaitha, Dvaita philosophy. He was one of the chief founding proponents that shaped modern Carnatic music. In honor of his contributions to Carnatic music, he is referred to as the ''Pitamaha'' (''lit''. "grandsire") of Carnatic music. According to a legend, he is considered as an incarnation of Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Vishnu or Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of teaching Carnatic music by structuring grade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
