Śārṅgadeva
   HOME

TheInfoList



OR:

__NOTOC__ Śārṅgadeva (1175–1247), also spelled Sharngadeva or Sarnga Deva, was a 13th-century
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
n
musicologist Musicology is the academic, research-based study of music, as opposed to musical composition or performance. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, f ...
who authored ''
Sangita Ratnakara The ''Sangita-Ratnakara'', संगीतरत्नाकर, (IAST: Saṃgītaratnākara), literally "Ocean of Music ", is one of the most important musicological texts from India. Composed by Sharngadeva, Śārṅgadeva (शार्ङ ...
'' – a Sanskrit text on music and drama. It is considered to be the authoritative treatise on
Indian classical music Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ...
by both the Hindustani and
Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...
traditions. Śārṅgadeva was born in a
Brahmin Brahmin (; ) is a ''Varna (Hinduism), varna'' (theoretical social classes) within Hindu society. The other three varnas are the ''Kshatriya'' (rulers and warriors), ''Vaishya'' (traders, merchants, and farmers), and ''Shudra'' (labourers). Th ...
family of
Kashmir Kashmir ( or ) is the Northwestern Indian subcontinent, northernmost geographical region of the Indian subcontinent. Until the mid-19th century, the term ''Kashmir'' denoted only the Kashmir Valley between the Great Himalayas and the Pir P ...
. In an era of Islamic invasion of the northwest regions of the
Indian subcontinent The Indian subcontinent is a physiographic region of Asia below the Himalayas which projects into the Indian Ocean between the Bay of Bengal to the east and the Arabian Sea to the west. It is now divided between Bangladesh, India, and Pakista ...
and the start of
Delhi Sultanate The Delhi Sultanate or the Sultanate of Delhi was a Medieval India, late medieval empire primarily based in Delhi that stretched over large parts of the Indian subcontinent for more than three centuries.
, his family migrated south and settled in the Hindu kingdom in the Deccan region ruled by the
Yadava dynasty The Seuna, Sevuna, or Yadavas of Devagiri (IAST: Seuṇa, –1317) was a medieval Indian dynasty, which at its peak ruled a realm stretching from the Narmada river in the north to the Tungabhadra river in the south, in the western part of th ...
near
Ellora Caves The Ellora Caves are a UNESCO World Heritage Site in Aurangabad, India. It is one of the largest rock-cut cave complexes in the world, with artwork dating from the period 600–1000 AD, including Hindu, Buddhist, and Jain caves., Quote: "The ...
(Maharashtra). Śārṅgadeva worked as an accountant with freedom to pursue his music interests in the court of King
Simhana Simhana (IAST: Siṃhaṇa, also transliterated as Singhana; r. c. 1210-1246 was the most powerful ruler of the Seuna (Yadava) dynasty of the Deccan region of India. He expanded his kingdom to the south at the expense of the Hoysalas, and fought ...
(r. 1210–1247).


Ideas

Śārṅgadeva presented his ideas on music and dance in seven chapters of ''Sangita Ratnakara'', but integrated it with philosophical context. He systematically presented his ideas on the nature of sound, register, the smallest distinct sounds that humans can hear and musical instruments can produce ('' shruti''), musical scales and modes, 264 ''
raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
s'', beats and role of time ('' tala''), prosody ('' chhandas''), relation between performance arts and human emotions and sentiments, musical and vocal ornaments, the composition of drama and songs, and the limitless opportunities available to the artist to express and affect her audience. According to Peter Fletcher – a professor of Music and Drama, Śārṅgadeva states in ''Sangita Ratnakara'' that "the composer was expected to be a competent performer, but he also made clear that the composer was expected to know his audience, and how their minds work, rising above his own likes and dislikes, in order to bring delight to everyone". Śārṅgadeva's views on music, states Fletcher, exemplified ideas in the ''
Bhagavad Gita The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Ind ...
'' relating to non-attachment.


Influence

Śārṅgadeva is one of the most influential medieval era music theorists of the Indian subcontinent, and his book has been called "the first modern book on Indian classical music". The book is considered by some to be as significant as Bharata's ''
Natya Shastra The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
''. According to
Don Randel Don Michael Randel (born December 9, 1940) is an American musicologist, specializing in the music of the Middle Ages and Renaissance in Spain and France. He is currently the chair of the board of the American Academy of Arts and Sciences, a truste ...
, a professor of musicology, Śārṅgadeva's text is the most comprehensive treatise that interprets the ''
Natya Shastra The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
'' and ''
Brihaddeshi Brihaddeshi is a Classical Sanskrit text, dated ca. 6th to 8th century CE, on Indian classical music, attributed to Mataṅga Muni. It is the first text to speak directly of the raga and to distinguish ''marga'' ("classical") from ''desi'' ("folk") ...
'' of the ancient Indian music tradition.


See also

*
Purandara Dasa Purandara Dasa (IAST: Purandara Dāsa; (1470 – 1564) was a composer, singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhwacharya, Madhvacharya's Dwaitha, Dvaita philosophy. He was one of the chi ...
*
Raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
* Tala *
Tansen Rāmtanu ( – 26 April 1589), popularly referred to as Mian Tānsen (), or Sangeet Samrāt (), was a Hindustani classical musician. Born into a Hindu Gaur Brahmin family in Gwalior, he learnt and perfected his art in the northwest regio ...


References


Bibliography

* * *


External links

* {{Authority control Indian musicologists 1175 births 1247 deaths 13th-century Indian scholars Musicology Indian music history 13th-century Indian musicians