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Āryā Metre
''Āryā metre'' is a metre used in Sanskrit, Prakrit and Marathi verses. A verse in metre is in four metrical lines called ''pāda''s. Unlike the majority of metres employed in classical Sanskrit, the metre is based on the number of s ( morae) per . A short syllable counts for one , and a long syllable (that is, one containing a long vowel, or a short vowel followed by two consonants) counts for two s. It is believed that metre was taken from the gāthā metre of Prakrit. metre is common in Jain Prakrit texts and hence considered as favourite metre of early authors of Jainism. The earlier form of the metre is called old , which occurs in a some very early Prakrit and Pāli texts. Āryā The basic verse has 12, 18, 12 and 15 s in the first, second, third, and fourth ''pāda''s respectively. An example is the following from Kālidāsa's play '' Abhijñānaśākuntalam'' (c. 400 CE): : : : : : : : – u u , – – , u u – : u – u , – – , u – u , – – , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhijñānaśākuntalam
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as the best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaūrava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Poetry
Buddhist poetry is a genre of literature that forms a part of Buddhist discourse. Origins The first examples of Buddhist poetry can be found in traditional scriptures such as the ''Dhammapada'', according to which, Siddhārtha Gautama (the founder of Buddhism), upon his reaching enlightenment, proclaimed: Form Traditionally, most Buddhist sutras have a prose component supplemented by verses (known as ''gatha'') that reiterate and poetically summarize the themes of preceding prose passages. Gatha functions as a mnemonic device helping the Buddhist practitioner commit to memory a certain doctrinal maxim. And in fact, the earliest extant forms of Buddhist discourse appear in verse, which is hardly surprising, considering that the texts were not originally written, but memorized. Linguistic analysis shows that the prose component of the sutras is likely to have been modified by later editing, while the poems often contain earlier forms of language. This view is confirmed by Japan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Agamas (Śvētāmbara)
Jain literature () refers to the literature of the Jain religion. It is a vast and ancient literary tradition, which was initially transmitted orally. The oldest surviving material is contained in the canonical ''Jain Agamas'', which are written in Ardhamagadhi, a Prakrit ( Middle-Indo Aryan) language. Various commentaries were written on these canonical texts by later Jain monks. Later works were also written in other languages, like Sanskrit and Maharashtri Prakrit. Jain literature is primarily divided between the canons of the ''Digambara'' and '' Śvētāmbara'' orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative. More recent Jain literature has also been written in other languages, like Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam and more recently in English. Beliefs Jains believe their religion is eternal, and the teachings of the first tīrthaṅkara, Ṛṣabh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Metre
Vedic metre refers to the poetic metre in the Vedic literature. The study of Vedic metre, along with post-Vedic metre, is part of Chandas, one of the six Vedanga disciplines. Overview In addition to these seven, there are fourteen less frequent syllable-based metres (''Varna-vritta'' or ''Akshara-chandas''): :8. ''Atijagati'' (13x4); 9. ''Śakkarī'' (14x4); 10. ''Atiśakarī '' (15x4); 11. ''Ashṭi'' (16x4); :12. ''Atyashti'' (17x4); 13. ''Dhritī '' (18x4); 14. ''Atidhritī'' (19x4); 15. ''Kṛiti'' (20x4); :16. ''Prakṛiti'' (21x4); 17. ''Ākṛiti'' (22x4): 18. ''Vikṛiti'' (23x4); 19. '' Śankṛiti'' (24x4); :20. ''Atikṛiti'' (25x4); 21. ''Utkṛiti'' (26x4). Note: all metres have several varieties (from 2 to 30 depending on the case). :There is also the metre called ''Dandaka'' which is the general name given to other metres of this class exceeding the measure (26x4) of ''Utkriti'' (''Dandaka'' is the No. 22 on the list compiled by H.H. Wilson). There are sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Prakrit
Prakrit ( ) is a group of vernacular classical Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 5th century BCE to the 12th century CE. The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding Pali. The oldest stage of Middle Indo-Aryan language is attested in the inscriptions of Ashoka (ca. 260 BCE), as well as in the earliest forms of Pāli, the language of the Theravāda Buddhist canon. The most prominent form of Prakrit is Ardhamāgadhı̄, associated with the ancient kingdom of Magadha, in modern Bihar, and the subsequent Mauryan Empire. Mahāvı̄ra, the last tirthankar of 24 tirthankar of Jainism, was born in Magadha, and the earliest Jain texts were composed in Ardhamāgadhı̄. Etymology There are two major views concerning the way in which Sanskrit and Prakrit are related. One holds that the original matter in question is the speech of the common people, unadorned by grammar, and that p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vairagya
Vairāgya () is a Sanskrit term used in Hindu as well as Eastern philosophy that roughly translates as dispassion, detachment, or renunciation, in particular renunciation from the pains and pleasures in the temporary material world. The Hindu philosophers who advocated vairāgya told their followers that it is a means to achieve moksha. True vairāgya refers to an internal state of mind rather than to external lifestyle and can be practiced equally well by one engaged in family life and career as it can be by a renunciate. Vairāgya does not mean suppression of or developing repulsion for material objects. By the application of '' vivek'' (spiritual discrimination or discernment) to life experience, the aspirant gradually develops a strong attraction for the inner spiritual source of fulfillment and happiness and limited attachments fall away naturally. Balance is maintained between the inner spiritual state and one's external life through the practice of seeing all limited en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (, "Servant of Kali (god), Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta Empire, Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga (historical region), Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava, Kumārasambhavam'', the display of his love for Ujjain in ''Meghadūta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jainism
Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion whose three main pillars are nonviolence (), asceticism (), and a rejection of all simplistic and one-sided views of truth and reality (). Jainism traces its spiritual ideas and history through the succession of twenty-four , supreme preachers of ''dharma''. The first in the current time cycle is Rishabhadeva, who tradition holds lived millions of years ago; the 23rd is Parshvanatha, traditionally dated to the 9th century Common Era, BCE; and the 24th is Mahāvīra, Mahavira, who lived . Jainism is considered an eternal ''dharma'' with the guiding every time cycle of the Jain cosmology, cosmology. Central to understanding Jain philosophy is the concept of ''bhedavijñāna'', or the clear distinction in the nature of the soul and non-soul entities. This principle underscores the innate purity and potential for liberation within every Jīva (Jainism), soul, distinct from the physical and menta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gāthā
''Gāthā'' is a Sanskrit term for 'song' or 'verse', especially referring to any poetic metre which is used in legends or folklores, and is not part of the Vedas but peculiar to either Epic Sanskrit or to Prakrit. The word is originally derived from the Sanskrit/Prakrit root ''gai'', which means 'to speak, sing, recite or extol', cognate to the Avestan term ''gatha''. The stanzas of the Prakrit dialects of Ardhamagadhi, Sauraseni and Pāli are known as ''gathas'' as opposed to ''shlokas'' and sutras of Sanskrit and ''dohas'' of '' Apabhramsha''. Most of the Jain and Buddhist texts written in Prakrit are composed of ''gathas'' (or verses/stanzas). Thus, ''gatha'' can mean any Prakrit and Pali verses in general,Amaresh Datta (1988) ''Encyclopaedia of Indian literature vol. 2'' Chennai: Sahitya Academy p. 1374 or specifically the arya meter of Sanskrit; versified portions of Pāli Canon ''(Tipitaka)'' of Theravāda Buddhism are also specifically called ''gathas''. In contempor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
