George Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned the years from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies
(albeit in non-singing and non-dancing roles), adventure tales, war films
, and a few horror
films. However, his most enduring image is that of the tall-in-the-saddle Western
hero. Out of his more than 100 film appearances over 60 were in Westerns.
According to editor Edward Boscombe, "...Of all the major stars whose name was associated with the Western, Scott as
most closely identified with it."
[Boscombe, 1988 ]
Scott's more than 30 years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King
, Rouben Mamoulian
, Michael Curtiz
, John Cromwell
, King Vidor
, Allan Dwan
, Fritz Lang
, Sam Peckinpah
, Henry Hathaway
(eight times), Ray Enright
(seven), Edwin L. Marin
(seven), Andre DeToth
(six), and most notably, his seven film collaborations with Budd Boetticher
. Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple
and Irene Dunne
to Mae West
and Marlene Dietrich
Tall at , lanky, muscular, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. ''The BFI Companion to the Western'' noted:
In his earlier Westerns ... the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude.
During the early 1950s, Scott was a consistent box-office draw. In the annual ''Motion Picture Herald'' Top Ten Polls
, he ranked 10th in 1950, seventh in 1951, and 10th in both 1952 and 1953. Scott also appeared in the Quigley's ''Top Ten Money Makers Poll'' from 1950 to 1953.
Scott was born in Orange County, Virginia
and reared in Charlotte, North Carolina
, the second of six children born to parents of Scottish descent. His father was George Grant Scott, born in Franklin, Virginia
, the first person licensed as a certified public accountant
(CPA) in North Carolina. His mother was Lucille Crane Scott, born in Luray
, Virginia, a member of a wealthy North Carolina family.
[Nott 2004, p. 7.]
The Scott children in order of birth were: Margaret, Randolph, Katherine, Virginia, Joseph and Barbara, most born in North Carolina.
Because of his family's financial status, young Randolph was able to attend private schools such as Woodberry Forest School
. From an early age, Scott developed and displayed his athleticism, excelling in football
, baseball, horse racing, and swimming.
World War I
In April 1917, the United States entered World War I
and shortly afterwards, Scott, then 19 years old, joined the United States Army
. He served in France as an artillery observer with the 2nd Trench Mortar Battalion, 19th Field Artillery Regiment
. His wartime experience gave him training that was put to use in his later film career, including horsemanship
and the use of firearms
After World War I
At the end of World War I Scott stayed in France and enrolled in an artillery officers' school. Although he eventually received a commission, Scott returned home around 1919.
[Nott 2004, p. 8.]
With his military career over Scott continued his education at Georgia Tech
, where he was a member of the Kappa Alpha Order
and set his sights on becoming an all-American football player. However a back injury prevented him from achieving this goal.
[Thomas 1981 ]
Scott then transferred to the University of North Carolina
, where he majored in textile engineering
He eventually dropped out and went to work as an accountant in the textile firm where his father, a CPA, was employed.
Stage and early film appearances
Around 1927, Scott developed an interest in acting and decided to make his way to Los Angeles and seek a career in the motion picture industry. Fortunately, Scott's father had become acquainted with Howard Hughes
and provided a letter of introduction for his son to present to the eccentric millionaire filmmaker.
Hughes responded by getting Scott a small part in a George O'Brien
film called ''Sharp Shooters
'' (1928). Despite its title and the presence of O'Brien, ''Sharp Shooters'' is not a western, as some film historians claimed. Rather, it's a romantic comedy. A print of the film survives in the UCLA Film and Television Archive
In the next few years, Scott continued working as an extra and bit player in several films, including ''Weary River'' (1929) with Richard Barthelmess
, ''The Far Call
'' (1929), ''The Black Watch
'' (1929) (directed by John Ford
with John Wayne
also uncredited) and uncredited as the Rider in ''The Virginian
'' (1929) with Gary Cooper
. Reputedly, Scott also served as Cooper's dialect coach in this latter film.
Scott was also uncredited on ''Dynamite
'' (1929) directed by Cecil B. De Mille
, and ''Born Reckless
On the advice of director Cecil B. DeMille
, Scott gained much-needed acting experience by performing in stage plays with the Pasadena Playhouse
. Scott's stage roles during this period include:
* A minister in ''Gentlemen Be Seated''
* A butler in ''Nellie, the Beautiful Model''
* Metellus Cimber in William Shakespeare
's ''Julius Caesar
* Hector Malone in George Bernard Shaw
's ''Man and Superman
In 1932 Scott appeared in a play at the Vine Street Theatre in Hollywood
entitled ''Under a Virginia Moon''. His performance in this play resulted in several offers for screen tests by the major movie studios.
Scott eventually signed a seven-year contract with Paramount Pictures
at a salary of USD $400 per week ().
In between his Pasadena Playhouse days and Vine Street Theatre performance Scott made his film debut.
In 1931 Scott played his first leading role (with Sally Blane
) in ''Women Men Marry
'' (1931), a film, now apparently lost
, that was made by a Poverty Row
studio called Headline Pictures. A silent film by the same name from 1922, directed by Edward Dillon, has apparently been preserved, however, at Filmmuseum Amsterdam.
He followed that movie with a supporting part in a Warner Bros.
production starring George Arliss
, ''A Successful Calamity
Zane Grey apprenticeship
,_[[Noah_Beery,_Sr..html" style="text-decoration: none;"class="mw-redirect" title="Tom Kennedy (actor)">Tom Kennedy, [[Noah Beery, Sr.">Tom Kennedy (actor)">Tom Kennedy, [[Noah Beery, Sr., Scott and [[Verna Hillie]] in ''Man of the Forest'', 1933]]
Scott's first role under his new [[Paramount Pictures|Paramount]] contract was a small supporting part in a comedy called ''[[Sky Bride]]'' (1932) starring [[Richard Arlen]] and Jack Oakie
Following that, however, Paramount cast him as the lead in ''Heritage of the Desert
'' (1932), his first significant starring role and also the one that established him as a Western
hero. As with ''Women Men Marry'', Sally Blane
was his leading lady. Henry Hathaway
made his directorial debut with ''Heritage of the Desert''. The film was popular and Scott would go on to make ten "B" Western films loosely based on the novels of Zane Grey
(Around the same time, Fox
also remade some Zane Grey titles that they owned, with George O'Brien
as their star.)
Many of these Grey adaptations were remakes of earlier silent films or even retitled versions of more recent movies. In an effort to save on production costs, Paramount utilized stock footage from the silent version and even hired some of the same actors, such as Raymond Hatton
and Noah Beery
, to repeat their roles, meaning that sometimes their ages would vary eight or more years during the same scene. For the 1933 films ''The Thundering Herd
'' and ''Man of the Forest
'', Scott's hair was darkened and he sported a trim moustache so that he could easily be matched to footage of Jack Holt
, the star of the silent versions.
In his book, ''The Hollywood Western: Ninety Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers'', film historian William K. Everson
refers to the Zane Grey series as being "uniformly good".
[Everson, William K. ''The Hollywood Western: Ninety Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers.'' New York. Citadel Press, 1992, First edition 1969.]
He also writes:
''To the Last Man'' was almost a model of its kind, an exceptionally strong story of feuding families in the post-Civil War era, with a cast worthy of an "A" feature, excellent direction by Henry Hathaway, and an unusual climactic fight between the villain (Jack LaRue) and the ''heroine'' (Esther Ralston, in an exceptionally appealing performance).
''Sunset Pass''... was not only one of the best but also one of the most surprising in presenting Randolph Scott and Harry Carey as ''heavies.''
The cast of Hathaway's ''To the Last Man
'' (1933) featured Noah Beery Sr.
in a powerful performance, Buster Crabbe
, Gail Patrick
, Barton MacLane
, John Carradine
, and 5-year-old Shirley Temple
in a startling scene in which she's having a "tea party" with her little doll at a table set up outdoors, and a villain suddenly shoots the doll's head off right in front of the child.
The Zane Grey series films were a boon for Scott, as they provided him with "an excellent training ground for both action and acting".
In between his work in the Zane Grey Western series, Paramount cast Scott in several non-Western roles, such as "the other man" in ''Hot Saturday
'' (1932), with Nancy Carroll
and Cary Grant
Scott returned to Zane Grey Westerns with ''Wild Horse Mesa
'' (1932), then was the romantic male lead in ''Hello, Everybody!
'' (1933), an odd one-shot attempt to make a film star out of the popular but heavy-set radio singer Kate Smith
''The Thundering Herd
'' (1933) was another Zane Grey Western with Hathaway, then he was in two horror movies, ''Murders in the Zoo
'' (1933) with Lionel Atwill
'' (1933) with Carole Lombard
After the Western ''Sunset Pass
'' (1933), Paramount loaned Scott to Columbia
, to play Bebe Daniels
's love interest in a minor romantic comedy called ''Cocktail Hour
Back at Paramount Scott did the Westerns ''Man of the Forest
'' (1933) and ''To the Last Man'' (1933), both with Hathaway from Zane Grey novels and featuring Noah Beery Sr. as the villain. Scott was loaned to Monogram Pictures
for ''Broken Dreams
'' (1933) then was back with Hathaway for ''The Last Round-Up
Scott did three more Zane Grey Westerns without Hathaway: ''Wagon Wheels
'' (1934) directed by Charles Barton
(a remake of 1931's ''Fighting Caravans
'' starring Gary Cooper
), ''Home on the Range
'' (1935) from Arthur Jacobson
, and ''Rocky Mountain Mystery
'' (1935) with Barton.
RKO and "A" Films
Paramount loaned Scott to RKO Radio Pictures
to support Fred Astaire
, Ginger Rogers
and Irene Dunne
'' (1935), a hugely popular adaptation of the Broadway musical.
RKO liked Scott and kept him on for ''Village Tale
'' (1935), directed by John Cromwell, and ''She
'' (1935), an adaptation of the classic novel
by H. Rider Haggard
from the makers of ''King Kong
Scott went back to Paramount for ''So Red the Rose
'' (1935) with Margaret Sullavan
, then was reunited with Astaire and Rogers at RKO in ''Follow the Fleet
'' (1936). It was another big hit.
[Richard Jewel, 'RKO Film Grosses: 1931-1951', ''Historical Journal of Film Radio and Television'', Vol 14 No 1, 1994 p55]
Scott was in a car drama at Paramount, ''And Sudden Death
'' (1936), directed by Barton, then was loaned to independent producer Edward Small
, to play Hawkeye
in another adventure classic, ''The Last of the Mohicans
'', adapted from the 1826 novel
by James Fenimore Cooper
. A big hit in its day, the film "gave Scott his first unqualified 'A' picture success as a lead."
Paramount now only put Scott in "A" films. He was a love interest for Mae West
in ''Go West, Young Man
'' (1936) and was reunited with Irene Dunne in a musical, ''High, Wide, and Handsome
'' (1937). This last film, a musical directed by Rouben Mamoulian
, featured Scott in his "most ambitious performance," The film is ...
... set in 1859 in Pennsylvania, and follows the exploits of oil prospector Scott as he struggles against various varmints and vested interests out to wreck his business, and tries to keep his marriage to Irene Dunne intact, despite the tempting presence of saloon singer Dorothy Lamour.
Scott went to 20th Century Fox
to play the romantic male lead in a Shirley Temple
film, ''Rebecca of Sunnybrook Farm
'' (1938). At Paramount he made a well budgeted Western ''The Texans
'' (1938) with Joan Bennett
then he starred in ''The Road to Reno
'' (1938) at Universal.
One missed opportunity came about around this time. Due to his Southern background, Scott was considered for the role of Ashley Wilkes
in ''Gone with the Wind
'', but it was Leslie Howard
who eventually got the part.
20th Century Fox
Scott's contract with Paramount ended and he signed a deal with Fox. They put him in ''Jesse James
'' (1939), a lavish highly romanticized account of the famous outlaw
) and his brother Frank
). Scott was billed fourth as a sympathetic marshal after the James brothers; it was his first film in color.
Scott was reunited with Temple in ''Susannah of the Mounties
'' (1939), Temple's last profitable film for Fox. The studio gave him the lead in ''Frontier Marshal
'' (1939), playing Wyatt Earp
Scott went to Columbia to star in a medium budget action film, ''Coast Guard
'' (1939). Back at Fox he was in a war movie, ''20,000 Men a Year
Scott went over to Warner Bros to make ''Virginia City
'' (1940), billed third after Errol Flynn
and Miriam Hopkins
, playing Flynn's antagonist, a Confederate officer - but a sympathetic one, and not the actual villain (he was played by Humphrey Bogart
). There were frequent disputes between director Michael Curtiz
, actors and producer Hal Wallis
about script changes. But Curtiz recalled that Scott tried to stay out of those arguments: "Randy Scott is a complete anachronism," said Curtiz. "He's a gentleman. And so far he's the only one I've met in this business..."
[Nott 2004 p. 84]
According to Nott, Curtiz and Scott got along well both personally and creatively, with Scott giving one of the top performances in his career.
Scott went back to RKO to play the "other man" role in the Irene Dunne
romantic comedy ''My Favorite Wife
'' (1940), a huge hit for RKO. For Universal
, he starred with Kay Francis
in ''When the Daltons Rode
Back at Fox, Scott returned to Zane Grey
country by co-starring with Robert Young
in the Technicolor
production ''Western Union
'', directed by Fritz Lang
. Scott played a "good bad man" in this film and gave one of his finest performances. Bosley Crowther
of ''The New York Times
Randolph Scott, who begins to look and act more and more like William S. Hart, herein shapes one of the truest and most appreciable characters of his career as the party's scout.
In 1941, Scott also co-starred with a young Gene Tierney
in another western, ''Belle Starr
''. After a spy film with Elisabeth Bergner
, ''Paris Calling
'' (1941), he was in a hugely popular war film at Fox with John Payne and Maureen O'Hara
, ''To the Shores of Tripoli
Scott's only role as a truly evil villain was in Universal
's ''The Spoilers
'' (1942), an adaptation of Rex Beach
's 1905 tale of the Alaskan gold rush
also starring Marlene Dietrich
and John Wayne
combination led to Universal
casting the trio that same year in ''Pittsburgh
'', a war-time action-melodrama. Scott was billed above Wayne in both films but Wayne actually played the heroic leading man
roles and enjoyed more screen time in each movie.
World War II
Shortly after the United States entered World War II, Scott attempted to obtain an officer's commission in the Marines
, but because of a back injury years earlier, he was rejected.
However, he did his part for the war effort by touring in a comedy act with Joe DeRita
(who later became a member of the Three Stooges
) for the Victory Committee showcases, and he also raised food for the government on a ranch that he owned.
In 1942 and 1943, Scott appeared in several war films, notably ''To the Shores of Tripoli'' (1942) at Fox, ''Bombardier
'' (1943) at RKO, the Canadian warship drama ''Corvette K-225
'' (1943) (produced by Howard Hawks
), ''Gung Ho!
'' at Universal and ''China Sky
'' (1945) at RKO.
He also made ''The Desperadoes
'' (1943), Columbia Pictures
' first feature in Technicolor
. The film was produced by Harry Joe Brown
, with whom Scott would form a business partnership several years later.
Scott was one of many Universal stars who made a cameo in ''Follow the Boys
'' (1944). He was in a "northern" with Gypsy Rose Lee
, ''Belle of the Yukon
'' (1944), and made a swashbuckler
film for producer Benedict Bogeaus
alongside Charles Laughton
: the cheaply made production ''Captain Kidd
Post-World War II career
Tall in the saddle
In 1946, after playing roles that had him wandering in and out of the saddle for many years, Scott appeared in ''Abilene Town
'', a UA
release which cast him in what would become one of his classic images, the fearless lawman cleaning up a lawless town. The film "cemented Scott's position as a cowboy hero" and from this point on all but two of his starring films would be Westerns
. The Scott Westerns of the late 1940s would each be budgeted around US$1,000,000, equal to $ today. Scott mostly made Westerns for producers Nat Holt
or Harry Joe Brown
or at Warner Bros
, although he did make ''Albuquerque
'' (1948) at Paramount.
Scott's last non-Westerns were a mystery with Peggy Ann Garner
at Fox, ''Home Sweet Homicide
'' (1947), and a family drama for Bogeaus, ''Christmas Eve
'' (1947). He also had a cameo in Warners' ''Starlift
Scott did two Westerns for Nat Holt at RKO, ''Badman's Territory
'' (1946) and ''Trail Street
'' (1947). He followed it with another pair for Holt at that studio, ''Return of the Bad Men
'' (1948) at RKO and ''Canadian Pacific
'' (1949), then they did ''Fighting Man of the Plains
'' (1950) and ''The Cariboo Trail
'' (1950) at Fox.
Scott also made ''Rage at Dawn
'' in 1955 for Nat Holt, which was released by RKO
starring Scott and Forrest Tucker
, and featuring Denver Pyle
, Edgar Buchanan
, and J. Carrol Naish
. It purports to tell the true story of the Reno Brothers
, an outlaw gang which terrorized the American Midwest, particularly Southern Indiana
, soon after the American Civil War
Harry Joe Brown
Scott renewed his acquaintance with producer Harry Joe Brown
at Columbia with ''Gunfighters
'' (1947). They began producing many of Scott's Westerns, including several that were shot in the two-color Cinecolor
process. Their collaboration resulted in the film ''Coroner Creek
'' (1948) with Scott as a vengeance-driven cowpoke who "predates the Budd Boetticher
heroes by nearly a decade," and ''The Walking Hills
'' (1949), a modern-day tale of gold hunters directed by John Sturges
They followed it with ''The Doolins of Oklahoma
'' (1949), ''The Nevadan
'' (1950), ''Santa Fe
'' (1951), ''Man in the Saddle
'' (1951), ''Hangman's Knot
'' (1952), ''The Stranger Wore a Gun
'' (1953) (shot in 3-D), ''Ten Wanted Men
'' (1955), and ''A Lawless Street
'' (1955) (with Angela Lansbury
Scott did ''Colt .45
'' (1950) at Warner Bros.
where his salary was US$100,000 per picture (equal to $ today). He stayed at the studio to do ''Sugarfoot
'' (1951), ''Fort Worth
'' (1951), ''Carson City
'' (1952), ''The Man Behind the Gun
'' (1953), ''Thunder Over the Plains
'' (1953), ''Riding Shotgun
'' (1954), ''Tall Man Riding
'' (1955) Most of these were directed by André de Toth
Also of interest is ''Shootout at Medicine Bend
'' shot in 1955, but released in 1957, which was Scott's last movie in black and white. The movie co-stars James Garner
and Angie Dickinson
By 1956, Scott turned 58, an age where the careers of most leading men would be winding down. Scott, however, was about to enter his finest and most acclaimed period.
Boetticher and Kennedy films
In 1955, screenwriter Burt Kennedy
wrote a script entitled ''Seven Men from Now
'' which was scheduled to be filmed by John Wayne
's Batjac Productions
with Wayne as the film's star and Budd Boetticher
as its director. However, Wayne was already committed to John Ford
's ''The Searchers
''. Wayne therefore suggested Scott as his replacement. The resulting film, released in 1956, did not make a great impact at the time but is now regarded by many as one of Scott's best, as well as the one that launched Scott and Boetticher into a successful collaboration that totaled seven films.
While each film is independent and there are no shared characters or settings, this set of films is often called the Ranown Cycle, for the production company run by Scott and Harry Joe Brown, which was involved in their production. Kennedy scripted four of them. In these films ...
Boetticher achieved works of great beauty, formally precise in structure and visually elegant, notably for their use of the distinctive landscape of the California Sierras. As the hero of these "floating poker games" (as Andrew Sarris calls them), Scott tempers their innately pessimistic view with quiet, stoical humour, as he pits his wits against such charming villains as Richard Boone in ''The Tall T'' and Claude Akins in ''Comanche Station.''
After ''7th Cavalry
'' (1956), Boetticher, Kennedy and Scott were reunited for their second film, ''The Tall T
'' (1957) which co-starred Richard Boone
The third in the series was ''Decision at Sundown
'' (1957), although that script was not written by Kennedy. The unofficial series continued with ''Buchanan Rides Alone
'' (1959) is not considered part of the official cycle although Boetticher directed it. However the last two, both written by Kennedy, definitely were: ''Ride Lonesome
'' (1959) and ''Comanche Station
Last film: ''Ride the High Country''
In 1962 Scott made his final film appearance in ''Ride the High Country
'', a film now regarded as a classic. It was directed by Sam Peckinpah
and co-starred Joel McCrea
, an actor who had a screen image similar to Scott's and who also from the mid-1940s on devoted his career almost exclusively to Westerns
Scott and McCrea's farewell Western is characterized by a nostalgic sense of the passing of the Old West; a preoccupation with the emotionality of male bonding and of the experiential 'gap' between the young and the old; and the fearful evocation, in the form of the Hammonds (the villains in the film), of these preoccupations transmuted into brutal and perverse forms.McCrea
, like Scott, retired from filmmaking after this picture, although he returned to the screen twice in later years.
McCrea's role in the film is slightly larger than Scott's, although arguably less colorful, but Scott was billed above McCrea after the director tossed a coin over top billing that came up favoring Scott.
Following ''Ride the High Country'', Scott retired from film at the age of 64.
A wealthy man, Scott had managed shrewd investments throughout his life, eventually accumulating a fortune worth a reputed $100 million, with holdings in real estate, gas, oil wells, and securities.
He and his wife Patricia continued to live in Beverly Hills
. During his retirement years he remained friends with Fred Astaire
, with whom he attended Dodgers
games. An avid golfer with a putting green in his yard, Scott was a member of the Bel Air Country Club, Los Angeles Country Club and Eldorado Country Clubs. Scott also became friends with the Reverend Billy Graham
. Scott was described by his son Christopher as a deeply religious man. He was an Episcopalian
and the Scott family were members of All Saints' Episcopal Church in Beverly Hills, and St. Peter's Episcopal Church in Charlotte, North Carolina.
Scott married twice. In 1936, he became the second husband of heiress Marion duPont
, daughter of William du Pont Sr., and great-granddaughter of Éleuthère Irénée du Pont de Nemours, the founder of the E.I. du Pont de Nemours and Company
. Marion had previously married George Somerville, with Scott serving as best man at the wedding. The Scotts' marriage ended in divorce three years later, in 1939. The union produced no children. Though divorced, she kept his last name nearly five decades, until her death in 1983.
In 1944, Scott married the actress Patricia Stillman, who was 21 years his junior. In 1950, they adopted two children, Sandra and Christopher.
Although Scott achieved fame as a motion picture actor, he managed to keep a fairly low profile with his private life. Offscreen he was a good friend of Fred Astaire
and Cary Grant
. He met Grant on the set of ''Hot Saturday
'' (1932), and shortly afterwards, they moved in together and shared a beach house in Malibu
that became known as "Bachelor Hall".
[Nott 2005, p. 11.]
Some claim they had a gay relationship together. In 1944, Scott and Grant stopped living together, but they remained close friends for the rest of their lives.
Scott died of heart and lung ailments in 1987 at the age of 89 in Beverly Hills, California
. He was interred at Elmwood Cemetery in Charlotte, North Carolina
He and his wife Patricia had been married for 43 years. She died in 2004 and is buried next to her husband.
Their mid-century modern home was torn down in 2008. The Randolph Scott papers, which includes photos, scrapbooks, notes, letters, articles and house plans were left to thUCLA Library Special Collections
In popular culture
Scott's face reportedly was used as the model for the Oakland Raiders
logo in 1960; the logo was redesigned in 1963. For over 50 years, the iconic Raiders head would experience minor modifications and remain consistent with the original design.
In Thomas Pynchon
's 1963 book ''V.
'', the character Profane watches an unspecified Randolph Scott film and compares himself unfavorably with his hero, whom he describes as "cool, imperturbable, keeping his trap shut and only talking when he had to – and then saying the right things and not running off haphazard and inefficient at the mouth".
In the 1963 film ''Soldier in the Rain
'', when Master Sergeant Maxwell Slaughter (Jackie Gleason
) defends his date's honor by protecting her from a jealous suitor, Bobby Jo Pepperdine (Tuesday Weld
) exclaims "You know what? You were just like Randolph Scott on the late, late movies...a fat Randolph Scott.".
He is caricatured in the Lucky Luke
comic book album ''Le Vingtième de cavalerie
'' (1965) as Colonel McStraggle.
The 1974 comedy film ''Blazing Saddles
'' paid homage to Scott. When faced by a crowd refusing to cooperate, Sheriff Bart (Cleavon Little
) exclaims "You'd do it for Randolph Scott!" whereupon the crowd in unison hymns "Randolph Scott!" and sets about working.
Scott is the putative subject of the 1974 Statler Brothers
song "Whatever Happened to Randolph Scott?", lamenting the passing of Western films.
Scott is the subject of guitarist Leo Kottke
's song "Turning into Randolph Scott (Humid Child)" on his 1994 album ''Peculiaroso
"We'll send them all we've got, John Wayne
and Randolph Scott" is a line in Tom Lehrer
's song, "Send the Marines".
During the seventh season “NYPD Blue
” episode “Jackass”, Andy Sipowicz
acknowledges that he isn’t handsome, saying “I’m not Randolph Scott.”
In 1975, Scott was inducted into the Western Performers Hall of Fame
at the National Cowboy & Western Heritage Museum
in Oklahoma City, Oklahoma
, United States. He also received an In Memoriam Golden Boot Award
for his work in Westerns.
For his contribution to the motion picture industry, Scott has a star on the Hollywood Walk of Fame
at 6243 Hollywood Blvd. In 1999, a Golden Palm Star on the Palm Springs, California
, Walk of Stars
was dedicated to him.
Randolph Scott was an active Republican
. In 1944
, he attended the massive rally organized by David O. Selznick
in the Los Angeles Coliseum
in support of the Dewey
ticket as well as Governor Earl Warren
of California, who would become Dewey's running mate in 1948. The gathering drew 93,000, with Cecil B. DeMille
as the master of ceremonies
and short speeches by Hedda Hopper
and Walt Disney
. Among those in attendance were Ann Sothern
, Ginger Rogers
, Adolphe Menjou
, and Gary Cooper
. Scott also supported Barry Goldwater
in the 1964 United States presidential election
* Bogdanovich, Peter. ''Who the Hell's in It: Conversations with Hollywood's Legendary Actors''. New York: Random House, 2010. .
* Boscombe, Edward (ed). ''The BFI Companion to the Western''. New York: DiCapo Press, 1988. .
* Crow, Jefferson Brim, III. ''Randolph Scott: The Gentleman From Virginia.'' Silverton, Idaho: Wind River Publishing, 1987. .
* Everson, William K. ''The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados.'' New York: Citadel Press, 1992, First edition 1969. .
* Gritten, David, ed. ''Halliwell's Film Guide 2008 (Halliwell's the Movies That Matter)''. New York: Harper Collins, 2008. .
* Jordan, David M. ''FDR, Dewey, and the Election of 1944''. Bloomington, Indiana: Indiana University Press, 2011. .
* Mueller, John. ''Astaire Dancing: The Musical Films.'' New York: Alfred A. Knopf, 1985. .
* Nott, Robert. ''The Films of Randolph Scott.'' Jefferson, North Carolina: McFarland & Company, 2004. .
* Nott, Robert. '' Last of the Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea
, and Audie Murphy
.'' Jefferson, North Carolina: McFarland, 2005, First edition 2000. .
* Scott, C.H. ''Whatever Happened to Randolph Scott?'' Madison, North Carolina: Empire Publishing, 1994. .
* Thomas, Tony. ''Hollywood and the American Image''. Westport, Connecticut: Arlington House, 1981. .
at Virtual History
at Find a Grave
Category:American male film actors
Category:Male Western (genre) film actors
Category:Paramount Pictures contract players
Category:American military personnel of World War I
Category:United States Army officers
Category:Male actors from Charlotte, North Carolina
Category:American people of Scottish descent
Category:People from Orange County, Virginia
Category:Military personnel from Virginia
Category:People from Valley Center, California
Category:Georgia Tech alumni
Category:Deaths from lung disease
Category:20th-century American male actors
Category:Woodberry Forest School alumni