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Swashbuckler
A swashbuckler is a genre of European adventure literature that focuses on a heroic protagonist stock character who is skilled in swordsmanship, acrobatics, guile and possesses chivalrous ideals. A "swashbuckler" protagonist is heroic, daring, and idealistic: he rescues damsels in distress, protects the downtrodden, and uses duels to defend his honor or that of a lady or to avenge a comrade. Swashbucklers often engage in daring and romantic adventures with bravado or flamboyance. Swashbuckler heroes are gentleman adventurers who dress elegantly and flamboyantly in coats, waistcoats, tight breeches, large feathered hats, and high leather boots, and they are armed with the thin rapiers used by aristocrats. Swashbucklers are not unrepentant brigands or pirates, although some may rise from such disreputable stations and achieve redemption. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swashbuckler Film
Swashbuckler films are a subgenre of the action film genre, often characterised by swordfighting and adventurous heroic characters, known as swashbucklers. Real historical events often feature prominently in the plot, morality is often clear-cut, heroic characters are clearly heroic and even villains tend to have a code of honour (although this is not always the case). There is often a damsel in distress and a romantic element. History Right from the advent of cinema, the silent era was packed with swashbucklers. The most famous of those were the films of Douglas Fairbanks, such as '' The Mark of Zorro'' (1920), which defined the genre. The stories came from romantic costume novels, particularly those of Alexandre Dumas and Rafael Sabatini. Triumphant, thrilling music was also an important part of the formula. There were three great cycles of swashbuckler films: the Douglas Fairbanks period from 1920 to 1929; the Errol Flynn period from 1935 to 1941; and a period in the 1950s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Three Musketeers
''The Three Musketeers'' (french: Les Trois Mousquetaires, links=no, ) is a French historical adventure novel written in 1844 by French author Alexandre Dumas. It is in the swashbuckler genre, which has heroic, chivalrous swordsmen who fight for justice. Set between 1625 and 1628, it recounts the adventures of a young man named d'Artagnan (a character based on Charles de Batz-Castelmore d'Artagnan) after he leaves home to travel to Paris, hoping to join the Musketeers of the Guard. Although d'Artagnan is not able to join this elite corps immediately, he is befriended by three of the most formidable musketeers of the age – Athos, Porthos and Aramis, "the three musketeers" or "the three inseparables" – and becomes involved in affairs of state and at court. ''The Three Musketeers'' is primarily a historical and adventure novel. However, Dumas frequently portrays various injustices, abuses and absurdities of the Ancien Régime, giving the novel an additional political signif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Age Of Piracy
The Golden Age of Piracy is a common designation for the period between the 1650s and the 1730s, when maritime piracy was a significant factor in the histories of the Caribbean, the United Kingdom, the Indian Ocean, North America, and West Africa. Histories of piracy often subdivide the Golden Age of Piracy into three periods: # The buccaneering period (approximately 1650 to 1680), characterized by Anglo-French seamen based in Jamaica and Tortuga attacking Spanish colonies, and shipping in the Caribbean and eastern Pacific. # The Pirate Round (1690s), associated with long-distance voyages from the Americas to rob Muslim and East India Company targets in the Indian Ocean and Red Sea. # The post-Spanish Succession period (1715 to 1726), when Anglo-American sailors and privateers left unemployed by the end of the War of the Spanish Succession turned en masse to piracy in the Caribbean, the Indian Ocean, the North American eastern seaboard, and the West African coast. Narrower def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zorro
Zorro ( Spanish for 'fox') is a fictional character created in 1919 by American pulp writer Johnston McCulley, appearing in works set in the Pueblo of Los Angeles in Alta California. He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as a , and a mask covering the upper half of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them. Because of this, the townspeople started calling him ''"El Zorro"'' due to his foxlike cunning and charm. Zorro is an acrobat and an expert in various weapons, but the one he employs most frequently is his rapier, which he uses often to carve the initial "Z" on his defeated foes, and other objects to "sign his work". He is also an ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalier
The term Cavalier () was first used by Roundheads as a term of abuse for the wealthier royalist supporters of King Charles I and his son Charles II of England during the English Civil War, the Interregnum, and the Restoration (1642 – ). It was later adopted by the Royalists themselves. Although it referred originally to political and social attitudes and behaviour, of which clothing was a very small part, it has subsequently become strongly identified with the fashionable clothing of the court at the time. Prince Rupert, commander of much of Charles I's cavalry, is often considered to be an archetypal Cavalier. Etymology Cavalier derives from the same Latin root as the Italian word and the French word (as well as the Spanish word ), the Vulgar Latin word '' caballarius'', meaning 'horseman'. Shakespeare used the word ''cavaleros'' to describe an overbearing swashbuckler or swaggering gallant in Henry IV, Part 2 (c. 1596–1599), in which Robert Shallow says "I'll dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance (love)
Romance or romantic love is a feeling of love for, or a strong attraction towards another person, and the courtship behaviors undertaken by an individual to express those overall feelings and resultant emotions. The ''Wiley Blackwell Encyclopedia of Family Studies'' states that "Romantic love, based on the model of mutual attraction and on a connection between two people that bonds them as a couple, creates the conditions for overturning the model of family and marriage that it engenders." This indicates that romantic love can be the founding of attraction between two people. This term was primarily used by the "western countries after the 1800s were socialized into, love is the necessary prerequisite for starting an intimate relationship and represents the foundation on which to build the next steps in a family." Alternatively, ''Collins Dictionary'' describes romantic love as "an intensity and idealization of a love relationship, in which the other is imbued with extraord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Interest
''Gli Innamorati'' (, meaning "The Lovers") were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th century Italy. In the plays, everything revolved around the Lovers in some regard. These dramatic and posh characters were present within ''commedia'' plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the Lovers were always united by the end.Eick, JustiCommedia dell'Arte Origins The name ''Innamorati'' is the Italian word for "Lovers".Rudlin, John. ''Commedia dell'Arte, An Actor's Handbook''. Routledge, London, 1994, pp.106 The dramatists of the Italian Renaissance borrowed ideas from early Roman playwrights, such as Plautus and Terence, whom the theater style known as ''commedia erudita'' was inspired by. The "lovers" are the first actor, firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swaggering
Swaggering is an ostentatious style of walking affected by someone wishing to assert their dominance. It is also a form of machismo or sexual display which takes up more space than needed for simple motion. The exact gait will vary with personality and fashion but it is generally more of a loose, rolling style than a stiff strut. The feet will be kept apart rather than following each other in line and the more swaggering the gait, the greater the lateral distance between them. Studies have found that people are able to determine sexual orientation from such cues and a shoulder-swagger was perceived as a heterosexual orientation. Among London cockneys, swaggering was stylised as the coster walk which became the dance craze of the Lambeth walk. Among African-Americans, it is known as a jive-ass walk or pimp walk. The actor John Wayne was known for his swaggering walk which became a distinctive element of his screen image. A cane may be used as a walking stick as part of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buckler
A buckler (French ''bouclier'' 'shield', from Old French ''bocle, boucle'' 'boss') is a small shield, up to 45 cm (up to 18 in) in diameter, gripped in the fist with a central handle behind the boss. While being used in Europe since antiquity, it became more common as a companion weapon in hand-to-hand combat during the Medieval and Renaissance periods. Its size made it poor protection against missile weapons (e.g., arrows) but useful in deflecting the blow of an opponent's weapons, binding his arms, hindering his movements, or punching him. MS I.33, considered the earliest extant armed-combat manual, (around 1300) contains an early description of a system of combat with buckler and sword. Typology According to the typology of Schmidt, there are three main types of buckler regarding their shape: *Type I: round *Type II: rectangular or trapezoid *Type III: oval or teardrop-shaped These types are combined with the cross sections: *Type a: flat *Type b: concave *T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
