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Ricardo Eliécer Neftalí Reyes Basoalto (12 July 1904 – 23 September 1973), better known by his pen name and, later, legal name Pablo Neruda
Pablo Neruda
(/nəˈruːdə/;[1] Spanish: [ˈpaβlo neˈɾuða]), was a Chilean poet-diplomat and politician. Neruda became known as a poet when he was 10 years old, and wrote in a variety of styles, including surrealist poems, historical epics, overtly political manifestos, a prose autobiography, and passionate love poems such as the ones in his collection Twenty Love Poems and a Song of Despair (1924). He won the Nobel Prize for Literature
Nobel Prize for Literature
in 1971. Neruda occupied many diplomatic positions in various countries during his lifetime and served a term as a Senator for the Chilean Communist Party. When President Gabriel González Videla
Gabriel González Videla
outlawed communism in Chile
Chile
in 1948, a warrant was issued for Neruda's arrest. Friends hid him for months in the basement of a house in the port city of Valparaíso; Neruda escaped through a mountain pass near Maihue Lake into Argentina. Years later, Neruda was a close advisor to Chile's socialist President Salvador Allende. When Neruda returned to Chile after his Nobel Prize
Nobel Prize
acceptance speech, Allende invited him to read at the Estadio Nacional before 70,000 people.[2] Neruda was hospitalised with cancer at the time of the coup d'état led by Augusto Pinochet
Augusto Pinochet
that overthrew Allende's government, but returned home after a few days when he suspected a doctor of injecting him with an unknown substance for the purpose of murdering him on Pinochet's orders.[3] Neruda died in his house in Isla Negra on 23 September 1973, just hours after leaving the hospital. Although it was long reported that he died of heart failure, the Interior Ministry of the Chilean government issued a statement in 2015 acknowledging a Ministry document indicating the government's official position that "it was clearly possible and highly likely" that Neruda was killed as a result of "the intervention of third parties".[4] Pinochet, backed by elements of the armed forces, denied permission for Neruda's funeral to be made a public event, but thousands of grieving Chileans disobeyed the curfew and crowded the streets. Neruda is often considered the national poet of Chile, and his works have been popular and influential worldwide. The Colombian novelist Gabriel García Márquez
Gabriel García Márquez
once called him "the greatest poet of the 20th century in any language",[5] and Harold Bloom included Neruda as one of the 26 writers central to the Western tradition in his book The Western Canon.

Contents

1 Early life

1.1 Literary career

2 Diplomatic career

2.1 Spanish Civil War 2.2 Mexican appointment 2.3 Return to Chile 2.4 Communism

3 Exile

3.1 Second return to Chile

4 Last years and death

4.1 Rumored murder and exhumation

5 Legacy

5.1 In popular culture

5.1.1 Music 5.1.2 Literature 5.1.3 Film 5.1.4 Television 5.1.5 Science

6 List of works

6.1 English translations

7 See also 8 References

8.1 Other sources

9 Further reading 10 External links

Early life[edit]

Neruda as a young man

Pablo Neruda
Pablo Neruda
was born Ricardo Eliécer Neftalí Reyes Basoalto on 12 July 1904, in Parral, Chile, a city in Linares Province
Linares Province
in the Maule Region, some 350 km south of Santiago,[6] to José del Carmen Reyes Morales, a railway employee, and Rosa Basoalto, a schoolteacher who died two months after he was born. Soon after her death, Reyes moved to Temuco, where he married a woman with whom he had had another child nine years earlier, a boy named Rodolfo.[7] Neruda grew up in Temuco
Temuco
with Rodolfo and a half-sister, Laura, one of his father's children by another woman. He composed his first poems in the winter of 1914.[8] Neruda was an atheist.[9] Literary career[edit]

something started in my soul, fever or forgotten wings, and I made my own way, deciphering that fire and wrote the first faint line, faint without substance, pure nonsense, pure wisdom, of someone who knows nothing, and suddenly I saw the heavens unfastened and open.

“ ”

From "Poetry", Memorial de Isla Negra (1964). Trans. AlName="Tarn14">Tarn (1975) p. 14</ref>

Neruda's father opposed his son's interest in writing and literature, but he received encouragement from others, including the future Nobel Prize winner Gabriela Mistral, who headed the local school. On July 18, 1917, at the age of thirteen, he published his first work, an essay titled "Entusiasmo y perseverancia" ("Enthusiasm and Perseverance") in the local daily newspaper La Mañana, and signed it Neftalí Reyes.[10] From 1918 to mid-1920, he published numerous poems, such as "Mis ojos" ("My eyes"), and essays in local magazines as Neftalí Reyes. In 1919, he participated in the literary contest Juegos Florales del Maule and won third place for his poem "Comunión ideal" or "Nocturno ideal". By mid-1920, when he adopted the pseudonym Pablo Neruda, he was a published author of poems, prose, and journalism. He is thought to have derived his pen name from the Czech poet Jan Neruda.[11] The young poet's intention in publishing under a pseudonym was to avoid his father's disapproval of his poems. In 1921, at the age of 16, Neruda moved to Santiago[12] to study French at the Universidad de Chile, with the intention of becoming a teacher. However, he was soon devoting all his time to writing poems and with the help of well-known writer Eduardo Barrios,[13] he managed to meet and impress Don Carlos George Nascimento, the most important publisher in Chile
Chile
at the time. In 1923, his first volume of verse, Crepusculario (Book of Twilights), was published by Editorial Nascimento, followed the next year by Veinte poemas de amor y una canción desesperada (Twenty Love Poems and A Desperate Song),[12] a collection of love poems that was controversial for its eroticism, especially considering its author's young age. Both works were critically acclaimed and have been translated into many languages. Over the decades, Veinte poemas sold millions of copies and became Neruda's best-known work, though a second edition did not appear until 1932. Almost one hundred years later, Veinte Poemas still retains its place as the best-selling poetry book in the Spanish language.[12] By the age of 20, Neruda had established an international reputation as a poet, but faced poverty.[12] In 1926, he published the collection Tentativa del hombre infinito (The Attempt of the Infinite Man) and the novel El habitante y su esperanza (The Inhabitant and His Hope).[14] In 1927, out of financial desperation, he took an honorary consulship in Rangoon, the capital of the British colony of Burma, then administered from New Delhi
New Delhi
as a province of British India. Rangoon was a place he had never heard of before.[14] Later, mired in isolation and loneliness, he worked in Colombo
Colombo
(Ceylon), Batavia (Java), and Singapore.[14] In Java the following year he met and married his first wife, a Dutch bank employee named Maryka Antonieta Hagenaar Vogelzang. While he was in the diplomatic service, Neruda read large amounts of verse, experimented with many different poetic forms, and wrote the first two volumes of Residencia en la Tierra, which includes many surrealist poems. Diplomatic career[edit] Spanish Civil War[edit] After returning to Chile, Neruda was given diplomatic posts in Buenos Aires and then Barcelona, Spain.[15] He later succeeded Gabriela Mistral as consul in Madrid, where he became the center of a lively literary circle, befriending such writers as Rafael Alberti, Federico García Lorca, and the Peruvian poet César Vallejo.[15] A daughter, Malva Marina (Trinidad) Reyes, was born in Madrid
Madrid
in 1934; she was plagued with health problems, especially hydrocephalus, during her short life.[16] During this period, Neruda slowly became estranged from his wife and began a relationship with Delia del Carril (es), an Argentine twenty years his senior.

Grave of Malva Marina, daughter of Pablo Neruda

As Spain became engulfed in civil war, Neruda became intensely politicised for the first time. His experiences during the Spanish Civil War and its aftermath moved him away from privately focused work in the direction of collective obligation. Neruda became an ardent Communist for the rest of his life. The radical leftist politics of his literary friends, as well as that of del Carril, were contributing factors, but the most important catalyst was the execution of García Lorca by forces loyal to the dictator Francisco Franco.[15] By means of his speeches and writings, Neruda threw his support behind the Spanish Republic, publishing the collection España en el corazón (Spain in Our Hearts, 1938). He lost his post as consul due to his political militancy.[15] Neruda's marriage to Vogelzang broke down and the couple divorced in 1936. His ex-wife moved to Monte Carlo
Monte Carlo
and then to the Netherlands with their only child, and he never saw either of them again.[17] After leaving his wife, Neruda lived with Delia del Carril in France. Following the election of Pedro Aguirre Cerda, whom Neruda supported, as President of Chile
Chile
in 1938, Neruda was appointed special consul for Spanish emigrants in Paris. There he was responsible for what he called "the noblest mission I have ever undertaken": transporting 2,000 Spanish refugees who had been housed by the French in squalid camps to Chile
Chile
on an old ship called the Winnipeg.[18] Neruda is sometimes charged with having selected only fellow Communists for emigration, to the exclusion of others who had fought on the side of the Republic.[19] Many of these Republicans and Anarchists were killed during the German invasion and occupation. Others deny these accusations, pointing out that Neruda chose only a few hundred of the 2,000 refugees personally; the rest were selected by the Service for the Evacuation of Spanish Refugees set up by Juan Negrín, President of the Spanish Republican Government in Exile. Mexican appointment[edit] Neruda's next diplomatic post was as Consul General in Mexico City from 1940 to 1943.[20] While he was there, he married del Carril, and learned that his daughter Malva had died, aged eight, in the Nazi-occupied Netherlands.[20] In 1940, after the failure of an assassination attempt against Leon Trotsky, Neruda arranged a Chilean visa for the Mexican painter David Alfaro Siqueiros, who was accused of having been one of the conspirators in the assassination.[21] Neruda later said that he did it at the request of the Mexican President, Manuel Ávila Camacho. This enabled Siqueiros, then jailed, to leave Mexico for Chile, where he stayed in Neruda's private residence. In exchange for Neruda's assistance, Siqueiros spent over a year painting a mural in a school in Chillán. Neruda's relationship with Siqueiros attracted criticism, but Neruda dismissed the allegation that his intent had been to help an assassin as "sensationalist politico-literary harassment". Return to Chile[edit] In 1943, after his return to Chile, Neruda made a tour of Peru, where he visited Machu Picchu,[22] an experience that later inspired Alturas de Macchu Picchu, a book-length poem in twelve parts that he completed in 1945 and which expressed his growing awareness of, and interest in, the ancient civilizations of the Americas. He explored this theme further in Canto General (1950). In Alturas, Neruda celebrated the achievement of Machu Picchu, but also condemned the slavery that had made it possible. In Canto XII, he called upon the dead of many centuries to be born again and to speak through him. Martín Espada, poet and professor of creative writing at the University of Massachusetts Amherst, has hailed the work as a masterpiece, declaring that "there is no greater political poem". Communism[edit] Bolstered by his experiences in the Spanish Civil War, Neruda, like many left-leaning intellectuals of his generation, came to admire the Soviet Union
Soviet Union
of Joseph Stalin, partly for the role it played in defeating Nazi Germany
Nazi Germany
and partly because of an idealist interpretation of Marxist
Marxist
doctrine.[23] This is echoed in poems such as "Canto a Stalingrado" (1942) and "Nuevo canto de amor a Stalingrado" (1943). In 1953, Neruda was awarded the Stalin Peace Prize. Upon Stalin's death that same year, Neruda wrote an ode to him, as he also wrote poems in praise of Fulgencio Batista, "Saludo a Batista" ("Salute to Batista"), and later to Fidel Castro. His fervent Stalinism eventually drove a wedge between Neruda and his long-time friend Octavio Paz, who commented that "Neruda became more and more Stalinist, while I became less and less enchanted with Stalin."[24] Their differences came to a head after the Nazi-Soviet Ribbentrop-Molotov Pact
Ribbentrop-Molotov Pact
of 1939, when they almost came to blows in an argument over Stalin. Although Paz still considered Neruda "The greatest poet of his generation", in an essay on Aleksandr Solzhenitsyn he wrote that when he thinks of "Neruda and other famous Stalinist writers and poets, I feel the gooseflesh that I get from reading certain passages of the Inferno. No doubt they began in good faith [...] but insensibly, commitment by commitment, they saw themselves becoming entangled in a mesh of lies, falsehoods, deceits and perjuries, until they lost their souls."[25] On July 15, 1945, at Pacaembu Stadium
Pacaembu Stadium
in São Paulo, Brazil, Neruda read to 100,000 people in honor of the Communist revolutionary leader Luís Carlos Prestes.[26] Neruda also called Vladimir Lenin
Vladimir Lenin
the "great genius of this century", and in a speech he gave on June 5, 1946, he paid tribute to the late Soviet leader Mikhail Kalinin, who for Neruda was "man of noble life", "the great constructor of the future", and "a comrade in arms of Lenin and Stalin".[27] Neruda later came to rue his seduction by the personality cult, explaining that "in those days, Stalin seemed to us the conqueror who had crushed Hitler's armies."[23] Of a subsequent visit to China
China
in 1957, Neruda wrote: "What has estranged me from the Chinese revolutionary process has not been Mao Tse-tung but Mao Tse-tungism." He dubbed this Mao Tse-Stalinism: "the repetition of a cult of a Socialist deity."[23] Despite his disillusionment with Stalin, Neruda never lost his essential faith in Communist theory and remained loyal to "the Party". Anxious not to give ammunition to his ideological enemies, he would later refuse publicly to condemn the Soviet repression of dissident writers like Boris Pasternak
Boris Pasternak
and Joseph Brodsky, an attitude with which even some of his staunchest admirers disagreed.[28]

Wikisource
Wikisource
has original text related to this article: I Accuse

On March 4, 1945, Neruda was elected a Communist Senator for the northern provinces of Antofagasta and Tarapacá in the Atacama Desert.[29][30] He officially joined the Communist Party of Chile
Chile
four months later.[20] In 1946, the Radical Party's presidential candidate, Gabriel González Videla, asked Neruda to act as his campaign manager. González Videla was supported by a coalition of left-wing parties and Neruda fervently campaigned on his behalf. Once in office, however, González Videla turned against the Communist Party and issued the Ley de Defensa Permanente de la Democracia (Law of Permanent Defense of the Democracy). The breaking point for Senator Neruda was the violent repression of a Communist-led miners' strike in Lota in October 1947, when striking workers were herded into island military prisons and a concentration camp in the town of Pisagua. Neruda's criticism of González Videla culminated in a dramatic speech in the Chilean senate on January 6, 1948, which became known as "Yo acuso" ("I accuse"), in the course of which he read out the names of the miners and their families who were imprisoned at the concentration camp.[31] During the late 1960s, Argentine writer Jorge Luis Borges
Jorge Luis Borges
was asked for his opinion of Pablo Neruda. Borges stated, "I think of him as a very fine poet, a very fine poet. I don't admire him as a man, I think of him as a very mean man."[32] He said that Neruda had not spoken out against Argentine President Juan Perón
Juan Perón
because he was afraid to risk his reputation, noting "I was an Argentine poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us."[33] Exile[edit]

Neruda with his wife and Erich Honecker
Erich Honecker
in 1951

A few weeks later in 1948, finding himself threatened with arrest, Neruda went into hiding and he and his wife were smuggled from house to house hidden by supporters and admirers for the next thirteen months.[20] While in hiding, Senator Neruda was removed from office and, in September 1948, the Communist Party was banned altogether under the Ley de Defensa Permanente de la Democracia, called by critics the Ley Maldita (Accursed Law), which eliminated over 26,000 people from the electoral registers, thus stripping them of their right to vote. Neruda later moved to Valdivia, in southern Chile. From Valdivia he moved to Fundo Huishue, a forestry estate in the vicinity of Huishue Lake. Neruda's life underground ended in March 1949 when he fled over the Lilpela Pass in the Andes Mountains
Andes Mountains
to Argentina
Argentina
on horseback. He would dramatically recount his escape from Chile
Chile
in his Nobel Prize
Nobel Prize
lecture. Once out of Chile, he spent the next three years in exile.[20] In Buenos Aires, Neruda took advantage of the slight resemblance between him and his friend, the future Nobel Prize-winning novelist and cultural attaché to the Guatemalan embassy Miguel Ángel Asturias, to travel to Europe using Asturias' passport.[34] Pablo Picasso
Pablo Picasso
arranged his entrance into Paris
Paris
and Neruda made a surprise appearance there to a stunned World Congress of Peace Forces[clarification needed], while the Chilean government denied that the poet could have escaped the country.[34] Neruda spent those three years traveling extensively throughout Europe as well as taking trips to India, China, Sri Lanka and the Soviet Union. His trip to Mexico in late 1949 was lengthened due to a serious bout of phlebitis.[35] A Chilean singer named Matilde Urrutia was hired to care for him and they began an affair that would, years later, culminate in marriage.[35] During his exile, Urrutia would travel from country to country shadowing him and they would arrange meetings whenever they could. Matilde Urrutia was the muse for Los versos del capitán, a book of poetry which Neruda later published anonymously in 1952.

from "Full Woman, Fleshly Apple, Hot Moon"

Full woman, fleshly apple, hot moon, thick smell of seaweed, crushed mud and light, what obscure brilliance opens between your columns? What ancient night does a man touch with his senses?

Loving is a journey with water and with stars, with smothered air and abrupt storms of flour: loving is a clash of lightning-bolts and two bodies defeated by a single drop of honey.

“ ”

From "Full Woman, Fleshly Apple, Hot Moon", Selected Poems translated by Stephen Mitchell (1997) [36]

While in Mexico, Neruda also published his lengthy epic poem Canto General, a Whitmanesque catalog of the history, geography, and flora and fauna of South America, accompanied by Neruda's observations and experiences. Many of them dealt with his time underground in Chile, which is when he composed much of the poem. In fact, he had carried the manuscript with him during his escape on horseback. A month later, a different edition of five thousand copies was boldly published in Chile
Chile
by the outlawed Communist Party based on a manuscript Neruda had left behind. In Mexico, he was granted honorary Mexican citizenship.[37] Neruda's 1952 stay in a villa owned by Italian historian Edwin Cerio on the island of Capri
Capri
was fictionalized in Antonio Skarmeta's 1985 novel Ardiente Paciencia (Ardent Patience, later known as El cartero de Neruda, or Neruda's Postman), which inspired the popular film Il Postino
Il Postino
(1994).[38] Second return to Chile[edit]

Neruda recording his poetry at the U.S. Library of Congress
Library of Congress
in 1966

By 1952, the González Videla government was on its last legs, weakened by corruption scandals. The Chilean Socialist Party was in the process of nominating Salvador Allende
Salvador Allende
as its candidate for the September 1952 presidential elections and was keen to have the presence of Neruda, by now Chile's most prominent left-wing literary figure, to support the campaign.[37] Neruda returned to Chile
Chile
in August of that year and rejoined Delia del Carril, who had traveled ahead of him some months earlier, but the marriage was crumbling. Del Carril eventually learned of his affair with Matilde Urrutia and he sent her back to Chile
Chile
in 1955. She convinced the Chilean officials to lift his arrest, allowing Urrutia and Neruda to go to Capri, Italy. Now united with Urrutia, Neruda would, aside from many foreign trips and a stint as Allende's ambassador to France from 1970 to 1973, spend the rest of his life in Chile. By this time, Neruda enjoyed worldwide fame as a poet, and his books were being translated into virtually all the major languages of the world.[20] He vigorously denounced the United States during the Cuban missile crisis and later in the decade he likewise repeatedly condemned the U.S. for its involvement in the Vietnam War. But being one of the most prestigious and outspoken left-wing intellectuals alive, he also attracted opposition from ideological opponents. The Congress for Cultural Freedom, an anti-communist organization covertly established and funded by the U.S. Central Intelligence Agency, adopted Neruda as one of its primary targets and launched a campaign to undermine his reputation, reviving the old claim that he had been an accomplice in the attack on Leon Trotsky
Leon Trotsky
in Mexico City
Mexico City
in 1940.[39] The campaign became more intense when it became known that Neruda was a candidate for the 1964 Nobel Prize, which was eventually awarded to Jean-Paul Sartre.[40]

La Sebastiana, Neruda's house in Valparaíso

In 1966, Neruda was invited to attend an International PEN
International PEN
conference in New York City.[41] Officially, he was barred from entering the U.S. because he was a communist, but the conference organizer, playwright Arthur Miller, eventually prevailed upon the Johnson Administration to grant Neruda a visa.[41] Neruda gave readings to packed halls, and even recorded some poems for the Library of Congress.[41] Miller later opined that Neruda's adherence to his communist ideals of the 1930s was a result of his protracted exclusion from "bourgeois society". Due to the presence of many Eastern Bloc
Eastern Bloc
writers, Mexican writer Carlos Fuentes later wrote that the PEN conference marked a "beginning of the end" of the Cold War.[41] Upon Neruda's return to Chile, he stopped in Peru, where he gave readings to enthusiastic crowds in Lima
Lima
and Arequipa
Arequipa
and was received by President Fernando Belaúnde Terry.[41] However, this visit also prompted an unpleasant backlash; because the Peruvian government had come out against the government of Fidel Castro
Fidel Castro
in Cuba, July 1966 saw more than one hundred Cuban intellectuals retaliate against the poet by signing a letter that charged Neruda with colluding with the enemy, calling him an example of the "tepid, pro-Yankee revisionism" then prevalent in Latin America. The affair was particularly painful for Neruda because of his previous outspoken support for the Cuban revolution, and he never visited the island again, even after receiving an invitation in 1968. After the death of Che Guevara
Che Guevara
in Bolivia
Bolivia
in 1967, Neruda wrote several articles regretting the loss of a "great hero".[42] At the same time, he told his friend Aida Figueroa not to cry for Che, but for Luis Emilio Recabarren, the father of the Chilean communist movement, who preached a pacifist revolution over Che's violent ways. Last years and death[edit]

La Chascona, Neruda's house in Santiago

In 1970, Neruda was nominated as a candidate for the Chilean presidency, but ended up giving his support to Salvador Allende, who later won the election and was inaugurated in 1970 as the first democratically elected socialist head of state.[37][43] Shortly thereafter, Allende appointed Neruda the Chilean ambassador to France, lasting from 1970–1972; his final diplomatic posting. During his stint in Paris, Neruda helped to renegotiate the external debt of Chile, billions owed to European and American banks, but within months of his arrival in Paris
Paris
his health began to deteriorate.[37] Neruda returned to Chile
Chile
two and half years later due to his failing health.

Buenos Aires
Buenos Aires
1971

In 1971, Neruda was awarded the Nobel Prize,[37] a decision that did not come easily because some of the committee members had not forgotten Neruda's past praise of Stalinist dictatorship. But his Swedish translator, Artur Lundkvist, did his best to ensure the Chilean received the prize.[44] "A poet," Neruda stated in his Stockholm speech of acceptance of the Nobel Prize, "is at the same time a force for solidarity and for solitude."[45] The following year Neruda was awarded the prestigious Golden Wreath Award at the Struga Poetry Evenings.[46] As the coup d'état of 1973 unfolded, Neruda, then diagnosed with prostate cancer, was devastated by the mounting attacks on the Allende government.[37] The military coup led by General Augusto Pinochet
Augusto Pinochet
saw Neruda's hopes for Chile
Chile
destroyed. Shortly thereafter, during a search of the house and grounds at Isla Negra by Chilean armed forces at which Neruda was reportedly present, the poet famously remarked: "Look around—there's only one thing of danger for you here—poetry."[47]

Neruda laid out in his coffin, 1973

It was originally reported that, on the evening of September 23, 1973, at Santiago's Santa María Clinic, Neruda had died of heart failure;[48][49][50] However, “(t)hat day, he was alone in the hospital where he had already spent five days. His health was declining and he called his wife, Matilde Urrutia, so she could come immediately because they were giving him something and he wasn’t feeling good."[4] On May 12, 2011, the Mexican magazine Proceso published an interview with his former driver Manuel Araya Osorio in which he states that he was present when Neruda called his wife and warned that he believed Pinochet
Pinochet
had ordered a doctor to kill him, and that he had just been given an injection in his stomach.[3] He would die six and a half hours later. Even reports from the pro- Pinochet
Pinochet
El Mercurio newspaper the day after Neruda's death (refer) to an injection immediately beforehand.[51] According to an official Chilean Interior Ministry report prepared in March 2015 for the court investigation into Neruda’s death, "he was either given an injection or something orally" at the Santa María Clinic "which caused his death six-and-a-half hours later. The 1971 Nobel laureate was scheduled to fly to Mexico where he may have been planning to lead a government in exile that would denounce General Augusto Pinochet, who led the coup against Allende on September 11, according to his friends, researchers and other political observers".[4] The funeral took place amidst a massive police presence, and mourners took advantage of the occasion to protest against the new regime, established just a couple of weeks before. Neruda's house was broken into and his papers and books taken or destroyed.[37] In 1974 his Memoirs appeared under the title I Confess I Have Lived, updated to the last days of the poet's life, and including a final segment describing the death of Salvador Allende
Salvador Allende
during the storming of the Moneda Palace by General Pinochet
Pinochet
and other generals – occurring only twelve days before Neruda died.[37] Matilde Urrutia subsequently compiled and edited for publication the memoirs and possibly his final poem "Right Comrade, It's the Hour of the Garden". These and other activities brought her into conflict with Pinochet's government, which continually sought to curtail Neruda's influence on the Chilean collective consciousness. Urrutia's own memoir, My Life with Pablo Neruda, was published posthumously in 1986.[52] Manuel Araya, his Communist Party-appointed chauffeur, published a book about Neruda's final days in 2012.[53] Rumored murder and exhumation[edit] In June 2013, a Chilean judge ordered that an investigation be launched, following suggestions that Neruda had been killed by the Pinochet
Pinochet
regime for his pro-Allende stance and political views. Neruda's driver, Manuel Araya, stated that doctors had administered poison as the poet was preparing to go into exile.[54][55] In December 2011 Chile's Communist Party asked Chilean Judge Mario Carroza to order the exhumation of the remains of the poet. Carroza had been conducting probes into hundreds of deaths allegedly connected to abuses of Pinochet's regime from 1973 to 1990.[53][56] Carroza's inquiry during 2011–12 uncovered enough evidence to order the exhumation in April 2013.[57] Eduardo Contreras, a Chilean lawyer who was leading the push for a full investigation, commented: "We have world-class labs from India, Switzerland, Germany, the US, Sweden, they have all offered to do the lab work for free." The Pablo Neruda Foundation fought the exhumation under the grounds that the Araya's claims were unbelievable.[55] In June 2013 a court order was issued to find the man who allegedly poisoned Neruda. Police were investigating Michael Townley, who was facing trial for the killings of General Carlos Prats
Carlos Prats
(Buenos Aires, 1974), and ex Chancellor Orlando Letelier
Orlando Letelier
(Washington, 1976).[58][59] Test results were released on 8 November 2013 of the seven-month investigation by a 15-member forensic team. Patricio Bustos, the head of Chile's medical legal service, stated "No relevant chemical substances have been found that could be linked to Mr. Neruda's death" at the time.[60] However, Carroza said that he was waiting for the results of the last scientific tests conducted in May (2015), which found that Neruda was infected with the Staphylococcus aureus bacterium, which can be highly toxic and result in death if modified.[4] A team of 16 international experts lead by Spanish forensic specialist Aurelio Luna from the University of Murcia
University of Murcia
announced on 20 October 2017 that "from analysis of the data we cannot accept that the poet had been in an imminent situation of death at the moment of entering the hospital" and that death from prostate cancer was not likely at the moment when he died. The team also discovered something in Neruda's remains that could possibly be a laboratory-cultivated bacteria. The results of their continuing analysis are expected in 2018.[61] Legacy[edit] Neruda owned three houses in Chile; today they are all open to the public as museums: La Chascona
La Chascona
in Santiago, La Sebastiana in Valparaíso, and Casa de Isla Negra
Casa de Isla Negra
in Isla Negra, where he and Matilde Urrutia are buried. A bust of Neruda stands on the grounds of the Organization of American States building in Washington, D.C.[62][63] In popular culture[edit]

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Music[edit]

American composer Tobias Picker set to music Tres Sonetos de Amor for baritone and orchestra American composer Tobias Picker set to music Cuatro Sonetos de Amor for voice and piano Greek composer Mikis Theodorakis
Mikis Theodorakis
set to music the Canto general. Greek composer and singer Nikos Xilouris
Nikos Xilouris
composed Οι Νεκρoί της Πλατείας (The dead of the Square) based on Los muertos de la plaza. American composer Samuel Barber
Samuel Barber
used Neruda's poems for his cantata The Lovers in 1971. Alternative rock musician Lynda Thomas
Lynda Thomas
released as a single the flamenco song Ay, Ay, Ay (2001), which is based on the book "Twenty Love Poems and a Song of Despair". Austrian avant-garde composer Michael Gielen set to music Un día sobresale (Ein Tag Tritt Hervor. Pentaphonie für obligates Klavier, fünf Soloinstrumente und fünf Gruppen zu je fünf Musikern mit Worten von Pablo Neruda. 1960–63). Native American composer Ron Warren set to music Quatro Sonetos de Amor for coloratura soprano, flute and piano (1999), 1 from each group of sonnets in Cien Sonetos de Amor. Recorded on Circle All Around Me Blue Heron Music BHM101. Mexican composer Daniel Catán
Daniel Catán
wrote an opera Il Postino
Il Postino
(2010), whose premiere production featured Spanish tenor Plácido Domingo
Plácido Domingo
portraying Pablo Neruda. The Dutch composer Peter Schat
Peter Schat
used twelve poems from the Canto General for his cantata Canto General for mezzo-soprano, violin and piano (1974), which he dedicated to the memory of the late president Salvador Allende. Folk rock / progressive rock group Los Jaivas, famous in Chile, used Las alturas de Macchu Picchu as the text for their album of the same name. Chilean composer Sergio Ortega worked closely with the poet in the musical play Fulgor y muerte de Joaquín Murieta (1967). Three decades later, Ortega expanded the piece into an opera, leaving Neruda's text intact. Peter Lieberson composed Neruda Songs (2005) and Songs of Love and Sorrow (2010) based on Cien Sonetos de Amor.[64] Jazz vocalist Luciana Souza released an album called "Neruda" (2004) featuring 10 of Neruda's poems set to the music of Federico Mompou. The South African musician Johnny Clegg
Johnny Clegg
drew heavily on Neruda in his early work with the band Juluka. On the back on Jackson Browne's album The Pretender, there is a poem by Neruda. Canadian rock group Red Rider
Red Rider
named their 1983 LP/CD release, Neruda. Pop band Sixpence None the Richer
Sixpence None the Richer
set his poem "Puedo escribir" to music on their platinum selling self-titled album (1997). The group Brazilian Girls
Brazilian Girls
turned "Poema 15" ("Poem 15") from Veinte poemas de amor y una canción desesperada (20 love poems and a song of despair) into their song "Me gusta cuando callas" from their self-titled album. With permission from the Fundación Neruda, Marco Katz
Marco Katz
composed a song cycle based on the volume Piedras del cielo for voice and piano.[65] Centaur Records CRC 3232, 2012. The Occitan
Occitan
singer Joanda composed the song Pablo Neruda[66] American contemporary composer Morten Lauridsen set Neruda's poem "Soneto de la noche" to music as part of his cycle "Nocturnes" from 2005. The opening lines for the song "Bachata Rosa" by Juan Luis Guerra
Juan Luis Guerra
was inspired by Neruda's The Book of Questions.[67] Ezequiel Vinao composed "Sonetos de amor" (2011) a song cycle based on Neruda's love poems. Ute Lemper
Ute Lemper
co-composed the songs of "Forever" (2013) an album of the Love poems of Pablo Neruda American composer Daniel Welcher composed Abeja Blanca, for Mezzo-Soprano, English Horn, and Piano using the Abeja Blanca text from Neruda's Twenty Love Songs and a Song of Despair Canadian rock band The Tragically Hip, on their album Now for Plan A (Universal, 2012), on the sixth track of the album, in a song titled "Now For Plan A", includes a reading by guest vocalist Sarah Harmer
Sarah Harmer
of the first two stanzas of the Pablo Neruda
Pablo Neruda
poem, "Ode To Age" ("Odă Bătrâneţii").

Literature[edit]

Neruda's 1952 stay in a villa on the island of Capri
Capri
was fictionalized in Chilean author Antonio Skarmeta's 1985 novel Ardiente Paciencia (published as Burning Patience, later known as El cartero de Neruda, or Neruda's Postman).[68] The 1998 Spanglish novel Yo-Yo Boing! by Giannina Braschi features a comic, dinner party debate between poets and artists about Neruda’s genius versus that of other Spanish language
Spanish language
poets Quevedo, Góngora, Ruben Darío, Juan Ramon Jimenez, and Federico Garcia Lorca.[69] In 2008 the writer Roberto Ampuero
Roberto Ampuero
published a novel El caso Neruda, about his private eye Cayetano Brulé, where Pablo Neruda
Pablo Neruda
is one of the protagonists. The Dreamer (2010) is a children's fictional biography of Neruda, "a shy Chilean boy whose spirit develops and thrives despite his father's relentless negativity". Written by Pam Muñoz Ryan and illustrated by Peter Sís, the text and illustrations are printed in Neruda's signature green ink.[70] The character of The Poet in Isabel Allende's debut novel The House of the Spirits is likely an allusion to Neruda.

Film[edit]

The Italian film Il Postino, inspired by Antonio Skármeta's 1985 novel Ardiente paciencia (Ardent Patience, later known as El cartero de Neruda, or Neruda's Postman), centres on the story of Pablo Neruda (Philippe Noiret) living in exile on Salina Island
Salina Island
near Sicily
Sicily
during the 1950s. While there, he befriends the local letter carrier and inspires in him a love of poetry. Neruda is a 120-minute documentary about his life and poetry including interviews with his friends like Volodia Teitelboim, Jose Balmes, Jorge Edwards, Andrej Wosnessenski, Mikis Theodorakis. This film was directed by the German filmmaker Ebbo Demant and broadcast 2004 in the European culture TV channel ARTE and the German public-service broadcaster ARD. Neruda, a 2016 Chilean film The English film Truly, Madly, Deeply, written and directed by Anthony Minghella, uses Neruda's poem "The Dead Woman" as a pivotal device in the plot when Nina (Juliet Stevenson) understands she must let go of her dead lover Jamie (Alan Rickman). The 1998 film Patch Adams features Love Sonnet XVII.

Television[edit]

In the U.S. sitcom How I Met Your Mother, both Ted Mosby
Ted Mosby
and the Mother's favourite poem is revealed to be Pablo Neruda's "Mañana XXVII". In The Simpsons
The Simpsons
episode "Bart Sells His Soul", Lisa mentions and quotes Pablo Neruda
Pablo Neruda
("Laughter is the language of the soul") and Bart snidely replies that he is familiar with his work.[71]

Science[edit] For most of his life, Neruda was fascinated by butterflies. In 1976, a sub-group of the South American genus Heliconius
Heliconius
was named after him.[72][73] List of works[edit]

Crepusculario. Santiago, Ediciones Claridad, 1923. Veinte poemas de amor y una canción desesperada. Santiago, Editorial Nascimento, 1924. Tentativa del hombre infinito. Santiago, Editorial Nascimento, 1926. Anillos. Santiago, Editorial Nascimento, 1926. (Prosa poética de Pablo Neruda
Pablo Neruda
y Tomás Lago.) El hondero entusiasta. Santiago, Empresa Letras, 1933. El habitante y su esperanza. Novela. Santiago, Editorial Nascimento, 1926. Residencia en la tierra (1925–1931). Madrid, Ediciones del Árbol, 1935. España en el corazón. Himno a las glorias del pueblo en la guerra: (1936–1937). Santiago, Ediciones Ercilla, 1937. Nuevo canto de amor a Stalingrado. México, 1943. Tercera residencia (1935–1945). Buenos Aires, Losada, 1947. Alturas de Macchu Picchu. Ediciones de Libreria Neira, Santiago de Chile, 1948. Canto general. México, Talleres Gráficos de la Nación, 1950. Los versos del capitán. 1952. Todo el amor. Santiago, Editorial Nascimento, 1953. Las uvas y el viento. Santiago, Editorial Nascimento, 1954. Odas elementales. Buenos Aires, Editorial Losada, 1954. Nuevas odas elementales. Buenos Aires, Editorial Losada, 1955. Tercer libro de las odas. Buenos Aires, Losada, 1957. Estravagario. Buenos Aires, Editorial Losada, 1958. Navegaciones y regresos. Buenos Aires, Editorial Losada, 1959. Cien sonetos de amor. Santiago, Editorial Universitaria, 1959. Canción de gesta. La Habana, Imprenta Nacional de Cuba, 1960. Poesías: Las piedras de Chile. Buenos Aires, Editorial Losada, 1960. Las Piedras de Pablo Neruda Cantos ceremoniales. Buenos Aires, Losada, 1961. Memorial de Isla Negra. Buenos Aires, Losada, 1964. 5 volúmenes. Arte
Arte
de pájaros. Santiago, Ediciones Sociedad de Amigos del Arte Contemporáneo, 1966. Fulgor y muerte de Joaquín Murieta. Santiago, Zig-Zag, 1967. La obra fue escrita con la intención de servir de libreto para una ópera de Sergio Ortega. La Barcarola. Buenos Aires, Losada, 1967. Las manos del día. Buenos Aires, Losada, 1968. Comiendo en Hungría. Editorial Lumen, Barcelona, 1969. (En co-autoría con Miguel Ángel Asturias) Fin del mundo. Santiago, Edición de la Sociedad de Arte Contemporáneo, 1969. Con Ilustraciones de Mario Carreño, Nemesio Antúnez, Pedro Millar, María Martner, Julio Escámez y Oswaldo Guayasamín. Aún. Editorial Nascimento, Santiago, 1969. Maremoto. Santiago, Sociedad de Arte
Arte
Contemporáneo, 1970. Con Xilografías a color de Carin Oldfelt Hjertonsson. La espada encendida. Buenos Aires, Losada, 1970. Las piedras del cielo. Editorial Losada, Buenos Aires, 1970. Discurso de Estocolmo. Alpignano, Italia, A. Tallone, 1972. Geografía infructuosa. Buenos Aires, Editorial Losada, 1972. La rosa separada. Éditions du Dragon, París, 1972 con grabados de Enrique Zañartu. Incitación al Nixonicidio y alabanza de la revolución chilena. Santiago, Empresa Editora Nacional Quimantú, Santiago, 1973.

English translations[edit]

The Heights of Macchu Picchu (bilingual edition)(Jonathan Cape Ltd London; Farrar, Strauss, Giroux New York 1966, translated by Nathaniel Tarn, preface by Robert Pring-Mill)(broadcast by the BBC Third Programme 1966) Canto General (University of California Press, 1991) (translated by Jack Schmitt) Selected Odes of Pablo Neruda
Pablo Neruda
(University of California Press, 1990) (translated by Margaret Sayers Peden) All The Odes (Farrar, Straus, Giroux, 2013) (various translators, prominently Margaret Sayers Peden) 100 Love Sonnets (bilingual edition) (Exile Editions, 2004, new edition 2016) (translated and with an afterword by Gustavo Escobedo; Introduction by Rosemary Sullivan; Reflections on reading Neruda by George Elliott Clarke, Beatriz Hausner and A.F. Moritz) Twenty Love Poems and a Song of Despair (bilingual edition) (London: Jonathan Cape Ltd London; Penguin Books, 1976 translated by William O'Daly) The Hands of the Day (Copper Canyon Press, 2008) (translated by William O'Daly) The Book of Questions (Copper Canyon Press, 1991, 2001) (translated by William O'Daly) The Yellow Heart (Copper Canyon Press, 1990, 2002) (translated by William O'Daly) Stones of the Sky (Copper Canyon Press, 1990, 2002) (translated by William O'Daly) The Sea and the Bells (Copper Canyon Press, 1988, 2002) (translated by William O'Daly) Winter Garden (Copper Canyon Press, 1987, 2002) (translated by James Nolan) The Separate Rose (Copper Canyon Press, 1985) (translated by William O'Daly) Still Another Day (Copper Canyon Press, 1984, 2005) (translated by William O'Daly) On the Blue Shore of Silence: Poems of the Sea (Rayo Harper Collins, 2004) (translated by Alastair Reid, epilogue Antonio Skármeta) The Captain's Verses (bilingual edition) (New Directions, 1972) (translated by Donald D. Walsh) Residence on Earth (bilingual edition) (New Directions, 1973) (translated by Donald D. Walsh) 100 Love Sonnets (bilingual edition) (University of Texas Press, 1986) (translated by Stephen Tapscott) Extravagaria (bilingual edition) (Farrar, Straus and Giroux, 1974) (translated by Alastair Reid) Intimacies: Poems of Love (Harper Collins, 2008) (translated by Alastair Reid) The Essential Neruda: Selected Poems (City Lights, 2004) (translated by Robert Hass, Jack Hirschman, Mark Eisner, Forrest Gander, Stephen Mitchell, Stephen Kessler, and John Felstiner. Preface by Lawrence Ferlinghetti) Then Come Back: The Lost Neruda (forthcoming, Copper Canyon Press) (translated by Forrest Gander)[74] Venture of the Infinite Man (City Lights, 2017) (translated by Jessica Powell; introduction by Mark Eisner)

See also[edit]

Gabriela Mistral

Chile
Chile
portal Poetry portal Biography portal

References[edit]

^ "Neruda". Random House Webster's Unabridged Dictionary. ^ Wyman, Eva Goldschmidt; Zurita, Magdalena Fuentes (2002). The Poets and the General: Chile's Voices of Dissent under Augusto Pinochet 1973–1989 (1st ed.). Santiago de Chile: LOM Ediciones. p. 18. ISBN 9562824918.  In Spanish and English. ^ a b "Neruda fue asesinado". Proceso (in Spanish). Retrieved 2015-11-06.  ^ a b c d País, Ediciones El (2015-11-06). " Chile
Chile
believes it "highly likely" that poet Neruda was murdered in 1973". EL PAÍS. Retrieved 2015-11-06.  ^ Plinio Apuleyo Mendoza (1 March 1983). The Fragrance of Guava: Conversations with Gabriel García Márquez. Verso. p. 49. Retrieved 4 August 2011.  ^ Tarn (1975) p. 13 ^ Feinstein (2005) p. 7 ^ Neruda, Pablo (1975). Selected poems of Pablo Neruda. The Penguin Poets. Translated by Kerrigan, Anthony. Harmondsworth: Penguin. p. 14. ISBN 9780140421859.  ^ Adam Feinstein (2005). Pablo Neruda: A Passion For Life. Bloomsbury Publishing USA. p. 97. ISBN 9781582345949. Despite their political differences and the fact that she was religious and Neruda was an atheist, Pablo had far more in common with Bombal than with Maruca. ^ Feinstein (2005) p. 19 ^ Pablo Neruda. Biography.com. ^ a b c d Tarn (1975) p. 14 ^ " Pablo Neruda
Pablo Neruda
Chilean poet". Encyclopedia Britannica. Retrieved 2017-08-23.  ^ a b c Tarn (1975) p. 15 ^ a b c d Tarn (1975) p. 16 ^ Feinstein (2005) p. 109 ^ Feinstein (2005) p. 434 ^ Feinstein (2005) p. 141 ^ Feinstein (2005) p. 145 ^ a b c d e f Tarn (1975) p. 17 ^ Feinstein (2005) p. 340 ^ Feinstein (2005) p. 244 ^ a b c Feinstein (2005) pp. 312–313 ^ Roman, Joe. (1993) Octavio Paz
Octavio Paz
Chelsea House Publishers ISBN 0-7910-1249-2 ^ Paz, Octavio (1991) On Poets and Others. Arcade. ISBN 1-55970-139-0 p. 127 ^ Neruda, La vida del poeta: Cronología, 1944–1953, Fundación Neruda, University of Chile. Retrieved 29 December 2006. ^ "Alberto Acereda – El otro Pablo Neruda
Pablo Neruda
– Libros". Libros.libertaddigital.com. 1990-01-01. Retrieved 2010-03-11.  ^ Feinstein (2005) p. 263 ^ Shull (2009) p. 69 ^ Feinstein (2005) p. 181 ^ Feinstein (2005) p. 199 ^ Burgin (1968) p. 95. ^ Burgin (1968) p. 96. ^ a b Feinstein (2005) pp. 236–7 ^ a b Feinstein (2005) p. 290 ^ "Full Woman, Fleshly Apple, Hot Moon: Selected Poems of Pablo Neruda – Eagle Harbor Book Co". Retrieved 15 April 2015.  ^ a b c d e f g h Tarn (1975) p. 22 ^ Feinstein (2005) p. 278 ^ Feinstein (2005) p. 487 ^ Feinstein (2005) pp. 334–5 ^ a b c d e Feinstein (2005) pp. 341–5 ^ Feinstein (2005) p. 326 ^ Feinstein (2005) p. 367 ^ Feinstein (2005) p. 333 ^ Pablo Neruda
Pablo Neruda
(1994). Late and posthumous poems, 1968–1974. Grove Press. ^ "Pablo Neruda". Струшки вечери на поезијата. Retrieved 15 April 2015.  ^ Feinstein (2005) p. 413 ^ "Pablo Neruda, Nobel Poet, Dies in a Chilean Hospital", The New York Times, September 24, 1973. ^ Neruda and Vallejo: Selected Poems, Robert Bly, ed.; Beacon Press, Boston, 1993, p. xii. ^ Earth-Shattering Poems, Liz Rosenberg, ed.; Henry Holt, New York, 1998, p. 105. ^ S.A.P., El Mercurio. "Emol.com – El sitio de noticias online de Chile". www.emol.com (in Spanish). Retrieved 2015-11-06.  ^ Urrutia, Matilde; translated by Alexandria Giardino (2004). My Life with Pablo Neruda. Stanford, Calif.: Stanford University Press. ISBN 0804750092.  ^ a b Newman, Lucia (21 May 2012). "Was Pablo Neruda
Pablo Neruda
murdered?". Aljazeera.  ^ " Chile
Chile
judge orders Pablo Neruda
Pablo Neruda
death probe". BBC News. June 2, 2011.  ^ a b Franklin, Jonathan (7 April 2013). "Pablo Neruda's grave to be exhumed over Pinochet
Pinochet
regime murder claims". The Guardian.  ^ " Pablo Neruda
Pablo Neruda
death probe urged in Chile". CBC News. December 6, 2011.  ^ "Unravelling the mystery of Pablo Neruda's death". BBC. 8 April 2013. Retrieved 8 April 2013.  ^ "Revelan que un ex agente de la CIA envenenó a Neruda". INFOnews. Retrieved 15 April 2015.  ^ Washington Post, June 2, 2013, "Chilean judge issues order to investigate poet Neruda's alleged killer" ^ "Forensic tests show no poison in remains of Chilean poet Pablo Neruda" 8 November 2013 Washington Post. ^ "Researchers raise doubts over cause of Chilean poet Neruda's death". 21 October 2017.  Reuters. ^ "OAS and Chile
Chile
Rededicate Bust of Gabriela Mistral
Gabriela Mistral
at the Organization’s Headquarters in Washington, DC," January 31, 2014, OAS website. Retrieved 1 Feb. 2015. ^ "Pablo Neruda—Washington, D.C." Waymarking.com, retrieved 1 Feb. 2015. ^ "Lieberson: Songs of Love and Sorrow – Program Note by the Composer" (PDF). Boston Symphony Orchestra. Retrieved 9 November 2011.  ^ "Bienvenido al sitio web de la Fundación Pablo Neruda
Pablo Neruda
– Fundación Pablo Neruda". Retrieved 15 April 2015.  ^ "Single Pablo Neruda". Retrieved 15 April 2015.  ^ Maggiolo, Marcio Veloz; del Castillo, José (2009). El bolero : visiones y perfiles de una pasión dominicana (in Spanish). Santo Domingo, República Dominicana: CODETEL. p. 268. ISBN 9789993486237. Su Bachata rosa está inspirada en el Libro de las preguntas del extraordinario poeta chileno Pablo Neruda  ^ Amazon description of Burning Patience ^ Yo-Yo Boing!, Introduction by Doris Sommer, Harvard University. Latin American Literary Review Press. 1998. ISBN 0-935480-97-8.  ^ Amazon description of The Dreamer (2010) ^ Cherry, James A. (1997). "[3F02] Bart Sells His Soul". Simpsons Archive. Retrieved 1 January 2017.  ^ 1976 JRG Turner Adaptive radiation and convergence in subdivisions of the butterfly genus Heliconius
Heliconius
(Lepidoptera: Nymphalidae). Zoological Journal of the Linnean Society 58, 297–308. 1976. ^ Neruda. Tree of Life Web Project. ^ Alter, Alexandra. "Rediscovered Pablo Neruda
Pablo Neruda
Poems to Be Published". ArtsBeat. The New York Times. Retrieved 5 August 2015. 

Other sources[edit]

Feinstein, Adam Pablo Neruda: A Passion for Life, Bloomsbury, 2004. ISBN 1-58234-410-8 Neruda, Pablo. Memoirs (translation of Confieso que he vivido: Memorias), translated by Hardie St. Martin, Farrar, Straus, and Giroux, 1977. (1991 edition is ISBN 0-374-20660-0) Shull, Jodie. Pablo Neruda: Passion, Poetry, Politics. Enslow. ISBN 978-0-7660-2966-8.  Tarn, Nathaniel, Ed (1975) Pablo Neruda: Selected Poems Penguin. Burgin, Richard (1968) Conversations with Jorge Luis Borges, Holt, Rhinehart, & Winston Consuelo Hernández."El Antiorientalismo en Pablo Neruda;" Voces y perspectivas en la poesia latinoamericanana del siglo XX. Madrid: Visor 2009.

Further reading[edit]

Pablo Neruda. The poet's calling, by Mark Eisner. New York, Ecco/Harper Collins 2018 Translating Neruda: The Way to Macchu Picchu John Felstiner 1980 The poetry of Pablo Neruda. Costa, René de., 1979 Pablo Neruda: Memoirs (Confieso que he vivido: Memorias) / tr. St. Martin, Hardie, 1977

External links[edit]

Wikimedia Commons has media related to Pablo Neruda.

Wikiquote has quotations related to: Pablo Neruda

Profile at the Poetry Foundation Profile at Poets.org with poems and articles Nobel Biography Rita Guibert (Spring 1971). "Pablo Neruda, The Art of Poetry No. 14". The Paris
Paris
Review (51).  NPR Morning Edition on Neruda's Centennial 12 July 2004 (audio 4 mins) "Pablo Neruda's 'Poems of the Sea'" 5 April 2004 (Audio, 8 mins) "The ecstasist: Pablo Neruda
Pablo Neruda
and his passions". The New Yorker. 8 September 2003 Documentary-in-progress on Neruda, funded by Latino Public Broadcasting site features interviews from Isabel Allende
Isabel Allende
and others, bilingual poems Poems of Pablo Neruda

v t e

Pablo Neruda

Collections

Twenty Love Poems and a Song of Despair Residence on Earth Canto General Cien Sonetos de Amor

Biographical

Il Postino: The Postman (fictionalized depiction) La Chascona
La Chascona
(residence) Casa de Isla Negra
Casa de Isla Negra
(residence)

v t e

Laureates of the Nobel Prize
Nobel Prize
in Literature

1901–1925

1901 Sully Prudhomme 1902 Theodor Mommsen 1903 Bjørnstjerne Bjørnson 1904 Frédéric Mistral
Frédéric Mistral
/ José Echegaray 1905 Henryk Sienkiewicz 1906 Giosuè Carducci 1907 Rudyard Kipling 1908 Rudolf Eucken 1909 Selma Lagerlöf 1910 Paul Heyse 1911 Maurice Maeterlinck 1912 Gerhart Hauptmann 1913 Rabindranath Tagore 1914 1915 Romain Rolland 1916 Verner von Heidenstam 1917 Karl Gjellerup / Henrik Pontoppidan 1918 1919 Carl Spitteler 1920 Knut Hamsun 1921 Anatole France 1922 Jacinto Benavente 1923 W. B. Yeats 1924 Władysław Reymont 1925 George Bernard Shaw

1926–1950

1926 Grazia Deledda 1927 Henri Bergson 1928 Sigrid Undset 1929 Thomas Mann 1930 Sinclair Lewis 1931 Erik Axel Karlfeldt 1932 John Galsworthy 1933 Ivan Bunin 1934 Luigi Pirandello 1935 1936 Eugene O'Neill 1937 Roger Martin du Gard 1938 Pearl S. Buck 1939 Frans Eemil Sillanpää 1940 1941 1942 1943 1944 Johannes V. Jensen 1945 Gabriela Mistral 1946 Hermann Hesse 1947 André Gide 1948 T. S. Eliot 1949 William Faulkner 1950 Bertrand Russell

1951–1975

1951 Pär Lagerkvist 1952 François Mauriac 1953 Winston Churchill 1954 Ernest Hemingway 1955 Halldór Laxness 1956 Juan Ramón Jiménez 1957 Albert Camus 1958 Boris Pasternak 1959 Salvatore Quasimodo 1960 Saint-John Perse 1961 Ivo Andrić 1962 John Steinbeck 1963 Giorgos Seferis 1964 Jean-Paul Sartre
Jean-Paul Sartre
(declined award) 1965 Mikhail Sholokhov 1966 Shmuel Yosef Agnon
Shmuel Yosef Agnon
/ Nelly Sachs 1967 Miguel Ángel Asturias 1968 Yasunari Kawabata 1969 Samuel Beckett 1970 Aleksandr Solzhenitsyn 1971 Pablo Neruda 1972 Heinrich Böll 1973 Patrick White 1974 Eyvind Johnson
Eyvind Johnson
/ Harry Martinson 1975 Eugenio Montale

1976–2000

1976 Saul Bellow 1977 Vicente Aleixandre 1978 Isaac Bashevis Singer 1979 Odysseas Elytis 1980 Czesław Miłosz 1981 Elias Canetti 1982 Gabriel García Márquez 1983 William Golding 1984 Jaroslav Seifert 1985 Claude Simon 1986 Wole Soyinka 1987 Joseph Brodsky 1988 Naguib Mahfouz 1989 Camilo José Cela 1990 Octavio Paz 1991 Nadine Gordimer 1992 Derek Walcott 1993 Toni Morrison 1994 Kenzaburō Ōe 1995 Seamus Heaney 1996 Wisława Szymborska 1997 Dario Fo 1998 José Saramago 1999 Günter Grass 2000 Gao Xingjian

2001–present

2001 V. S. Naipaul 2002 Imre Kertész 2003 J. M. Coetzee 2004 Elfriede Jelinek 2005 Harold Pinter 2006 Orhan Pamuk 2007 Doris Lessing 2008 J. M. G. Le Clézio 2009 Herta Müller 2010 Mario Vargas Llosa 2011 Tomas Tranströmer 2012 Mo Yan 2013 Alice Munro 2014 Patrick Modiano 2015 Svetlana Alexievich 2016 Bob Dylan 2017 Kazuo Ishiguro

v t e

Struga Poetry Evenings
Struga Poetry Evenings
Golden Wreath Laureates

Robert Rozhdestvensky
Robert Rozhdestvensky
(1966) Bulat Okudzhava
Bulat Okudzhava
(1967) László Nagy (1968) Mak Dizdar
Mak Dizdar
(1969) Miodrag Pavlović (1970) W. H. Auden
W. H. Auden
(1971) Pablo Neruda
Pablo Neruda
(1972) Eugenio Montale
Eugenio Montale
(1973) Fazıl Hüsnü Dağlarca
Fazıl Hüsnü Dağlarca
(1974) Léopold Sédar Senghor
Léopold Sédar Senghor
(1975) Eugène Guillevic (1976) Artur Lundkvist
Artur Lundkvist
(1977) Rafael Alberti
Rafael Alberti
(1978) Miroslav Krleža
Miroslav Krleža
(1979) Hans Magnus Enzensberger
Hans Magnus Enzensberger
(1980) Blaže Koneski (1981) Nichita Stănescu
Nichita Stănescu
(1982) Sachchidananda Vatsyayan 'Ajneya' (1983) Andrei Voznesensky
Andrei Voznesensky
(1984) Yiannis Ritsos
Yiannis Ritsos
(1985) Allen Ginsberg
Allen Ginsberg
(1986) Tadeusz Różewicz
Tadeusz Różewicz
(1987) Desanka Maksimović
Desanka Maksimović
(1988) Thomas Shapcott (1989) Justo Jorge Padrón (1990) Joseph Brodsky
Joseph Brodsky
(1991) Ferenc Juhász (1992) Gennadiy Aygi
Gennadiy Aygi
(1993) Ted Hughes
Ted Hughes
(1994) Yehuda Amichai
Yehuda Amichai
(1995) Makoto Ooka
Makoto Ooka
(1996) Adunis
Adunis
(1997) Liu Banjiu (1998) Yves Bonnefoy
Yves Bonnefoy
(1999) Edoardo Sanguineti
Edoardo Sanguineti
(2000) Seamus Heaney
Seamus Heaney
(2001) Slavko Mihalić (2002) Tomas Tranströmer
Tomas Tranströmer
(2003) Vasco Graça Moura (2004) William S. Merwin (2005) Nancy Morejón (2006) Mahmoud Darwish
Mahmoud Darwish
(2007) Fatos Arapi (2008) Tomaž Šalamun
Tomaž Šalamun
(2009) Lyubomir Levchev (2010) Mateja Matevski
Mateja Matevski
(2011) Mongane Wally Serote (2012) José Emilio Pacheco
José Emilio Pacheco
(2013) Ko Un
Ko Un
(2014) Bei Dao
Bei Dao
(2015) Margaret Atwood
Margaret Atwood
(2016) Charles Simic
Charles Simic
(2017) Adam Zagajewski
Adam Zagajewski
(2018)

Authority control

WorldCat Identities VIAF: 95126958 LCCN: n79046560 ISNI: 0000 0001 2144 0986 GND: 118587005 SELIBR: 195870 SUDOC: 027337960 BNF: cb118871020 (data) ULAN: 500337951 MusicBrainz: 2311feee-0aac-410f-85ff-ec30a832943d NLA: 42358403 NDL: 00451139 NKC: jn19990006057 ICCU: ITICCUCFIV02208 BNE: XX1024955 CiNii: DA00881257 RKD: 315

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