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Fanny Foley Herself
Fanny Foley Herself
is a 1931 American Pre-Code
Pre-Code
comedy-drama film shot entirely in Technicolor. The film was the second feature to be filmed using a new Technicolor
Technicolor
process which removed grain and resulted in improved color. It was released under the title Top of the Bill in Britain.

Contents

1 Plot 2 Cast 3 Production background 4 Reception 5 Preservation status 6 See also 7 References 8 External links

Plot[edit] Edna May Oliver
Edna May Oliver
plays a widowed woman with two daughters (Helen Chandler, Rochelle Hudson) who attempts to revive her career as a vaudeville performer. Her wealthy father-in-law, who believes that a vaudeville performer is not fit to bring up children properly, forces her to choose between her daughters or her career. In the end, all is forgiven and the father-in-law asks Fanny to sing one of her songs. Cast[edit]

Edna May Oliver
Edna May Oliver
as Fanny Foley Hobart Bosworth
Hobart Bosworth
as Seely Florence Roberts
Florence Roberts
as Lucy Rochelle Hudson
Rochelle Hudson
as Carmen Helen Chandler
Helen Chandler
as Lenore John Darrow
John Darrow
as Teddy Robert Emmett O'Connor
Robert Emmett O'Connor
as Burns Harry Stubbs as Crosby

(cast list as per AFI database)[1] Production background[edit]

As a result of the quality of the color work in The Runaround (1931), Radio Pictures decided to produce three more pictures in the improved Technicolor
Technicolor
process.[3] Only Fanny Foley Herself
Fanny Foley Herself
was completed and released in Technicolor. The titles of the two other features were Marcheta and Bird of Paradise. Marcheta seems to have been abandoned, while Bird of Paradise was changed into a black-and-white production starring Dolores del Río
Dolores del Río
and Joel McCrea This was Edna May Oliver's first appearance in color. She would appear in color only once more, in the 1939 film Drums Along the Mohawk. She did not appear in the Technicolor
Technicolor
sequences of The American Venus (1926). This was Helen Chandler's only appearance in a color film. She did not appear in the color sequences of Radio Parade of 1935 (1934). She may have appeared in the color sequences of the silent film The Joy Girl (1927). This film, rumored to exist at the Museum of Modern Art, is unavailable for inspection.

Reception[edit] In October 1931 The New York Times said "There are greenish skies, steel-tinted nights, amber lights, frocks and gowns of pastel shades, most of this prismatic work being quite well done. But whether it is, on the whole, more effective than black and white is a matter of opinion."[1] Preservation status[edit] The film is now considered to be a lost film. No elements of the film or the soundtrack are known to exist. See also[edit]

List of lost films List of early color feature films

References[edit]

^ a b c "Fanny Foley Herself". American Film Institute. Archived from the original on April 3, 2014. Retrieved January 31, 2015.  ^ Jewell, Richard B.; Harbin, Vernon (1982). The RKO Story. New York: Arlington House. p. 41. ISBN 0-517-546566.  ^ Los Angeles Times; September 13, 1931; Page B13.

External links[edit]

Fanny Foley Herself
Fanny Foley Herself
on IMDb Fanny Foley Herself
Fanny Foley Herself
at the American Film Insti

.