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Pre-Code
Pre-Code Hollywood was the brief era in the Cinema of the United States, American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known as the "Hays Code", in mid-1934. Although the Code was adopted in 1930, oversight was poor, and it did not become rigorously enforced until July 1, 1934, with the establishment of the Production Code Administration (PCA). Before that date, film content was restricted more by local laws, negotiations between the Studio Relations Committee (SRC) and the major studios, and popular opinion, than by strict adherence to the Hays Code, which was often ignored by Hollywood filmmakers. As a result, some films in the late 1920s and early 1930s depicted or implied innuendo, sexual innuendo, miscegenation, romantic and sexual relationships between white and black people, mild profanity, Recreational drug use, illegal drug ...
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Motion Picture Production Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely identified with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to weaken, owing to the combined ...
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Barbara Stanwyck
Barbara Stanwyck (; born Ruby Catherine Stevens; July 16, 1907 – January 20, 1990) was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television. Orphaned at the age of four and partially raised in foster homes, she always worked. One of her directors, Jacques Tourneur, said of her, "She only lives for two things, and both of them are work." She made her debut on stage in the chorus as a Ziegfeld girl in 1923, at age 16, and within a few years was acting in plays. Her first lead role, which was in the hit ''Burlesque'' (1927), established her as a Broadway star. In 1929, she began acting in talking pictures. Frank Capra chose her for his romantic drama ''Ladies of Leisure'' (1930). This led to additio ...
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Clark Gable
William Clark Gable (February 1, 1901November 16, 1960) was an American film actor, often referred to as "The King of Hollywood". He had roles in more than 60 motion pictures in multiple genres during a career that lasted 37 years, three decades of which was as a leading man. Gable died of a heart attack at the age of 59; his final on-screen appearance was as an aging cowboy in '' The Misfits'', released posthumously in 1961. Born and raised in Ohio, Gable traveled to Hollywood where he began his film career as an extra in silent films between 1924 and 1926. He progressed to supporting roles for Metro-Goldwyn-Mayer, and his first leading role in ''Dance, Fools, Dance'' (1931) was alongside Joan Crawford, who requested him for the part. His role in the romantic drama '' Red Dust'' (1932) with reigning sex symbol Jean Harlow, made him MGM's biggest male star. Gable won the Academy Award for Best Actor for Frank Capra's romantic comedy ''It Happened One Night'' (1934), co-starring C ...
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Baby Face (film)
''Baby Face'' is a 1933 American pre-Code drama film directed by Alfred E. Green for Warner Bros., starring Barbara Stanwyck as Lily Powers, and featuring George Brent. Based on a story by Darryl F. Zanuck (under the pseudonym Mark Canfield), ''Baby Face'' portrays an attractive young woman who uses sex to advance her social and financial status. Twenty-five-year-old John Wayne appears briefly as one of Powers's lovers. Marketed with the salacious tagline "She had ''it'' and made ''it'' pay", the film's open discussion of sex made it one of the most notorious films of the Pre-Code Hollywood eraTuran, Kenneth (2004) ''Never Coming to a Theater Near You: A Celebration of a Certain Kind of Movie''. Public Affairs . p.375 and helped bring the era to a close as enforcement of the code became stricter beginning in 1934. Mark A. Vieira, author of ''Sin in Soft Focus: Pre-Code Hollywood'' has said, "''Baby Face'' was certainly one of the top 10 films that caused the Production Code to ...
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The Public Enemy
''The Public Enemy'' (''Enemies of the Public'' in the UK) is a 1931 American all-talking pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—''Beer and Blood'' by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago. In 1998, ''The Public Enemy'' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot As youngsters in 1900s Chicago, Irish-Americans Tom Powers and his lifelong friend Matt Doyle engage in petty theft ...
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Little Caesar (film)
''Little Caesar'' is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons. The storyline was adapted from the novel of the same name by William R. Burnett. ''Little Caesar'' was Robinson's breakthrough role and immediately made him a major film star. The film is often listed as one of the first fully-fledged gangster films and continues to be well received by critics. In 2000, ''Little Caesar'' was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. The Library of Congress maintains a print. Plot Small-time criminals Caesar Enrico "Rico" Bandello and his friend Joe Massara move ...
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Ruth Chatterton
Ruth Chatterton (December 24, 1892 – November 24, 1961) was an American stage, film, and television actress, aviator and novelist. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s. Early life Chatterton was born in New York City on December 24, 1892 to Walter, an architect, and Lillian (née Reed) Chatterton. She was of English and French extraction. Her parents separated while she was young. Chatterton attended Mrs. Hagen's School in Pelham, New York. In 1908, Chatterton and her friends were attending a play in Washington, D.C. Chatterton later criticized the acting of the lead actress to her friends, who challenged her to become a stage actress herself or "shut ...
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Red-Headed Woman
''Red-Headed Woman'' is a 1932 American pre-Code romantic comedy film, produced by Metro-Goldwyn-Mayer, based on the 1931 novel of the same name by Katharine Brush, and a screenplay by Anita Loos. It was directed by Jack Conway and stars Jean Harlow as a woman who uses sex to advance her social position. During the course of the film, Harlow's character breaks up a marriage, has multiple affairs, has premarital sex, and attempts to kill a man. Plot Lillian "Lil" Andrews (Jean Harlow) is a young woman, living in Ohio, who will do anything to improve herself. She seduces her wealthy boss William "Bill" Legendre Jr. (Chester Morris) and cleverly breaks up his marriage with his loving wife Irene (Leila Hyams). Irene reconsiders and tries to reconcile with Bill, only to find he has married Lil the previous day. However, Lil finds herself shunned by high society, including Bill's father, Will Legendre, Sr. (Lewis Stone), because of her lower-class origins and homewrecking. When Cha ...
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Female (1933 Film)
''Female'' is a 1933 Warner Bros. pre-Code film directed by Michael Curtiz and starring Ruth Chatterton and George Brent. It is based on the 1933 novel of the same name by Donald Henderson Clarke. Plot Alison Drake (Ruth Chatterton) is the wealthy owner and hard-driving, no-nonsense head of a large automobile company, inherited from her father. Her work has caused her to lose her youthful romanticism, and she has casual affairs with men, including her own employees. Alison hosts a party at her mansion, but becomes fed up with the men out to either sell her things or marry her for her money. She dresses down and goes to an amusement park, where she picks up a man at a shooting gallery. They have fun together, but he refuses her offer to go home with her. The next day, they meet again at her factory. To their mutual astonishment, he turns out to be Jim Thorne (George Brent), a gifted engineer she has ordered her underlings to hire away from her competition. Saying that she has ...
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Scarface (1932 Film)
''Scarface'' (also known as ''Scarface: The Shame of the Nation'' and ''The Shame of a Nation'') is a 1932 American pre-Code gangster film directed by Howard Hawks and produced by Hawks and Howard Hughes. The screenplay, by Ben Hecht, is based loosely on the 1929 novel by Armitage Trail which was inspired by Al Capone. The film stars Paul Muni as Italian immigrant gangster Antonio "Tony" Camonte, a gangster who violently rises through the Chicago gangland, with a supporting cast that includes George Raft and Boris Karloff. Camonte's rise to power dovetails with his relentless pursuit of his boss's mistress while his own sister pursues his best hitman. In an overt tie to the life of Capone, one scene depicts a version of the Saint Valentine's Day Massacre. After Hughes purchased the rights to Trail's novel, Hughes quickly selected Hawks to direct and Hecht to write the film's screenplay. Beginning in January 1931, Hecht wrote the script over an eleven-day period. ''Scarface'' w ...
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Catholic Church In The United States
With 23 percent of the United States' population , the Catholic Church is the country's second largest religious grouping, after Protestantism, and the country's largest single church or Christian denomination where Protestantism is divided into separate denominations. In a 2020 Gallup poll, 25% of Americans said they were Catholic. The United States has the fourth largest Catholic population in the world, after Brazil, Mexico, and the Philippines. Catholicism first arrived in North America during the Age of Discovery. In the colonial era, Spain and later Mexico established missions (1769-1833) that had permanent results in New Mexico and California ( Spanish missions in California). Likewise, France founded settlements with missions attached to them in the Great Lakes and Mississippi River region, notably, Detroit (1701), St. Louis (1764) and New Orleans (1718). English Catholics, on the other hand, "harassed in England by the Protestant majority," settled in Maryland (16 ...
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