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Florence Roberts
Florence Roberts (March 16, 1861/1864 – June 6, 1940(photo included) was an American actress of the stage and in motion pictures. Stock company actress Born in New York City, she began acting onstage there. Her career began at the Brooklyn Opera House in ''Hoop of Gold''. She secured her first stage role with the Denman Thompson Company and played leads with the N.B. Curtis Company. This experience led to appearances on Broadway. She once starred in ''Zala'', a production of David Belasco. She headed a stock company in Philadelphia, for a period of 15 years. The actress made three world tours in stock. There was a South African repertoire and a tour of Australia with the Henry Duffy players. She also played in stock companies in Boston and other cities. In the early 1900s, she made annual tours under the direction of Frederick Belasco. Film career Roberts' success in motion pictures began with a Mack Sennett comedy. The film producer saw her on the stage in ''Your Uncle Du ...
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Florence Roberts (actress, Born 1871)
Florence Roberts (February 14, 1871 – July 17, 1927) was an American stage actress and the second wife of actor Lewis Morrison. Biography Roberts was born in New York but raised in California and had early success in the San Francisco area beginning in 1889. She performed at the Baldwin Theatre and the Alcazar Theatre often playing Shakespearean parts. In 1905 she toured a play called ''Ana La Mont'' under the management of John Cort.''Who Was Who in the Theatre: 1912 - 1976'', Gale Research Co., 1976, pp. 2040 – 2041, originally published annually by John Parker. She toured plays in the Western United States but seldom to New York. After World War I she toured South Africa in the stage adaptation of '' Mrs. Wiggs of the Cabbage Patch''. After returning to the United States she appeared in a few silent films then retired. She died in Los Angeles in 1927, aged 56, after emergency surgery. Personal life She was the second wife of actor Lewis Morrison, the father of act ...
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The Sleepwalker (1922 Film)
''The Sleepwalker'' is a lost 1922 American drama silent film directed by Edward LeSaint and written by Wells Hastings and Aubrey Stauffer. Starring Constance Binney, Jack Mulhall, Edythe Chapman, Florence Roberts, Bertram Grassby, Cleo Ridgely and Winifred Edwards, it was released on April 9, 1922, by Paramount Pictures. Plot As described in a film magazine, Doris Dumond (Binney) leaves the convent and joins her mother Mrs. Fabian Dumond (Roberts), who is being harassed by the villainous debt collector Ambrose Hammond (Grassby), at a fashionable hotel. A young millionaire, Phillip Carruthers (Mulhall), who loves her and whom she loves is also present. When Doris learns of her mother's difficulty she is moved by her subconscious mind to walk into the villain's room in her sleep. She awakens in Ambrose's hotel room, and discovery follows. Towards the next morning, Doris again walks in her sleep and, from a lofty window ledge, she rescues Mary (Edwards), the young daughter of ano ...
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The All American (film)
''The All American'' is a 1932 American pre-Code sports drama film directed by Russell Mack and written by Ferdinand Reyher and Frank Wead. The film stars Richard Arlen, Andy Devine and Gloria Stuart. It was given its premiere in Los Angeles on October 7, 1932, by Universal Pictures. Many noted real-life football players and a coach appeared uncredited in the film. Plot College football hero Gary King's life changes for the worse when the allure of money results in a business arrangement with untrustworthy Willie Walsh and a romance with heiress Gloria Neuchard, changing all his previous plans. Gary spurns sweetheart Ellen Steffens and puts off a promise to best friend Steve Kelly to launch a construction business together. His lavish spending on Gloria and gambling habit result in Gary falling deeply in debt. In the meantime, Gary's younger brother Bob has become an All-American football star. Bob is married to Betty Poe and all is well until wealthy Gloria and scheming Willi ...
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Make Me A Star (film)
''Make Me a Star'' is a 1932 American pre-Code romantic comedy film directed by William Beaudine and starring Joan Blondell, Stuart Erwin and ZaSu Pitts. The film is a remake of the 1924 silent film '' Merton of the Movies'', based upon the 1922 novel of that name, and the 1923 play adapted from the novel by George S. Kaufman, and Marc Connelly. It was remade again in 1947. Plot A small-town delivery boy Merton Gill (Stuart Erwin) arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures Merton manages to fumble his one line bit in the latest Buck Benson (George Templeton) western and is fired on the spot.''Make Me a Star'': Details
allmovie.com; accessed September 23, 2015.


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What Price Hollywood?
''What Price Hollywood?'' is a 1932 American pre-Code drama film directed by George Cukor and starring Constance Bennett with Lowell Sherman. The screenplay by Gene Fowler, Rowland Brown, Jane Murfin and Ben Markson is based on a story by Adela Rogers St. Johns and Louis Stevens. The supporting cast features Neil Hamilton, Gregory Ratoff, Brooks Benedict, Louise Beavers and Eddie "Rochester" Anderson. Plot Brown Derby waitress Mary Evans is an aspiring actress who meets film director Maximillan "Max" Carey in the restaurant. Max is very drunk but is charmed by Mary and he invites her to a premiere at Grauman's Chinese Theatre. Max, who has an active sense of humor, arrives to collect her in a jalopy rather than a limousine and then gives the car to the parking valet as a tip. Max takes Mary home after the event, but the next morning he remembers nothing about the previous night. Mary reminds him that he had promised her a screen test and expresses concern about his excessive ...
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Westward Passage
''Westward Passage'' is a 1932 American pre-Code drama film directed by Robert Milton and starring Ann Harding, Laurence Olivier, ZaSu Pitts and Irving Pichel. The screenplay concerns a woman who falls in love and marries, but soon discovers how unpleasant her new husband is. The film marked Olivier's second major role in the United States. It was not a commercial or critical success, and Olivier did not make another film in America until 1939 when he starred in ''Wuthering Heights''. The film recorded a loss of $250,000.Richard Jewell & Vernon Harbin, ''The RKO Story.'' New Rochelle, New York: Arlington House, 1982. p49 Plot Newlyweds Olivia and Nick Allen struggle to keep their relationship afloat through personal disagreements. Nick lacks recognition for his works as an independent writer; hence, he is unable to support Olivia and their young daughter. These difficulties eventually lead to a divorce, the last they will see each other for many years. Six years after their divo ...
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Her Majesty, Love
''Her Majesty, Love'' is a 1931 American pre-Code musical comedy drama film directed by William Dieterle for First National Pictures, starring Broadway stars Marilyn Miller and Ben Lyon, and in his talking feature debut, W. C. Fields. It is a remake of the German film ''Her Majesty the Barmaid'' (1931). Cast Preservation status Prints of ''Her Majesty, Love'' are held in the Turner Library and the Library of Congress.''Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress'' American Film Institute The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees. Leade ..., 1978. p. 78 References External links * * * 1931 films First National Pictures films Warner Bros. films Films directed by William Dieterle Films set in B ...
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Fanny Foley Herself
''Fanny Foley Herself'' is a 1931 American pre-Code comedy-drama film shot entirely in Technicolor. The film was the second feature to be filmed using a new Technicolor process, which removed grain and resulted in improved color. It was released under the title ''Top of the Bill'' in Britain. Plot Edna May Oliver plays a widowed woman with two daughters (Helen Chandler, Rochelle Hudson) who attempts to revive her career as a vaudeville performer. Her wealthy father-in-law, who believes that a vaudeville performer is not fit to bring up children properly, forces her to choose between her daughters or her career. In the end, all is forgiven and the father-in-law asks Fanny to sing one of her songs. Cast * Edna May Oliver as Fanny Foley * Hobart Bosworth as Seely * Florence Roberts as Lucy * Rochelle Hudson as Carmen * Helen Chandler as Lenore * John Darrow as Teddy * Robert Emmett O'Connor as Burns * Harry Stubbs as Crosby (cast list as per AFI database) Production background *A ...
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Too Many Cooks (film)
''Too Many Cooks'' is a 1931 American pre-Code comedy film directed by William A. Seiter, written by Jane Murfin and starring Bert Wheeler, Dorothy Lee, Roscoe Ates and Robert McWade. It was released on July 18, 1931 by RKO Pictures. Plot Engaged couple Albert Bennett and Alice Cook plan to leave the city to build their dream house in the country. They argue about the floorplan, particularly an upstairs room that Albert wishes to use as a den and Alice wants as a sewing room. The problem is worsened when Alice’s family members come to help, each offering opinions about the room. Albert’s bachelor uncle and employer George inspects the house. He is enthusiastic about the recent return of his friend's young daughter Minnie from Europe, where she completed her cultural education. George hopes that Albert might cancel the upcoming wedding and court the virtuous Minnie. Albert refuses, describing Alice's virtues in a similarly positive light. George offers to pay for the room ...
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Everything's Rosie
''Everything's Rosie'' is a 1931 American Pre-Code slapstick comedy film directed by Clyde Bruckman, from a screenplay by Ralph Spence, Tim Whelan, and Al Boasberg, based on a story by Boasberg. Although the screenplay was credited as original, it bore a striking resemblance to a 1923 play, ''Poppy'', which had starred W.C. Fields. The film starred Robert Woolsey, one-half of the comedy team of Wheeler & Woolsey, and was an attempt by RKO Radio Pictures to capitalize on the popularity of the comedy duo, having each of the team star in their own solo films. The film also starred Anita Louise and John Darrow, but was a critical failure, although it did manage not to lose money in a year when most RKO films did exactly that. Following the film's disappointing reception, the Wheeler & Woolsey team was quickly reunited, and ''Everything's Rosie'' was to be the only film Woolsey ever appeared in without Wheeler. Plot Dr. J. Dockweiler Droop (Robert Woolsey) is a carnival charlata ...
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Bachelor Apartment
Bachelor Apartment is a 1931 American pre-Code romance film directed by and starring Lowell Sherman as a bachelor/playboy, Wayne Carter, who falls in love with Irene Dunne's honest working girl, Helene Andrews. The credits for the film, and all sources from that time show that the film was based on a story by New York playwright John Howard Lawson, the screenplay was adapted by J. Walter Ruben. However, Lawson would later claim that the final screenplay had not been altered from what he had originally written. The cast features Mae Murray (a former silent film star, who was attempting to make a comeback in talkies), Norman Kerry and Ivan Lebedeff. Plot Wayne Carter is a New York bachelor/playboy, who pays no attention to the marital status of his many dalliances. However, there are some women whose attention he attempts to avoid, one such being the married Agatha Carraway. Helene and Lita Andrews are small town girls who have come to the big city in order to find fame and for ...
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Kept Husbands
''Kept Husbands'' is a 1931 American pre-Code drama film directed by Lloyd Bacon, starring Dorothy Mackaill and Joel McCrea, with major supporting roles filled by Robert McWade, Florence Roberts and Mary Carr. The original story was written by the film's associate producer, Louis Sarecky, and adapted for the screen by Forrest Halsey and Alfred Jackson. Although primarily a drama, the film has many comedic touches to it. The film centers around the class struggles and stereotypes between the working class and the wealthy, which was particularly striking during the Depression era when this film was made. The film also points out the stereotypical gender roles which were prevalent at that time. Plot summary Arthur Parker (Robert McWade) is a wealthy steel magnate who is relating the story to his snobbish wife and spoiled daughter of one of his plant supervisors who fearlessly rushed in and saved the lives of two of his fellow co-workers. When his wife, Henrietta (Florence Roberts ...
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