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National Monument (Spain)
The current legislation regarding historical monuments in Spain dates from 1985. However, ''Monumentos nacionales'' (to use the original term) were first designated in the nineteenth century. It was a fairly broad category for national heritage sites protecting, for example, the Alhambra. The overarching category for Spanish heritage sites is now '' Bien de Interés Cultural'' ("good of cultural interest"). Ministry of Culture (Spain). Now there are some 13,000 monuments registered by the Ministry of Culture within the wider c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhambra
The Alhambra (, ; ar, الْحَمْرَاء, Al-Ḥamrāʾ, , ) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture. The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction campaigns, which gave the royal palaces much of their definitive character, took place in the 14th century during the reigns of Yusuf I and Muhammad V. After the conclusion of the Christian Reconquista in 1492, the site becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generalife
The Generalife (; ar, جَنَّة الْعَرِيف, translit=Jannat al-‘Arīf) was a summer palace and country estate of the Nasrid rulers of the Emirate of Granada in Al-Andalus. It is located directly east of and uphill from the Alhambra palace complex in Granada, Spain. Etymology The most commonly cited etymology for the name "Generalife" is that it derives from ''jannat al-‘arīf'' ( ar, جَنَّة الْعَرِيف, translit=) which may variously mean "Garden of the Architect", "Garden of the Artist", "Garden of the Gnostic", or even "Garden of the Flautist". According to Robert Irwin, however, this traditional etymology is unlikely and the true origin of the name is not clearly known. An earlier version of the name recorded in the 16th century by Marmol was ''Ginalarife'', which J.D. Latham suggests is evidence that the first word was originally ''jinan'' (; a plural version derived from the same root), not ''jannat''. The original name of the Generalif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Cayetano Church, Madrid
The Church of Saint Cajetan, known as the church of San Millán y San Cayetano is a Baroque church in Madrid, Spain. History The present church was built adjacent to the now absent Convent of ''Nuestra Señora del Favor'' (Our Lady of the Graces). It was built at the site of an oratory dedicated to St. Mark and Our Lady of the Graces, and founded in 1612 by Diego de Vera y Ordóñez de Villaquián. Thirty two years later, the father Plácido Mirto establishes a Convent of the Theatine Order. The church is dedicated to the founder of the order, Saint Cajetan of Thiene. In 1822, the remaining monks were moved to a convent in Zaragoza, and the convent, which had suffered depredations during the Napoleonic occupation of the peninsula, was ceded temporarily to the Franciscans of San Gil. In 1836, after the Desamortización de Mendizábal, the convent building becomes private apartments. In 1869, the church is joined to the parish of the demolished Saint Millán Abad (hence the cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastian Church, Madrid
The Saint Sebastian Church or Iglesia de San Sebastián is a 16th-century church in central Madrid, Spain. It is located on Atocha street, #39. The name arises from a devotional chapel (ermita) which was found along the route to the Basilica of Nuestra Señora de Atocha, founded in 1541. The first architect around 1550 was Antonio Sillero, who also finished the Chapel of the Sagrado Corazón. This church like that of San Luis conserved for years the rights of asylum for those escaping official persecution. More chapels and enlargements were added by Antonio de la Tijera, Juan de Bulga Valdelastras, and Juan de Obregón between 1595 and 1598. The tower was built in 1612 by Lucas Hernández. During the Spanish Civil War, the church was sacked by Republican forces, before it ended up being almost destroyed during a bombing raid by the Nationalists around November 20, 1936. This caused many of the works to be transferred to other sites. For example, the icon of San Blas wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuéllar Castle
Cuéllar Castle or The Castle of the Dukes of Alburquerque is the most emblematic monument in the town of Cuéllar, located in the province of Segovia, autonomous community of Castile and León, in Spain. It was declared ''Bien de Interés Cultural'' (Property of Cultural Interest) on 3 June 1931. The castle is conserved in good condition, and it has been built in different architectural styles between the 13th and 18th century. Much of the castle in the Gothic and Renaissance styles. The military building was extended and transformed in the 16th century, turning it into the palace of the Duke of Alburquerque. During its different building stages, masters such as Juan Guas, Hanequin of Brussels and her son Hanequin de Cuéllar, Juan, Rodrigo Gil de Hontañón, and Juan Gil de Hontañón "el mozo" or Juan de Álava have worked on the castle. Among its historical owners, stands out Álvaro de Luna and Beltrán de la Cueva, as well as the successive Dukes of Alburquerque. Distin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Nuestra Señora De La Mayor, Soria
The Church of Nuestra Señora de la Mayor is a Roman Catholic church in Soria, Castile and León, Spain. It was built in the 16th century on the remains of the Romanesque church of Saint Giles, dating from the 12th or the 13th century. The low, square-shaped tower was part of the original building. Exterior The Romanesque doorway in the southern wall is composed of three archivolts and decorated capitals. Next to this entrance stands the bronze sculpture (2012) by Ricardo Gonzalez Gil, representing Leonor Izquierdo Cuevas, dressed in the fashion of her time. Interior The interior of the church is composed of a nave, covered by a ribbed vault, and two aisles covered by barrel vaults. The walnut choir dates from 1523. Its origin is uncertain and probably originated from the collegiate church of San Pedro or from the abbey of La Merced. The massive altarpiece is the work of Francisco de Agreda (1571), with influences of Juan de Juni. Its style shows a transition between the pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle Of La Mota
The Castle of La Mota or Castillo de La Mota is a medieval fortress, located in the town of Medina del Campo, province of Valladolid, Spain. It is so named because of its location on an elevated hill, a ''mota'' (in Spanish), from where it dominates the town and surrounding land. The adjacent town came to be surrounded by an expanding series of walls in subsequent years, of which little remains. It has been protected by the state since 1904, first as a national monument and more recently as a site of cultural interest, or ''Bien de Interés Cultural''. Overview The castle's main feature is the large outer barbican. The interior castle has a trapezoidal plan, with 4 towers and a square yard. It has a large square keep tower, and an inner curtain wall that was used for archers. The castle was originally accessed through a drawbridge. It is made from local red brick, utilizing stone only for some details. History Initial fortification of the village, repopulated after Moo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Numantia
Numantia ( es, Numancia) is an ancient Celtiberian settlement, whose remains are located on a hill known as Cerro de la Muela in the current municipality of Garray ( Soria), Spain. Numantia is famous for its role in the Celtiberian Wars. In 153 BC, Numantia experienced its first serious conflict with Rome. After twenty years of hostilities, in 133 BC the Roman Senate gave Scipio Aemilianus Africanus the task of destroying Numantia. He laid siege to the city, erecting a nine-kilometre fence supported by towers, moats, impaling rods, and other devices. After 13 months of siege, the Numantians decided to burn the city before surrendering. Location The nearest settlement to the ruins of Numantia is the village of Garray in the province of Soria. Garray has grown up next to a bridge across the Duero. It is only north the small city of Soria, capital of the province. Early history of the site Numantia was an Iron Age hill fort (in Roman terminology an ''oppidum''), which co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bien De Interés Cultural
A Bien de Interés Cultural is a category of the heritage register in Spain. The term is also used in Venezuela and other Spanish-speaking countries. The term literally means a "good of cultural interest" (" goods" in the economic sense) and includes not only material heritage (cultural property), like monuments or movable works of art, but also intangible cultural heritage, such as the Silbo Gomero language. Some ''bienes'' enjoy international protection as World Heritage Sites or Masterpieces of the Oral and Intangible Heritage of Humanity. History In Spain, the category of ''Bien de Interés Cultural'' dates from 1985 when it replaced the former heritage category of '' Monumento nacional ''(national monument) in order to extend protection to a wider range of cultural property. The category has been translated as "Cultural Interest Asset". ''Monumentos'' are now identified as one of the sub-categories of ''Bien de Interés Cultural.'' Sub-categories The movable heritage d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bulls Of Guisando
The Bulls of Guisando ( es, Toros de Guisando) are a set of ancient sculptures located on the hill of Guisando in the municipality of El Tiemblo, Ávila, Spain. The four sculptures, made of granite, represent quadrupeds identified as bulls or pigs. The balance of opinion favours bulls: there are holes which have been interpreted as sockets for horns. The Bulls of Guisando are examples of a type of ancient sculpture called verracos of which hundreds are known. They are associated with the territory of the pre-Roman peoples known as the Vettones. The Bulls may have been made during the 2nd century BCE. Whether they are in their original position is debatable. There are some Latin graffiti on them which may mean they were repositioned in Roman times. The field around the Bulls was the place where the Treaty of the Bulls of Guisando was signed between Henry IV of Castile and his half-sister Isabella of Castile on September 18, 1468, which granted her the title of Princess of Astu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Landscape
Cultural landscape is a term used in the fields of geography, ecology, and heritage studies, to describe a symbiosis of human activity and environment. As defined by the World Heritage Committee, it is the "cultural properties hatrepresent the combined works of nature and of man" and falls into three main categories: # "a landscape designed and created intentionally by man" # an "organically evolved landscape" which may be a " relict (or fossil) landscape" or a "continuing landscape" # an "associative cultural landscape" which may be valued because of the "religious, artistic or cultural associations of the natural element." Historical development The concept of 'cultural landscapes' can be found in the European tradition of landscape painting. From the 16th century onwards, many European artists painted landscapes in favor of people, diminishing the people in their paintings to figures subsumed within broader, regionally specific landscapes.GIBSON, W.S (1989) Mirror of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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