Zahn 4431
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"" ("Oh God, look down from heaven") is a Lutheran chorale of 1524, with words written by
Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Order of Saint Augustine, Augustinian friar. He is the seminal figure of the Reformation, Protestant Refo ...
paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the
first Lutheran hymnal The First Lutheran hymnal, published in 1524 as ''Etlich Cristlich lider / Lobgesang und Psalm'' (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was ...
, the Achtliederbuch, which contained four songs by Luther, three by Speratus, and one by
Justus Jonas Justus Jonas, the Elder (5 June 1493 – 9 October 1555), or simply Justus Jonas, was a German Lutheran theologian and reformer. He was a Jurist, Professor and Hymn writer. He is best known for his translations of the writings of Martin Luthe ...
. It was contained in 1524 in the Erfurt ''Enchiridion''. It is part of many hymnals, also in translations. The text inspired vocal and organ music by composers such as Heinrich Schütz, who set it as part of his Becker Psalter, and
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
, who based a
chorale cantata A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chora ...
on it. Mozart used one of its tunes in his opera ''
The Magic Flute ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that inclu ...
''.


History and text

At the end of 1523, Luther paraphrased Psalm 12 (Psalm 11 in
Vulgata The Vulgate (; also called (Bible in common tongue), ) is a late-4th-century Latin translation of the Bible. The Vulgate is largely the work of Jerome who, in 382, had been commissioned by Pope Damasus I to revise the Gospels u ...
numbering), , in Latin , attempting to make the psalms accessible to Protestant church services in German. Luther's poetry first follows the verses of the psalm exactly, then combines two verses to one. He expands the content of the psalm to show the precise situation of the early
Reformation The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and in ...
as a time of conflict. The hymn was first printed as one page inserted in the (lost). It was one of eight hymns of the
first Lutheran hymnal The First Lutheran hymnal, published in 1524 as ''Etlich Cristlich lider / Lobgesang und Psalm'' (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was ...
, published 1524 in
Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ...
under the title (Some Christian songs), also called Achtliederbuch. The same year it appeared in Erfurt in '' Eyn Enchiridion''. The hymn was soon used as a Protestant ''Kampflied'' (battle song). The chorale became the Lutheran (main hymn) for the second Sunday after
Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...
.


Melody

In the
first Lutheran hymnal The First Lutheran hymnal, published in 1524 as ''Etlich Cristlich lider / Lobgesang und Psalm'' (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was ...
the melody was the same as for "" by
Paul Speratus Paul Speratus (13 December 148412 August 1551) was a Swabian Catholic priest who became a Protestant preacher, reformer and hymn-writer. In 1523, he helped Martin Luther to create the First Lutheran hymnal, published in 1524 and called ''Achtlied ...
( Zahn No. 4430). Johannes Zahn (1890). ''Die Melodien der deutschen evangelischen Kirchenlieder'', Vol. III. Gütersloh: Bertelsmann
pp. 70–71
/ref> In the Erfurt ''Enchiridion'', also in 1524, the text first appeared with a tune codified by Martin Luther, Julian, John, ed., ''A Dictionary of Hymnology: Setting forth the Origin and History of Christian Hymns of all Ages and Nations'', Second revised edition, 2 vols., n.p., 1907, reprint, New York: Dover Publications, Inc., 1957, 1:322-25 Zahn No. 4431, which was derived from the secular song "Begierlich in dem Herzen mein" (The lustful desires in my heart) from about 1410. This melody is in
Phrygian mode The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern ...
, preferred by Luther for texts of repentance, such as "". In Johann Walter's hymnal , published in Wittenberg in 1524, it appeared with a different melody (Zahn No. 4432a).


Musical settings

The Zahn No. 4431 melody was set by composers for instruments like
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
and organ, and for voices.


Instrumental

Jan Pieterszoon Sweelinck composed a piece for
harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...
, elaborating on the tune.
Johann Pachelbel Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and h ...
composed two chorale preludes for organ as part of before 1693.
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
's setting for organ chorale prelude, BWV 741, raises some problems of dating and authenticity according to .


Vocal

Heinrich Schütz set the chorale as part of the '' Becker Psalter''. Bach used the complete chorale as the base for , a
chorale cantata A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chora ...
composed in 1724, but also in others as four-part settings (
BWV 77 Johann Sebastian Bach composed the church cantata (You shall love God, your Lord), 77 in Leipzig for the thirteenth Sunday after Trinity and first performed it on 22 August 1723. Bach composed the cantata in his first year as ''Thomaskantor'' i ...
and
BWV 153 (See, dear God, how my enemies), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday after New Year's Day and first performed it on 2 January 1724. History and words Bach wrote the cantata in his first year ...
).
Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer ...
set the chorale as a
church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...
( Fk 96).
Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include sy ...
composed in 1832 a chorale cantata for baritone, mixed choir and orchestra ( MWV A13).
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
used the melody in his opera '' Die Zauberflöte'' in act 2, Finale, scene 10, when the two "" (men in armour) recite it in unison on Schikaneder's words "" as a cantus firmus of a Baroque-style chorale prelude.
Alfred Einstein Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for b ...
comments in his biography ''Mozart / His Character, His Work'':
In the second act it is the final test of the lovers, the "'test of fire and water", for which Mozart called into play every musical means at his disposal and for which he ordained extreme simplicity, extreme mastery; the scene of the men in armor, which he constructed in the form of a chorale prelude, building upon a solemn fugato around the chorale ''Ach Gott, vom Himmel sieh darein'' ...


References


External links


O Lord, look down from heaven
CyberHymnal 2011

openhymnal.org 2009 * ttp://www.bach-chorales.com/BWV0002_6.htm BWV 2.6bach-chorales.com {{Hymn tunes by Zahn number 16th century in music Lutheran hymns based on Psalms Hymn tunes Hymns by Martin Luther 16th-century hymns in German