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Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the cantatas composed in his second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chorale was developed as an independent movement; * a form in which the chorale appeared in some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata
A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Stölzel, Telemann, Graupner and Krieger each wrote nearly or more than a thousand. The best known examples, however, are those of Johann Sebastian Bach, whose output stands out not by quantity but by the high level of expertise and craftmanship which they showcase. The bulk of extant cantatas were composed for occasions occurring in the liturgical calendar of the German Reformation era, including Passion cantatas for Good Friday, and most made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The melodies of such hymns often appeared in cantatas, for example as in the four-part settings concluding Bach's works, or as a cantus firmus in larger choral movements. Other occasions for church cantatas include weddings and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014. Life and career He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010–2018. A member of the American Academy of Arts and Sciences, the American Philosophical Society, the Saxon Academy of Science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Lag In Todesbanden
"" (also ""; "Christ lay in death's bonds") is an Easter hymn by Martin Luther. Its melody is by Luther and Johann Walter. Both the text and the melody were based on earlier examples. It was published in 1524 in the Erfurt ''Enchiridion'' and in Walter's choral hymnal . Various composers, including Pachelbel, Bach and Telemann, have used the hymn in their compositions. Text and melody In early editions the hymn, in seven stanzas, was indicated as an improved (German: ') version of "Christ ist erstanden". The hymn is in bar form. The , that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody. Text The hymn celebrates the Resurrection of Jesus, with particular reference to a struggle between Life and Death. The third verse quotes from 1 Corinthians 15, saying that Christ's Atonement for sin has removed the "sting" of Death. The fifth verse compares the sacrifice wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Johann Pachelbel
Approximately 530 compositions have been attributed to Johann Pachelbel. , no standard numbering system exists for Pachelbel's work. This article presents a thematically organized list and provides catalogue numbers from three different catalogues: * P = catalogue by Jean M. Perreault, 2001 * T = catalogue by Hideo Tsukamoto, 2002available online (archive from 18 October 2014)* PC = catalogue by Kathryn J. Welter, 1998 For organ works, POP catalogue numbers are provided, from catalogue by Antoine Bouchard for his 1998–2001 recording of Pachelbel's organ oeuvre (this catalogue only covers organ works). Perreault numbers are used as the basis of the list, making individual sections organized alphabetically (i.e. the chorales) and/or by tonality. Because the Welter catalogue does not provide incipits, many of the works with identical titles will share a single PC number (which is in such cases denoted by a question mark). The following symbols are used: * * denotes that the asc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Concerto
Sacred concerto (german: geistliches Konzert, plural , ) is a 17th-century genre of sacred music, characterized as settings of religious texts requiring both vocal soloists and obbligato instrumental forces for performance.geistliches Konzert at Starting from Italian models, the genre flourished primarily in Germany. It is a broad term for various genres of chamber concerto for a small number of voices and instruments popular in Germany during the 17th century and prefiguring the late baroque and solo sacred cantata forms. History Early Baroque The stylistic ro ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Pachelbel
Johann Pachelbel (baptised – buried 9 March 1706; also Bachelbel) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secularity, secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque music, Baroque era. List of compositions by Johann Pachelbel, Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Pachelbel's Canon, Canon in D; other well known works include the Chaconne in F minor (Pachelbel), Chaconne in F minor, the Toccata in E minor for organ, and the ''Hexachordum Apollinis'', a set of keyboard Variation (music), variations. He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Schelle
Johann Schelle ( Geising, Erzgebirge, 6 September 1648 – Leipzig 10 March 1701) was a German Baroque composer. From 1655 to 1657 he was a choirboy in Dresden and pupil of Heinrich Schütz. From 1657 to 1664 on Schütz's recommendation he was a singer in Wolfenbüttel. He was the cantor of the Thomanerchor, Leipzig, from 1677 to 1701. In 1689/90 he collaborated on a cycle of chorale cantatas with Leipzig theologian Benedict Carpzov. Leipzig When his former teacher Sebastian Knüpfer died, Schelle succeeded him as Kantor of the Thomaskirche in Leipzig, a post later held by J.S. Bach. He obtained the post on January 31, 1677, and held it until his death. His appointment was made against the wishes of the city mayor, who remained antagonistic to him and the changes he introduced in the musical content of services. The matter came to a head when Schelle replaced the Latin compositions written by Italian masters with music to German texts, especially cantatas. When the city counci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastian Knüpfer
Sebastian Knüpfer (6 September 1633 – 10 October 1676) was a German composer, conductor and educator. He was the ''Thomaskantor'', cantor of the Thomanerchor in Leipzig and director of the towns's church music, from 1657 to 1676.''Grove Concise Dictionary of Music'' (© 1994 by Oxford University Press); Grove Music Online (Author: George J. Buelow, © Oxford University Press 2005) Life Most of the biographical information about Knüpfer comes from a published obituary. He was born in Asch (now Aš, Czech Republic), and was first taught music by his father, a Kantor and organist. He also studied regularly with an unidentified tutor living near Asch, from whom he gained a solid grounding in, and lasting love for, a number of scholastic disciplines. At the age of 13 he entered the Gymnasium Poeticum at Regensburg and remained there for eight years. During this unusually long period he became well versed in the city's musical traditions (such as the works of Andreas Raselius), stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Krieger
Johann Krieger (28 December 1651 – 18 July 1735) was a German composer and organist, younger brother of Johann Philipp Krieger. Born in Nuremberg, he worked at Bayreuth, Zeitz, and Greiz before settling in Zittau. He was one of the most important keyboard composers of his day, highly esteemed by, among others, George Frideric Handel. A prolific composer of church and secular music, he published several dozen of his works, and others survive in manuscript. However, hundreds more were lost when Zittau was destroyed by fire in 1757, during the Seven Years' War. Krieger's keyboard music places him among the most important German composers of his time.Samuel, Grove. The two published collections, ''Sechs musicalische Partien'' (1697) and ''Anmuthige Clavier-Übung'' (1698), contain harpsichord suites, organ toccatas, fugues, ricercars, and other works. Krieger's contemporaries praised his contrapuntal skill, evident in the extant fugues and ricercars. Johann Mattheson was particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707) was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in Helsingborg, Skåne at the time part of De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolaus Bruhns
Nicolaus Bruhns (also ''Nikolaus'', ''Nicholas''; late 1665 – in Husum) was a Danish-German organist, violinist, and composer. He was one of the most prominent organists and composers of his generation. Biography Bruhns was born in Schwabstedt (Danish: ''Svavsted''), a small settlement near Husum. He came from a family of musicians and composers. His grandfather, Paul Jakob Bruhns (died 1655), worked as lutenist in Lübeck. His three sons all chose musical careers; Bruhns' father, also named Paul (1640–c. 1689), became organist at Schwabstedt, possibly after studying with Franz Tunder. Nicolaus was apparently a child prodigy: according to Ernst Ludwig Gerber, he could play the organ and compose competent works for keyboard and voice already at an early age. He probably received his first music lessons from his father. At age sixteen, Bruhns, together with his younger brother Georg (1666-1742), was sent to Lübeck to live with their uncle Peter, who would teach Bruhns th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
