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Johann Walter
Johann Walter, also known as ''Johann Walther'' or ''Johannes Walter'' (original name: ''Johann Blankenmüller'') (1496 – 25 March 1570) was a Lutheran composer and poet during the Reformation period. Life Walter was born in Kahla, in present-day Thuringia, in 1496. According to a document filed with his will, he was born with the surname of Blanckenmüller, but adopted out of poverty by a citizen of Kahla, and given an education at Kahla and Rochlitz under his new name: Johann Walter. He began his career as a composer and bass cantor in the chapel of Frederick the Wise at the age of 21. It was a position he would hold until Frederick's death in 1525. By this time, he was the director of the chapel and had become an outspoken musical spokesman for Lutherans. Walter edited the first Protestant hymnal for choir, ', in Wittenberg in 1524, with a foreword by Martin Luther himself; and for the German-language Deutsche Messe produced in 1527. Following the conclusion of his appointme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protestant Reformation
The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and in particular to papal authority, arising from what were perceived to be errors, abuses, and discrepancies by the Catholic Church. The Reformation was the start of Protestantism and the split of the Western Church into Protestantism and what is now the Roman Catholic Church. It is also considered to be one of the events that signified the end of the Middle Ages and the beginning of the early modern period in Europe.Davies ''Europe'' pp. 291–293 Prior to Martin Luther, there were many earlier reform movements. Although the Reformation is usually considered to have started with the publication of the '' Ninety-five Theses'' by Martin Luther in 1517, he was not excommunicated by Pope Leo X until January 1521. The Diet of Worms of May 1521 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchant (a we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christum Wir Sollen Loben Schon
"" (We should praise Christ beautifully) is a Lutheran Christmas hymn with a text by Martin Luther, first published in 1524 in the Erfurt ''Enchiridion''. He wrote it based on the Latin '' A solis ortus cardine'' and kept its melody ( Zahn No. 297a–b). A variant of the hymn tune, Zahn No. 297c, was published in 1535. The hymn was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, ''Christum wir sollen loben schon'', BWV 121. Bach wrote an organ chorale prelude BWV 611 for his Orgelbüchlein. The tune is also used for "From East to West, from Shore to Shore."Evangelical Lutheran Hymnary, #267. See also * List of hymns by Martin Luther Notes References Literature * Wilhelm Lucke: ''Christum wir sollen loben schon''. In: ''D. Martin Luthers Werke. Kritische Gesamtausgabe'', vol 35, Weimar 1923S. 150–151* Ingeborg Weber-Kellermann Ingeborg Weber-Kellermann (26 June 1918 – 12 June 1993) was a Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Lag In Todes Banden
"" (also ""; "Christ lay in death's bonds") is an Easter hymn by Martin Luther. Its melody is by Luther and Johann Walter. Both the text and the melody were based on earlier examples. It was published in 1524 in the Erfurt ''Enchiridion'' and in Walter's choral hymnal . Various composers, including Pachelbel, Bach and Telemann, have used the hymn in their compositions. Text and melody In early editions the hymn, in seven stanzas, was indicated as an improved (German: ') version of "Christ ist erstanden". The hymn is in bar form. The , that is the repeated first part of the melody, sets two lines of text for each repetition, with the remaining four lines of each stanza set to the remainder of the melody. Text The hymn celebrates the Resurrection of Jesus, with particular reference to a struggle between Life and Death. The third verse quotes from 1 Corinthians 15, saying that Christ's Atonement for sin has removed the "sting" of Death. The fifth verse compares the sacrifice with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Ist Erstanden
"Christ ist erstanden" (Christ is risen) is a German Easter hymn, and is possibly the oldest Christian liturgical German song. It has inspired music by composers such as Ludwig Senfl and Heinrich Schütz (from the sixteenth and seventeenth centuries respectively) through to modern composers such as Oskar Gottlieb Blarr and Enjott Schneider, and has appeared in 45 hymnals, including the current German Catholic and Protestant hymnals. Translations and paraphrases include a version by Catherine Winkworth which has appeared in 231 hymnals. "Christ ist erstanden" also inspired Martin Luther to write "Christ lag in Todes Banden", deriving the melody from it. History "Christ ist erstanden" is possibly the oldest liturgical song in German. The first stanza was sung around 1100 to venerate the cross. It is mentioned in 1160 in an order of liturgy of the diocese of Salzburg, which is kept as the Codex MII6 at the library of the University of Salzburg; it is a Leise (a form of medieval ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rest (music)
A rest is a musical notation sign that indicates the absence of a sound. Each rest symbol and name corresponds with a particular note value for length, indicating how long the silence should last. Description Rests are intervals of silence in pieces of music, marked by symbols indicating the length of the pause. Each rest symbol and name corresponds with a particular note value, indicating how long the silence should last, generally as a multiplier of a measure or whole note. * The quarter (crotchet) rest (𝄽) may also be found as a form in older music.''History of Music Notation'' (1937) by C. Gorden, p. 93. * The four-measure rest or longa rest are only used in long silent passages which are not divided into bars. * The combination of rests used to mark a pause follows the same rules as for note values.''AB guide to music theory'' by E. Taylor, chapter 13/1, One-bar rests When an entire bar is devoid of notes, a whole (semibreve) rest is used, regardless of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Isaac
Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. Several variants exist of his name: Ysaac, Ysaak, Henricus, Arrigo d'Ugo, and Arrigo il Tedesco among them. (''Tedesco'' means "Flemish" or "German" in Italian.) Early life Little is known about Isaac's early life (or indeed what he called himself), but it is probable that he was born in Flanders, probably in Brabant. During the late 15th century, standards of music education in the region were excellent, and he was probably educated in his homeland, although the location is not known.New Grove Dictionary of Music and Musicians. December 2001. Stanley Sadie Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him "Henricus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphony, polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote Religious music, sacred music, primarily Mass (music), masses, motets, and hymns. Term and controversy Several generations of Renaissance music, Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Hauts-de-France, Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reformation
The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and in particular to papal authority, arising from what were perceived to be errors, abuses, and discrepancies by the Catholic Church. The Reformation was the start of Protestantism and the split of the Western Church into Protestantism and what is now the Roman Catholic Church. It is also considered to be one of the events that signified the end of the Middle Ages and the beginning of the early modern period in Europe.Davies ''Europe'' pp. 291–293 Prior to Martin Luther, there were many earlier reform movements. Although the Reformation is usually considered to have started with the publication of the '' Ninety-five Theses'' by Martin Luther in 1517, he was not excommunicated by Pope Leo X until January 1521. The Diet of Worms of May 152 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turku
Turku ( ; ; sv, Åbo, ) is a city and former capital on the southwest coast of Finland at the mouth of the Aura River, in the region of Finland Proper (''Varsinais-Suomi'') and the former Turku and Pori Province (''Turun ja Porin lääni''; 1634–1997). The region was originally called Suomi (Finland), which later became the name for the whole country. As of 31 March 2021, the population of Turku was 194,244 making it the sixth largest city in Finland after Helsinki, Espoo, Tampere, Vantaa and Oulu. There were 281,108 inhabitants living in the Turku Central Locality, ranking it as the third largest urban area in Finland after the Capital Region area and Tampere Central Locality. The city is officially bilingual as percent of its population identify Swedish as a mother-tongue. It is unknown when Turku gained city rights. The Pope Gregory IX first mentioned the town ''Aboa'' in his ''Bulla'' in 1229 and the year is now used as the foundation year of Turku. Turku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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