Mendelssohn-Werkverzeichnis
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Mendelssohn-Werkverzeichnis
The (MWV) (German for Mendelssohn Work Index) is the first modern fully researched music catalogue of the works of Felix Mendelssohn. It appeared in 2009 under the auspices of the Saxonian Academy of Sciences and Humanities (SAW) under the leadership of the German music scholar Ralf Wehner, and is published by the firm of Breitkopf & Härtel as part of the "Leipzig Edition of the Works of Felix Mendelssohn Bartholdy". Mendelssohn himself allocated opus number In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among composit ...s only up to 72 for his published works, with further numbers up to 121 being added posthumously. Moreover, none of Mendelssohn's earlier works including his 13 string symphonies or his operas, had any defined opus numbers. The MWV "conflates the known works into 26 groups and ...
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List Of Compositions By Felix Mendelssohn
This is a list of compositions by Felix Mendelssohn. Listed by opus number (Note: the list includes works which were published posthumously and given opus numbers after the composer's death. Only the opus numbers 1 to 72 were assigned by Mendelssohn, the later ones by publishers. The opus number sequence does not therefore always accord with the order of composition). The list also includes the Mendelssohn-Werkverzeichnis classification code (MWV). Works with opus number assigned by Mendelssohn Op. 1–20 * Op. 1, Piano Quartet No. 1 (Mendelssohn), Piano Quartet No. 1 in C minor (1822) (MWV Q 11) * Op. 2, Piano Quartet No. 2 (Mendelssohn), Piano Quartet No. 2 in F minor (1823) (MWV Q 13) * Op. 3, Piano Quartet No. 3 (Mendelssohn), Piano Quartet No. 3 in B minor (1824/25) (MWV Q 17) * Op. 4, Violin Sonata, Op. 4 (Mendelssohn), Violin Sonata (No. 2) in F minor (1823) (MWV Q 12) * Op. 5, Capriccio in F-sharp minor for piano (1825) (MWV U 50) * Op. 6, Piano Sonata No. 1 (Mendelssohn ...
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Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ...
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Catalogues Of Classical Compositions
This article gives an overview of various catalogues of classical compositions that have come into general use. Opus numbers While the opus numbering system has long been the standard manner in which individual compositions are identified and referenced, it is far from universal, and there have been many different applications of the system. Very few composers gave opus numbers to all of their published works without exception: * Some composers used it for certain genres of music but not for others (for example, in Handel's time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). * Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Liszt and Hindemith). * Some used it in a very erratic manner or were subject to the wishes of their publishers, who for commercial reasons often presented works with opus numbers that bore little r ...
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Saxonian Academy Of Sciences And Humanities
The Saxon Academy of Sciences and Humanities in Leipzig (german: Sächsische Akademie der Wissenschaften zu Leipzig) is an institute which was founded in 1846 under the name ''Royal Saxon Society for the Sciences'' (german: Königlich Sächsische Gesellschaft der Wissenschaften). Notable members * Eberhard Ackerknecht * Kurt Aland * Annette Beck-Sickinger * Walther Bothe * Alexander Cartellieri * James Chadwick * Otto Clemen * Bernard Comrie * Peter Debye * Johann Paul von Falkenstein * Theodor Frings * Horst Fuhrmann * Bernhard Hänsel * Werner Heisenberg * Gustav Hertz * Archibald Vivian Hill * Cuno Hoffmeister * Ernst Joest *Elisabeth Karg-Gasterstädt * Jörg Kärger * Hermann Kolbe * Foteini Kolovou * Walter König * Hermann August Korff * Hellmut Kretzschmar * August Krogh * Christoph Krummacher * Ursula Lehr * Volker Leppin * Rolf Lieberwirth * Heiner Lück * Heinrich Magirius * Karl Mannsfeld * Theodor Mommsen * August Ferdinand Möbius * Karl Alexander Müller ...
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Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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String Symphonies (Mendelssohn)
Felix Mendelssohn wrote thirteen string symphonies between 1821 and 1823, when he was between 12 and 14 years old. (For his mature symphonies, see here). These symphonies were tributes to Classical symphonies especially by Joseph Haydn, Johann Christian Bach, Carl Philipp Emanuel Bach, and Wolfgang Amadeus Mozart. Instrumentation The symphonies are written for a string orchestra. String Symphony No. 11 also contains percussion (timpani, triangle, cymbals) in the second movement. No. 8 exists in two forms: the original for string orchestra, and an arrangement that Mendelssohn wrote that added woodwinds, brass, and timpani. The work is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani in D and A, and strings. (A typical performance lasts half an hour). Structure Most of the string symphonies were composed in three movements, with the exceptions of nos. 7, 8 and 9, which are in four movements, nos. 10 and 13 which are in one m ...
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Classical Music Catalogues
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose theo ...
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Compositions By Felix Mendelssohn
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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