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Catalogues Of Classical Compositions
This article gives an overview of various catalogues of classical compositions that have come into general use. Opus numbers While the opus numbering system has long been the standard manner in which individual compositions are identified and referenced, it is far from universal, and there have been many different applications of the system. Very few composers gave opus numbers to all of their published works without exception: * Some composers used it for certain genres of music but not for others (for example, in Handel's time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). * Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Liszt and Hindemith). * Some used it in a very erratic manner or were subject to the wishes of their publishers, who for commercial reasons often presented works with opus numbers that bore little r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.org/10.1093/gmo/9781561592630.article.24954. In 1950, he published the BWV, or Bach-Werke-Verzeichnis ("Bach Works Catalogue"), a catalog of musical works by Johann Sebastian Bach. The numbering system used in the BWV has since become a nearly universal standard, used by scholars and musicians around the world. (BWV numbers are sometimes referred to as "Schmieder" numbers; the designations S 971 and BWV 971 therefore refer to the same thing, the ''Italian Concerto''.) Schmieder served as the Special Advisor for Music for the City and University Library at Johann Wolfgang Goethe University of Frankfurt am Main from April 1942 until his retirement in 1963. He lived in Freiburg im Breisgau Freiburg im Breisgau (; abbreviated as Freiburg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historiography
Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic using particular sources, techniques, and theoretical approaches. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, that of WWII, the British Empire, early Islam, and China—and different approaches and genres, such as political history and social history. Beginning in the nineteenth century, with the development of academic history, there developed a body of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question. In the ancient world, chronological annals were produced in civilizations such as ancient Egypt and Mesopotamia. However, the discipline of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Raabe
Peter Raabe (27 November 1872 – 12 April 1945) was a German composer and conductor. Biography Raabe graduated from 3 schools: the Higher Musical School in Berlin; and the universities of Munich; and Jena. In 1894–98 Raabe worked in Königsberg and Zwickau. In 1899–1903 he worked in the Dutch Opera-House (Amsterdam). In 1907–1920, Raabe was the 1st Court Conductor in Weimar. Raabe performed in the United Kingdom, Belgium, and the Netherlands, among other locations. On 19 July 1935 Raabe superseded Richard Strauss as the president of ''Reichsmusikkammer'', the Nazi State Music Institute. For almost ten years, Raabe directed the music activity of the Third Reich. Raabe wrote the first complete chronology of the works of Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humphrey Searle
Humphrey Searle (26 August 1915 – 12 May 1982) was an English composer and writer on music. His music combines aspects of late Romanticism and modernist serialism, particularly reminiscent of his primary influences, Franz Liszt, Arnold Schoenberg and Anton Webern, who was briefly his teacher. As a writer on music, Searle published texts on numerous topics; he was an authority on the music of Franz Liszt, and created the initial cataloguing system for his works. Biography Searle was the son of Humphrey and Charlotte Searle and, through his mother, a grandson of Sir William Schlich. He was born in Oxford where he was a classics scholar before studying—somewhat hesitantly—with John Ireland at the Royal College of Music in London, after which he went to Vienna on a six-month scholarship to become a private pupil of Anton Webern, which became decisive in his composition career. Searle was one of the foremost pioneers of serial music in the United Kingdom, and used his role a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incipit (music)
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anhang (other) , copies by Franz Schubert, of compositions by other composers
{{disambiguation ...
(German for annex), often abbreviated as Anh., refers to sections in publications such as the ''Bach-Werke-Verzeichnis'' (BWV), the Köchel catalogue (KV), or the Deutsch catalogue (D): * BWV Anh.: list of lost, doubtful and spurious compositions by, or once attributed to, Johann Sebastian Bach * D Anh. I: List of compositions by Franz Schubert (doubtful and spurious), compositions which are spuriously or doubtfully attributed to Franz Schubert * D Anh. II: List of compositions by Franz Schubert (arrangements), arrangements by Franz Schubert, of compositions by other composers * D Anh. III: List of compositions by Franz Schubert (copies) III (Anh. III; third Annex) of the 1978 edition of the Deutsch catalogue lists List of compositions by Franz Schubert#Anh. III, thirteen copies by Franz Schubert, of compositions by other composers. Table Legend List , - , data-so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impromptus (Schubert)
Franz Schubert's Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first two pieces in the first set were published in the composer's lifetime as Op. 90; the second set was published posthumously as Op. 142 in 1839 (with a dedication added by the publisher to Franz Liszt). The third and fourth pieces in the first set were published in 1857 (although the third piece was printed by the publisher in G major, instead of G as Schubert had written it, and remained available only in this key for many years). The two sets are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre. Three other unnamed piano compositions (D. 946), written in May 1828, a few months before the composer's death, are known as both "Impromptus" and ''Klavierstücke'' ("piano pieces"). The Impromptus are often considered companion piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsch Catalogue
''Schubert: Thematic Catalogue of all his Works in Chronological Order'', also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch (abbreviated as D or D.) numbers are used for the unique identification of Schubert's compositions. 1951 edition The Deutsch catalogue was first published in London in 1951 by J. M. Dent & Sons, as ''Schubert: Thematic Catalogue of all his Works in Chronological Order, compiled by O. E. Deutsch, in collaboration with Donald R. Wakeling.'' 1978 edition: NSE VIII/4 In 1978, as part VIII Supplement / Volume 4 of the New Schubert Edition (NSE), an updated version of the catalogue was published in German. A few compositions that had been undated in the first edition received a new number (usually followed by a letter), e.g. was renumbered to . Later versions The original 1951 edition (in English) was re-issued several times, for instance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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