Warholian Pop

Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings '' Campbell's Soup Cans'' (1962) and '' Marilyn Diptych'' (1962), the experimental films '' Empire'' (1964) and '' Chelsea Girls'' (1966), and the multimedia events known as the '' Exploding Plastic Inevitable'' (1966–67).

Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, The Factory, became a well-known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. He promoted a collection of personalities known as Warhol superstars, and is credited with inspiring the widely used expression "15 minutes of fame". In the late 1960s he managed and produced the experimental rock band The Velvet Underground and founded '' Interview'' magazine. He authored numerous books, including '' The Philosophy of Andy Warhol'' and '' Popism: The Warhol Sixties''. He lived openly as a gay man before the gay liberation movement. In June 1968, he was almost killed by radical feminist Valerie Solanas, who shot him inside his studio. After gallbladder surgery, Warhol died of cardiac arrhythmia in February 1987 at the age of 58 in New York City.

Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. The Andy Warhol Museum in his native city of Pittsburgh, which holds an extensive permanent collection of art and archives, is the largest museum in the United States dedicated to a single artist. Warhol has been described as the " bellwether of the art market". Many of his creations are very collectible and highly valuable. His works include some of the most expensive paintings ever sold. In 2013, a 1963 serigraph titled '' Silver Car Crash (Double Disaster)'' sold for $105 million. In 2022, ''Shot Sage Blue Marilyn'' (1964) sold for $195 million, which is the most expensive work of art sold at auction by an American artist.

Biography

Early life and beginnings (1928–1949)

Warhol was born on August 6, 1928, in Pittsburgh, Pennsylvania. He was the fourth child of Ondrej Warhola (Americanized as Andrew Warhola Sr. 1889–1942) and Julia (''née'' Zavacká, 1892–1972), whose first child was born in their homeland of Austria-Hungary and died before their move to the U.S.

His parents were working-class Lemko emigrants from Mikó, Austria-Hungary (now called Miková, located in today's northeastern Slovakia). Warhol's father emigrated to the United States in 1914, and his mother joined him in 1921, after the death of Warhol's grandparents. Warhol's father worked in a coal mine. The family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Ruthenian Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol had two elder brothers—Pavol (Paul), the eldest, was born before the family emigrated; Ján was born in Pittsburgh. Pavol's son, James Warhola, became a successful children's book illustrator.

In third grade, Warhol had Sydenham's chorea (also known as St. Vitus' Dance), the nervous system disease that causes involuntary movements of the extremities, which is believed to be a complication of scarlet fever which causes skin pigmentation blotchiness. At times when he was confined to bed, he drew, listened to the radio and collected pictures of movie stars around his bed. Warhol later described this period as very important in the development of his personality, skill-set and preferences. When Warhol was 13, his father died in an accident.

As a teenager, Warhol graduated from Schenley High School in 1945, and also won a Scholastic Art and Writing Award. After graduating from high school, his intentions were to study art education at the University of Pittsburgh in the hope of becoming an art teacher, but his plans changed and he enrolled in the Carnegie Institute of Technology, now Carnegie Mellon University in Pittsburgh, where he studied commercial art. During his time there, Warhol joined the campus Modern Dance Club and Beaux Arts Society. He also served as art director of the student art magazine, ''Cano'', illustrating a cover in 1948 and a full-page interior illustration in 1949. These are believed to be his first two published artworks. Warhol earned a Bachelor of Fine Arts in pictorial design in 1949. Later that year, he moved to New York City and began a career in magazine illustration and advertising.

1950s

Warhol's early career was dedicated to commercial and advertising art, where his first commission had been to draw shoes for ''Glamour'' magazine in the late 1940s. In the 1950s, Warhol worked as a designer for shoe manufacturer Israel Miller.
Benstock, Shari and Suzanne Ferriss (editors). ''Footnotes: On Shoes''; Rutgers University Press; February 1, 2001; ; pp. 44–48. While working in the shoe industry, Warhol developed his "blotted line" technique, applying ink to paper and then blotting the ink while still wet, which was akin to a printmaking process on the most rudimentary scale. His use of tracing paper and ink allowed him to repeat the basic image and also to create endless variations on the theme. American photographer John Coplans recalled that

In 1952, Warhol had his first solo show at the Hugo Gallery in New York, and although that show was not well received, by 1956, he was included in his first group exhibition at the Museum of Modern Art, New York. Warhol's "whimsical" ink drawings of shoe advertisements figured in some of his earliest showings at the Bodley Gallery in New York in 1957.

Warhol habitually used the expedient of tracing photographs projected with an epidiascope. Using prints by Edward Wallowitch, his "first boyfriend," the photographs would undergo a subtle transformation during Warhol's often cursory tracing of contours and hatching of shadows. Warhol used Wallowitch's photograph ''Young Man Smoking a Cigarette'' (), for a 1958 design for a book cover he submitted to Simon and Schuster for the Walter Ross pulp novel ''The Immortal'', and later used others for his series of paintings.

With the rapid expansion of the record industry, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and promotional materials.

1960s

Warhol was an early adopter of the silk screen printmaking process as a technique for making paintings. In 1962, Warhol was taught silk screen printmaking techniques by Max Arthur Cohn at his graphic arts business in Manhattan. In his book '' Popism: The Warhol Sixties'', Warhol writes: "When you do something exactly wrong, you always turn up something."

In May 1962, Warhol was featured in an article in '' Time'' magazine with his painting ''Big Campbell's Soup Can with Can Opener (Vegetable)'' (1962), which initiated his most sustained motif, the Campbell's soup can. That painting became Warhol's first to be shown in a museum when it was exhibited at the Wadsworth Atheneum in Hartford in July 1962. On July 9, 1962, Warhol's exhibition opened at the Ferus Gallery in Los Angeles with '' Campbell's Soup Cans'', marking his West Coast debut of pop art.

In November 1962, Warhol had an exhibition at Eleanor Ward's Stable Gallery in New York. The exhibit included the works '' Gold Marilyn'', eight of the classic "Marilyn" series also named "''Flavor Marilyns''", '' Marilyn Diptych'', ''100 Soup Cans'', ''100 Coke Bottles'', and ''100 Dollar Bills''. ''Gold Marilyn'', was bought by the architect Philip Johnson and donated to the Museum of Modern Art. At the exhibit, Warhol met poet John Giorno, who would star in Warhol's first film, '' Sleep'' (1964).

In December 1962, New York City's Museum of Modern Art hosted a symposium on pop art, during which artists such as Warhol were attacked for "capitulating" to consumerism. Critics were appalled by Warhol's open acceptance of market culture, which set the tone for his reception.

In early 1963, Warhol rented his first studio, an old firehouse at 159 East 87th Street. At this studio, he created his ''Elvis'' series, which included ''Eight Elvises'' (1963) and ''Triple Elvis'' (1963). These portraits along with a series of Elizabeth Taylor portraits were shown at his second exhibition at the Ferus Gallery in Los Angeles. Later that year, Warhol relocated his studio to East 47th Street, which would turn into The Factory. The Factory became a popular gathering spot for a wide range of artists, writers, musicians, and underground celebrities.

Warhol had his second exhibition at the Stable Gallery in the spring of 1964, which featured sculptures of commercial boxes stacked and scattered throughout the space to resemble a warehouse. For the exhibition, Warhol custom ordered wooden boxes and silkscreened graphics onto them. The sculptures—''Brillo Box'', '' Del Monte Peach Box'', '' Heinz Tomato Ketchup Box'', '' Kellogg's Cornflakes Box'', ''Campbell's Tomato Juice Box'', and '' Mott's Apple Juice Box''—sold for $200 to $400 depending on the size of the box.

A pivotal event was ''The American Supermarket'' exhibition at Paul Bianchini's Upper East Side gallery in the fall of 1964. The show was presented as a typical small supermarket environment, except that everything in it—from the produce, canned goods, meat, posters on the wall, etc.—was created by prominent pop artists of the time, among them sculptor Claes Oldenburg, Mary Inman and Bob Watts. Warhol designed a $12 paper shopping bag—plain white with a red Campbell's soup can. His painting of a can of a Campbell's soup cost $1,500 while each autographed can sold for 3 for $18, $6.50 each. The exhibit was one of the first mass events that directly confronted the general public with both pop art and the perennial question of what art is.

As an advertisement illustrator in the 1950s, Warhol used assistants to increase his productivity. Collaboration would remain a defining (and controversial) aspect of his working methods throughout his career; this was particularly true in the 1960s. One of the most important collaborators during this period was Gerard Malanga. Malanga assisted the artist with the production of silkscreens, films, sculpture, and other works at "The Factory", Warhol's aluminum foil-and-silver-paint-lined studio on 47th Street (later moved to Broadway). Other members of Warhol's Factory crowd included Freddie Herko, Ondine, Ronald Tavel, Mary Woronov, Billy Name, and Brigid Berlin (from whom he apparently got the idea to tape-record his phone conversations).

During the 1960s, Warhol also groomed a retinue of bohemian and counterculture eccentrics upon whom he bestowed the designation "superstars", including Nico, Joe Dallesandro, Edie Sedgwick, Viva, Ultra Violet, Holly Woodlawn, Jackie Curtis, and Candy Darling. These people all participated in the Factory films, and some—like Berlin—remained friends with Warhol until his death. Important figures in the New York underground art/cinema world, such as writer John Giorno and film-maker Jack Smith, also appear in Warhol films (many premiering at the New Andy Warhol Garrick Theatre and 55th Street Playhouse) of the 1960s, revealing Warhol's connections to a diverse range of artistic scenes during this time. Less well known was his support and collaboration with several teenagers during this era, who would achieve prominence later in life including writer David Dalton, photographer Stephen Shore and artist Bibbe Hansen (mother of pop musician Beck).

1968 assassination attempt

On June 3, 1968, radical feminist writer Valerie Solanas shot Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. Before the shooting, Solanas had been a marginal figure in the Factory scene. She authored in 1967 the '' SCUM Manifesto'', a separatist feminist tract that advocated the elimination of men; and appeared in the 1968 Warhol film '' I, a Man''. Earlier on the day of the attack, Solanas had been turned away from the Factory after asking for the return of a script she had given to Warhol. The script had apparently been misplaced.Jobey, Liz, "Solanas and Son," ''The Guardian'' (Manchester, England), August 24, 1996, p, T10 and following.

Amaya received only minor injuries and was released from the hospital later the same day. Warhol was seriously wounded by the attack and barely survived. He had physical effects for the rest of his life, including being required to wear a surgical corset. The shooting had a profound effect on Warhol's life and art.

Solanas was arrested the day after the assault, after turning herself in to police. By way of explanation, she said that Warhol "had too much control over my life". She was subsequently diagnosed with paranoid schizophrenia and eventually sentenced to three years under the control of the Department of Corrections. After the shooting, the Factory scene heavily increased its security, and for many the "Factory 60s" ended ("The superstars from the old Factory days didn't come around to the new Factory much").

Warhol had this to say about the attack:

In 1969, Warhol and British journalist John Wilcock founded '' Interview'' magazine.

1970s

Warhol had a retrospective exhibition at the Whitney Museum of American Art in 1971. His famous portrait of Chinese Communist leader Mao Zedong was created in 1973. In 1975, he published ''The Philosophy of Andy Warhol'' (1975). An idea expressed in the book: "Making money is art, and working is art and good business is the best art."

Compared to the success and scandal of Warhol's work in the 1960s, the 1970s were a much quieter decade, as he became more entrepreneurial. He socialized at various nightspots in New York City, including Max's Kansas City and, later in the 1970s, Studio 54. He was generally regarded as quiet, shy, and a meticulous observer. Art critic Robert Hughes called him "the white mole of Union Square". In 1977, Warhol was commissioned by art collector Richard Weisman to create ''Athletes'', ten portraits consisting of the leading athletes of the day.

According to Bob Colacello, Warhol devoted much of his time to rounding up new, rich patrons for portrait commissions—including Shah of Iran Mohammad Reza Pahlavi, his wife Empress Farah Pahlavi, his sister Princess Ashraf Pahlavi, Mick Jagger, Liza Minnelli, John Lennon, Diana Ross, and Brigitte Bardot. In 1979, reviewers disliked his exhibits of portraits of 1970s personalities and celebrities, calling them superficial, facile and commercial, with no depth or indication of the significance of the subjects. In 1979, Warhol and his longtime friend Stuart Pivar founded the New York Academy of Art.

1980s

Warhol had a re-emergence of critical and financial success in the 1980s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the " bull market" of 1980s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other so-called Neo-Expressionists, as well as members of the Transavantgarde movement in Europe, including Francesco Clemente and Enzo Cucchi. Warhol also earned street credibility and graffiti artist Fab Five Freddy paid homage to Warhol by painting an entire train with Campbell soup cans.

Warhol was also being criticized for becoming merely a "business artist". Critics panned his 1980 exhibition ''Ten Portraits of Jews of the Twentieth Century'' at the Jewish Museum in Manhattan, which Warhol—who was uninterested in Judaism and Jews—had described in his diary as "They're going to sell." In hindsight, however, some critics have come to view Warhol's superficiality and commerciality as "the most brilliant mirror of our times," contending that "Warhol had captured something irresistible about the zeitgeist of American culture in the 1970s."

Warhol also had an appreciation for intense Hollywood glamour. He once said: "I love Los Angeles. I love Hollywood. They're so beautiful. Everything's plastic, but I love plastic. I want to be plastic." Warhol occasionally walked the fashion runways and did product endorsements, represented by Zoli Agency

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