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Theatre or theater is a collaborative form of
performing art The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which are the use of paint, canvas or various materials to create physical or static art objects. Perfor ...
that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song,
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
, and dance. Elements of art, such as painted scenery and stagecraft such as
lighting Lighting or illumination is the deliberate use of light to achieve practical or aesthetic effects. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylig ...
are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the
Ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic p ...
θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the
theatre of ancient Greece Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
, from which it borrows technical terminology, classification into
genres Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
, and many of its
theme Theme or themes may refer to: * Theme (arts), the unifying subject or idea of the type of visual work * Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos * Theme (computing), a custom graphical ...
s, stock characters, and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language, stage writing and the specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts,
literature Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
and the arts in general. Modern theatre includes performances of
plays Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * P ...
and musical theatre. The art forms of
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
and
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
are also theatre and use many conventions such as acting, costumes and staging. They were influential to the development of musical theatre; see those articles for more information.


History of theatre


Classical and Hellenistic Greece

The
city-state A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world since the dawn of history, including cities such as ...
of
Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
is where Western theatre originated. It was part of a broader
culture Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups ...
of theatricality and performance in classical Greece that included
festivals A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival c ...
,
religious rituals Religion is usually defined as a social system, social-cultural system of designated religious behaviour, behaviors and practices, morality, morals, beliefs, worldviews, religious text, texts, sacred site, sanctified places, prophecy, prophecie ...
,
politics Politics (from , ) is the set of activities that are associated with making decisions in groups, or other forms of power relations among individuals, such as the distribution of resources or status. The branch of social science that stud ...
,
law Law is a set of rules that are created and are enforceable by social or governmental institutions to regulate behavior,Robertson, ''Crimes against humanity'', 90. with its precise definition a matter of longstanding debate. It has been vario ...
, athletics and gymnastics,
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
,
poetry Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings i ...
, weddings, funerals, and ''
symposia ''Symposia'' is a genus of South American araneomorph spiders in the family Cybaeidae, and was first described by Eugène Simon in 1898. Species it contains six species in Venezuela Venezuela (; ), officially the Bolivarian Republic o ...
''. Participation in the city-state's many festivals—and mandatory attendance at the
City Dionysia The Dionysia (, , ; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the s ...
as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of
citizenship Citizenship is a "relationship between an individual and a state to which the individual owes allegiance and in turn is entitled to its protection". Each state determines the conditions under which it will recognize persons as its citizens, and ...
. Civic participation also involved the evaluation of the rhetoric of
orators Public speaking, also called oratory or oration, has traditionally meant the act of speaking face to face to a live audience. Today it includes any form of speaking (formally and informally) to an audience, including pre-recorded speech delive ...
evidenced in performances in the law-court or political assembly, both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed the concepts of
dramatic criticism Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas t ...
and theatre architecture. Actors were either amateur or at best semi-professional. The
theatre of ancient Greece Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
consisted of three types of
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
:
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
,
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
, and the
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is str ...
. The origins of theatre in ancient Greece, according to
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ph ...
(384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honored Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of a dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the
Hellenistic period In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in ...
. No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during the 5th century BCE have survived. We have complete texts extant by
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars a ...
. The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalised in competitions ('' agon'') held as part of festivities celebrating
Dionysus In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Roma ...
(the
god In monotheistic thought, God is usually viewed as the supreme being, creator, and principal object of faith. Swinburne, R.G. "God" in Honderich, Ted. (ed)''The Oxford Companion to Philosophy'', Oxford University Press, 1995. God is typically ...
of
wine Wine is an alcoholic drink typically made from fermented grapes. Yeast consumes the sugar in the grapes and converts it to ethanol and carbon dioxide, releasing heat in the process. Different varieties of grapes and strains of yeasts are m ...
and
fertility Fertility is the capability to produce offspring through reproduction following the onset of sexual maturity. The fertility rate is the average number of children born by a female during her lifetime and is quantified demographically. Fertili ...
). As contestants in the City Dionysia's competition (the most prestigious of the festivals to stage drama) playwrights were required to present a
tetralogy A tetralogy (from Greek τετρα- '' tetra-'', "four" and -λογία ''-logia'', "discourse") is a compound work that is made up of four distinct works. The name comes from the Attic theater, in which a tetralogy was a group of three tragedie ...
of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records (''didaskaliai'') begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatise events from
Greek mythology A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities ...
, though ''
The Persians ''The Persians'' ( grc, Πέρσαι, ''Persai'', Latinised as ''Persae'') is an Greek tragedy, ancient Greek tragedy written during the Classical Greece, Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and on ...
''—which stages the
Persian Persian may refer to: * People and things from Iran, historically called ''Persia'' in the English language ** Persians, the majority ethnic group in Iran, not to be conflated with the Iranic peoples ** Persian language, an Iranian language of the ...
response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
to survive. More than 130 years later, the philosopher
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ph ...
analysed 5th-century Athenian tragedy in the oldest surviving work of dramatic theory—his '' Poetics'' (c. 335 BCE). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of
Aristophanes Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion ( la, Cydathenaeum), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his for ...
, while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as
Athenaeus of Naucratis Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of th ...
). New Comedy is known primarily from the substantial papyrus fragments of Menander. Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the
Satyr Play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is str ...
. Finding its origins in rural, agricultural rituals dedicated to Dionysus, the satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with the dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of
Satyrs In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exag ...
. However, according to Webster, satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature.


Roman theatre

Western theatre developed and expanded considerably under the
Romans Roman or Romans most often refers to: *Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a lette ...
. The Roman historian
Livy Titus Livius (; 59 BC – AD 17), known in English as Livy ( ), was a Roman historian. He wrote a monumental history of Rome and the Roman people, titled , covering the period from the earliest legends of Rome before the traditional founding in ...
wrote that the Romans first experienced theatre in the 4th century BCE, with a performance by
Etruscan __NOTOC__ Etruscan may refer to: Ancient civilization *The Etruscan language, an extinct language in ancient Italy *Something derived from or related to the Etruscan civilization **Etruscan architecture **Etruscan art **Etruscan cities ** Etrusca ...
actors. Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The
theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance t ...
was a thriving and diverse art form, ranging from
festival A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival ...
performances of street theatre, nude dancing, and acrobatics, to the staging of
Plautus Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the ...
's broadly appealing situation
comedies Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term origin ...
, to the high-style, verbally elaborate
tragedies Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
of
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
. Although Rome had a native tradition of performance, the
Hellenization Hellenization (other British spelling Hellenisation) or Hellenism is the adoption of Greek culture, religion, language and identity by non-Greeks. In the ancient period, colonization often led to the Hellenization of indigenous peoples; in the H ...
of
Roman culture The culture of ancient Rome existed throughout the almost 1200-year history of the civilization of Ancient Rome. The term refers to the culture of the Roman Republic, later the Roman Empire, which at its peak covered an area from present-day Lo ...
in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of
Latin literature Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature ...
of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE), the Corduba-born Stoic philosopher and tutor of Nero.


Indian theatre

The first form of
Indian theatre Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defin ...
was the Sanskrit theatre, earliest-surviving fragments of which date from the 1st century CE. It began after the development of
Greek Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor ...
and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of the existence of a tradition of theatre. The ancient ''
Vedas upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute th ...
'' (
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hy ...
s from between 1500 and 1000 BCE that are among the earliest examples of
literature Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
in the world) contain no hint of it (although a small number are composed in a form of dialogue) and the
ritual A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized ...
s of the
Vedic period The Vedic period, or the Vedic age (), is the period in the late Bronze Age and early Iron Age of the history of India when the Vedic literature, including the Vedas (ca. 1300–900 BCE), was composed in the northern Indian subcontinent, betwe ...
do not appear to have developed into theatre. The ''
Mahābhāṣya ''Mahabhashya'' ( sa, महाभाष्य, IAST: '','' , "great commentary"), attributed to Patañjali, is a commentary on selected rules of Sanskrit grammar from Pāṇini's treatise, the ''Aṣṭādhyāyī'', as well as Kātyāyana's ''V ...
'' by
Patañjali Patanjali ( sa, पतञ्जलि, Patañjali), also called Gonardiya or Gonikaputra, was a Hindu author, mystic and philosopher. Very little is known about him, and while no one knows exactly when he lived; from analysis of his works it i ...
contains the earliest reference to what may have been the seeds of Sanskrit drama. This treatise on
grammar In linguistics, the grammar of a natural language is its set of structural constraints on speakers' or writers' composition of clauses, phrases, and words. The term can also refer to the study of such constraints, a field that includes domain ...
from 140 BCE provides a feasible date for the beginnings of
theatre in India Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defin ...
. The major source of evidence for Sanskrit theatre is '' A Treatise on Theatre'' (''Nātyaśāstra''), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni. The ''Treatise'' is the most complete work of dramaturgy in the ancient world. It addresses acting, dance,
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
, dramatic construction,
architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ...
,
costuming Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people. The term also was tradition ...
, make-up,
props A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinc ...
, the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in the necessary skills (dance, music, and recitation) in a ereditary process Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager (''sutradhara''), who may also have acted. This task was thought of as being analogous to that of a puppeteer—the literal meaning of "''sutradhara''" is "holder of the strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all the elements of theatre, the ''Treatise'' gives most attention to acting (''abhinaya''), which consists of two styles: realistic (''lokadharmi'') and conventional (''natyadharmi''), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature. It utilised stock characters, such as the hero (''nayaka''), heroine (''nayika''), or clown (''vidusaka''). Actors may have specialized in a particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...
's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the '' Mālavikāgnimitram'' (''Mālavikā and Agnimitra''), '' Vikramuurvashiiya'' (''Pertaining to Vikrama and Urvashi''), and ''
Abhijñānaśākuntala ''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, International Alphabet of Sanskrit Transliteration, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ...
'' (''The Recognition of Shakuntala''). The last was inspired by a story in the ''Mahabharata'' and is the most famous. It was the first to be translated into
English English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national ide ...
and
German German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ge ...
. '' Śakuntalā'' (in English translation) influenced
Goethe's Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as tre ...
''
Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...
'' (1808–1832). The next great Indian dramatist was
Bhavabhuti Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. Bhavabhuti was born in Padmapura, Vidarbha, in Gondi ...
(c. 7th century CE). He is said to have written the following three plays: ''Malati-Madhava'', ''Mahaviracharita'' and ''Uttar Ramacharita''. Among these three, the last two cover between them the entire epic of ''Ramayana''. The powerful Indian emperor
Harsha Harshavardhana ( IAST Harṣa-vardhana; c. 590–647 CE) was a Pushyabhuti emperor who ruled northern India from 606 to 647 CE. He was the son of Prabhakaravardhana who had defeated the Alchon Huna invaders, and the younger brother of Rajy ...
(606–648) is credited with having written three plays: the comedy ''
Ratnavali ''Ratnavali'' (Precious Garland) is a Sanskrit drama about a beautiful princess named Ratnavali, and a great king named Udayana. It is attributed to the Indian emperor Harsha (606–648). It is a Natika in four acts. One of the first textual r ...
'', '' Priyadarsika'', and the
Buddhist Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and ...
drama ''
Nagananda ''Nagananda'' (''Joy of the Serpents'') is a Sanskrit play attributed to emperor Harsha (ruled 606 C.E. - 648 C.E.). ''Nagananda'' is among the most acclaimed Sanskrit dramas. Through five acts, it tells the popular story of Vidyadhar King Jimut ...
''.


East Asian theatre

The
Tang dynasty The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdom ...
is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The
Pear Garden The Liyuan or Pear Garden was the first known royal performing arts and musical academy in China. Founded during the Tang dynasty by Emperor Xuanzong (712–755), it is an example of an early institutional academy of performing arts and music. Th ...
to produce a form of drama that was primarily musical. That is why actors are commonly called "Children of the Pear Garden." During the dynasty of Empress Ling,
shadow puppetry Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-o ...
first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets, as opposed to the type of
play Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * P ...
performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of
Kabuki is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is though ...
,
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ' ...
, and
Kyōgen is a form of traditional Japanese comic theater. It developed alongside '' Noh'', was performed along with ''Noh'' as an intermission of sorts between ''Noh'' acts on the same stage, and retains close links to ''Noh'' in the modern day; therefo ...
developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic color was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast a very colorful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at the necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce the possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the
Song dynasty The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest ...
, there were many popular plays involving acrobatics and music. These developed in the
Yuan dynasty The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fift ...
into a more sophisticated form known as ''
zaju ''Zaju'' was a form of Chinese opera which provided entertainment through a synthesis of recitations of prose and poetry, dance, singing, and mime, with a certain emphasis on comedy (or, happy endings). Although with diverse and earlier roots, ''za ...
'', with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of the best known of which is
Peking Opera Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognize ...
which is still popular today.
Xiangsheng Xiangsheng (), also known as crosstalk or comic dialogue, is a traditional performing art in Chinese comedy, and one of the most popular elements in Chinese culture. It is typically performed as a dialogue between two performers, or rarely as ...
is a certain traditional Chinese comedic performance in the forms of monologue or dialogue.


Indonesian theatre

In
Indonesia Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guine ...
, theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres
wayang golek ''Wayang golek'' ( Sundanese: ) is one of the traditional Sundanese puppet arts from West Java, Indonesia. in contrast to the wayang art on other area of Java island that use leather in the production of wayang, wayang golek is a wayang art m ...
(wooden rod-puppet play) of the Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese—draw much of their repertoire from indigenized versions of the
Ramayana The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th ...
and
Mahabharata The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit literature, Sanskrit Indian epic poetry, epics of ancient India in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the s ...
. These tales also provide source material for the wayang wong (human theatre) of
Java Java (; id, Jawa, ; jv, ꦗꦮ; su, ) is one of the Greater Sunda Islands in Indonesia. It is bordered by the Indian Ocean to the south and the Java Sea to the north. With a population of 151.6 million people, Java is the world's mos ...
and Bali, which uses actors. Some wayang golek performances, however, also present Muslim stories, called ''menak''. Wayang is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapalaform
Medang Kingdom The Mataram Kingdom (, jv, ꦩꦠꦫꦩ꧀, ) was a Javanese Hindu–Buddhist kingdom that flourished between the 8th and 11th centuries. It was based in Central Java, and later in East Java. Established by King Sanjaya, the kingdom was rul ...
in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit is described in an 11th-century Javanese poem as a leather shadow figure.


Medieval Islamic traditions

Theatre in the medieval Islamic world included puppet theatre (which included hand puppets,
shadow play Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-o ...
s and
marionette A marionette (; french: marionnette, ) is a puppet controlled from above using wires or strings depending on regional variations. A marionette's puppeteer is called a marionettist. Marionettes are operated with the puppeteer hidden or revealed ...
productions) and live passion plays known as ''ta'ziya'', where actors re-enact episodes from
Muslim history Muslims ( ar, المسلمون, , ) are people who adhere to Islam, a monotheistic religion belonging to the Abrahamic tradition. They consider the Quran, the foundational religious text of Islam, to be the verbatim word of the God of Abrah ...
. In particular,
Shia Islam Shīʿa Islam or Shīʿīsm is the second-largest branch of Islam. It holds that the Islamic prophet Muhammad designated ʿAlī ibn Abī Ṭālib as his successor (''khalīfa'') and the Imam (spiritual and political leader) after him, m ...
ic plays revolved around the ''
shaheed ''Shaheed'' ( ,  ,   ; pa, ਸ਼ਹੀਦ) denotes a martyr in Islam. The word is used frequently in the Quran in the generic sense of "witness" but only once in the sense of "martyr" (i.e. one who dies for his faith); ...
'' (martyrdom) of
Ali ʿAlī ibn Abī Ṭālib ( ar, عَلِيّ بْن أَبِي طَالِب; 600 – 661 CE) was the last of four Rightly Guided Caliphs to rule Islam (r. 656 – 661) immediately after the death of Muhammad, and he was the first Shia Imam ...
's sons
Hasan ibn Ali Hasan ibn Ali ( ar, الحسن بن علي, translit=Al-Ḥasan ibn ʿAlī; ) was a prominent early Islamic figure. He was the eldest son of Ali and Fatima and a grandson of the Islamic prophet Muhammad. He briefly ruled as caliph from Jan ...
and Husayn ibn Ali. Secular plays were known as ''akhraja'', recorded in medieval '' adab'' literature, though they were less common than puppetry and ''ta'ziya'' theatre.


Early modern and modern theatre in the West

Theatre took on many alternative forms in the West between the 15th and 19th centuries, including '' commedia dell'arte'' from
Italian theatre The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in Southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can th ...
, and melodrama. The general trend was away from the poetic drama of the Greeks and the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
and toward a more naturalistic prose style of dialogue, especially following the
Industrial Revolution The Industrial Revolution was the transition to new manufacturing processes in Great Britain, continental Europe, and the United States, that occurred during the period from around 1760 to about 1820–1840. This transition included going f ...
. Theatre took a big pause during 1642 and 1660 in England because of the
Puritan The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. ...
Interregnum. The rising anti-theatrical sentiment among Puritans saw
William Prynne William Prynne (1600 – 24 October 1669), an English lawyer, voluble author, polemicist and political figure, was a prominent Puritan opponent of church policy under William Laud, Archbishop of Canterbury (1633–1645). His views were presbyte ...
write ''
Histriomastix ''Histriomastix: The Player's Scourge, or Actor's Tragedy'' is a critique of professional theatre and actors, written by the Puritan author and controversialist William Prynne. Publication While the publishing history of the work is not absolutel ...
'' (1633), the most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642. On 24 January 1643, the actors protested against the ban by writing a pamphlet titled ''The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses''. This stagnant period ended once Charles II came back to the throne in 1660 in the
Restoration Restoration is the act of restoring something to its original state and may refer to: * Conservation and restoration of cultural heritage ** Audio restoration ** Film restoration ** Image restoration ** Textile restoration * Restoration ecology ...
. Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the
King's Company The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged wit ...
. Performances were held in converted buildings, such as
Lisle's Tennis Court Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, ...
. The first
West End theatre West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1 ...
, known as Theatre Royal in Covent Garden, London, was designed by
Thomas Killigrew Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England. Life Killigrew was one of twelve children of Sir Robert Killigrew ...
and built on the site of the present
Theatre Royal, Drury Lane The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Dr ...
. One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre, round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of the time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage.
Jeremy Collier Jeremy Collier (; 23 September 1650 – 26 April 1726) was an English theatre critic, non-juror bishop and theologian. Life Born Jeremiah Collier, in Stow cum Quy, Cambridgeshire, Collier was educated at Caius College, University of Cambridg ...
, a preacher, was one of the heads in this movement through his piece ''A Short View of the Immorality and Profaneness of the English Stage''. The beliefs in this paper were mainly held by non-theatre goers and the remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behavior in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in the wake of
Renaissance Humanism Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teache ...
), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of the young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's ''
The School for Scandal ''The School for Scandal'' is a comedy of manners written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Plot Act I Scene I: Lady Sneerwell, a wealthy young widow, and her hireling Sn ...
''. Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile.
Molière Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and worl ...
was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although the French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called ''tragédie bourgeoise'', or
domestic tragedy In English drama, a domestic tragedy is a tragedy in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical and Neoclassical tragedy, in which the protagonists are of kingly o ...
—that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling, the idea of the national theatre gained support in the 18th century, inspired by
Ludvig Holberg Ludvig Holberg, Baron of Holberg (3 December 1684 – 28 January 1754) was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano-Norwegian dual monarchy. He was influenced by Humanism, ...
. The major promoter of the idea of the national theatre in Germany, and also of the ''
Sturm und Drang ''Sturm und Drang'' (, ; usually translated as "storm and stress") was a proto- Romantic movement in German literature and music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particul ...
'' poets, was
Abel Seyler Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the dev ...
, the owner of the Hamburgische Entreprise and the
Seyler Theatre Company The Seyler Theatre Company, also known as the Seyler Company (German: ''Seylersche Schauspiel-Gesellschaft'', sometimes ''Seylersche Truppe''), was a theatrical company founded in 1769 by Abel Seyler, a Hamburg businessman originally from Switzer ...
.
Wilhelm Kosch Wilhelm Franz Josef Kosch (2 October 1879 – 20 December 1960) was an Austrian historian of literature and theatre and lexicographer. The lexicon that he conceived and later revised several times, the ' is a references in the field of German ...
, "Seyler, Abel", in ''Dictionary of German Biography'', eds.
Walther Killy Walther Killy (26 August 191728 December 1995) was a German literary scholar who specialised in poetry, especially that of Friedrich Hölderlin and Georg Trakl. He taught at the Free University of Berlin, the Georg-August-Universität Göttinge ...
and
Rudolf Vierhaus Rudolf Vierhaus (29 October 1922 – 13 November 2011) was a German historian who mainly researched the Early modern period. He had been a professor at the newly founded Ruhr University Bochum since 1964. From 1971, he was director of the in Göt ...
, Vol. 9,
Walter de Gruyter Walter de Gruyter GmbH, known as De Gruyter (), is a German scholarly publishing house specializing in academic literature. History The roots of the company go back to 1749 when Frederick the Great granted the Königliche Realschule in Be ...
editor, 2005, , .
Through the 19th century, the popular theatrical forms of
Romanticism Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...
, melodrama,
Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known oper ...
and the
well-made play The well-made play (french: la pièce bien faite, pronounced ) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely sta ...
s of Scribe and Sardou gave way to the
problem play The problem play is a form of drama that emerged during the 19th century as part of the wider movement of realism in the arts, especially following the innovations of Henrik Ibsen. It deals with contentious social issues through debates between th ...
s of Naturalism and
Realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
; the farces of Feydeau; Wagner's
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
tic ''
Gesamtkunstwerk A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
''; musical theatre (including Gilbert and Sullivan's operas); F. C. Burnand's,
W. S. Gilbert Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most fam ...
's and Oscar Wilde's drawing-room comedies;
Symbolism Symbolism or symbolist may refer to: Arts * Symbolism (arts), a 19th-century movement rejecting Realism ** Symbolist movement in Romania, symbolist literature and visual arts in Romania during the late 19th and early 20th centuries ** Russian sym ...
; proto- Expressionism in the late works of
August Strindberg Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty p ...
and Henrik Ibsen; and
Edwardian musical comedy Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the A ...
. These trends continued through the 20th century in the
realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
of Stanislavski and
Lee Strasberg Lee Strasberg (born Israel Strassberg; November 17, 1901 – February 17, 1982) was an American theatre director, actor and acting teacher. He co-founded, with theatre directors Harold Clurman and Cheryl Crawford, the Group Theatre in 1931 ...
, the political theatre of
Erwin Piscator Erwin Friedrich Maximilian Piscator (17 December 1893 – 30 March 1966) was a German theatre director and producer. Along with Bertolt Brecht, he was the foremost exponent of epic theatre, a form that emphasizes the socio-political content o ...
and Bertolt Brecht, the so-called
Theatre of the Absurd The Theatre of the Absurd (french: théâtre de l'absurde ) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style o ...
of Samuel Beckett and Eugène Ionesco, American and British musicals, the collective creations of companies of actors and directors such as
Joan Littlewood Joan Maud Littlewood (6 October 1914 – 20 September 2002) was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of M ...
's
Theatre Workshop Theatre Workshop is a theatre group whose long-serving director was Joan Littlewood. Many actors of the 1950s and 1960s received their training and first exposure with the company, many of its productions were transferred to theatres in the West E ...
, experimental and
postmodern theatre Postmodern theatre is a recent phenomenon in world theatre, coming as it does out of the postmodern philosophy that originated in Europe in the middle of the twentieth century. Postmodern theatre emerged as a reaction against modernist theatre. Mos ...
of Robert Wilson and
Robert Lepage Robert Lepage (born December 12, 1957) is a Canadian playwright, actor, film director, and stage director. Early life Lepage was raised in Quebec City. At age five, he was diagnosed with a rare form of alopecia, which caused complete hair l ...
, the
postcolonial Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. More specifically, it is a ...
theatre of
August Wilson August Wilson ( Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". He is best known for a series of ten plays, collectively called ' (or ...
or
Tomson Highway Tomson Highway (born 6 December 1951) is an Indigenous Canadian playwright, novelist, and children's author. He is best known for his plays ''The Rez Sisters'' and ''Dry Lips Oughta Move to Kapuskasing'', both of which won the Dora Mavor Moore ...
, and
Augusto Boal Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movemen ...
's
Theatre of the Oppressed The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theoris ...
.


Types


Drama

Drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
is the specific
mode Mode ( la, modus meaning "manner, tune, measure, due measure, rhythm, melody") may refer to: Arts and entertainment * '' MO''D''E (magazine)'', a defunct U.S. women's fashion magazine * ''Mode'' magazine, a fictional fashion magazine which is ...
of fiction represented in performance. The term comes from a
Greek Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor ...
word meaning "
action Action may refer to: * Action (narrative), a literary mode * Action fiction, a type of genre fiction * Action game, a genre of video game Film * Action film, a genre of film * ''Action'' (1921 film), a film by John Ford * ''Action'' (1980 fil ...
", which is derived from the verb δράω, ''dráō'', "to do" or "to act". The enactment of drama in theatre, performed by
actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), li ...
s on a
stage Stage or stages may refer to: Acting * Stage (theatre), a space for the performance of theatrical productions * Theatre, a branch of the performing arts, often referred to as "the stage" * ''The Stage'', a weekly British theatre newspaper * Sta ...
before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of
literature Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
, is directly influenced by this collaborative production and collective reception. The early modern
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
''
Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...
'' (1601) by
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
and the
classical Athenian Attic Greek is the Greek dialect of the ancient region of Attica, including the ''polis'' of Athens. Often called classical Greek, it was the prestige dialect of the Greek world for centuries and remains the standard form of the language that is ...
tragedy '' Oedipus Rex'' (c. 429 BCE) by
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
are among the masterpieces of the art of drama. A modern example is '' Long Day's Journey into Night'' by
Eugene O'Neill Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in Nobel Prize in Literature, literature. His poetically titled plays were among the first to introduce into the U.S. the drama tech ...
(1956). Considered as a genre of
poetry Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings i ...
in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ph ...
's '' Poetics'' (c. 335 BCE); the earliest work of dramatic theory. The use of "drama" in the narrow sense to designate a specific ''type'' of
play Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * P ...
dates from the 19th century. Drama in this sense refers to a play that is ''neither'' a comedy nor a tragedy—for example, Zola's ''
Thérèse Raquin ''Thérèse Raquin'' is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine ''L'Artiste'' in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder ...
'' (1873) or Chekhov's '' Ivanov'' (1887). In Ancient Greece however, the word ''drama'' encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
and dance: the drama in
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
is generally sung throughout; musicals generally include both spoken dialogue and
song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetit ...
s; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue ( melodrama and Japanese
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and ' ...
, for example). In certain periods of history (the ancient
Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a lette ...
and modern Romantic) some dramas have been written to be
read Read Read may refer to: * Reading, human cognitive process of decoding symbols in order to construct or derive meaning * Read (automobile), an American car manufactured from 1913 to 1915 * Read (biology), an inferred sequence of base pairs of ...
rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.


Musical theatre

Music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ...
and theatre have had a close relationship since ancient times—
Athenian Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
, for example, was a form of dance-
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
that employed a chorus whose parts were sung (to the accompaniment of an '' aulos''—an instrument comparable to the modern
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
), as were some of the actors' responses and their 'solo songs' (
monodies In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of ...
). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from
comic opera Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a ne ...
(especially Gilbert and Sullivan),
variety Variety may refer to: Arts and entertainment Entertainment formats * Variety (radio) * Variety show, in theater and television Films * ''Variety'' (1925 film), a German silent film directed by Ewald Andre Dupont * ''Variety'' (1935 film), ...
,
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
, and music hall genres of the late
19th 19 (nineteen) is the natural number following 18 and preceding 20. It is a prime number. Mathematics 19 is the eighth prime number, and forms a sexy prime with 13, a twin prime with 17, and a cousin prime with 23. It is the third full re ...
and early 20th century. After the
Edwardian musical comedy Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the A ...
that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of
Rodgers and Hammerstein Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular ...
), with ''
Oklahoma! ''Oklahoma!'' is the first musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs' 1931 play, ''Green Grow the Lilacs''. Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tell ...
'' (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included ''
My Fair Lady ''My Fair Lady'' is a musical based on George Bernard Shaw's 1913 play '' Pygmalion'', with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons ...
'' (1956), ''
West Side Story ''West Side Story'' is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Inspired by William Shakespeare's play '' Romeo and Juliet'', the story is set in the mid ...
'' (1957), ''
The Fantasticks ''The Fantasticks'' is a 1960 musical with music by Harvey Schmidt and book and lyrics by Tom Jones. It tells an allegorical story, loosely based on the 1894 play ''The Romancers'' (''Les Romanesques'') by Edmond Rostand, concerning two neigh ...
'' (1960), '' Hair'' (1967), ''
A Chorus Line ''A Chorus Line'' is a 1975 musical with music by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante. Set on the bare stage of a Broadway theater, the musical is centered on seventeen Broadway dancers ...
'' (1975), ''
Les Misérables ''Les Misérables'' ( , ) is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its origin ...
'' (1980), '' Cats'' (1981), ''
Into the Woods ''Into the Woods'' is a 1987 musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters' wishes and quests. T ...
'' (1986), and ''
The Phantom of the Opera ''The Phantom of the Opera'' (french: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux. It was first published as a serial in from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pier ...
'' (1986), as well as more contemporary hits including ''
Rent Rent may refer to: Economics *Renting, an agreement where a payment is made for the temporary use of a good, service or property *Economic rent, any payment in excess of the cost of production *Rent-seeking, attempting to increase one's share of e ...
'' (1994), ''
The Lion King ''The Lion King'' is a 1994 American animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 32nd Disney animated feature film and the fifth produced during the Disney Renaissance ...
'' (1997), ''
Wicked Wicked may refer to: Books * Wicked, a minor character in the ''X-Men'' universe * '' Wicked'', a 1995 novel by Gregory Maguire that inspired the musical of the same name * ''Wicked'', the fifth novel in Sara Shepard's ''Pretty Little Liars'' s ...
'' (2003), ''
Hamilton Hamilton may refer to: People * Hamilton (name), a common British surname and occasional given name, usually of Scottish origin, including a list of persons with the surname ** The Duke of Hamilton, the premier peer of Scotland ** Lord Hamilt ...
'' (2015) and '' Frozen'' (2018). Musical theatre may be produced on an intimate scale Off-Broadway, in regional theatres, and elsewhere, but it often includes spectacle. For instance,
Broadway Broadway may refer to: Theatre * Broadway Theatre (disambiguation) * Broadway theatre, theatrical productions in professional theatres near Broadway, Manhattan, New York City, U.S. ** Broadway (Manhattan), the street **Broadway Theatre (53rd Stree ...
and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets.


Comedy

Theatre productions that use
humour Humour ( Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement. The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in ...
as a vehicle to tell a story qualify as comedies. This may include a modern farce such as '' Boeing Boeing'' or a classical play such as '' As You Like It''. Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as
black comedy Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discu ...
. Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy.


Tragedy

Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it the spoken parts were written in the
Attic dialect Attic Greek is the Greek dialect of the ancient region of Attica, including the ''polis'' of Athens. Often called classical Greek, it was the prestige dialect of the Greek world for centuries and remains the standard form of the language that is ...
whereas the choral (recited or sung) ones in the Doric dialect, these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical ''drama''.
Tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
refers to a specific
tradition A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or ...
of
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
that has played a unique and important role historically in the self-definition of
Western civilisation Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Cle ...
. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the
Greeks The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, oth ...
and the Elizabethans, in one cultural form;
Hellenes The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other ...
and
Christians Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words '' Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χρ ...
, in a common activity," as
Raymond Williams Raymond Henry Williams (31 August 1921 – 26 January 1988) was a Welsh socialist writer, academic, novelist and critic influential within the New Left and in wider culture. His writings on politics, culture, the media and literature contribu ...
puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or c ...
and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars a ...
, through its singular articulations in the works of
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...
, Lope de Vega,
Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditi ...
, and Schiller, to the more recent naturalistic tragedy of
Strindberg Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty p ...
, Beckett's
modernist Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new fo ...
meditations on death, loss and suffering, and Heiner Müller, Müller's Postmodernism, postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's '' Poetics'' (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of
poetry Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings i ...
in general (where the tragic divides against epic and Lyric poetry, lyric) or at the scale of the drama (where tragedy is opposed to
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
). In the Modernity, modern era, tragedy has also been defined against drama, melodrama, Tragicomedy, the tragicomic, and epic theatre.


Improvisation

Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognised as the first improvisation form. Popularized by Nobel Prize Winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as a tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago.


Theories

Having been an important part of human culture for more than 2,500 years, theatre has evolved a wide range of different Dramatic theory, theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The Ancient Greek philosophy, classical Greek philosopher
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of ph ...
, in his seminal treatise, '' Poetics'' (c. 335 BCE) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
,
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
, and the
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is str ...
—as well as lyric poetry, epic poetry, and the dithyramb). He examines its "first principles" and identifies its genres and basic elements; his analysis of
tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...
constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) ''Mythos (Aristotle), mythos'' or "plot", ''ethos'' or "character", ''dianoia'' or "thought", ''Lexis (Aristotle), lexis'' or "diction", ''wikt:melos, melos'' or "song", and ''opsis'' or "spectacle". "Although Aristotle's ''Poetics'' is universally acknowledged in the Western culture, Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski, Vsevolod Meyerhold, Jacques Copeau, Edward Gordon Craig, Bertolt Brecht, Antonin Artaud,
Joan Littlewood Joan Maud Littlewood (6 October 1914 – 20 September 2002) was an English theatre director who trained at the Royal Academy of Dramatic Art, and is best known for her work in developing the Theatre Workshop. She has been called "The Mother of M ...
, Peter Brook, Jerzy Grotowski,
Augusto Boal Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movemen ...
, Eugenio Barba, Dario Fo, Viola Spolin, Keith Johnstone and Robert Wilson (director). Stanislavski treated the theatre as an The arts, art-form that is Medium specificity, autonomous from
literature Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
and one in which the playwright's contribution should be respected as that of only one of an ensemble of creative artists. His innovative contribution to modern acting theory has remained at the core of mainstream Western culture, western performance training for much of the last century. That many of the precepts of his Stanislavski's system, system of actor training seem to be common sense and self-evident testifies to its hegemonic success. Actors frequently employ his basic concepts without knowing they do so. Thanks to its promotion and elaboration by acting teachers who were former students and the many translations of his theoretical writings, Stanislavski's 'system' acquired an unprecedented ability to cross cultural boundaries and developed an international reach, dominating debates about acting in Europe and the United States. Many actors routinely equate his 'system' with the North American Method acting, Method, although the latter's exclusively psychological techniques contrast sharply with Stanislavski's multivariant, holistic and Psychophysiology, psychophysical approach, which explores character and action both from the 'inside out' and the 'outside in' and treats the actor's mind and body as parts of a continuum.


Technical aspects

Theatre presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of
literature Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include ...
, is directly influenced by this collaborative production and collective reception. The production of Play (theatre), plays usually involves contributions from a playwright, theatre director, director, a Cast member, cast of
actor An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), li ...
s, and a technical production team that includes a set designer, scenic or set designer, lighting designer, costume designer, sound designer, Stage management, stage manager, Production manager (theatre), production manager and technical director. Depending on the production, this team may also include a composer, Dramaturge, dramaturg, video designer or fight director. Stagecraft is a generic term referring to the technical aspects of theatrical, film, and video production. It includes, but is not limited to, constructing and rigging scenery, hanging and focusing of lighting, design and procurement of costumes, makeup, procurement of props, stage management, and recording and mixing of sound. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it relates primarily to the practical implementation of a designer's artistic vision. In its most basic form, stagecraft is managed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. At a more professional level, for example in modern Broadway houses, stagecraft is managed by hundreds of skilled carpenters, painters, electricians, stagehands, stitchers, wigmakers, and the like. This modern form of stagecraft is highly technical and specialized: it comprises many sub-disciplines and a vast trove of history and tradition. The majority of stagecraft lies between these two extremes. Regional theatres and larger community theatres will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs.


Sub-categories and organization

There are many modern theatre movements which go about producing theatre in a variety of ways. Theatrical enterprises vary enormously in sophistication and purpose. People who are involved vary from novices and hobbyists (in community theatre) to professionals (in Broadway and similar productions). Theatre can be performed with a shoestring budget or on a grand scale with multimillion-dollar budgets. This diversity manifests in the abundance of theatre sub-categories, which include: * Broadway theatre and
West End theatre West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1 ...
* Street theatre * Community theatre * Playback theatre * Dinner theater * Fringe theatre * Off-Broadway and Off West End * Off-Off-Broadway * Regional theater in the United States, Regional theatre in the United States * Touring theatre * Summer stock theatre


Repertory companies

While most modern theatre companies rehearse one piece of theatre at a time, perform that piece for a set "run", retire the piece, and begin rehearsing a new show, repertory companies rehearse multiple shows at one time. These companies are able to perform these various pieces upon request and often perform works for years before retiring them. Most dance companies operate on this repertory system. The Royal National Theatre in London performs on a repertory system. Repertory theatre generally involves a group of similarly accomplished actors, and relies more on the reputation of the group than on an individual star actor. It also typically relies less on strict control by a director and less on adherence to theatrical conventions, since actors who have worked together in multiple productions can respond to each other without relying as much on convention or external direction.


Producing vs. presenting

In order to put on a piece of theatre, both a theatre company and a theatre (structure), theatre venue are needed. When a theatre company is the sole company in residence at a theatre venue, this theatre (and its corresponding theatre company) are called a resident theatre or a producing theatre, because the venue produces its own work. Other theatre companies, as well as dance companies, who do not have their own theatre venue, perform at rental theatres or at presenting theatres. Both rental and presenting theatres have no full-time resident companies. They do, however, sometimes have one or more part-time resident companies, in addition to other independent partner companies who arrange to use the space when available. A rental theatre allows the independent companies to seek out the space, while a presenting theatre seeks out the independent companies to support their work by presenting them on their stage. Some performance groups perform in non-theatrical spaces. Such performances can take place outside or inside, in a non-traditional performance space, and include street theatre, and site-specific theatre. Non-traditional venues can be used to create more immersive or meaningful environments for audiences. They can sometimes be modified more heavily than traditional theatre venues, or can accommodate different kinds of equipment, lighting and sets. A touring theatre, touring company is an independent theatre or dance company that travels, often internationally, being presented at a different theatre in each city.


Unions

There are many theatre unions including: Actors' Equity Association (AEA, for actors and stage managers), the Stage Directors and Choreographers Society (SDC) and the International Alliance of Theatrical Stage Employees (IATSE, for designers and technicians). Many theatres require that their staff be members of these organizations.


See also

* Acting * Antitheatricality * Black light theatre * Culinary theatre * Illusionistic tradition * List of awards in theatre * List of playwrights * List of theatre personnel * List of theatre festivals * List of theatre directors * Lists of theatres * Performance art * Puppetry * Reader's theatre * Site-specific theatre * Theatre consultant * Theatre for development * Theater (structure) * Theatre technique * Theatrical style * Theatrical troupe * World Theatre Day


Explanatory notes


Citations


General sources

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *


Further reading

* Aston, Elaine, and George Savona. 1991. ''Theatre as Sign-System: A Semiotics of Text and Performance''. London and New York: Routledge. . * Walter Benjamin, Benjamin, Walter. 1928. ''The Origin of German Tragic Drama.'' Trans. John Osborne. London and New York: Verso, 1998. . * Brown, John Russell. 1997. ''What is Theatre?: An Introduction and Exploration.'' Boston and Oxford: Focal P. . * Bryant, Jye (2018). Writing & Staging A New Musical: A Handbook. Kindle Direct Publishing. . * Carnicke, Sharon Marie. 2000. "Stanislavsky's System: Pathways for the Actor". In Hodge (2000, 11–36). * Dacre, Kathy, and Paul Fryer, eds. 2008. ''Stanislavski on Stage.'' Sidcup, Kent: Stanislavski Centre Rose Bruford College. . * Gilles Deleuze, Deleuze, Gilles and Félix Guattari. 1972. ''Anti-Œdipus''. Trans. Robert Hurley, Mark Seem and Helen R. Lane. London and New York: Continuum, 2004. Vol. 1. New Accents Ser. London and New York: Methuen. . * Rita Felski, Felski, Rita, ed. 2008. ''Rethinking Tragedy.'' Baltimore: Johns Hopkins UP. . * Harrison, Martin. 1998. ''The Language of Theatre''. London: Routledge. . * Phyllis Hartnoll, Hartnoll, Phyllis, ed. 1983. ''The Oxford Companion to the Theatre''. 4th ed. Oxford: Oxford UP. . * Hodge, Alison, ed. 2000. ''Twentieth-Century Actor Training''. London and New York: Routledge. . * * Leach, Robert, and Victor Borovsky, eds. 1999. ''A History of Russian Theatre.'' Cambridge: Cambridge UP. . * Meyer-Dinkgräfe, Daniel. 2001. ''Approaches to Acting: Past and Present.'' London and New York: Continuum. . * Vsevolod Meyerhold, Meyerhold, Vsevolod. 1991. ''Meyerhold on Theatre''. Ed. and trans. Edward Braun. Revised edition. London: Methuen. . * Mitter, Shomit. 1992. ''Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook.'' London and NY: Routledge. . * O'Brien, Nick. 2010. ''Stanislavski In Practise''. London: Routledge. . * Rayner, Alice. 1994. ''To Act, To Do, To Perform: Drama and the Phenomenology of Action.'' Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. . * Roach, Joseph R. 1985. ''The Player's Passion: Studies in the Science of Acting''. Theater:Theory/Text/Performance Ser. Ann Arbor: U of Michigan P. . * Speirs, Ronald, trans. 1999. ''The Birth of Tragedy and Other Writings.'' By Friedrich Nietzsche. Ed. Raymond Geuss and Ronald Speirs. Cambridge Texts in the History of Philosophy ser. Cambridge: Cambridge UP. .


External links


Theatre Archive Project (UK)
British Library & University of Sheffield.
University of Bristol Theatre Collection

Music Hall and Theatre History of Britain and Ireland
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