Edwardian Musical Comedy
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Edwardian Musical Comedy
Edwardian musical comedy was a form of British musical theatre that extended beyond the reign of King Edward VII in both directions, beginning in the early 1890s, when the Gilbert and Sullivan operas' dominance had ended, until the rise of the American musicals by Jerome Kern, Rodgers and Hart, George Gershwin and Cole Porter following the First World War. Between '' In Town'' in 1892 and ''The Maid of the Mountains'', premiering in 1917, this new style of musical theatre became dominant on the musical stage in Britain and the rest of the English-speaking world. The popularity of ''In Town'' and ''A Gaiety Girl'' (1893), led to an astonishing number of hits over the next three decades, the most successful of which included '' The Shop Girl'' (1894), '' The Geisha'' (1896), ''Florodora'' (1899), '' A Chinese Honeymoon'' (1901), '' The Earl and the Girl'' (1903), '' The Arcadians'' (1909), ''Our Miss Gibbs'' (1909), ''The Quaker Girl'' (1910), ''Betty'' (1914), ''Chu Chin Chow'' ( ...
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Cover Of The Vocal Score Of Sidney Jones' The Geisha
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The Arcadians (musical)
''The Arcadians'' is an Edwardian musical comedy styled a "Fantastic Musical Play" in three acts with a book by Mark Ambient and Alexander M. Thompson, lyrics by Arthur Wimperis, and music by Lionel Monckton and Howard Talbot. The story concerns some idyllic Arcadians who wish to transform wicked London to a land of truth and simplicity. First produced by Robert Courtneidge, the musical opened at the Shaftesbury Theatre in London, on 29 April 1909, and ran for 809 performances. This was the third longest run for any musical theatre piece up to that time. The production starred Phyllis Dare, Dan Rolyat and Florence Smithson. A Broadway production opened in 1910 and ran for 193 performances, and the piece was toured extensively, and revived professionally, in Britain. A silent film version was made in 1927, and the piece was popular with amateur theatre groups, particularly in Britain, through the 20th century. Recordings of some of the numbers were recorded in 1909 and 1915 ...
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George Edwardes
George Joseph Edwardes (né Edwards; 8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired. For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy. Life and career Edwardes was born at Great Grimsby, Lincolnshire, England. He was the eldest of four sons and three daughters of James Edwards, comptroller of c ...
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Alan Hyman
Alan Maurice Hyman (10 January 1910 – 23 February 1999) was an English writer, journalist, and film writer. Life and work Alan Hyman was the son of A. Hyman. He was educated at St Cyprian's School, Repton School, and Magdalene College, Cambridge. He became a journalist and worked on the staff of the ''Daily Sketch'' and '' Sunday Graphic'' from 1929 to 1932. Then he became a screenwriter and spent much of his life in the film industry. At Gaumont, he worked for Michael Balcon and collaborated on the scripts of ''Sunshine Suzie'' and ''Falling in Love''. Subsequently, he worked with Herbert Wilcox on ''Three Maxims'' and ''Victoria the Great'' and then with Thorold Dickinson as co-author of the script for the film ''The Arsenal Stadium Mystery'' in 1939. Later, he collaborated with Sydney Box on ''I Met a Murderer''. During the Second World War, he was commissioned into the Royal Naval Volunteer Reserve and worked as a screenwriter. Hyman wrote scripts for BBC radio includi ...
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Dorothy (opera)
''Dorothy'' is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée. It was first produced at the Gaiety Theatre in London in 1886. After a rocky start, it was revised and transferred to the Prince of Wales Theatre later that year and then transferred to the Lyric Theatre in 1888, where it played until 1889. The piece had an initial run of 931 performances, breaking the record for the longest-running musical theatre production in history and holding this record until the run of the musical play '' A Chinese Honeymoon'' in the early 1900s. ''Dorothy'' also toured in Britain, America and Australia and enjoyed numerous revivals until at least 1908. The piece was popular with amateur theatre groups, particularly in Britain, until World War II. The show's hit songs included the ballad "Queen of My Heart", "Be Wise In Time", "Hark For'ard!", "With A Welcome To All", an ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ...
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Gaiety Theatre, London
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy. Under the management of John Hollingshead until 1886, the theatre had early success with ''Robert the Devil'', by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque ''Little Jack Sheppard'' (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, ''Dorothy'', became a long-running hit. In the 1880s and 90s, the theatre had further success with a ...
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Edwardian Era
The Edwardian era or Edwardian period of British history spanned the reign of King Edward VII, 1901 to 1910 and is sometimes extended to the start of the First World War. The death of Queen Victoria in January 1901 marked the end of the Victorian era. Her son and successor, Edward VII, was already the leader of a fashionable elite that set a style influenced by the art and fashions of continental Europe. Samuel Hynes described the Edwardian era as a "leisurely time when women wore picture hats and did not vote, when the rich were not ashamed to live conspicuously, and the sun really never set on the British flag." The Liberals returned to power in 1906 and made significant reforms. Below the upper class, the era was marked by significant shifts in politics among sections of society that had largely been excluded from power, such as labourers, servants, and the industrial working class. Women started to play more of a role in politics.Roy Hattersley, ''The Edwardians'' (2004). ...
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Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the '' Belle Époque'' era of Continental Europe. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists and the evangelical wing of the established Church of England. Ideologically, the Victorian era witnessed resistance to the rationalism that defined the Georgian period, and an increasing turn towards romanticism and even mysticism in religion, social values, and arts. This era saw a staggering amount of technological innovations that proved key to Britain's power and prosperity. Doctors started moving away from tradition and mysticism towards a science-based approach; medicine advanced thanks to the adoption ...
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Chu Chin Chow
''Chu Chin Chow'' is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of ''Ali Baba and the 40 Thieves''. Gänzl, Kurt"''Chu Chin Chow'' Musical Tale of the East In 3 Acts, Music by Frederic Norton" Operetta Research Center, 9 July 2016 The piece premièred at His Majesty's Theatre in London on 3 August 1916 and ran for five years and a total of 2,238 performances (more than twice as many as any previous musical), a record that stood for nearly forty years until ''Salad Days''. The show's first American production in New York, with additional lyrics by Arthur Anderson, played for 208 performances in 1917–1918, starring Tyrone Power."Chu Chin Chow (1934): A Robust Operetta ...
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