Hamburgische Entreprise
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Hamburgische Entreprise
The Hamburg Enterprise (german: Hamburgische Entreprise), commonly known as the Hamburg National Theatre, was a theatre company in Hamburg (now Germany), that existed 1767–1769 at the Gänsemarkt square, and that was led by Abel Seyler. It was the first attempt to establish a national theatre in Germany. It was modelled after Det Kongelige Teater, founded by Ludvig Holberg in Denmark in 1748. Its leading actor was Konrad Ekhof and the theatre employed Gotthold Ephraim Lessing as the world's first dramaturg; Lessing's influential ''Hamburg Dramaturgy'', based on his work at the Hamburg National Theatre, defined the new field of dramaturgy and also introduced the term.Luckhurst, Mary (2006). ''Dramaturgy: A Revolution in Theatre''. Cambridge: Cambridge University Press. p. 24. The theatre premiered Lessing's ''Minna von Barnhelm'' on 30 September 1767. The Hamburg National Theatre was mainly owned and led by the former banker Abel Seyler, who invested much of his remaining for ...
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Abel Seyler
Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and was considered "the leading patron of German theatre" in his lifetime.Wilhelm Kosch, "Seyler, Abel", in '' Dictionary of German Biography'', eds. Walther Killy and Rudolf Vierhaus, Vol. 9, Walter de Gruyter, 2005, , p. 308 He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly-funded theater system in Germany. He is credited with introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the ''Sturm und Drang'' playwrights, and serious German opera. Already in his lifetime, he was described as "one of German art's most ...
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Konrad Ekhof
Konrad Ekhof (12 August 1720 in Hamburg, Germany – 16 June 1778) was a German actor, widely regarded as one of the foremost actors of the German-speaking realm in the 18th century. He was noted for his collaboration with the theatre principal Abel Seyler in the 1760s and 1770s, first at the Hamburg National Theatre and then at the travelling Seyler Theatre Company. Life In 1739, he became a member of Johann Friedrich Schönemann's (1704–1782) company in Lüneburg, and made his first appearance there on 15 January 1740 as Xiphares in Racine's ''Mithridate''. From 1751, the Schönemann company performed mainly in Hamburg and at Schwerin, where Christian Ludwig II of Mecklenburg-Schwerin made them comedians to the court. During this period Ekhof founded a theatrical academy, which, though short-lived, was of great importance in helping to raise the standard of German acting and the status of German actors. In 1757, Ekhof left Schönemann to join Franz Schuch's company in Da ...
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Buildings And Structures In Hamburg-Mitte
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Theatres In Hamburg
This is a list of theatres and stages in Hamburg. The city of Hamburg, Germany, is home to several theatres, stages and related cultural institutions and entertainment venues. In 2009, 31 theatres, 6 music halls, and 10 cabarets were located in Hamburg proper. This list contains the most famous or well-regarded organizations. Theatres and stages Theatres In 2005/6, 4.2 mil. visits to a theatre were counted in Hamburg, 2,380 visits per 1000 inhabitants, so Hamburg had more visits than Bremen (920) and Berlin (920). The average for the German states was 420 visits.''Kulturindikatoren auf einen Blick'', p. 11 : Stages : See also * List of castles in Hamburg * List of churches in Hamburg Notes References External links Theatres and Stages in Hamburg Hamburg Tourismus GmbH {{DEFAULTSORT:Theatres in Hamburg Culture in Hamburg Hamburg Hamburg-related lists Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , ti ...
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Minna Von Barnhelm
''Minna von Barnhelm or the Soldiers' Happiness'' (german: Minna von Barnhelm oder das Soldatenglück, ) is a ''lustspiel'' or comedy by the German author Gotthold Ephraim Lessing. It has five acts, was begun in 1763 and completed in 1767 – its author put the year 1763 on the official title page, presumably to emphasize that the recent Seven Years' War plays a major part in the play, which is set on 22 August 1763. It is one of the most important comedies in German literature. It was first performed in 1767 by the Hamburg National Theatre, where Lessing worked as a dramaturg. Plot Wounded and dishonourably discharged from the Prussian Army and threatened by financial troubles and serious bribery allegations, Major von Tellheim waits at a Berlin hotel, with his servant, Just, for the outcome of his trial. His penniless condition is because repayment of a large sum advanced to the government during the recent war is being held up and his honor in making the loan questioned. Dur ...
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Hamburg Dramaturgy
The ''Hamburg Dramaturgy'' (german: Hamburgische Dramaturgie) is a highly influential work on drama by Gotthold Ephraim Lessing, written between 1767 and 1769 when he worked as a dramaturg for Abel Seyler's Hamburg National Theatre. It was not originally conceived as a unified and systematical book, but rather as series of essays on the theater, which Lessing wrote as commentary on the plays of the short-lived Hamburg National Theater. This collection of 101 short essays represents one of the first sustained critical engagements with the potential of theater as a vehicle for the advancement of humanistic discourse. In many ways, the ''Hamburg Dramaturgy'' defined the new field of dramaturgy, and also introduced the term. During the time Lessing wrote the ''Hamburg Dramaturgy,'' there was a new movement of German theatre, based on self-reflection. Actors were beginning to perform the inner and outer lives of their characters at the same time. One of Lessing's most famous and renowne ...
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Dramaturg
A dramaturge or dramaturg is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work. Its modern-day function was originated by the innovations of Gotthold Ephraim Lessing, an 18th-century German playwright, philosopher, and theatre theorist. Responsibilities One of the dramaturge's contributions is to categorize and discuss the various types of plays or operas, their interconnectedness and their styles. The responsibilities of a dramaturge vary from one theatre or opera company to the next. They might include the hiring of actors, the development of a season of plays or operas with a sense of coherence among them, assistance with and editing of new plays or operas by resident or guest playwrights or composers/librettists, the creation of programmes or accompanying educational serv ...
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Gotthold Ephraim Lessing
Gotthold Ephraim Lessing (, ; 22 January 1729 – 15 February 1781) was a philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the development of German literature. He is widely considered by theatre historians to be the first dramaturg in his role at Abel Seyler's Hamburg National Theatre. Life Lessing was born in Kamenz, a small town in Saxony, to Johann Gottfried Lessing and Justine Salome Feller. His father was a Lutheran minister and wrote on theology. Young Lessing studied at the Latin School in Kamenz from 1737 to 1741. With a father who wanted his son to follow in his footsteps, Lessing next attended the Fürstenschule St. Afra in Meissen. After completing his education at St. Afra's, he enrolled at the University of Leipzig where he pursued a degree in theology, medicine, philosophy, and philology (1746–1748). It was here that his relationship with Karoline Neube ...
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Ludvig Holberg
Ludvig Holberg, Baron of Holberg (3 December 1684 – 28 January 1754) was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano-Norwegian dual monarchy. He was influenced by Humanism, the Enlightenment and the Baroque. Holberg is considered the founder of modern Danish and Norwegian literature. He is best known for the comedies he wrote in 1722–1723 for the Lille Grønnegade Theatre in Copenhagen. Holberg's works about natural and common law were widely read by many Danish law students over two hundred years, from 1736 to 1936. Studies and teaching Holberg was the youngest of six brothers. His father, Christian Nielsen Holberg, died before Ludvig was one year old. He was educated in Copenhagen, and was a teacher at the University of Copenhagen for many years. At the same time, he started his successful career as an author, writing the first of a series of comedies. He began to study theology at the University of ...
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Theatre Company
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pav ...
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Det Kongelige Teater
The Royal Danish Theatre (RDT, Danish: ') is both the national Danish performing arts institution and a name used to refer to its old purpose-built venue from 1874 located on Kongens Nytorv in Copenhagen. The theatre was founded in 1748, first serving as the theatre of the king, and then as the theatre of the country. The theatre presents opera, the Royal Danish Ballet, multi-genre concerts, and drama in several locations. The Royal Danish Theatre organization is under the control of the Danish Ministry of Culture. Performing arts venues * The Old Stage is the original Royal Danish Theatre built in 1874. * The Copenhagen Opera House ''(Operaen)'', built in 2004. * Stærekassen (New Stage) is an Art Deco theatre adjacent to the main theatre. It was used for drama productions. It is no longer used by the Royal Theatre. * The Royal Danish Playhouse is a venue for "spoken theatre" with three stages, inaugurated in 2008. Cultural references * The Royal Theatre on Kongens Nytorv is a ...
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List Of National Theatres
Several countries have one or more national theatres. This component in the name of a theatre indicates that the funding is not only a concern of private investors or the local city, but of the national or federal budget. The Comédie-Française in Paris, founded in 1680, is widely considered to be the world's first national theatre. *Albania: National Theatre of Albania *Argentina: Teatro Nacional Cervantes *Australia: ** National Theatre in St Kilda, Victoria ** National Theatre in Launceston, Tasmania *Austria: Burgtheater in Vienna *Bosnia and Herzegovina: **Sarajevo National Theatre **Croatian National Theatre in Mostar *Brazil: ** Teatro Nacional Cláudio Santoro in Brasília **Theatro Municipal do Rio de Janeiro *Bulgaria: Ivan Vazov National Theatre *Canada: National Arts Centre of Canada in Ottawa *China: The National Centre for the Performing Arts in Beijing *Costa Rica: Teatro Nacional de Costa Rica *Croatia: National Theatres, including **Croatian National Theatre ...
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