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Musical set theory provides concepts for categorizing
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
al objects and describing their relationships.
Howard Hanson Howard Harold Hanson (October 28, 1896 – February 26, 1981)''The New York Times'' – Obituaries. Harold C. Schonberg. February 28, 1981 p. 1011/ref> was an American composer, conductor, educator, music theorist, and champion of American class ...
first elaborated many of the concepts for analyzing tonal music. Other theorists, such as
Allen Forte Allen, Allen's or Allens may refer to: Buildings * Allen Arena, an indoor arena at Lipscomb University in Nashville, Tennessee * Allen Center, a skyscraper complex in downtown Houston, Texas * Allen Fieldhouse, an indoor sports arena on the Univ ...
, further developed the theory for analyzing
atonal Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a ...
music, drawing on the
twelve-tone The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ...
theory of Milton Babbitt. The concepts of musical set theory are very general and can be applied to tonal and atonal styles in any
equal temperament An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, wh ...
tuning system, and to some extent more generally than that. One branch of musical set theory deals with collections ( sets and
permutations In mathematics, a permutation of a set is, loosely speaking, an arrangement of its members into a sequence or linear order, or if the set is already ordered, a rearrangement of its elements. The word "permutation" also refers to the act or pr ...
) of pitches and
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
es (pitch-class set theory), which may be ordered or unordered, and can be related by musical operations such as transposition,
melodic inversion In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in mu ...
, and complementation. Some theorists apply the methods of musical set theory to the analysis of
rhythm Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recu ...
as well.


Mathematical set theory versus musical set theory

Although musical set theory is often thought to involve the application of mathematical
set theory Set theory is the branch of mathematical logic that studies sets, which can be informally described as collections of objects. Although objects of any kind can be collected into a set, set theory, as a branch of mathematics, is mostly conce ...
to music, there are numerous differences between the methods and terminology of the two. For example, musicians use the terms transposition and
inversion Inversion or inversions may refer to: Arts * , a French gay magazine (1924/1925) * ''Inversion'' (artwork), a 2005 temporary sculpture in Houston, Texas * Inversion (music), a term with various meanings in music theory and musical set theory * ...
where mathematicians would use
translation Translation is the communication of the Meaning (linguistic), meaning of a #Source and target languages, source-language text by means of an Dynamic and formal equivalence, equivalent #Source and target languages, target-language text. The ...
and
reflection Reflection or reflexion may refer to: Science and technology * Reflection (physics), a common wave phenomenon ** Specular reflection, reflection from a smooth surface *** Mirror image, a reflection in a mirror or in water ** Signal reflection, in ...
. Furthermore, where musical set theory refers to ordered sets, mathematics would normally refer to tuples or sequences (though mathematics does speak of
ordered set In mathematics, especially order theory, a partially ordered set (also poset) formalizes and generalizes the intuitive concept of an ordering, sequencing, or arrangement of the elements of a set. A poset consists of a set together with a binary r ...
s, and although these can be seen to include the musical kind in some sense, they are far more involved). Moreover, musical set theory is more closely related to
group theory In abstract algebra, group theory studies the algebraic structures known as group (mathematics), groups. The concept of a group is central to abstract algebra: other well-known algebraic structures, such as ring (mathematics), rings, field ...
and
combinatorics Combinatorics is an area of mathematics primarily concerned with counting, both as a means and an end in obtaining results, and certain properties of finite structures. It is closely related to many other areas of mathematics and has many appl ...
than to mathematical set theory, which concerns itself with such matters as, for example, various sizes of infinitely large sets. In combinatorics, an unordered subset of objects, such as
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
es, is called a
combination In mathematics, a combination is a selection of items from a set that has distinct members, such that the order of selection does not matter (unlike permutations). For example, given three fruits, say an apple, an orange and a pear, there are th ...
, and an ordered subset a ''permutation''. Musical set theory is better regarded as an application of combinatorics to music theory than as a branch of mathematical set theory. Its main connection to mathematical set theory is the use of the vocabulary of set theory to talk about finite sets.


Set and set types

The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). The elements of a set may be manifested in music as simultaneous chords, successive tones (as in a melody), or both. Notational conventions vary from author to author, but sets are typically enclosed in curly braces: , or square brackets: []. Some theorists use angle brackets to denote ordered sequences, while others distinguish ordered sets by separating the numbers with spaces. Thus one might notate the unordered set of pitch classes 0, 1, and 2 (corresponding in this case to C, C, and D) as . The ordered sequence C-C-D would be notated or (0,1,2). Although C is considered zero in this example, this is not always the case. For example, a piece (whether tonal or atonal) with a clear pitch center of F might be most usefully analyzed with F set to zero (in which case would represent F, F and G. (For the use of numbers to represent notes, see
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
.) Though set theorists usually consider sets of equal-tempered pitch classes, it is possible to consider sets of pitches, non-equal-tempered pitch classes, rhythmic onsets, or "beat classes". Two-element sets are called
dyad Dyad or dyade may refer to: Arts and entertainment * Dyad (music), a set of two notes or pitches * ''Dyad'' (novel), by Michael Brodsky, 1989 * ''Dyad'' (video game), 2012 * ''Dyad 1909'' and ''Dyad 1929'', ballets by Wayne McGregor Other uses ...
s, three-element sets
trichord In music theory, a trichord () is a group of three different pitch classes found within a larger group. A trichord is a contiguous three-note set from a musical scale or a twelve-tone row. In musical set theory there are twelve trichords give ...
s (occasionally "triads", though this is easily confused with the traditional meaning of the word triad). Sets of higher cardinalities are called
tetrachord In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency pr ...
s (or tetrads),
pentachord A pentachord in music theory may be either of two things. In pitch-class set theory, a pentachord is defined as any five pitch classes, regarded as an unordered collection . In other contexts, a pentachord may be any consecutive five-note section ...
s (or pentads), hexachords (or hexads),
heptachord A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in Set (mathematics), mathematics and general parlance, is a collection of objects. In Set theory (music), musical contexts the term is tradi ...
s (heptads or, sometimes, mixing Latin and Greek roots, "septachords"—e.g. Rahn), octachords (octads),
nonachord A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collect ...
s (nonads), decachords (decads),
undecachord A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in Set (mathematics), mathematics and general parlance, is a collection of objects. In Set theory (music), musical contexts the term is tradi ...
s, and, finally, the
dodecachord A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in Set (mathematics), mathematics and general parlance, is a collection of objects. In Set theory (music), musical contexts the term is tradi ...
.


Basic operations

The basic operations that may be performed on a set are transposition and
inversion Inversion or inversions may refer to: Arts * , a French gay magazine (1924/1925) * ''Inversion'' (artwork), a 2005 temporary sculpture in Houston, Texas * Inversion (music), a term with various meanings in music theory and musical set theory * ...
. Sets related by transposition or inversion are said to be ''transpositionally related'' or ''inversionally related,'' and to belong to the same
set class A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects. In musical contexts the term is traditionally applied most often to collect ...
. Since transposition and inversion are
isometries In mathematics, an isometry (or congruence, or congruent transformation) is a distance-preserving transformation between metric spaces, usually assumed to be bijective. The word isometry is derived from the Ancient Greek: ἴσος ''isos'' mea ...
of pitch-class space, they preserve the intervallic structure of a set, even if they do not preserve the musical character (i.e. the physical reality) of the elements of the set. This can be considered the central postulate of musical set theory. In practice, set-theoretic musical analysis often consists in the identification of non-obvious transpositional or inversional relationships between sets found in a piece. Some authors consider the operations of complementation and
multiplication Multiplication (often denoted by the cross symbol , by the mid-line dot operator , by juxtaposition, or, on computers, by an asterisk ) is one of the four elementary mathematical operations of arithmetic, with the other ones being additi ...
as well. The complement of set X is the set consisting of all the pitch classes not contained in X. The product of two pitch classes is the product of their pitch-class numbers modulo 12. Since complementation and multiplication are not
isometries In mathematics, an isometry (or congruence, or congruent transformation) is a distance-preserving transformation between metric spaces, usually assumed to be bijective. The word isometry is derived from the Ancient Greek: ἴσος ''isos'' mea ...
of pitch-class space, they do not necessarily preserve the musical character of the objects they transform. Other writers, such as Allen Forte, have emphasized the
Z-relation In musical set theory, an interval vector is an array of natural numbers which summarize the intervals present in a set of pitch classes. (That is, a set of pitches where octaves are disregarded.) Other names include: ic vector (or interva ...
, which obtains between two sets that share the same total interval content, or
interval vector In musical set theory, an interval vector is an array of natural numbers which summarize the intervals present in a set of pitch classes. (That is, a set of pitches where octaves are disregarded.) Other names include: ic vector (or inter ...
—but are not transpositionally or inversionally equivalent. Another name for this relationship, used by Hanson, is "isomeric". Operations on ordered sequences of pitch classes also include transposition and inversion, as well as retrograde and rotation. Retrograding an ordered sequence reverses the order of its elements. Rotation of an ordered sequence is equivalent to
cyclic permutation In mathematics, and in particular in group theory, a cyclic permutation (or cycle) is a permutation of the elements of some set ''X'' which maps the elements of some subset ''S'' of ''X'' to each other in a cyclic fashion, while fixing (that is, ma ...
. Transposition and inversion can be represented as elementary arithmetic operations. If is a number representing a pitch class, its transposition by semitones is written T =  +  mod 12. Inversion corresponds to
reflection Reflection or reflexion may refer to: Science and technology * Reflection (physics), a common wave phenomenon ** Specular reflection, reflection from a smooth surface *** Mirror image, a reflection in a mirror or in water ** Signal reflection, in ...
around some fixed point in
pitch class space In music theory, pitch-class space is the circular space representing all the notes (pitch classes) in a musical octave. In this space, there is no distinction between tones that are separated by an integral number of octaves. For example, C4, ...
. If is a pitch class, the inversion with
index number In Statistics, Economics and Finance, an index is a statistical measure of change in a representative group of individual data points. These data may be derived from any number of sources, including company performance, prices, productivity, an ...
is written I =  -  mod 12.


Equivalence relation

"For a relation in set ''S'' to be an
equivalence relation In mathematics, an equivalence relation is a binary relation that is reflexive, symmetric and transitive. The equipollence relation between line segments in geometry is a common example of an equivalence relation. Each equivalence relation ...
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..., and transitive relation">transitive ...". "Indeed, an informal notion of equivalence has always been part of music theory and analysis. PC set theory, however, has adhered to formal definitions of equivalence."


Transpositional and inversional set classes

Two transpositionally related sets are said to belong to the same transpositional set class (T). Two sets related by transposition or inversion are said to belong to the same transpositional/inversional set class (inversion being written TI or I). Sets belonging to the same transpositional set class are very similar-sounding; while sets belonging to the same transpositional/inversional set class are fairly similar sounding. Because of this, music theorists often consider set classes basic objects of musical interest. There are two main conventions for naming equal-tempered set classes. One, known as the Forte number, derives from Allen Forte, whose ''The Structure of Atonal Music'' (1973), is one of the first works in musical set theory. Forte provided each set class with a number of the form –, where indicates the cardinality of the set and is the ordinal number. Thus the chromatic trichord belongs to set-class 3–1, indicating that it is the first three-note set class in Forte's list. The augmented trichord , receives the label 3–12, which happens to be the last trichord in Forte's list. The primary criticisms of Forte's nomenclature are: (1) Forte's labels are arbitrary and difficult to memorize, and it is in practice often easier simply to list an element of the set class; (2) Forte's system assumes equal temperament and cannot easily be extended to include diatonic sets, pitch sets (as opposed to pitch-class sets),
multisets In mathematics, a multiset (or bag, or mset) is a modification of the concept of a set that, unlike a set, allows for multiple instances for each of its elements. The number of instances given for each element is called the multiplicity of that ...
or sets in other tuning systems; (3) Forte's original system considers inversionally related sets to belong to the same set-class. This means that, for example a major triad and a minor triad are considered the same set. Western tonal music for centuries has regarded major and minor, as well as chord inversions, as significantly different. They generate indeed completely different physical objects. Ignoring the physical reality of sound is an obvious limitation of atonal theory. However, the defense has been made that theory was not created to fill a vacuum in which existing theories inadequately explained tonal music. Rather, Forte's theory is used to explain atonal music, where the composer has invented a system where the distinction between (called 'major' in tonal theory) and its inversion (called 'minor' in tonal theory) may not be relevant. The second notational system labels sets in terms of their normal form, which depends on the concept of ''normal order''. To put a set in ''normal order,'' order it as an ascending scale in pitch-class space that spans less than an octave. Then permute it cyclically until its first and last notes are as close together as possible. In the case of ties, minimize the distance between the first and next-to-last note. (In case of ties here, minimize the distance between the first and next-to-next-to-last note, and so on.) Thus in normal order is , while in normal order is . To put a set in normal form, begin by putting it in normal order, and then transpose it so that its first pitch class is 0. Mathematicians and computer scientists most often order combinations using either alphabetical ordering, binary (base two) ordering, or
Gray coding The reflected binary code (RBC), also known as reflected binary (RB) or Gray code after Frank Gray (researcher), Frank Gray, is an ordering of the binary numeral system such that two successive values differ in only one bit (binary digit). For ...
, each of which lead to differing but logical normal forms. Since transpositionally related sets share the same normal form, normal forms can be used to label the T set classes. To identify a set's T/I set class: * Identify the set's T set class. * Invert the set and find the inversion's T set class. * Compare these two normal forms to see which is most "left packed." The resulting set labels the initial set's T/I set class.


Symmetry

The number of distinct operations in a system that map a set into itself is the set's
degree of symmetry In music using the twelve-tone technique, derivation is the construction of a row through segments. A derived row is a tone row whose entirety of twelve tones is constructed from a segment or portion of the whole, the generator. Anton Webern often ...
. The degree of symmetry, "specifies the number of operations that preserve the unordered pcsets of a partition; it tells the extent to which that partition's pitch-class sets map into (or onto) each other under transposition or inversion". Every set has at least one symmetry, as it maps onto itself under the identity operation T. Transpositionally symmetric sets map onto themselves for T where does not equal 0 (mod 12). Inversionally symmetric sets map onto themselves under TI. For any given T/TI type all sets have the same degree of symmetry. The number of distinct sets in a type is 24 (the total number of operations, transposition and inversion, for n = 0 through 11) divided by the degree of symmetry of T/TI type. Transpositionally symmetrical sets either divide the octave evenly, or can be written as the union of equally sized sets that themselves divide the octave evenly. Inversionally symmetrical chords are invariant under reflections in pitch class space. This means that the chords can be ordered cyclically so that the series of intervals between successive notes is the same read forward or backward. For instance, in the cyclical ordering (0, 1, 2, 7), the interval between the first and second note is 1, the interval between the second and third note is 1, the interval between the third and fourth note is 5, and the interval between the fourth note and the first note is 5. One obtains the same sequence if one starts with the third element of the series and moves backward: the interval between the third element of the series and the second is 1; the interval between the second element of the series and the first is 1; the interval between the first element of the series and the fourth is 5; and the interval between the last element of the series and the third element is 5. Symmetry is therefore found between T0 and T2I, and there are 12 sets in the T/TI equivalence class.


See also

*
Identity (music) In post-tonal music theory, identity is similar to identity in universal algebra. An identity function is a permutation or transformation which transforms a pitch or pitch class set into itself. Generally this requires symmetry. For instance ...
*
Pitch interval In musical set theory, a pitch interval (PI or ip) is the number of semitones that separates one pitch from another, upward or downward.Schuijer, Michiel (2008). ''Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts'', Eastman Studie ...
*
Tonnetz In musical tuning and harmony, the (German for 'tone network') is a conceptual lattice diagram representing tonal space first described by Leonhard Euler in 1739. Various visual representations of the ''Tonnetz'' can be used to show traditi ...
*
Transformational theory Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, ''Generalized Musical Intervals and Transformations''. The theory—which models musical transformations as ele ...


References

Sources * * * * * * * *


Further reading

* Carter, Elliott. 2002. ''Harmony Book'', edited by Nicholas Hopkins and John F. Link. New York: Carl Fischer. . * Lewin, David. 1993. ''Musical Form and Transformation: Four Analytic Essays''. New Haven: Yale University Press. . Reprinted, with a foreword by Edward Gollin, New York: Oxford University Press, 2007. . * Lewin, David. 1987. ''Generalized Musical Intervals and Transformations''. New Haven: Yale University Press. . Reprinted, New York: Oxford University Press, 2007. . * Morris, Robert. 1987. ''Composition With Pitch-Classes: A Theory of Compositional Design''. New Haven: Yale University Press. . * Perle, George. 1996. ''Twelve-Tone Tonality'', second edition, revised and expanded. Berkeley: University of California Press. . (First edition 1977, ) * Starr, Daniel. 1978. "Sets, Invariance and Partitions". ''
Journal of Music Theory The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters c ...
'' 22, no. 1 (Spring): 1–42. * Straus, Joseph N. 2005. ''Introduction to Post-Tonal Theory'', third edition. Upper Saddle River, New Jersey: Prentice-Hall. .


External links

* Tucker, Gary (2001
"A Brief Introduction to Pitch-Class Set Analysis"
''Mount Allison University Department of Music''. * Nick Collin

''Sonic Arts''.

''Form and Analysis: A Virtual Textbook''. * Solomon, Larry (2005)

''SolomonMusic.net''. * Kelley, Robert T (2001)

''RobertKelleyPhd.com''. * Kelley, Robert T (2002)

* ttp://www.flexatone.net/athenaSCv.html "SetClass View (SCv)" ''Flexatone.net''. An athenaCL netTool for on-line, web-based pitch class analysis and reference. * Tomlin, Jay
"All About Set Theory"
''JayTomlin.com''.
"Java Set Theory Machine"
or Calculator * Kaiser, Ulrich
"Pitch Class Set Calculator"
''musikanalyse.net''.

''Ohio-State.edu''.
"Software Tools for Composers"
''ComposerTools.com''. Javascript PC Set calculator, two-set relationship calculators, and theory tutorial.

, ''MtA.Ca''. {{DEFAULTSORT:Set Theory (Music)