Neu!

Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—'' Neu!'' (1972), ''Neu! 2'' (1973), and ''Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.

Though Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the "motorik" beat, a minimalist 4/4 rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk.

History

1970–1971: Pre-formation

Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, Kraftwerk, whose early works were also produced by Conny Plank. Drummer Klaus Dinger had joined Kraftwerk midway through sessions for their eponymous debut album. Guitarist Michael Rother was then recruited to the Kraftwerk line-up on completion of the album. (Rother had been playing in a local band called ''The Spirits of Sound'', the line-up of which also included drummer Wolfgang Flür, who would himself go on to join Kraftwerk two years later.)

Kraftwerk founder Ralf Hütter left the band at this point to complete his studies and, for six months, Kraftwerk consisted of a trio of Rother, Dinger and Florian Schneider. This line-up played sporadic gigs and made a live appearance on German TV programme Beat Club. Recording sessions at Conny Plank's Windrose studio were unsuccessful (Rother later attributed the failure to "a difference of temperament"). Dinger and Rother parted company from Schneider and began Neu! with Plank. Hütter rejoined Schneider and the pair continued recording the second Kraftwerk album with Plank.

1971–1975: Main career

The band name NEU! ("new!") was inspired by the prevalence of the advertising business in Düsseldorf at the time, according to Dinger, who described it as "the strongest word in advertising" and even owned a pro forma advertising agency himself for the purpose of booking studios. The band's eponymous first album sold just 30,000 records, yet is today considered a masterpiece by many, including influential artists such as David Bowie, Brian Eno, Iggy Pop and Thom Yorke of Radiohead. It included the Motorik benchmark tracks "Hallogallo" and "Negativland" (the band Negativland took their name from this track), and bizarre "songs" like "Sonderangebot".

Their second album, ''Neu! 2'', features some of the earliest examples of musical remixes. The duo, excited about recording another album, decided to expand their horizons by purchasing several new instruments. With the money they had left as an advance from the record company, they could only record half an album's worth of material. The company would not increase their advance because the first album did not sell well enough and the label did not see a reason to further finance what was most likely to become a flop. To rectify the lack of material, the band filled the second side with manipulated versions of their already-released single "Neuschnee"/"Super", playing back each song at different speeds and sometimes warbling the music by messing with the tape machine or placing the record off center on the turntable. The songs "Super 16" and "Super 78" (slowed down and sped up versions of the proto-punk song "Super," respectively) unwittingly became the theme songs to the 1976 martial arts cult classic '' Master of the Flying Guillotine'' by Jimmy Wang Yu. This film was later referenced by Quentin Tarantino in Kill Bill Volume 1 by also featuring the track "Super 16".

Dinger and Rother were both very different when left to their own devices, and this led to their final album of the 1970s, '' Neu! '75'' being two solo half-albums. Side One was Rother's more ambient productions which were similar to the first album, albeit more keyboard-driven. Side Two (particularly the song "Hero") was acknowledged as important influence by many later involved in the UK's punk rock scene, with Dinger's sneering, barely intelligible vocals searing across a distorted Motorik beat with aggressive single chord guitar pounding.

To aid with performing on the album (and more importantly, live), Hans Lampe and brother Thomas Dinger were enlisted to help execute more music than was possible by two men. Upon its release, and arguably to this day, ''Neu! '75'' is the most diverse record available from the krautrock scene. While this can be seen as a positive point, the differences in musical direction (as well as personal issues) not only isolated the Dinger/Rother duo, it isolated their already small fan base. Neu! broke up after the release of ''Neu! '75''.

Neu! are highly praised in Julian Cope's '' Krautrocksampler'', along with other krautrock artists such as Kraftwerk and Can, and Cope has also written a song called "Michael Rother" which appears on CD2 of the Deluxe edition of the album '' Jehovahkill''.

1975–1986: Band inactivity and reunion

In 1974, Rother had already collaborated with German electronic duo Cluster, recording as Harmonia an album titled '' Musik Von Harmonia''. In 1975, he recorded a second Harmonia album, ''Deluxe'', and further sessions followed with Brian Eno, which were not released until 1997 as '' Tracks and Traces''. In 1977, Rother started recording as a solo artist. His first three albums; '' Flammende Herzen'' (1977), '' Sterntaler'' (1978), and '' Katzenmusik'' (1979) were recorded with Neu! producer Conny Plank.

Klaus Dinger, his brother Thomas and Hans Lampe formed La Düsseldorf, cited by David Bowie as "the soundtrack of the eighties". The band released three successful albums; ''La Düsseldorf'' (1976), '' Viva'' (1978) and '' Individuellos'' (1981).

Between October 1985 and April 1986, Dinger and Rother tried to rekindle the flame that was Neu!: by adding more synthesizers and a slightly more commercial aspect to some compositions, the band sounded like a cross between their old selves and the recent new wave groups. Then they were torn apart again by personal and musical issues.

An example of the sharp contrast between Dinger and Rother was evidenced by such tracks as "Crazy", Rother's attempt at pop, and "'86 Commercial Trash", a Dingerian collage of dialogue and sound effects from Germany's television commercials of that year. The work that took place in these sessions would later resurface as '' Neu! 4'' in late 1995.

1987–2009: Acrimony, CD reissues, Dinger's death

Dinger and Rother did not work together during the 1990s, and indeed some degree of bitterness existed between them, not least because Dinger had released a couple of old substandard Neu! recordings on the Japanese Captain Trip label without Rother's knowledge or consent. In late 1995, this label released the previously mentioned '' Neu! 4'' recordings from the 1985–1986 sessions. It also released '' Neu! '72 Live in Düsseldorf'' (recorded on 6 May 1972), which comprised poorly recorded rehearsals for some abortive live shows, but notable for the inclusion of Eberhard Kranemann, who had briefly been in Kraftwerk with Dinger.

A 1999 tribute album, entitled ''A Homage to Neu!'' (Cleopatra Records), features covers from artists including the Legendary Pink Dots, Download, Autechre, Dead Voices on Air, Khan, System 7, and James Plotkin, as well as an original track from Rother entitled "Neutronics 98 (A Tribute to Conny Plank)". Plank had died in 1987.

For many years the acrimony and legal wrangling between Rother and Dinger prevented their reaching agreement over licensing arrangements to make Neu!'s music available on CD. In the ensuing vacuum, illegal and inferior-quality bootleg CDs ( mastered from old vinyl records) were distributed by an outfit called Germanofon.

This situation was finally resolved in 2001, when Rother and Dinger put aside their differences and entered a studio to transfer the three Neu! albums to CD, from the original master tapes (reportedly mastering each album three times). These were produced and released by Grönland Records (licensed to the Astralwerks label in the US), packaged with stickers featuring rave reviews by notable artists, including Thom Yorke. Following the release of the first three albums, Dinger and Rother tried but failed to agree on a legal release of ''Neu! 4''. Rother called the failure of those negotiations "unfortunate".

Rother has said that he and Dinger had been considering recording a fifth Neu album, but the idea was aborted after personal disagreements resurfaced between them. Dinger died of heart failure on 21 March 2008. Rother said that he was unaware of Dinger's illness until just before he died.

Rother writes and produces solo albums. Before his death, Dinger was a member of the band La! Neu? - whose name also irritated Rother - as well as collaborating with Miki Yui and band sub-tle. in a project that is unreleased to this date.

2009–present: ''Brand Neu!'', ''Neu! '86'', Hallogallo 2010

On 25 May 2009, the new record label Feraltone released a compilation CD called ''Brand Neu!'' containing tracks by many modern artists who credit Neu! as an influence. Most notably, it featured a track from Michael Rother from the previous Neu! homage album (''A Homage to Neu!'') and a new track by La Duesseldorf.de, one of Klaus Dinger's final recordings before he died. The compilation features both new and established artists from all around the world including Oasis

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